If you thought that new music hit a plateau this summer while you were taking some time off and really trying to find a self-healing routine… I’m sorry, but you’re wrong. Gritty, raw, beautiful music has continued to be created and released at a clip we almost can’t keep up with. So check back all August long to hear our favorite new releases of August, and be sure to “like,” “follow,” and “add” your favorites!
Anna Hamilton was the newcomer most hadn’t been acquainted with, winning a contest to open for Dermot Kennedy as a local act. A Kansas native and one of 12 children in her family, Anna’s music dripped with bits of nostalgia and hopeful thoughts for the future. It was also an insanely beautiful experience, her sweet-as-honey vocals accompanied only by a guitar. It was mesmerizing.
By her third song, we caught a glimpse at specificity in a track about a boy that left her for a city – “Me For Barcelona.” The song had never been played in front of a live audience before and is not currently available, but is open for preorder via her link in bio at clever Instagram handle @a.ham.sandwich. Her fourth trach was about leaving Kansas to pursue her singing career in Tennessee, something so many artists struggle with. She has clearly found a safe haven and inspirational options in her relocation, as her last track – “Self Help” – was realized so early on. Of the track, she admitted that it was about taking care of yourself before allowing others to benefit from you. “You need to be 100% before your cup overflows and they can receive it.”
Bishop Briggs emerged, energetic as ever and donning a leather jacket on a pretty balmy night in the midwest. It was shed quickly, to reveal skeleton-printed fingerless gloves and delicate tattoos dancing across both forearms. The first time this town got acquainted with Bishop, she had barely edged into the world of tattoos. Now, you find yourself mesmerized by them as she jumps across the stage with every robust, belted line.
An artist that truly allows you to feel the songs with her, Bishop has cultivated a fandom that spans generations, cultures, and ideals. Perhaps the show’s littlest attendant – a young man no older than 10 or 11 – could be found belting out lyrics and clapping in time with his family during the intense track “Hi-Lo (Hollow)”. Her set included “Someone Else,” “Darkside,” and her most recognizable hit, “River”, among others.
August 7, 2021 was my first show back. Back, from where? Who even knows? While the pandemic rages on, I wonder, more often than not, if leaving my house is even worth it. But I’ve been enjoying – and producing – livestreams and digital concert experiences since COVID-19 took SXSW 2020 from us all, and I knew the joy that came from that massively sustained me over the last 17 months.
The first time I saw Dermot Kennedy was in a church off 6th Street in Austin, Texas during SXSW 2018. I chose to spend the evening with a handful of friends from my hometown, wandering into shows and experiencing new acts to write about and photograph for the (still new) site. But something about Kennedy’s vocal delivery – the vulnerability and intensity with which he delivered some of the most emotionally charged lyrics I’d ever heard – made me forget I was trying to compile content for the site at all. A handful of distanced, “between tall guys’ bobbing heads” photos happened, but the music was so compelling that I spent an embarrassing amount of the set with my eyes closed, or staring up at the vaulted ceilings, marveling at the magic that music creates, and the magic from which it is derived.
When SXSW 2020 was canceled, I decided to make the quick, 4-hour jaunt to St. Louis to see Kennedy. Within a couple of days, the tour was indefinitely postponed. COVID-19 set in, and March saw stages around the world shutter. Deafening silence. And while artists tried to keep the spark alive with their multi-dimensional at-home creations, new directions, and interactive experiences, there was just something missing. That spark that live music incites, the way it can make an entire room feel like it’s on fire, hearts dancing in unison. As someone who once took for granted a 2-5 concert per week schedule, I began to feel lost in a sea of digital analysis and curation. I am humbled by the art that has come from our time locked away, but it never had the energy of a live show.
By the time I realized live music was coming back, Kennedy had sold out his St. Louis reschedule. And his Red Rocks performance. I spoke with a friend who was going to work with me on getting tickets in Wisconsin, which would be my saving grace for his tour since Kennedy was no longer appearing on the postponed Bonnaroo lineup (because of touring conflicts). But my sister happening upon a radio tour announcement a couple of weeks before her big move to Los Angeles and a random discussion that occurred a half-hour before tickets went on sale for the Kansas City stop made it all possible. Me – the woman who often feels jaded by the industry, especially for how little people truly rallied for the arts through this dark time -, I allowed myself to finally get excited about an event. I had something to look forward to that I knew could help me heal.
And still, I wondered, could I possibly stand in a crowded venue again? Could I find joy in the music – the one thing that makes me feel like I have my head screwed on straight on a daily basis – amidst a crowd of maybe-vaxxers from the midwest? (That wild, wild midwest that we have come to know as a largely “denying science” crowd.) I spent days before this show panicking about everything. Would there be space to spread out? The show wasn’t entirely sold out, the venue was more intimate, it couldn’t be too insane. Right? Would I melt in my mask? Would my friends be comfortable?
I almost had no words to explain how it all felt. Sure, I annoyed my +1 (Hi, mom!) and a couple of friends (I see you Anjelica and Kevin!) with some fears about everything. But, I was mostly entirely back in my element. As an observer, an enjoyer. I ensured we got pretty good spots to watch the show, over by the rail on the right side next to the stage. Dermot Kennedy’s Kansas City (Missouri) leg of his Better Days tour was officially sold out at the Uptown Theater, however, there was substantial space on the sides of the stage to ensure that we felt comfortable. I did some people watching like I used to. (I’d like to think that people couldn’t handle their liquor because they hadn’t imbibed at that level in a while, but who knows?) And, truly, I spent the majority of the evening belting out lyrics behind my mask, staring up at the shadows dancing on the ceiling, really indulging in the collective atmosphere of it all.
Set List:
Lost
Power Over Me
All My Friends
An Evening I Will Not Forget
Outgrown
The Corner
Rome
For Island Fires and Family
Outnumbered
Better Days
Moments Passed
Glory
Giants
Encore:
After Rain
Without Fear
Thank you to Anna Hamilton, Bishop Briggs, and Dermot Kennedy for “an evening I will not forget.” (I know I’m the first one to use that reference, of course.) I can only say that it helped to inflate my sad, darkened, emo heart. So perhaps I’ll Grinch less for a while. 😉
Anna Hamilton and Bishop Briggs thoughts + photos to come.
As if last week didn’t give us enough to be thankful for, the week ended with a stunning EP release from Lilla Vargen, titled We Were Thunder. (As an Irish singer/songwriter, Thanksgiving meant nothing outside of the continental United States, but we’re still reeling about how perfect the timing was on this release.) Beginning with the powerful, building ballad that is “The Shore”, Lilla sets the bar high with her strong — yet ethereal — vocals commanding the voyage. Heart-wrenching, the lyrics speak of torment over past love. But the song’s gorgeous melody holds with it hope for the future. “Solitary” brings another tortured love to the forefront, as Vargen sings of a relationship that feels cold even when those involved are together.
The idea of drifting apart and feeling “solitary” matches the soundscape perfectly, which is something that is so uniquely Vargen. She continues to rip our souls apart with “Why Wait”, where she sings of the loneliness of unrequited — or perhaps not yet realized — love. This one hit home. “Trouble” plays with the notion of timing always being off between two flames. Another highly relateable — and infinitely gorgeous — track to center yourself in knowing you’re not truly alone in this. She winds down the EP with “On My Mind”, leaving the open ended question asking why her love interest is always on her mind.
We are clearly going to have this magical EP on repeat for a while. But it begs the question, will there be a resolution in coming work to this heartbreak? Or will it be like your new favorite indie film, leaving you with a cliffhanger that keeps it cult status for years to come? Let us know what you think on Facebook!
We would tell you to catch Lilla with one of our favorites, Dermot Kennedy, on December 17th at the O2 Academy Leeds, but the event is sold out. And we get it.
Keep up with Lilla Vargen here.
We chose the title of this playlist in honor of the late Dolores O’Riordan who’s hit song we still sing almost daily. It’s so haunting. The other songs on the list are literally just our favorite songs out right now! Dermot Kennedy is an incredible breakthrough talent and so is lovelytheband. The rest are more well-known pop stars with countless hits, but these were the ones that stick out the most right now! For us, we are playing with pop star Anne-Marie December 17th at Revolution Live in Fort Lauderdale and just got booked for the Beatles on the Beach Festival in Delray next spring! We have 2 new songs coming out in the beginning of 2019 and are super excited. Our first single “Hard To Breathe” has gained significant traction on Spotify recently.
Keep up with Our Fire here.
When you think you’ve read all the end of year lists you can take, we’re still stringing our (very important) short ones out, to make sure there’s plenty of new music discovery at your fingertips throughout the month! 2018 was a year of insane amounts of music coverage, a bevy of incredible artists to choose from, and a really incredible list of new faces to dive into. While we don’t keep track of new artists vs. veterans, we would like to highlight some of our favorite vocalists of the moment with you. Trust us — this was a really hard decision process, which is why it took us a little longer to get it to post. We wanted to highlight people that both entertain like the most insane, and who we believe truly deserve the spotlight for it as well. You might not agree, but this may lead you on a tangent of music discovery, and we’re all for that. Without further ado, check out our Top 7 Male Vocalists of 2018 below!
by meredith schneider
Holy White Hounds is a group of guys we have been following for a while. Hailing from Des Moines, IA, the foursome emerges more triumphant and in-your-face with each new track, paving the way for their most recent full-length release – Say It With Your Mouth – which will make its debut on December 22nd. And don’t let their gritty attitudes and rough exterior fool you. Ambrose, Brent, James, and Seth are full of heart, a force in motion when they’re together, and really know how to relate to their audience. (While also making fun of them. But it’s charming, and we’re totally into it.) That, coupled with those edgy vocals, and we’ve got a rock band that just won’t quit! (Thankfully. Please don’t? We need you.)
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We may have been a little late to the game on this one, but pop/r&b singer/songwriter Dermot Kennedy is the Dubliner of everyone’s dreams. We were wandering SXSW this year when our friends at PlaylistPlay coerced us into popping into a church to listen to one of their favorite musicians. Honestly, we can’t think of a better way to first experience the insanely beautiful vocals Kennedy provides. His soundscapes are freeing, intense and wonderful in their disposition. If you don’t trust us, take a listen to his debut EP Doves & Ravens, or his most recent single “Power Over Me”, which was released in October.
by meredith schneider
Atlanta, Georgia-based Algiers absolutely astonished us at Sasquatch Music Festival this year. Lead singer Franklin James Fisher approached the stage with a Jimi Hendrix flare, and vocals that just do not quit. There is an enticing, soulful energy to their sound, with just a hint of reverb and incredible vintage influence that keeps us coming back for more. We can’t wait to hear their follow-up to 2017’s The Underside of Power, but are totally keen on waiting patiently for their next stunner full-length.
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You’ve heard of him. We’re not introducing this powerhouse to anyone, and we feel pretty darn good about that fact. Childish Gambino – aka the triple threat of everyone’s dreams – hits our list this year, if not only for his wildly eye-opening video for “This Is America“. We’ve been super into all of his work over the years, and our hearts swoon with each new line he spins, opening our eyes to an array of important – and often overlooked – issues. The man is an absolute enigma, and perhaps that’s what keeps us coming back for more time and time again.
by meredith schneider
We know we’ve harped on how incredible Judah & The Lion is, and now is not the time to stop. On December 12th, the (now) trio – who is joined by a rotating cast of instrumentalists and backup vocalists for their performances – released two singles, titled “Pep Talk” and “Quarter-Life Crisis”, landing themselves back on our radar. Check it out, and then dive into their catalogue if you haven’t already. Their music will throw you into that good mood you’ve been craving.
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Lionman – who we first experienced in May when he released the visual for his single “Don’t You Dare”. His vocals are directly associated with the term “smooth as honey”, and we’re drawn in from the first line. His hair is absolutely divine, His latest single “In My Letter” has a softer sound to it, and a rhythm that reminds us of some of our favorite OG Usher songs. This artist is definitely one to watch.
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If you’re into soulful, robust vocals that establish a mood, and somehow manage to get everyone in their vicinity to “feel the same way,” then Michael Kight is the way to go. In May, we had some thoughts on his track “Clear“, and still maintain that he was impressive on every level of musicianship. We count him as one of our favorite discoveries of the year, and look forward to more from him in the future!