Singer, songwriter, and healing artist Lauren Monroe is on a roll. On the heels of her new show announcements, she brings along her latest single release with the beautiful “Kiss Me Now.” Her first release of 2022, the song reminds us all to take life as it comes at us and, for a lack of better analogy, grab the bull by the horns. Explains Monroe:
[Kiss Me Now is] a reminder of the impermanence of life – a reminder to be grateful for who we have and the journey we have taken with loved ones. It’s about being happy and free, having fun but remembering it all ends one day. The pandemic challenged our ability to celebrate just being with people, and this song reminds us to celebrate the moments we do spend together.
While the pandemic still trudges on, this is a feeling we can all identify with. And this song is a beautiful testament to the humanness that brings us all together. Enjoy the track – and it’s gorgeously compiled lyric. video – below!
Every couple of years, my twin sister and I would look at each other in a moment of confusion and wonder out loud, “Where the f*ck is Fefe Dobson?” And I’m not saying this just to say it. It’s been getting even more bothersome over time. Her albums Joy and Sunday Love dropped a decade ago, and it seemed to us that the Canadian wunderkind went even more underground after that. How did such an incredible, edgy songstress who helped lead the femme pop/punk world into what it is today, just kind of vanish? The world deserved her energy. The world needed her art.
Flash forward to a few weeks ago. My sister noticed Fefe’s IG changing a bit first. Once word of a new single dropped, she was all over it. So, you know we had to weigh in on the first single drop in ten years. “FCKN IN LOVE” is out now, and it’s honestly a new staple in the music library. Bringing her quintessential Fefe attitude and vulnerability, she attacks the topic of true love in a way that most can relate to. The song packs a punch, a love anthem if you will, and is inherently joyous to listen to.
Ever felt just blissfully in love? Feeling it now? Give the track a listen. (Especially if the person you’re in love with is yourself, quite honestly.)
Alt-pop entertainer Maude Latour is certainly making a name for herself in the industry. Her sold-out North American tour kicks off next month, a result of the popularity of her sound on streaming platforms. Latest track “Headphones” is no different. The song is a testament to her talent, letting her play with autotune around natural vocals that are no less than entrancing. Explains Latour of the track:
“Headphones” starts exactly after where the “Strangers Forever” EP left us — heartbroken and experiencing loss, but slowly finding strength, as we say goodbye to a person of our past. “Headphones” is an opening of a new world; it is the first ray of light as the storm begins to end. I was lying on a hardwood floor, realizing I was truly alone in my head, no more romantic partner to lean on, when I first heard a voice in my head. It was my own. I wanted to learn to love myself, I wanted to grow within. “Headphones” is that terrifying leap into our future, and into our deeper selves.
Latour released a video accompanying the new song. Latour gallivants around New York City in good spirits, driven by her own beautiful words and the track in her headphones. The idea that words or a song could set the tone for your day – or be the underlying soundtrack to your incredible life – is reason enough to get through the tough shit.
We understand the allure, and are excited to see what her live performance entails.
Polymathic artist extraordinaire Miles Francis released a new single and its accompanying music video, and we’re absolutely intoxicated by the light as a feather soundscape that carries it all. “Nature” – at its core – is a song of acknowledgment and acceptance. Seeing the darkness in ourselves and addressing it, but not necessarily trying to change it. Embracing inescapable flaws, and learning to make them into art.
LYRICS Wave up ahead, all that I see I go red and let it wash over me In just a moment, I submit I cannot own it, I cannot quit Ego inflated, intoxicated Loaded with pride, must be my
Nature Something in my nature Governs my behavior And I can’t see it through Until I’ve hurt you
Swimming with my father I feel the current bring me closer to him Something in the water Has turned these clean hands into phantom limbs Ego inflated, emasculated Loaded with pride, please forgive my
Nature Something in my nature Governs my behavior And I can’t see it through Until I’ve hurt you
Miles Francis dances in a field in an oversized suit, softened colors creating a dream sequence unlike any other. Take a gander for yourself!
The micro-dosing community isn’t the only group of people that are currently into the wonders of mushrooms. Los Angeles-based indie outfit GOON – expertly comprised of Any Polito, Dillon Peralta, Tamra Simons, and Kenny Becker – have been intricately evolving their sound for years. But mushrooms seem to have aided in the organic (pun intended) development of their new music. Expands Kenny:
The inspiration for this track came from a long walk I took on a rainy gray day in November 2021. During that time I would often walk along the path that follows a waterway which feeds into the LA river. Passing a patch of mushrooms gave me the idea to title the song “Fruiting Body.” The term refers to the spore-producing structure of fungi.
The song itself makes you feel as though you are safely nestled in a bed of trees, surrounded by infinite light. The video – directed and edited by Kenny – mimics this exact feeling. We’re just fans of watching each band member experience pure joy over the course of the video. It’s a snapshot of nature that wholeheartedly encourages play, with the creepy repetition of the line “blood red” dancing in the background.
Country artist Ashley Ray brings many core thoughts and memories from her youth in Kansas to her unique and beautiful music. “Just a House” was inspired by her father’s memory. Her family lost him 15 years ago, but grief is not linear. Allowing it to move through her music, Ray has developed a heartwrenching take on the world, a melancholic feel to her art that helps the listener empathize deeply.
The music video – which depicts a young boy trying to raise money to support his dying grandmother – is an absolute treasure of a short film. Stephen and Alexa Kinigopoulos heard the song, and chose to pull from their own feelings and memories of loss for the video’s concept. Explains Stephen:
When I first heard this song, it triggered me in the best way. I re-lived my family’s loss. It triggered me to think of the loss and the whole process in a montage sort of way… I could see and feel what Ashley’s mom was feeling. That dug up some skeletons for me.
The video may stir up some emotions, so be aware of the company you keep while you enjoy it. 😉
