Award-winning musician and writer Allison Russell has been bringing her unique blend of magic to the Newport Folk Festival for quite some time. She has performed there in bands and as a solo act now, and is absolutely thrilling to watch. Photographer Eric Tsurumoto grabbed some highlights from her set during Day 1, below.
On Sunday, Conan O’Brien stepped out on stage at Newport Folk Festival and proved to us that television isn’t the only thing he is good at. Joined by the incredible band Dawes, O’Brien played guitar and sang to an absolutely delighted audience. Later, Jack White joined him on stage.
Eric Tsurumoto grabbed some early set shots for us.
Crowd favorite Hozier hit the stage to make a sprawling crowd swoon on day 1 of the Newport Folk Festival. His cool stage presence almost seemed to seduce the crowd, even before his booming voice came over the speaker. Hozier ended his set with a bang, bringing out Joan Baez and Mavis Staples to sing “The Weight” with him. Eric Tsurumoto nabbed some great shots for us.
Newport Folk Fest 2024 was one for the ages. Hozier, Mavis Staples, Brittany Howard, Billie Marten, Orville Peck, and more entertained thousands in the sweltering heat over the last weekend in July. The crowd was cooled by the ocean air off the coast of Rhode Island, and blessed with some spectacular views during the three-day fest.
Photographer Eric Tsurumoto was on the ground for Imperfect Fifth, nabbing gorgeous, dimensional highlights from the event for us. Today, some shots of the festival and crowd before we delve into artist coverage.
Despite their recognition being mainly limited to the UK, I love Glasgow-based rock band Primal Scream. Part of the group’s appeal is their wide range of playing styles and music genres. Starting out as an indie-pop band with almost no traction, they reached massive levels of success with 1991’s Screamadelica, which broke musical boundaries by combining their sound with dub, psychedelia, and acid house into something entirely their own. It’s still considered their magnum opus and remains a cultural landmark in both the UK’s indie-rock and rave scenes. Despite their huge new audience, they still continued to push themselves in wildly new directions with their following releases. These include 1994’s blues pastiche Give Out But Don’t Give Up, 1997’s experimental Vanishing Point, and 2000’s blaring industrial-noise-dance epic XTRMNTR. Recently, Primal Scream put out the lead single for their upcoming 12th LP, Come Ahead, titled “Love Insurrection”. This comes eight years after their last release, 2016’s Chaosmosis.
“Love Insurrection” is based on nostalgia in a few ways. The cover for both the single and album is a vintage photograph of Robert Gillespie Sr., father of lead vocalist Bobby Gillespie. I believe this is to relate to the 60s both visually and lyrically, as the lyrics talk about political and social turmoil. Musically, it’s a bit of a throwback to the sound that Primal Had on Screamadelica, featuring a funky “Madchester” shuffle beat, psychedelic wah-wah guitars, and breezy percussion and flutes. However, it keeps the sound fresh by adding influences from 70s soul, with a lush string section reminiscent of seminal artists like Curtis Mayfield who also addressed social consciousness in their work. As usual, the backing vocalists provided by the band give the music a soulful, almost gospel-type feel, not unlike previous Screamadelica singles “Movin’ On Up” or “Come Together”.
The single’s release comes with both a 6-minute full version and a shortened edit at 3 ½ minutes. Both versions are perfectly adequate depending on the type of listener you are, but I definitely recommend the longer cut if you’re willing to ride the groove as the song climaxes in a way that’s both beautiful and groovy. As it stands, “Love Insurrection” is a perfect song for psychedelic raves or summer beach parties, and signals a possible return to form from Primal Scream.
Annie J‘s genre-bending sound is not stereotypical of Seattle–with its grunge and alt-rock history–though her artistic confidence is something that powerhouse artists out of the PNW have held a torch over for decades. Her new single titled “Your Power” is a further demonstration of that confidence, though the sonic approach is very different than you would expect from a song of that name.
Though the upcoming EP (Been Loving You) will be Annie J’s first solo project, she has demonstrated her talent well with impactful artists for years, including The True Loves, Odesza, The Dip, and Allen Stone. “Your Power” is light-as-a-feather in lyrics and composition, inducing goosebumps with each new, impactful line.
Admits Annie of the single:
Imagine embodying that voice in your head, the one you hear from time to time that seems to say: “Hey, I’ve been here loving you the whole time. You can heal, and grow and reach for joy.” This song, to me, is remembering that a patient inner voice exists, though she’s sometimes quiet compared to the rest. And knowing I will fall, again and again, and there will always be a way back,” she continues.
Check out “Your Power” and keep up with the album rollout on your preferred platform.