Beginning with a little tongue in cheek dialogue, Anja Kotar‘s single “Kids” is infectious and honest, its accompanying music video no different. As the artist parades around in candy colored outfits, rocking each of them with a confidence that addresses the self love aspect of the track better than any other visual could. This is one of our new favs, and you’re going to want to check it out.
Keep up with Anja Kotar here.
Australian pop musician Mallrat has created yet another catchy, beautiful, melancholic track for our ears to enjoy, this time with Basenji in latest track “Nobody’s Home”. The 20 year old has taken it up a notch with the new visual to accompany the song, and it’s quite a vibrant and enjoyable way to experience the song. Theatrical, a feeling of longing ever-present, this video will make you evaluate your own love life. We’re almost certain of that.
Keep up with Mallrat here.
Portland-based groove folk project Lili St Anne – comprised of Elizabeth Fagan, Jason Miller, and Sam Arnold – has created a sound that is soulful, soothing, and intensely ethereal all at the same time. Throughout the duration of their track “Wolves”, we fall more and more in love with Fagan’s vocal range, as she tugs – no rips – at all of our emotions with her words. The video that accompanies the track mirrors its disposition, dark with hints of glitter that bring with them that wonderful voice.
Give yourself the full experience with the visual, below!
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Keep up with Lili St Anne here.
Dublin-based art-folk brother duo Richie and Jamie Martin have created quite a bit of magic with their music under the moniker Cry Monster Cry. Today, the Richey McCourt remix of their track “Citadel” is released, with slight edits made to the original visuals. Neither track is better than the other, a completely different set of emotions associated with each soundscape. Though we will admit that the poignant words wrench at your heart ever the same.
Try it on for size!
Keep up with Cry Monster Cry here.
Today, singer/songwriter Kiki Halliday released both the track and the accompanying visual for her single “Majesty”. Soulful, raspy vocals electrify the track, simplified acoustic guitar that sets the songstress in center stage from the first notes of the track. The video itself is comprised of varying camera angles highlighting Halliday’s relaxed live performance vibes, as she sings in a seemingly empty room. The dusty colors and soft shading set the tone for the track itself, and we’re certain this is the beginning of a long, beautiful road for Halliday.
Keep up with Kiki Halliday here.
Still in that “puppy love” stage with 2019? The New Year has given you more opportunities, more of a social life, and more things to get done too? Well, why not do it with help from some of our favorite emerging artists? 2019 has been so inviting to us, especially within the music sphere. We have a batch of our 34 favorite videos from the first half of the month that we think are worth checking out. Full screen this bitch while you’re cleaning, cooking, or dancing with you cat. Keep it small if you want to side-eye it while you’re at your desk. Either way, it’s worth a little bit of time to dig into this new, artful work, featuring Nina Nesbitt, American Football, Alice Phoebe Lou, and more!
With the backdrop filled with Brodie Jenkins’ haunting vocals, Cathedrals’ new video for “Just A Game” is absolutely entrancing. Add in dark landscapes, hints of natural light bursting through for a gorgeous and stunning contrast. Both members of the San Francisco duo can be observed over the course of the video, lending their live performance tactics to the screen in front of backdrops that match the soundscape so beautifully, you almost don’t know what to do with yourself. Explains Brodie:
For the “Just a Game” music video, I wanted to capture the darker, anguished side of love. I loved the original Grimm’s fairytales as a kid (still do) and have always had a gothic streak. So visually, I was inspired to combine those influences into our own dark and twisted fairytale. She’s trapped in this story – a beautiful but haunted limbo in which the familiar elements are there, but there is no happy ending and it was all a lie to begin with.
Keep up with Cathedrals here.
Los Angeles-based “evoca-pop” artist R E L is providing quite the ambiance for our 2019 via her track “Nanagrams”. The accompanying visual utilizes a contrast of light and dark to bring both an ethereal aesthetic to the project, as well as a sense of struggle. The struggle itself stems from the artist’s personal struggle with an eating disorder, something she is very upfront and honest about. Through her music, she provides healing energy for both herself and others who struggle with health issues.
“Music has the power to heal,” expands R E L. “I developed anorexia at a very young age (7). It permeated my life through my sophomore year of college. The struggles I faced affect many women, and men. Side A is about the first stage of healing – facing the problem, hitting a low. I’ve developed the EVOCAPOP project in three “sides”, so I can address each phase of healing as its own story & as part of a bigger story. Self love is the first step towards happiness, towards peace.”
R E L’s vocals convey a calming presence, perhaps her first step toward that peace, something that continually makes us feel at ease with each new play of the track.
Keep up with R E L here.
Alternative collective Emarosa – expertly comprised of Bradley Scott Walden, ER White, Robert Joffred, and Matthew Marcellus – is back and bringing the heat with the official music video for “Don’t Cry”. The song itself is off their upcoming album Peach Club, due out February 8th. The video was directed, edited, and animated in its entirety by Jessica Severn, an effort that perfectly balances the emotion of the song. It’s time to delve into the lyrics and mood with some Emarosa on repeat, don’t you think?
Keep up with Emarosa here.