Having become a household name due to their unique sound and incredible live performance tactics, it is no surprise that the release of Young The Giant‘s new album Mirror Master was met with great excitement in the music community. The Los Angeles quintet – comprised of Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar/vocals), Payam Doostzadeh (bass), and Francois Comtois (drums/vocals) – has created 12 gorgeous tracks that will keep your ears perked and begging for more from the very first light, voluptuous lines of “Superposition”. Through the heavy guitar of “Simplify”, to the smooth sounds of “Call Me Back”, to the end of “Heat of the Summer” – which, to its credit, gives off that nostalgic, balmy summer vibe – Young The Giant has taken this opportunity to take you on a true audio adventure through genres, pulling inspiration from many soundscapes.
While “Oblivion” boasts a slight theatrical tinge to its rock roots, “Darkest Shade of Blue” slows everything down to a haunting, poetic crawl before picking up exponentially throughout “Brother’s Keeper”. “Glory” gives off a soulful vibe, a warmth not particularly noticed in its predecessors, as both “Tightrope” and “Panoramic Girl” re-introduce the head bobbing tempo we’re so fond of from this particular act. “You + I” has a glittery feel to it – perhaps most notable in the simplistic, puppy love-like lyrics – and the title track rounds out the collection with the most layered, danceable feel to the entire album.
Alternative musician Novo Amor may have written and recorded the entirety of his new album in his home studio in Whales, but the sound is so polished and ethereal in its disposition that you would think it came to be in a garden somewhere. Beginning with tranquil, tone-setting track “Emigrate”, the album slowly layers in like a delectable dream sequence. “Birthplace” brings in more staccato notes – invoking a sense of excitement during parts of the song – and percussion that will change the rate of your heartbeat. “Utican” can be described as nothing if not as a freeing, energetic anthem, while “Seneca” dances delicately along the edges of your shoulders, as if to wrap you in an other-worldly hug.
“Anniversary” is largely instrumental, ushering in an energy and sound that feels like everyone you know is singing along. “13494” follows a similar feel to its predecessor, though darker in tone in a way that makes the track feel more robust. “State Lines” falls into the more conventional “folk singer-songwriter” category, and we’re eating it up like there’s no tomorrow. Seriously, turn this one on, turn your most twinkling lights on, and gaze out the window for a while. Pure bliss.
“Sleepless” is a more conventional anthem in its composition, but equally ethereal as the vocals maintain their light as a feather tone. Even “Repeat Until Death” doesn’t have the negative or dark tones to it as implied in the title, but to categorize it as anything other than melancholic would be a miss in our minds. And that’s fine, as the range of emotion and writing styles allows us a more intense peek into the creative mind of Novo Amor. He ends it all with “Oh, Round Lake”, a simplistic by impactful track that leaves you wanting to dance in that fairy-lit garden, breathing in the autumn night air.
Novo Amor kicks off his UK tour tonight. Head out to one of the dates below to check it out!
NOVOAMOR INTERNATIONAL TOUR DATES:
Fri 19 Oct – Brudenell Social Club, Leeds UK
Sat 20 Oct – The Haunt, Brighton, UK
Mon 22 Oct – Union Chapel, London, UK
Tue 23 Oct – Union Chapel, London, UK
Wed 24 Oct – La Maroquinerie, Paris, FR
Thu 25 Oct – Kulturhaus Karlstorbahnhof, Heidelberg, DE
Sat 27 Oct – Vega, Copenhagen, DK
Sun 28 Oct – Kagelbanan, Stockholm, SE
Tue 30 Oct – Botanique Orangerie, Brussels, Belgium BE
Wed 31 Oct – Paradiso Noord, Amsterdam, NL
Thu 1 Nov – Gruenspan, Hamburg DE
Fri 2 Nov – Funkhaus Berlin Nalepastrasse, Berlin DE
Mon 12 Nov – Atlanta GA, US
Wed 14 Nov – Union Stage, Washington DC, US
Thu 15 Nov – Bowery Ballroom, New York NY, US
Sat 17 Nov – The Sinclair, Cambridge MA, US
Tue 20 Nov – Theatre Farimount, Montreal, CA
Wed 21 Nov – Velvet Underground, Toronto, CA
Fri 23 Nov – Lincoln Hall, Chicago IL, US
Sat 24 Nov – Cedar Cultural Center, Minneapolis MN, US
Tue 27 Nov – Bluebird Theater, Denver CO, US
Wed Nov 28 – The Commonwealth Room, Salt Lake City UT, US
Fri 30 Nov – St. James Hall, Vancouver, CA
Sat 1 Dec – Columbia City Theater, Seattle WA US
Sun 2 Dec – Doug Fir Lounge, Portland OR, US
Tue 4 Dec – Swedish American Hall, San Francisco CA, US
Thu 6 Dec – Lodge Room, Los Angeles CA, US
Birthplace is available now. Keep up with Novo Amor here.
Indie pop-rock collective Roaming Herds of Buffalo releases their new album Mountain Rabbit today, and we’re blown away by the way the entire collection induces an energy field no matter what setting you listen to it in. Beginning with the fast paced “Does NOT Exist”, second track “Judgment Day” brings the pace down, but not the crashing of cymbals nor the hard guitar chords that we’ve come to know and love of this band. By “Into The Void”, we’re pleased to realize the vocal nods to the 60s and 70s will be a mainstay, indulging in the soft and glittering instrumentals of the third track.
This album truly leads you on an audible journey, a storyline attached at every turn. It’s colorful and interesting, bouncing from topic to topic while treating its listener to a soundscape unlike most others. The change of tempo after the intro in “Ray Gun” is sublime, the throwback punk feels of “Brain Stem!” really rev you up, and the title track feels like its from another world. “Dressed Like Sheep” brings it to a simpler acoustic sound, allowing the album to round out in a more delicate and light-hearted way. But the subject matter is another thing altogether…
After her riveting performance of “Woman” on Colbert, Cat Power releases her 11-track album, Wanderer, in its entirety today. The luscious, soft sounds of the title track lead us into the piece, slowly and confidently building up sound and backing instrumentals to provide the robust, ethereal sound that continues through second track “In Your Face”. Third track “You Get” has a bit of a punk edge to the instrumentals, while “Woman” provides a more soulful sound, reflecting the strength of an entire gender. “Horizon” stays at that level, while “Stay” slows things down a tad bit more and seems to play more with dissonance and vocal placement than its predecessors.
“Black” is hauntingly beautiful, the vocals presented akin to Imogen Heap, while “Robbin Hood” simplifies the instrumentals a little more for us. Cat Power’s raspy vocals in “Me Voy” are alluring, drawing you right into the mood and sounds of last track “Wanderer/Exit”, which provides quite the closing to the album.
The journey you go on with this album is at a manageable pace for you to slow down your thoughts and take a break from the hustle and bustle of the outside world. We advise you to take advantage of the soothing soundscape this week.
Been noodling around the internet, looking for new tunes to tantalize your eardrums for a while on this gorgeous Thursday? Well, you can stop right here and hang out for a while because we’ve got the exclusive streaming premiere of Payson Lewis‘ new EP Take Me Apart. Lewis – a musician hailing from Philadelphia and residing in Los Angeles – brings his fresh, invigorating vocals to upbeat, pop instrumentals in six gorgeous tracks laid out before us on this EP. And though “Take Me Apart” and “Can’t Go Back” exist as slower, more practiced ballads, we see no reason for this to not be a go-to set for next year’s festival season.
Explains Lewis:
Take Me Apart is like a wild ride down my pop-nostalgia super highway. When I was writing and making this record, I loved following every stylistic twist and turn and seeing where it took me. It was so fun not to get pigeonholed into one specific sound, but instead letting the energy and authenticity be the cohesive thread that leads you through the record’s narrative. It’s definitely an EP that was meant to be played down from top to bottom. You know, just like a road-trip adventure, you just gotta fasten your seatbelt and enjoy the ride.
On September 28th, New York-based trio Isla Invisible – comprised of Rebecca Adorno, Julian Brau, and Ryan Correira – released four track collection EP1, and we’ve got some thoughts. From the first, slow, almost trepidatious lines of initial track “Pillow”, EP1 seems to glide through the atmosphere, leaving showers of slow motion glitter in its wake. Even with the deeper, surf-friendly sounds of “Outward” – check out the lyrics that match the vibes of the instrumentals perfectly – and its punk-tinged follow-up “Frail Devices”, the collection boasts an ethereal yet raw sound that will stick with you hours past listening to it. “If All Is” rounds it all out with that same soft sound provided by the vocals in “Pillow”, though there’s much more intent behind this track. It might actually throw you into a state where you’re not entirely sure which emotion you should evoke, but that’s the beauty of EP1. It brings us to a place where we can lay our emotions bare and feel what the music has to offer.
There is something special out for release by BLVTH right now. With his influences ranging greatly from bass to hip-hop and everything in between, the mysterious producer has just delivered his eight-track EP blut. It’s an enticing listen for many reasons, but we love the way that BLVTH refuses to stay within the constraints of one or two genres.
Standouts on the EP have to come courtesy of “Pusher” (we particularly love the version featuring vocalist Soiceytrap), and “Disney,” which really hits hard with its moments of sharp contrast.
You can now listen through each eight tracks in full, check them out right here.
Toronto-based trio The Trews – comprised of Colin MacDonald, John-Angus MacDonald, and Jack Syperek – continue to enthrall their fan base with a rotating bevy of new material. Their new album Civilianaires – which dropped on September 14th – hits with lighthearted energy in “Vintage Love”, throwing you into that puppy love that only this band can re-instill with every new record release. And while “Leave It Alone” is a little more hard-hitting, “The New US” continues at that pace, with a bit more of a commentary on civilization as we know it. I think we can all get on board with the sentiment in fourth track “Time’s Speeding Up”, while “Bar Star” throws itself into an introspective atmosphere, allowing the listener to question what they think about during last call.
“Harder To Love” feels incredibly primal in its disposition, “Is It Too Late” mirrors the title’s sentiment, a question plaguing anyone who isn’t sure about the choices they’ve made in life, and “Up sweet Baby” implores the object of the singer’s affection to stay awake until he gets home to be with them. The title track and its follow-up “No More Saying Goodbye” are filled to the brim with nostalgia, influences from past decades palpable. “Amen”, “Let The Great World Spin”, and “Jericho” are perhaps the best ways to round out the album, discussing forgiveness and elevating the world.
As a piece of artwork, this album really shows up for the introspective crowd. While the instrumentals stay energetic, layered, and freeing, the lyrics bounce from topic to topic, often with the melancholy glazed over by the gorgeous melodies provided. We’re big fans, and we think you will be too!
San Francisco-based dark indie pop duo New Spell – comprised of Leanne Kelly and Jacob Frautschi – dropped their 4-track EP Of Time, Part II today, and we’ve got your exclusive sneak peek at the release in its entirety. While aspects of “You Win” feel electronic – the song oozes quirky instrumentals that mirror our favorite video games – Kelly’s light as a feather vocals carry it into a more ethereal soundscape. The duo took the time to add fluid-sounding instrumentals to second track “Like Water”, and brought the entire tone of the album down for third track “Merely Mortal”. “Of Time” maintains this darker demeanor, while still leaving its listener feeling uplifted and – at times – breathless as it winds the release down.
