Folk-led, genre-blending musician Mike Pope has, arguably, been one of Southern California’s best-kept secrets for years. He has certainly shared his talents by making the rounds at venues around San Diego, but it took some time before local record label Blind Owl could get him into a studio. There, he had so much material to work with that this week he released not only his debut album Songs For People (High & Low), but a bonus sophomore album titled Ripening (Ain’t It Strange).
Songs For People (High & Low) is a more self-reflective album, dancing beautifully through the speakers with its haunting melodies, striking lyrics, and captivating musicianship. From the very first lines of literal self-reflective first track “Mirror,” through the slightly quicker pace of “Steeped Cracked Rocks” and into the meandering “Teach To Sow,” the listener is transported to a slower, quieter neck of the woods. The album itself continues at a beautiful, calm clip, the compositions as though the music is physically leading us into autumn nights with friends and family.
If you are looking for a particularly complex bit of picking, “St. Augustine” will breathe life into that craving. And while the 11-track album provides a particularly pleasant audible journey, taking the time to listen to “Maryanne,” “Maryanne (Again),” and “Maryanne (Again and Again)” will light a special fire in your heart.
Dropping into the second album Ripening (Ain’t It Strange), you can tell that what’s to come will be equally pleasing. The heavier instrumentals and incorporation of more rock-focused compositions make for a completely different soundscape. While we were absolutely delighted by the percussion in the vocal-less second track “Homunculus,” the fuzzier sound to “My Spirit Orbits” makes it the perfect track to bop to on vinyl with the windows open, autumn breeze flowing through.
Ripening feels, at its core, a little edgier, but still carries a similar warmth to its sister album, stirring energy and acute want for community leading into the colder months. Colder months if you, for instance, live anywhere BUT perpetually 70-something degree San Diego.
Take some time to play in the soundscape of both albums. Now that Mike Pope has found his way out of the San Diego-specific woodwork, we’d love to maintain a mainline to his work worldwide. If ever there were an opportunity to support and encourage an artist to head back into the studio sometime soon, this is it.
A good album doesn’t always have to be a grand release that tries to pull out all the stops. Sticking to what works for an artist and being cohesive can lead to their best work. Anya Marina’s new album Queen of the Night is exactly that. It is a cohesive piece of work where Marina’s voice floats over the lyrics like she is tracing them with her voice. 15 years after the release of her first album, this might be her best album yet. Queen Of The Night was written and recorded in part in Nashville with several producers (K.S. Rhoads / “Love the Most”, Katie Herzig / “Lucky Star”) and San Diego (with Brian Karscig of Louis XIV and Nervous Wreckords on “Just Calling”) but mostly in NYC with producer/artist Miles Francis (Last Word, Creeps, Can’t Nobody Love You, Nothing, The Man, 16 Letters, Ain’t Misbehavin’) and Christopher Kuffner (“Broken Bottles”) from A Great Big World.
Opening with the title-track, “Queen of the Night”, was a strong choice by Marina. Listening to the song, you can picture it becoming an anthem. “Last Word” is a hazy dream where her voice drags through the pain of pretending. Things pick up with “Broken Bottles” as Marina sings, “hard to be wrong, worse to be right / stuck in the middle of a losing fight,” over a mid-tempo beat. Similar to the sound of artists such as Ingrid Michaelson and Regina Spektor, Marina has a certain characteristic to her music that is present in every song. There is an unmistakable quality that you have to admire in Marina’s work.
“Me and My Phone”, one of the singles off the record, jazzes things up. The chorus has a deep bass that feels nostalgic. “Can’t Nobody Love You” is a testament to the love Marina gives, no one can compare. It is the perfect slow dance song for a wedding. “Lucky Star” combines all the elements used in the album, but with layered vocals for an echo effect. It is the most ambitious song on the album, and might be a fan favorite. Similarly, “Just Calling” has echoed vocals but takes on the story of a breakup. Marina is known for pulling off great covers of songs, like T.I.’s “Whatever You Like”, and she does it again. This time she slows down Taylor Swift’s “The Man”, but does it gracefully. If you weren’t a fan of the song, you will be now. Overall, there wasn’t a single song that made you want to skip over or made you think it was a throwaway that snuck onto the tracklist. Everything makes sense and is in its place.
The prolific singer-songwriter is no stranger to success as she was a part of the platinum-selling soundtrack to Twilight: New Moon, her music appeared in TV shows like 13 Reasons Why and Grey’s Anatomy and she opened for Nikki Glaser in theaters across the U.S.. Marina has been independently releasing her music and will continue to do so with Queen of the Night. With great style and sound, Marina didn’t need to do anything except be her authentic self for this album.
San Diego blues belter Whitney Shay will soon be releasing her new album, Stand Up!. An album for “dancing, drinking, and dreaming”, the flaming haired songstress brings old soul to the modern age with her high energy rhythm n’ blues, which is sure to have you crying over lost loves that never even happened. Yeah, she’s that good.
More and more artists are getting their start online these days, but Shay came up the old fashioned way, with word of mouth spreading her impressive reputation far and wide. While many modern artists have nothing to show for their work other than their streaming stats, Shay is a four-time winner at the San Diego Music awards, recipient of a nomination at 2019’s prestigious Blues Music Awards, and has been called a “future blues icon” by Blues Matters magazine.
The songs range from personal to socio-political in theme. “Being a strong, independent woman, raised by a single mother and grandmother, many of the songs on the album deal with themes of equality and female empowerment,” Shay says. Shay and her band are taking the album on the road for Ruf Records’ 2020 Blues Caravan showcase, and, not shockingly for someone that puts so much feeling into her work, a lot of the music is about the live performance experience. “When I perform I want people to dance and be engaged. To me, music has always been about catharsis, the purging of sad experiences. If I can make the audience leave smiling and feeling like they’ve forgotten about the trouble of their day, I’ve done my job.” Shay says.
And her opening track certainly does its job, setting both tone and theme for the album quickly and cooly. “Change With the Times” immediately lets listeners know not only that Whitney Shay is here and in charge, but also that she’s going to talk about some real shit. Shay’s studio band quickly proves that they’re just as top-notch as their vocalist, with the wailing organ on the track rivaled only by the saxophone solo. This super upbeat opener must be one of those drinking and dancing songs Shay told us all about.
“I Thought We Were Through” is a special moment on the album, with Shay’s level of control and expertise quickly becoming crystal clear here. She carries herself vocally with class as she attacks the number with impressive restraint and control, managing to paint the track with just the right amount of strength without overdoing it. This one is elegance in blues.
“Boy Sit Down” shows off a more playful side, although Shay loses none of her commanding power or grit. Her band really shows up on this one, utilizing horns, a particularly sick blues guitar solo, call and response vocal, and piano that sounds straight out of an old-time saloon to get her point across, which is all about equal rights for women.
Horn-heavy “Tell the Truth” is gritty and commanding while tracks like “Getting In My Way” showcase Shay’s more bluesy, sulty side. “P.S. It’s Not About You” somehow manages to skillfully combine a funk track with elements of rock n’ roll, intriguingly making me want to both head-bang and dance, while “Equal Ground” is tinged with country instrumentation. Shay and her band are not shy of dipping their toes in more than one musical pond, and they do it with skill and ease.
“I Never Meant to Love Him” is the real standout on the album. Shay’s rich voice navigates the deep waters of the Sam Cooke-esque tune, swimming in the depths of her range one second and soaring into the sky with angelic falsetto the next. But don’t let words like angel fool you; this woman is a powerhouse, a freight-train, a force of nature, and just about any other metaphor for strength that you could dream up. Shay’s soul doesn’t just shine through; it sparkles.
Stand Up! is out today via Ruf Records and will be played via Shay and her band in Ruf Records 2020 Blues Caravan showcase.
California duo Best Coast are set to drop their newest record Always Tomorrow on February 21, 2020. The album will be released through Concord Records and was produced Carlos de la Garza, with additional production from Justin Meldal Johnsen. This will be the band’s newest release since their 2015 record California Nights.
The first track to be released from the album was “For the First Time” back in the fall. Now they are dropping their next track, “Everything Has Changed”. The new track was shared through a music video, directed by Ryan Baxely. The video features characters from lead singer Bethany Cosentino’s favorite show, Vanderpump Rules.
Always Tomorrow is a look back on the past 10 years of Cosentino’s life. Through the emotions of personal discovery, newfound sobriety, touring, and heartbreak, listeners witness Cosentino close one chapter of her life and the beginnings of her new one. Leaving behind all the bad and focusing on and moving forward with the good. The main theme and biggest take away of Always Tomorrow is acceptance.
This album is influenced by the sounds of those found in The Go-Go’s, The B-52’s, Fleetwood Mac, and Talking Heads. With sonic sounds and the feel of woozy pop, Best Coast continue to make a name for themselves in the independent music scene.
This winter, Best Coast are out on a full North American tour with support from Mannequin Pussy. All dates can be found below:
2/27 – Palm Springs, CA – The Alibi (with Lunch Lady)
2/28 – Los Angeles, CA – The Novo*
2/29 – San Francisco, CA – Regency Ballroom*
3/2 – Portland, OR – Wonder Ballroom*
3/3 – Vancouver, BC – VENUE *
3/4 – Seattle, WA – The Showbox*
3/6 – Salt Lake City, UT – Metro Music Hall*
3/7 – Denver, CO – Ogden Theatre*
3/9 – Minneapolis, MN – First Avenue*
3/10 – Evanston, IL @ SPACE*
3/11 – Chicago, IL @ Thalia Hall*
3/13 – Detroit, MI – El Club*
3/14 – Toronto, ON – Phoenix Concert Theatre*
3/15 – Montreal, QC – Corona Theatre*
3/16 – Boston, MA – Royale*
3/18 – Brooklyn, NY – Brooklyn Steel*
3/19 – Washington, DC – 9:30 Club*
3/20 – Philadelphia, PA – Union Transfer*
3/21 – Carrboro, NC – Cat’s Cradle*
3/23 – Nashville, TN – The Basement East*
3/24 – Atlanta, GA – Terminal West*
3/25 – New Orleans, LA – The Joy Theater*
3/27 – San Antonio, TX – Paper Tiger*
3/28 – Austin, TX – The Mohawk*
3/29 – Dallas, TX – Granada Theater*
3/31 – Phoenix, AZ – Crescent Ballroom*
4/1 – San Diego, CA – The Observatory North Park*
4/2 – Santa Ana, CA – The Observatory (w/ FEELS)
Erin P.S. Zimmerman has not only the memory of an elephant and the rhythm of one of Destiny’s children, but she’s the twin sister of our Editor, so she’s an absolute magnet for pop culture. She took a side road and grabbed us a large quantity of songs for a playlist that easily covers the entire decade. We’re sure it was inspired by her Spotify plays, as well as a deep dive into each year and her own iTunes library. But this girl’s got some gems. So read em, listen to em, and celebrate 2020 with the sounds of the past!
Dick in a Box – Lonely Island ft Justin Timberlake One of the first times I realized that my mom has a wicked dirty sense of humor. In 2011, we requested this one at a piano bar “for our mom”. They pulled her on stage to sing and dance…and boy, did she!
I’m on a Boat – The Lonely Island Everyone seemed to know this one, and it brought us all togethe
Water Landing – Third Eye Blind Favorite TEB song. My new bf at the time – now my husband – made me a mix CD when we started dating, and this was the first song.
Boom Boom Pow – The Black Eyed Peas “You’re so two thousand and LATE!” – Also, my sorority formal date’s “THIS IS MY JAM!”
Gives You Hell – The All-American Rejects Our anthem for all the bullshit left behind in high school.
Use Somebody – Kings of Leon Favorite moment of my study abroad trip to London: a packed room at a bar singing this to a live band playing a cover.
Party in the USA – Miley Cyrus There is no physical possibility she could walk off the plane at LAX, hop in her cab and look to the right to see the Hollywood sign.
Battlefield – Jordin Sparks Why DOES love always feel like a battlefield?
Fireflies – Owl City Why did we like this one so much??
I Love College – Asher Roth This is the given on the soundtrack of someone who was in college in 2009 or any year after.
Breakeven – The Script This introduced me to The Script. Which became part of the soundtrack to my summer.
Lines, Vines, and Trying Times – Jonas Brothers YES, this is the whole album. Because I loved about 4/5ths of it. And it was the magical soundtrack to exploring London and Los Angeles.
Cooler Than Me – Mike Posner Someone told me they thought of me every time they hear this song because I probably think I’m cooler than them. I am.
Billionaire – Travie McCoy ft Bruno Mars Heard this one for the first time driving around Los Angeles with some friends. And I could picture myself as a billionaire VERY clearly – and still do every time I hear it!
Club Can’t Handle Me – Flo Rida ft. David Guetta Always blasted in my dorm with my roommates. Always never at the club…because it can’t handle me right now.
Whataya Want from Me – Adam Lambert I felt like I had his vocal range. Spoiler alert: I didn’t. Also: what I sang in my head every time someone from high school reached out to me…
If I Die Young – The Band Perry My co-worker’s young daughter loved this song. And creepily sang every word as she stared deep into my eyes. I lived to tell the tale.
Shout It Out – Hanson Yes, it’s another boy band album. I truly love all of the upbeat music on this, and it’s great for running through the sprinklers and then enjoying a bomb pop on a summer day (or upbeat music for your NYE)!
Under the Mistletoe – Justin Bieber My sister received a video invitation to a Christmas party in Manhattan, New York that featured this song. And it was original and funny and I can’t help but love the song now.
Rolling in the Deep – Adele Power ballad and my introduction to Adele [insert heart eyes]
Party Rock Anthem – LMFAO My little bro learned the dance. We made the gold box head from the video for him. This was his anthem.
Raise Your Glass – P!nk Underdogs. Weirdos. Dirty little freaks. I’ve never felt so seen…
F**kin’ Perfect – P!nk NOW I feel seen.
Look At Me Now – Chris Brown ft Lil Wayne and Busta Rhymes I spent an entire week vacationing in San Diego practicing rapping to Busta’s verse. I got most of it, performed it at my 21st birthday party, and retired from the rap game.
Good Life – OneRepublic Upbeat. Meaningful. Nostalgic. Perfect for a party!
Pretty Girl Rock – Keri Hilson Because, of course.
Jessie J’s entire album: Who You Are Spent the summer – and fall and winter and spring – driving around with my twin sis rockin’ out to this one! Daddio’s favorite is Price Tag
Threw it on the Ground – The Lonely Island Makes me giggle. Referenced often to this day.
Somebody That I Used to Know – Gotye Just one of those songs from 2012 that defined the year…because it was played non-stop on every radio station. So, everyone knows it.
We Are Young – Fun Another one of those anthems for people of all ages about going out and painting the town red – or setting it on fire, whatever
Ni**as in Paris – Jay Z and Kanye West A fun one that made at least SOMETHING in Blades of Glory funny.
Birthday Cake – Rihanna ft Chris Brown Super weird collaboration following his assaulting her and the romantic breakup that followed 3 years prior…but a super catchy – albeit sometimes annoying – track.
Thrift Shop – Macklemore and Ryan Lewis Who didn’t love this song, and then become a complete thrift shop junkie? It took me years to get back to thrifting and getting anything good!
Flawless – Beyonce Empowerment anthem OF THE DECADE. And, most days? I DID wake up like this.
Mirrors – Justin Timberlake Cried. Sang it with the windows down driving up the 101. Made my bridal party do a dance to it. There is video evidence.
Royals – Lorde I had somehow forgotten this song. It played in perpetuity from 2013-the KC Royals 2015 World Series Championship. Now I can’t get it out of my head…
Wrecking Ball – Miley Cyrus An ode to Miley’s breakup, breakdown and ripping off the bandaid that was her Disney persona. And you, too, can get a skin for your MacBook that turns your Apple logo into the wrecking ball in question.
Girl on Fire – Alicia Keys ANOTHER empowerment anthem? We will take all of them we can get!
You and I – John Legend Hell, really I just mean all of the album “Love in the Future”. Best of 2013.
Happy – Pharrell Williams Who doesn’t want a feel-good song to take you from down in the dumps, to dancing on the hood of your car? Or the bar? Or the table or the street?
All of Me – John Legend Bawled. Became first dance at wedding. Years later, I told John Legend to his face that he only makes music to purposefully make me cry. And he guaranteed tears at his concert. And he delivered. Damn him.
Turn Down for What – DJ Snake and Lil Jon Only video I took at my wedding: Dance off in the foreground between 5 VERY white boys to this song. In the background? Family friend Russian kicking my 9-year-old niece into 2016.
Chandelier – Sia I DO want to swing from the chandeli-here!
The Man – Aloe Blacc Best basketball warm up song. Best slideshow music for the graduating seniors of the St. Pius X high school basketball team.
Partition – Beyonce This one just has me feelin’ myself, no matter what mood I was in before! In fact, I’m going to go listen to it, now!
See You Again – Wiz Khalifa ft Charlie Puth First death of a friend my age. This played on a slideshow. He’s all I think of when I hear it and I cry. Which means I cried while watching Fast and the Furious. But not because of Fast and the Furious.
Take Me to Church – Hozier The year I really STOPPED going to church. But his voice more than made up for it!
Elastic Heart – Sia Two words: Shia. Labeouf.
Outlaws – Alessia Cara I felt like this was the anthem for myself and my fellow entrepreneurs as we retreated in the mountains and built our businesses and white-water rafted and had a jolly ole time.
House Party – Sam Hunt How the twin and I have always lived our lives: entertaining from the comfort of our own homes.
Love Yourself – Justin Bieber
Sorry – Justin Bieber OK, let’s be honest. The whole damn album. I’m not embarrassed. I danced my way through 2016 to JB.
Work from Home – Fifth Harmony I had just started working from home as a full-time freelancer when this one came out. So, it was constantly in my head – and is a fun one to dance to, as well!
Just Like Fire – P!nk Apparently, I am drawn to fire. I believe it’s the Aries in me…
One Call Away – Charlie Puth Sister broke up with her boyfriend. I rallied the troops and had friends and family from across the US lip sync on video and put it together as a breakup gift. And a perpetual reminder.
Sit Still, Look Pretty – Daya Calling society in to question. While being catchy and easy to dance to? Yes, please and thank you! Because smashing the patriarchy can and should feel a hell of a lot more fun!
Lost Boy – Ruth B Haunting, gender-bending, put into question how we see ourselves vs. how we are seen.
I know, deep, right?
HUMBLE – Kendrick Lamar I saw this one as a challenge for me to be less humble and take up space, while also singing along loudly in the direction of folx who need to sit the f*** down, shut up and listen.
Say You Won’t Let Go – James Arthur Does anyone else see Jane and Rafael from Jane the Virgin when they listen to this song? No? Just me?
Redbone – Childish Gambino A range and style no one expected, but everyone needed.
Slow Hands – Niall Horan Sexy from a former One Directioner…I should have seen it coming.
Sorry Not Sorry – Demi Lovato Hate the saying. LOVE the song.
DNA – Kendrick Lamar The BEST song to lift heavy weights and smash a bag around to! TRY to tell me differently!
Better Life – P!nk Sad and beautiful. It helps me to stop and take inventory and answer P!nk’s question for myself.
Younger Now – Miley Cyrus How I feel with each passing year…
Bastards – Kesha First song on her 2017 album. “Don’t let the bastards get you down” (America’s official slogan since, what, 2016?)
Everybody Lost Somebody – Bleachers Bleachers makes depression fun by helping folx find commonalities in one another. YOU are not alone!
Finesse – Bruno Mars and Cardi B LOVE the throwback late 80s/early 90s sound. MORE PLEASE!
All The Stars – Kendrick Lamar & SZA Black Panther. Entire Marvel/Disney soundtrack produced by Kendrick Lamar. My mom is friends with SZA’s mom.
This is America – Childish Gambino Calling us out. Poignant. This IS America. Always and still.
God is a Woman – Ariana Grande Finally. Someone got it right.
Shape of You – Ed Sheeran I’m still trying to hate it. But every time it comes on – and it still does a LOT – my foot just gets a’tappin’!
Thank U, Next – Ariana Grande I find myself singing this at my husband of 5+ years. Gotta keep um on their toes!
Hey Look Ma, I Made It – Pan!c at the Disco Haven’t heard much from Pan!c since the mid 2000s…and now they are back and better than ever! In fact: theirs was my favorite show of 2019 (and Elizabeth’s! Check out her review here: http://imperfectfifth.com/elizabeths-favorite-shows-of-2019-dont-threaten-me-with-a-good-time/)
7 Rings – Ariana Grande Sound of Music is my favorite. And so are my bitches (though, I don’t have 6 of them…probably)
Old Town Road – Lil Nas X ft Billy Ray Cyrus Lil Nas X became a role model, THEN came out (and became an even BIGGER role model), all while trolling us with this annoyingly catchy – but really bad – anthem of 2019.
Bad Guy – Billie Eilish Hate to say it…I love it. Because, well, I don’t always want to be the nice guy!
I Don’t Care – Ed Sheeran and Justin Bieber This is literally how I feel about everyone and everything. Except for my family. Sometimes. Other times, it’s exactly how I feel about all humans except myself.
Homecoming: The Live Album – Beyonce Watching it live. Listening to it in its entirety. Tears to my eyes and over a decade of music and emotions.
The energy that bursts forth with each new stanza in Caravan Palace‘s new release – a full-length titled Chronologic – is undeniable. From the fade in on first track “Miracle”, unwavering positivity is thrust upon your eardrums, a soundscape and attitude we have been craving for quite a while. As politics rears its ugly head at us from all sides in the art community, allowing ourselves to pour such invigorating lyrics into our ears feels like a welcome escape from the world’s melancholia. (There is a song on this release specifically titled “Melancolia”. But we will get to that in a moment.) The soundscape gets theatrical with “About You”, a track the Parisian group concocted with a feature by Charles X. “Moonshine” brings with it a more relaxed vibe that fits the title well.
Here’s where we get to “Melancolia”. While we see the reflection of a slower pace that mirrors the title, the song itself is still smooth as silk and just as easy to dance to as its predecessors. At no point does our mood dip while listening, which speaks to the psychology behind the soundscape. “Plume” brings the pace back up, with sounds reminiscent of Alexandra Stan’s “Mr. Saxobeat”. This one could – quite frankly – hit the airwaves and pick up speed with a dancing crowd. “Fargo” gives us sunshine-soaked, lazy morning brunch vibes, while “Waterguns” boasts more of that hit single potential, featuring vocals by Tom Bailey. “Leena” slows it down again, allowing an introspective breather and – truly – a ballad-like feel to enter the Chronologic journey. “Supersonics” feels like an extension of the wonderful dance groove we felt with “Plume”, leading into tenth track “Ghost”, which has a more ethereal feel, the most literal translation of its title we could ever hope for. “April” brings with it an instrumental energy that is balanced out with cool, crooning vocals. We couldn’t think of a better way to round out this fabulous new release.
Now, go infuse your holiday weekend with this happiness. On repeat!
There are certain experiences in life that are universal to all of us and with his new hit “Memorial” Devendra Banhart is able to capture and express the full realm of one of these experiences, loss. His lyrical genius provides metaphors that paint an intense picture of mourning and grief as seen in the human realm. When asked about the song himself, Banhart said, “Memorial is about loss & the strangeness to feel so numb and yet, so completely heart-broken-open…” The song was written for three people he loved the most in life as a tribute to ones who are taken from us too soon. It’s a perfect example of an artist trying to understand death, and truly features the different stages in the process of grieving. Banhart was able to cross musical boundaries with a waltz-like background bass and forefront finger plucking from the lead guitar while his wavering vocals carry the listener along. “Memorial” is just one song from Banhart’s album Ma coming out September 13.
Devendra Banhart North American Tour Dates:
09/27/19 – Dana Point, CA @ OHANA Festival
10/15/19 – Ventura, CA @ The Majestic Ventura Theater ^
10/16/19 – San Francisco, CA @ The Fillmore ^
10/18/19 – Portland, OR @ Crystal Ballroom ^
10/19/19 – Seattle, WA @ Moore Theatre ^
10/20/19 – Eugene, OR @ WOW Hall
10/22/19 – Berkeley, CA @ The UC Theatre
10/24/19 – Los Angeles, CA @ The Theatre at Ace Hotel
10/25/19 – Santa Ana, CA @ The Yost Theater
10/26/19 – San Diego, CA @ The Observatory North Park
10/27/19 – Phoenix, AZ @ Crescent Ballroom
10/30/19 – Boulder, CO @ Boulder Theater *
11/01/19 – Omaha, NE @ The Slowdown *
11/02/19 – Minneapolis, MN @ Varsity Theater *
11/03/19 – Chicago, IL @ Thalia Hall *
11/05/19 – Memphis, TN @ The Hi Tone *
11/07/19 – Austin, TX @ Stubbs (Levitation)
11/23/19 – Leon, Guanajuato Mx @ Tecate Bajio Festival
11/25/19 – Mexico City, Mx @ El Plaza Condesa
11/30/19 – Detroit, MI @ Museum of Contemporary Art *
12/01/19 – Toronto, ON @ Danforth Music Hall *
12/03/19 – Montreal, QC @ The Olympia *
12/04/19 – Boston, MA @ The Wilbur *
12/05/19 – Brooklyn, NY @ Brooklyn Steel *
12/07/19 – Washington, D.C. @ 930 Club *
12/08/19 – Philadelphia, PA @ Union Transfer *
* w/ Black Belt Eagle Scout
^ w/ Daniel Higgs
For more on Banhart himself be sure to check him out here.
Though we have to wait until September 13th for the debut release from Los Angeles quartet The Paranoyds, we are being kept calm, cool and collected with the release of the music video for their surf-tinged rock single “Carnage Bargain”. The group – comprised of Staz Lindes, Laila Hashemi, Lexi Funston, and David Ruiz – has hit the ground running with a lot of buzz around their work, and we’re particularly big fans of it. The new video is fun, with footage of the band adventuring, singing, and seemingly enjoying themselves, as they sing of a less upbeat topic. Explains Lindes:
It’s an extremely vulnerable time in America–things aren’t sugar coated anymore. The dirt and grime that was swept under the rug has risen to surface. It’s impossible for us to get through a day without thinking of the thousands of migrant children in cages at the border alone, some without proper beds, soap, toothbrushes, and with lights on 24/7. We can not continue to ignore the black lives, young and old, taken by police almost every week. The plastic crisis. The mass shootings. The extreme need for prison reform. The opioid crisis. The water crisis in Flint, Michigan. The list goes on, and the hole gets deeper. Sometimes I can’t sleep and I wonder: do they sleep well in the White House? What else can I do as a privileged citizen? They want to get a Carnage Bargain. I want to pick up garbage.
Check out the relatable track and its accompanying visual below!
09/05/19 – San Diego, CA @ Casbah *
09/06/19 – Pomona, CA @ The Glass House *
09/07/19 – Phoenix, AZ @ Valley Bar *
09/09/19 – Austin, TX @ Barracuda *
09/10/19 – Dallas, TX @ Club Dada *
09/11/19 – Houston, TX @ Satellite Bar *
09/13/19 – New Orleans, LA @ Gasa Gasa *
09/14/19 – Atlanta, GA @ Masquerade (Hell Stage) *
09/15/19 – Raleigh, NC @ Motorco *
09/17/19 – Washington, D.C. @ U Hall *
09/19/19 – Brooklyn, NY @ Elsewhere *
09/20/19 – Philadelphia, PA @ Philamoca *
09/21/19 – Boston, MA @ Brighton Music Hall *
09/23/19 – Toronto, ON @ Horseshoe *
09/24/19 – Columbus, OH @ The Basement *
09/25/19 – Nashville, TN @ Exit/In *
09/28/19 – Minneapolis, MN @ 7th Street *
09/29/19 – Chicago, IL @ Lincoln Hall *
09/30/19 – St. Louis, MO, Firebird *
10/03/19 – St. Louis, MO @ Firebird #
10/04/19 – Des Moines, IA @ Vaudeville Mews #
10/05/19 – St. Paul, MN @ Amsterdam Bar & Grill #
10/07/10 – Denver, CO @ Larimer Lounge #
11/01/19 – San Francisco, CA @ Cafe du Nord
11/02/19 – Santa Cruz, CA @ The Crepe Place
11/03/19 – Reno, NV @ The Holland Project
11/05/19 – Portland, OR @ Bunk Bar
11/06/19 – Seattle, WA @ Barboza
* = supporting Bleached
# = supporting White Reaper
Indie rock band Wrinkles puts an emphasis on carefree fun in the music video for their latest single, “Thunderstorm.” In the depths of a Montana winter, we see the five-piece band put their house to the test as they gather every blanket, pillow, tool, and instrument possible to create some sort of musical fortress. The video has a very exciting, TV-sitcom vibe that focuses on who Wrinkles is as a band and highlights their talent as well as their obvious camaraderie. While this is a lighthearted video, it shows the importance of a band’s strong connection not only as musicians, but as friends. As a result, the video – directed by Kendall Rock – perfectly matches the upbeat and catchy qualities of the track.
“Thunderstorm” is the first single off Wrinkles’ sophomore album Other Days, which comes out on August 14th. Check out the music video, and keep up with the band here.
Other Days Tour Dates
8.7 – Missoula
8.16 – Helena
8.17 – Bozeman
8.22 – Seattle
8.23 – Vancouver
8.24 – Bellingham
8.25 – Portland
8.26 – Corvallis
8.27 – Eugene
8.28 – San Francisco
8.29 – Oakland
8.30 – Los Angeles
8.31 – San Diego
9.1 – Phoenix
9.2 – Tucson
9.3 – El Paso
9.4 – Marfa
9.5 – Austin
9.6 – Houston
9.7 – Baton Rouge
9.8 – New Orleans
9.9 – Memphis
9.10 – Nashville
9.11 – Athens
9.12 – Asheville
9.13 – Richmond
9.14 – Baltimore / DC
9.15 – Philadelphia
9.16 – Asbury Park
9.17 – New York
9.18 – Amherst
9.19 – Albany
9.20 – Montreal
9.21 – Toronto
9.22 – Hamilton
9.23 – Detroit
9.24 – Chicago
9.25 – St Louis
9.26 – Kansas City
9.27 – Omaha
9.28 – Denver
9.29 – Ft Collins
9.30 – Bozeman