On the chilly evening of Thursday November 21st, Chase the Horseman and Whoa Dakota entertained an enthusiastic crowd at The Brick in The Crossroads district of Kansas City, MO. To experience either is an absolute joy, but we will always sing the praises of Whoa Dakota. The project — championed by singer/songwriter Jesse Ott — is so much fun to watch. In fact, this is an act we urge you to see live. Though the song recordings are incredible, they still give no justice to Ott’s far-ranging, angelic vocals, the true instrumental leader of the project. If you get a chance, check them out next time they’re through town!
On November 16th, The Neighbourhood performed at The Midland in Kansas City, MO. Photographer Ashleigh Lee caught the snow, and snapped some highlights just for us.
On November 9th, XAmbassadors and Bear Hands entertained an excitable — deservedly so — crowd show in Indianapolis, IN at the Egyptian Room in Old National Centre. Emerson Swoger caught some highlights for us.
I sometimes think back to how often I made my family listen to the Do You Feel and Hello, Good Friend albums on repeat during my teen years. I was angsty, and it made for good road trip music. And over the years, I’ve been nostalgic for those albums as The Rocket Summer has continue to release ace albums that inspire human connection on several unique levels. I was so happy to head out and support Bryce Avary during The Rocket Summer’s stop in Kansas City to play The Riot Room on October 8th.
I ended the most beautiful autumn evening belting out songs I sang twelve, thirteen years ago. Songs that made me feel like I was invincible, like I had to leave Kansas City to find myself. Like Kansas City had ever been a small town in any way. And here, I found myself singing this song in the same city, the city I have chosen to reside in during my adult years, the city that has brought me so much abundance and revelations about myself. Sure, I spent my time on both coasts, but I value this city. So I might not agree with the exact sentiment of the song, but the sense of adventure it invokes is a tale as old as time.
Between crowd pleasers like “Break It Out”, “Hold On”, “Do You Feel”, “So Much Love”, “Tell Me Something Good”, and more, Avary sprinkled his newer tracks, all of which boast the same, smart writing, intense percussion, and incredible amounts of emotion. “Morning Light”, “Shatter Us”, and “Wannalife” brought out some of Avary’s most recent art, an album we have been swimming in since August. Bryce Avary’s voice is all the instrument you need. Witness that in any number of his songs, his robust vocal ability truly captivating any audience, large or small. But his is some of the most elevated lyrical writing I have ever heard, and he consistently impresses with unique and vibrant instrumentals.
Throughout the extended set — Avary stayed for a proper encore, stretching his performance past the official curfew and reveling in the way the crowd had made him feel that evening — the energy and events that inspired each specific song were so ridiculously palpable. A night like this, surrounded by an intimate crowd in a small venue in the heart of America, that’s the kind of night that lives on. His music impacted my life majorly, and I’d be a fool to think I was the only one.
On Monday, October 7th, we escaped the ever-more-frigid midwestern air to enjoy some of the oughts’ most incredible emo tracks. The Early November was performing at The Rino in North Kansas City, MO, and — as big-time fans for over a decade — you bet we were there, surrounded by a room full of people who all had the same nostalgia while singing. In support was Have Mercy. Highlights below.
On Thursday, August 29th, soulful songstress Beth Bombara opened for Kevin Galloway at Knuckleheads Saloon in east Kansas City. Floored by her vocals, she really warmed the crowd up for the evening. Highlight photos below!
August 16th was a gorgeous evening at Starlight Theatre. The rain had died off, the temperature cooled down slightly, and Savannah Conley took the stage as the last of a few drops of rain came down. She impressed with the simplicity of her arrangements, the range of her voice. We grabbed a few photos, and can’t wait to see her again!
Outside Lands 2019 was one for the books. We were floored by the range in music selection, incredible designs and collaborations with the festival, the updated Grasslands area, and, of course, some of our favorite performers back on stage to enjoy. Not only did Judah & The Lion perform in Kansas City on Saturday night, but they booked it to San Francisco on Sunday to play on the main stage to a giant crowd mid-day. THAT’S dedication. We love them, infinity, every time.
On Friday night, Ben Folds made a spectacular appearance at Starlight Theatre in Kansas City, MO. Our city has an affinity for this man, palpable when he sang a song about making Jason Sudeikis his “piano bitch” back in the day when he used to play The Bottleneck in Lawrence. He and his band entertained until the very last second of the sound ordinance, and what a beautiful start to the weekend it was.
