by Meredith Schneider | Dec 21, 2018 | snapshot, soundtrack
When you think you’ve read all the end of year lists you can take, we’re still stringing our (very important) short ones out, to make sure there’s plenty of new music discovery at your fingertips throughout the month! 2018 was a year of insane amounts of music coverage, a bevy of incredible artists to choose from, and a really incredible list of new faces to dive into. While we don’t keep track of new artists vs. veterans, we would like to highlight some of our favorite vocalists of the moment with you. Trust us — this was a really hard decision process, which is why it took us a little longer to get it to post. We wanted to highlight people that both entertain like the most insane, and who we believe truly deserve the spotlight for it as well. You might not agree, but this may lead you on a tangent of music discovery, and we’re all for that. Without further ado, check out our Top 7 Male Vocalists of 2018 below!
by meredith schneider
Holy White Hounds is a group of guys we have been following for a while. Hailing from Des Moines, IA, the foursome emerges more triumphant and in-your-face with each new track, paving the way for their most recent full-length release – Say It With Your Mouth – which will make its debut on December 22nd. And don’t let their gritty attitudes and rough exterior fool you. Ambrose, Brent, James, and Seth are full of heart, a force in motion when they’re together, and really know how to relate to their audience. (While also making fun of them. But it’s charming, and we’re totally into it.) That, coupled with those edgy vocals, and we’ve got a rock band that just won’t quit! (Thankfully. Please don’t? We need you.)
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We may have been a little late to the game on this one, but pop/r&b singer/songwriter Dermot Kennedy is the Dubliner of everyone’s dreams. We were wandering SXSW this year when our friends at PlaylistPlay coerced us into popping into a church to listen to one of their favorite musicians. Honestly, we can’t think of a better way to first experience the insanely beautiful vocals Kennedy provides. His soundscapes are freeing, intense and wonderful in their disposition. If you don’t trust us, take a listen to his debut EP Doves & Ravens, or his most recent single “Power Over Me”, which was released in October.
by meredith schneider
Atlanta, Georgia-based Algiers absolutely astonished us at Sasquatch Music Festival this year. Lead singer Franklin James Fisher approached the stage with a Jimi Hendrix flare, and vocals that just do not quit. There is an enticing, soulful energy to their sound, with just a hint of reverb and incredible vintage influence that keeps us coming back for more. We can’t wait to hear their follow-up to 2017’s The Underside of Power, but are totally keen on waiting patiently for their next stunner full-length.
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You’ve heard of him. We’re not introducing this powerhouse to anyone, and we feel pretty darn good about that fact. Childish Gambino – aka the triple threat of everyone’s dreams – hits our list this year, if not only for his wildly eye-opening video for “This Is America“. We’ve been super into all of his work over the years, and our hearts swoon with each new line he spins, opening our eyes to an array of important – and often overlooked – issues. The man is an absolute enigma, and perhaps that’s what keeps us coming back for more time and time again.
by meredith schneider
We know we’ve harped on how incredible Judah & The Lion is, and now is not the time to stop. On December 12th, the (now) trio – who is joined by a rotating cast of instrumentalists and backup vocalists for their performances – released two singles, titled “Pep Talk” and “Quarter-Life Crisis”, landing themselves back on our radar. Check it out, and then dive into their catalogue if you haven’t already. Their music will throw you into that good mood you’ve been craving.
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Lionman – who we first experienced in May when he released the visual for his single “Don’t You Dare”. His vocals are directly associated with the term “smooth as honey”, and we’re drawn in from the first line. His hair is absolutely divine, His latest single “In My Letter” has a softer sound to it, and a rhythm that reminds us of some of our favorite OG Usher songs. This artist is definitely one to watch.
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If you’re into soulful, robust vocals that establish a mood, and somehow manage to get everyone in their vicinity to “feel the same way,” then Michael Kight is the way to go. In May, we had some thoughts on his track “Clear“, and still maintain that he was impressive on every level of musicianship. We count him as one of our favorite discoveries of the year, and look forward to more from him in the future!
by Meredith Schneider | Dec 20, 2018 | snapshot, visual
On Friday, December 14th, Rachel Mallin & The Wild Type opened for the incredible Bad Bad Hats are recordBar in Kansas City, MO. We were on the ground to get some photos, and here are some highlights from their particularly groovy set.
by Meredith Schneider | Dec 19, 2018 | snapshot, visual
On December 10th, talented sister duo Larkin Poe took the stage (by quite some force) at The Garage at Knuckleheads Saloon. We got there early, and were still hard-pressed to find a seat anywhere but along the back wall. Serves us right, for thinking a band so in-demand wouldn’t have an early arriving crowd! Photos below.
by James Schneider | Dec 19, 2018 | show review
I stumbled upon Larkin Poe in late 2016. I was on a YouTube music spree, as one will occasionally do, and they happened to pop up in my “Up Next” column. It was a Jam in the Van video of the song Jailbreak. The video had been posted in 2014 so it was roughly 2 and half years old by the time I found it. The song had a good pop to it and both Rebecca and Meghan had a good energy for the song. After the video ended, I began to dig into more of their stuff, Don’t, Sugar High, Stubborn Love and Trouble in Mind. Every song I listened to was solid, but the studio recordings lacked that something that separates music you throw on in the back ground from music you throw on to really listen to.
Flash forward to the Garage at Knuckleheads Saloon on a Monday night. I was unsure of the following that Larkin Poe would have, especially with it being a Monday night, in December, in Kansas City Missouri. We got to the venue 20 minutes before the opener was scheduled. I assumed this would be plenty of time to grab a seat, grab a drink and talk before the show started. What’s that they say about assumptions? The venue was packed. We were fortunate enough to find a couple lonesome bar stools in the corner. Other than those, it was standing room only.
It’s important to point out the composition of the crowd for this event. There were plenty of adults in attendance and the usual crowd that seems to attend Knuckleheads religiously, regardless of what type of artist or music it being played. The best part about the crowd for me were the parents that brought their kids with them. Live music is an important thing to support and it’s even better when the band is on fire like Larkin Poe was that night.
When Larkin Poe took the stage, I immediately understood why the place had sold out. The energy they brought with them left the crowd with one option, buckle up and enjoy the ride. Their opening song “Summertime Sunset” brought the house down and it only got better from there. Meghan’s slide guitar outro for Look Away was a good for lesson for any guitar player in patience, tone and control. Rebecca’s vocals have gotten stronger and more confident since I first heard her, and the entire concert was a showcase for that talent.
The show was refreshing and genuine and as a soon to be father of a daughter, it was awesome to see two sisters absolutely dominating the stage. I cannot wait for them to come back around or anywhere close, I will be dragging my friends and most likely a certain family member, you know who you are, to see them again.
Keep up with Larkin Poe here.
by Meredith Schneider | Dec 18, 2018 | albums, review
Chicago-based art rock trio Arthhur – comprised of Mike Fox, Matt Cian, and Luke Dahlgren – released their fourth record on December 14th, and we’re really digging it. The 6 track tape is titled Lost In The Walled City, and is packed to the brim with attitude and a certain, unexplainable je ne sais quoi, if you will.
The title track hits hard, revving us up for the disco-laden rhythm of “Kinky Post-It”. (Yes, that’s the name of a song.) “Astral Fortnight” speaks to our higher beings, upbeat and ready to party, while “Choc Electronique” is something we would totally enter a dance contest with, as it would seem a little out of left field though the instrumentals are insanely catchy and could inspire a new line dance, if we’re being honest.
“Large Party” kicks it off with a series of sound effects and continues in the same artsy, experimental way, something we would definitely mosh to at a live show. Arthhur rounds it all out with “Get Fermented!” which is a track we’re into just from the mention of the title. Its smooth, enticing soundscape lures you in to a night of – if you’re lucky – consequence-free bad decision-making.
Keep up with Arthhur here.
by Meredith Schneider | Dec 14, 2018 | snapshot, visual
On November 28th, Good Charlotte took over Arvest Bank Theater at The Midland in Kansas City, MO for a high-energy performance riddled with nostalgia. Frontman Joel Madden spent the evening poking fun at some of their highlight moments over the years, and asking fans where they were when certain songs came out. As memories of everyone’s adolescence came flooding back, the room was full to the brim with positive vibes. Photographer Meredith Schneider nabbed some highlights for us, which can be seen below.
