SOFI TUKKER – a high-energy pop duo that infuses their upbeat anthems and party songs with deep channels of thought and acceptance – is back with the video for their latest dance track “Original Sin.”
“Original Sin” is the perfect way to introduce the world of WET TENNIS and it’s very emblematic of “the freak fam”, our community. It says: we aren’t meant to be saints. We aren’t born sinners. We’re just a bunch of freaks who make mistakes and keep trying to do our best. WET TENNIS is an acronym that stands for: “when everyone tries to evolve, nothing negative is safe” and that’s what this song is all about. We live in a troubled world, it’s not our fault if we have trouble sometimes. That’s part of what makes us human. But when we evolve together and celebrate instead of judge each other, we can move through negativity into a more optimistic way of life.
The music video – which is thrilling and dynamic in its own right – is a jolting burst of vibrance – in both color scheme and subject matter. Playing tennis in all-white garb leads to an abandonment of purity. Skin-to-skin contact, implied trysts against the backdrop of stained glass, a brief but duly noted nod to religious restrictions over the ages. It’s far more nuanced than one could expect to take in in just one watch. Explained the duo of the music video:
The “Original Sin” video is the Garden of Eden of the WET TENNIS world. It’s a place beaming with sexual freedom and colorful possibilities. At first, we see everybody in their traditional roles, wearing all white, clapping politely, acting as one “should” during a tennis match, but as the world unfolds, we see that everyone is a freak. At the end of the video, that freakiness is liberated as we all look up to the WET TENNIS statue in the sky.
We’re wearing custom tennis outfits we designed with Johnny Wujek, that have the WET TENNIS gradient scheme from orange to purple. We wanted to take the traditional aspects of the tennis aesthetic and flip it on its head to make it more colorful and wild. We have a moment of Sophie in a headdress made of tennis balls. And of course–an orgy in the confessional booth, set in front of the lush Hawaiian mountains. It was so much fun to shoot this video and create this world from our bizarre imaginations into real life. We hope it invites people to take a step away from the path they think they’re supposed to be on towards one where all their desires and colors are welcomed. And we hope it puts people into a sexy state of mind.
Country artist Ashley Ray brings many core thoughts and memories from her youth in Kansas to her unique and beautiful music. “Just a House” was inspired by her father’s memory. Her family lost him 15 years ago, but grief is not linear. Allowing it to move through her music, Ray has developed a heartwrenching take on the world, a melancholic feel to her art that helps the listener empathize deeply.
The music video – which depicts a young boy trying to raise money to support his dying grandmother – is an absolute treasure of a short film. Stephen and Alexa Kinigopoulos heard the song, and chose to pull from their own feelings and memories of loss for the video’s concept. Explains Stephen:
When I first heard this song, it triggered me in the best way. I re-lived my family’s loss. It triggered me to think of the loss and the whole process in a montage sort of way… I could see and feel what Ashley’s mom was feeling. That dug up some skeletons for me.
The video may stir up some emotions, so be aware of the company you keep while you enjoy it. 😉
Consider yourself a bit of a culture buff? Into the sounds of the 60’s, the feeling of independence and celebration of people living on the fringe? The Bad Signs might just be your jam. A band comprised of powerhouse twin musicians Nat and Rob Rufus and alt-country extraordinaire Samantha Harlow, The Bad Signs are turning out to be the good sign 2022 needs.
Says Nat of the project, “I got the idea from this old black and white photograph. It was from ’67, just two teenagers on a motorcycle, but I wanted to start a band that sounded the way that photo looked, you know? Like vintage rebel youth.”
We’re thrilled she saw the photograph… and even more pleased with how the video turned out. Gorgeous black and white footage of the band performing gives you a unique look into their performance style… and what we may come to expect from this artful project.
We’re not sure what is behind the vintage-esque music videos and clips of footage that are making the rounds in the industry, but we’re big, big fans. Retro indie-pop artist Buster Baer’s entire newly-released EP, Mock Twang, and the accompanying music video for single “Get Deeper” are certainly no exception. A bit of beautiful nostalgia, the music video follows our protagonist musician and a dog… or, rather, a human in a dog costume. Beautiful views, brief violence, a baseball bat, and some marijuana are all seen under psychedelic magentas that will absolutely take you back in time.
A meandering, beautiful piano intro? Check. An ethereal, intense voice dancing along staccato notes in an endearing and almost haunting way? Check! Teghan Devon has pulled out all the stops in new single “V.I.P.,” for which we have the exclusive premiere right here. Let yourself get lost in the building momentum of a song that feels like a warm hug. Singing of engaging with true, genuine friendship and “Good vibes only,” this is a song we can absolutely get on board with in 2022. Get your first listen below, and be sure to let Teghan know how much you love her over on Facebook!
Indie folk artist Amy Jay continues to impress, carving out delicate landscapes and memories as her story unfolds in front of us all. 2 EPs and an array of singles in, we have grown quite attached to her sound. Jay’s new track “Lucid Dreaming” gives us a taste of what’s to come with her first full-length release, due out next month.
We’ve not been as impressed with a lyricist in a moment and are absolutely thrilled by the specificity that the end of each breathless line brings with it. Jay’s whisper of a voice seems to trace shadows across our skin, while we fall into the comfort of her sweet melody. Lines like “sunscreen and cigarettes/smells like childhood birthdays” give you just a hint of nostalgia attached to the simplicities of early years and seemingly unimportant memories. Explains Jay of the track:
I somehow ended up in the front subway car on the A express train zooming down Manhattan on my way to work, and was mesmerized by the prisms that were forming out of the double-paned window of the train door. As I was in some sort of hypnotic, half asleep, morning commute state, I also picked up the smells of sunscreen and cigarettes, which was probably someone on their way to the beach. But it brought me straight back to a specific, vivid just-like-yesterday memory of a childhood pool party in Miami Lakes where I grew up. Contrasting that past memory with the current state of my mind asking, ‘Am I really an adult?’ and, ‘What is truth, does it even exist?’ is what brought me to write this song. It was a strange train ride.
Sure, the idea of lucid dreaming is a magical concept; having the ability to be aware and make decisions within your dreams can make it feel like two realities exist. Daydreaming, night dreaming, lucid dreaming… what a comforting and strange thing to consider. (And no, we have never identified with a line more than with “nothing’s making sense, nothing’s making sense.”)
Awake Sleeper is out February 11. Keep up with Amy Jay here.
Ray Angry just may have been involved in crafting the most truly engaging and vibrant music video experience of the holiday season, if you ask us. That is, based on the gorgeous color play in the visual release for “#Toyland,” a seductive R&B remake that features some iconic names. Public Domain – the musical collaboration project Ray Angry operates – has released a party-themed gem that will have you getting in the mood for the new year. Explains the caption on the official music video:
‘Toyland’ is a song from the 1903 Christmas-themed operetta. The song is originally a saccharine tune about a wistfulness for childhood and how once you cross it’s borders, you can never return again.. It’s a nostalgic exploration of loss of innocence. With that theme in mind, our updated song is about an acid trip and psychedelic/spiritual experiences in general, tying it to Toyland in that once you cross the border of self exploration and rebirth in that way, you don’t necessarily return the same person. We have Perverted the original meaning and created a new narrative that explores the continued and perpetual losses of innocence that occur throughout adulthood that are sad, beautiful, and complex.
Questlove, Black Thought, Marcus King, Pino Palladino, and Liv Warfield all feature, as you watch a literal kaleidoscope of lights and theatrics through the screen. Equal parts Tim Burton, Cirque du Soleil, and Southern California rave, this video is a really fun direct reflection of its concept and lyrical twist, a psychedelic experience you won’t want to miss.
If you’ve been looking for an aesthetic that is vibrant, intricate, and akin to some of the video games you’ve been besting your PR at all pandemic long, then the EELS’ latest video for “The Magic” might just be your cup of tea. While we’re particularly fond of the music itself – with its mass, danceable appeal, and borderline-eery instrumentals – the adventurous layer that the music video adds to the concept is really quite intriguing.
While we’re quite aware that the magic we’re experiencing is CGI-based, it’s interesting to see how much detail went into the 3 minutes and 19 seconds of visual beauty that is presented.
If this is any indication, the EELS have something quite enigmatic up their sleeves for the new year. And I’ll ride that submarine anytime.
The warm lighting found in a late-night destination illuminates Brian Straw’s face as the depth of his robust vocals fill the atmosphere. Emotionally charged single “Out of Doors” has been a long time coming, and today we have the pleasure of premiering its beautiful accompanying video.
Admits the artist of the song:
I carried “Out of Doors” around in my pocket for a couple years until I formed the band that ultimately helped me fully realize it. It was apparent to me after the first rehearsal that I had something special. It clicked. With the perfect combination of musicians the song just bloomed. I wanted the chorus to feel like a huge wave of intensity and for the verses to sit back and slowly unfold. I feel like we captured that by paying close attention to dynamics and flow. The words were a ton of work. I wanted the lyrics to emote the way the performance does. the words build along with the music and that was intentional. It was important to me that the music and words sit at the same table.
It turns out that “Out of Doors” takes you on an audible adventure in just the way he had imagined. The music video simply serves to amplify the emotional journey the song takes you on. A kaleidoscope of colors ensues, as we follow Straw on what would otherwise be considered an (often) rather lonely journey, that of the creative mind. Expanding into the way the music video unfolded, Straw explains:
The story for the video developed organically while we were shooting. I intentionally didn’t want to put a storyboard together so we wouldn’t be locked into any formulaic approach. We cultivated each scene with a blank slate. The director, Ryan Girard, brilliantly diagnosed the meaning of the song when I myself was struggling with what the song meant to me. He estimated that “Out of Doors” was all about the struggle of the creative process. He was dead on and that’s effectively what the video captures. It’s an abstract window into my creative mind.
We are thrilled to share a view into that creative mind. Get your first look at the incredibly thought-provoking video below.
