Arthur King is a unique music and art collective, creating landscape art that enriches the senses. Last summer, they took a trip to the Grand Staircase-Escalante National Monument in Utah to create a visual experience unlike any other. During that trip, they created a short film that is as breathtaking in its detail as it is simple and endearing in its concept. With music by Arthur King, projection art by John Schlue, filming by Nash Howe, audio recording by Tim Conrad Horner, and editing by Alex Lee Moyer, the project came together quite nicely and is something we wouldn’t mind having on repeat for the rest of the day.
Not only do we have the exclusive premiere of the project, but we got the chance to take a few moments with Peter Walker, the driving force and visionary behind Arthur King.
What is your first musical memory, or the first album or song you remember listening to? Does that memory or that music have any bearing on your art now?
Drawing with chalk on my older brother’s Sergeant Pepper vinyl album. Eventually I evolved into recording said Beatles records onto cassette tapes. Today, I love manipulating instruments and sounds to make something perhaps unintended from the original design.
We understand the concept of the project, but what inspired it?
This project was born out of my pursuing a Ph.D. in mythology and depth psychology. The premise is exploring the role of the unconscious in creative expression, and more specifically how we experience a given environment both consciously and unconsciously, and how art might bridge that gap.
What made you choose the locations for the video?
We were focusing on BLM land (bureau of land management) where you can camp and do other things without any heavy regulation or government jurisdiction. There’s a lot of BLM land in Utah, as well as magnificent rock formations and somewhat pristine environments.
The visuals aspect of it all is very endearing. How long did the visuals process take?
The visual component has been a part of this project from the very beginning, with the idea that the sound informs the visuals and the visuals inform the sound, creating a feedback loop and an overall experience involving both realms.
Could you take us through the process of all of this in general? It’s such a unique way to display an array of creativity, and we’re enamored by it!
The idea is fairly simple: 1) Locate an environment. 2) Engage it, consciously—meaning explore it and listen and look and record these things with microphones and video cameras. 3) Take these samples and use them in a total improvisational “performance” within the same environment. the result is akin to what happens when we dream, where sounds and images from our waking consciousness are thrown into the stew of our psyche and come out in an unexpected way, often bringing to light connections you didn’t know were there all along. In the end, the performance allows for a different way of experiencing the environment.
Any fun anecdotes from the production process?
During the performance there was a little scorpion that was crawling next to Tim, who was sitting on the ground and operating a recording device. Tim put an empty plastic box on top of it, thinking that would temporarily solve the problem and allow him to focus on his task at hand. He would of course release it afterwards… and avoid getting stung. But when we were finished, the scorpion was gone and he realized it had probably dug its way out in a matter of seconds. all part of the fun of being in the desert!
What do you think is the most important topic to address with art, at least at this point in our progression as a society? Is there a topic that you think is misrepresented or under-represented by its art?
I think art is a tool for connecting with ourselves and with others. Most importantly, in my opinion, effective art connects us with the unknown in ourselves and the “shared unknown” in others (or as Jungians might put it the collective unconscious). Art is a connector. Fear of the unknown drives the worst in us as a species, and its omnipresent in our society today. I’d imagine there is no topic under-represented right now, it’s more likely a matter of accessing the art that might be an issue. Or maybe better put: I’m certain there are artists making vital art that are not getting the kind of exposure that is just. and that’s where you come in!
How do you hope people feel after viewing this?
Moved. Curious. There’s really no hope for a specific feeling, I suppose I hope it invokes some feelings at all, whatever they may be.
Something off the cuff a bit… What superhero do you identify the most with?
Might seem like an easy answer…but I don’t think there’s anyone more badass right now than wonder woman!?
Smart, smart man. Anything else you’d like to add about the project or anything else coming up?
In between these Changing Landscapes adventures we’ve been busy with other fun things like live improv movie scoring and large-scale interactive art installations… So i encourage those who might be interested to please come find us!
Dallas, Texas-based musician Garrett “Sleepy” Zuhoski released his debut album Better Haze this month, and if you haven’t yet gotten a taste of it, you’re missing out. That’s not just a simple statement in our eyes – as we’re sure you know, of course – but a testament to how truly enamored we are by his genre-bending style. With each line comes an array of influences, leaving the listener constantly questioning what’s to come. What’s more? The album in its entirety is perfect for a lazy summer day, the recent video for “On a Cloud” all-too-entertaining to miss.
Good news? We’ve got the video and Better Haze in its entirety to share with you, so you don’t have to go searching far and wide for this goodness. We also got a hot second with Garrett himself, so read on for more fun!
What was your first musical memory, or the first album or song you heard? Do you think that has any bearing on who you are as an artist now?
I remember listening to Bob Dylan a lot as a kid. The first time I ever thought a song was beautiful was These Are Days by 10,000 maniacs. Those both probably influenced me quite a bit. I still just want to make beautiful music, but love a gruff matter-of-fact delivery.
After all these years sitting on some of your work and working with other bands, what made you so keen to work with Salim Nourallah when the opportunity arose?
He offered to put me in a real studio and press vinyl haha. I mean, his reputation preceeds him in Dallas. I have been aware of his various projects for about 10 years and know several bands who he’s produced. I knew I was in good hands.
Better Haze is jam packed with a variety of sounds and nuances. How do you want fans to feel after listening to it in its entirety?
I love whole albums; albums as journeys. While I wasn’t really ready to do a proper “concept album” or really have a premeditated flow to it, I want people to feel like they were taken on a pleasant musical tour. I really enjoy making mixes and thinking hard about the flow of a collection of songs. I guess it has less to do with having a specific feeling in mind, I just want a satisfying collection of songs.
“On a Cloud” is such a fun and mysterious music video. What was the production process like on that music video?
Well, that was really all Weird Life Films. The label contacted them about making a video, and they pitched us the idea. We kinda just let them do whatever they wanted. They submitted the idea and we basically just said “go for it” without making any changes. I feel like it’s important to have trust in collaborators. I am not a film maker, and haven’t put much thought into that type of creative outlet, so I pretty much tried to leave it up to the experts. We were so pleased with the outcome that we worked with them on a second video (out soon) where we gave them free reign again to great results.
On a broader spectrum, what drives your passion to create music?
Honestly, I usually write songs to soothe anxiety. Thats probably why my songs have a darker depressed feel, even though people generally refer to my actual personality as goofy and cheery. I feel like theres a natural high that comes from performing music you love. I make music to feel good about myself.
If you could be any superhero – “existing” or made up – who would you be and why?
Oh dang, I’m really not a superhero kinda guy. Maybe be a Doctor Who companion, or Finn The Human.
Portland-based alt/pop My Brothers and I might be busy prepping for the release of their EP material, but the next piece in that EP puzzle belongs to “When You’re Ready”, for which the music video has been taking center stage since its release in late May.
We’re absolutely smitten with this quintet, so we decided to do a quick interview to celebrate all their (amazing!) release news as of late. Check it out below!
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How did you all meet?
Scott, Erik, and I (David) are really brothers, so we met because we had to. Then Jordan and Scott have been besties since 2nd Grade and Jordan held me when I was a baby. So he is basically our brother.
Your song “When You’re Ready” has a very unique sound, what inspired that?
For the entire EP coming soon, we wanted to write pop music and have it feel like it could be on Top 40 radio, while also staying true to what makes us different. In most of our new songs, we have a mixture of real instruments and samples. We wanted to create a hybrid that competes with a lot of the digitally created pop music you hear, without going full-blown digital. We have a lot of real piano, real guitar, real drums, and real bass, while also throwing in some synths and 808 drum beats. This is especially shown off in When You’re Ready. The vibe may feel familiar, but the execution is what we feel sets it apart. It’s organic pop!
The video for “When You’re Ready” has an interesting story that revolves around a dissatisfied model. How did you come up with the concept for the video?
The “When You’re Ready” music video idea was actually brought to us by the producer of the video. He reached out and pitched his idea and we really liked it right away. We knew we didn’t want the video to just be a direct narrative of the lyrical content and his idea felt like a pretty cool metaphor that makes sense with the lyrics without being a direct representation. We had a blast working on it and are super happy with how it turned out.
Who inspires you as artists?
We are all a bunch of music sponges. We love to listen to music and are constantly listening to the New Music Friday playlist on Spotify. So more recently we have been vibing on that new Shawn Mendes album (no shame). In general we have always been inspired by bands and artists like John Mayer, OneRepublic, Justin Timberlake, Michael Jackson, Coldplay, The Roots, and so many others.
Where to you hope to see yourself musically in the next five years?
I think we would love to be settling into a nice career and a nice rhythm of being full time musicians. This journey has been so much fun and taken a ton of work and will continue to take a ton of work, but I think if we could be releasing a 3rd or 4th album by then and have a solid foundation and fan base, that would be a huge blessing. For us, we just want to change lives. It sounds cliché but we aren’t just doing music because it’s fun. We want to make a difference in people’s lives and touch people’s souls with our music. Make them feel something deeper than just surface level. If we get to a place where we can be playing and releasing music and use our platform to be a light in this world, that would be reaching our ultimate goal.
If you could describe your sound, what would it be?
I think organic pop is probably the best way to describe our sound. We love all types of music. We grew up on jazz and rock and hip hop and blues. We try to just be ourselves when we write and not stray away from that jazzy guitar lick, or that fat hip hop drum beat. We find ways to implement the past in a pop way with real instruments.
What is your favorite part about working together as a band?
Collaborating in everything we do is so much fun. Whether its ideas for live shows, writing songs, or what to do for an Instagram story, we all just love being around each other and goofing off. We try not to take things too seriously and just stay true to who we are. If you ever get a chance to see us live, we think this shines through. We just have a blast and I basically view every transition as a chance to make the crowd laugh or smile… and occasionally cry (in a good way).
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Keep up with My Brothers & I here, and preorder their EP here.
Nashville-based country duo The Dryes – fittingly comprised of husband/wife duo Katelyn and Derek Drye – are prepping to unleash 2 4-track EPs to the universe over the coming months, with impressive first single “Amen” being the introductory gem. With robust vocals, honest lyrics, and harmonies that will rattle you to the bone, this duo looks to be staking a claim in the country/roots genre that won’t soon be forgotten. With all of the excitement around what’s to come, we caught up with the two for a quick minute to get some perspective. Hear lead single “Amen”, then check out their words below!
What inspired you both to get involved in music together?
Katelyn: We started dating and for the first couple months we occasionally would sing together and thought it was fun. Derek was in another band and I was starting to get in the music scene back in North Carolina, our hometown. Then, one of Derek’s step uncles passed away. Someone in the family said “Hey! You sing (Derek)…and so does your girlfriend…we would like you two to sing for the funeral.” So that’s what we did. We very much remember that day. It was the first time we realized that we had a specific chemistry when we sang together. We felt the energy between us and talk about it often when people ask us.
Your latest single “Amen” is set to be released May 18th. What was the music making process like behind that song?
Derek: I had a guitar riff I kept coming back to. Katelyn wanted to write an upbeat jam about how we met, as we met when she was in the church choir. The co-writer, Alexa Cruse, came up with the melody of “Can I get an amen..” which got us all stoked and we took it in that rootsy/swampy vibe. The verses came out easy, cause we just took the main moments and feelings we both felt in a new relationship. Singing “can I get an amen” seemed perfect since Katelyn was in the church choir. We asked 6 of our friends to come and do gang/choir vocals in part of the song to add that element.
What inspiration would you both like to get your listeners to take away from “Amen”?
Katelyn: Don’t be too serious when you first start a relationship, have a little fun!
Why was “Amen” chosen as your lead single?
Derek: It hits you right in the face. Aside from the wall of guitar fuzz tones, the song showcases Katelyn’s vocals and I love getting to rip it up on the guitar in addition to singing. It’s exactly the type of upbeat jam that we wanted. It’s sexy.
What is your favorite thing about making music with your spouse?
Katelyn: You’ll hear all of this in the EP, but honestly it’s healing to us to sing these statements to each other, fun or serious. No matter the vibe of the song, it’s going to have to be honest. Like any marriage, we have our arguments, and disagree on quite a lot. We know that we have to be quick to forgive and prioritize what’s important. It would be pretty boring if we agreed on everything.
Derek: You kind of have to take turns being the punching bag for each other. Not in an abusive way, but a “here’s what I’m really dealing with” way, and “I know you can take it because you understand me” kind of way. When we write, we listen for those statements. They might be take-aways from how we got through something, or they might be a fun upbeat commitment to each other that we sing even when we don’t feel it. The feeling doesn’t make it less real, so we know that when we write, we can eventually tap into an incredible place together. It’s all about leaving room for it. We all tend to think that to be creative, you first have to be inspired. That’s actually not all true. We schedule time to write, and whether inspiration happens or not, we’ve at least shown up and left room for it. So NOW, inspiration happens more than ever because of that. It’s these little things that create big results.
What is the best piece of advice you both could give couples that want to make music together?
Always be open to constructive criticism. Brush offense off and learn to take each others ideas and run with them. Be okay with the fact that you would do it differently. Do it their way anyway. And you’ll get the same in return if both parties are listening. When you have that trust, you know that ultimately the other person is looking at the bigger picture of things – whether they’re wrong or right.
What are your future plans following the release of “Amen”?
We have a show in Nashville on May 23 at The Basement as a single release/new music celebration. We also have our 2nd single coming out in June, and we have EP Vol 1 coming later in the summer. We are excited to release this music and look forward to sharing it with the world.
After hundreds of hours in the recording studio and after working tirelessly to achieve the fame and success that they have gained up to this point, up and coming group JOYNER is bringing their sound to a whole new level. Since their start, they have had countless opportunities to perform and have thus gained the enthusiasm and loyalty of thousands of fans who are dying to hear more from this killer group. Luckily, amidst their crazy release schedule, Joyner was able to answer some questions for us and for their fans concerning where they started, where they are and, most importantly, where they are going. Buckle up and enjoy one of the most open and honest interviews that we have had yet.
Throughout your years of performing and producing music, was there an event or circumstance that really helped you kick start your career in music?
Music has always been something we loved. We grew up singing, writing songs and performing together in musical theater. As youngins we knew it was something we wanted to do, but we weren’t sure how to take it beyond the walls of our childhood home. When Summer was 20 she was working in retail and had a customer that came in and was telling her about her cousin that was a music producer. From there the dots connected and we recorded our first songs. It hasn’t stopped since!
Out of all of your goals, what is your focus right now?
At this very moment, getting our new music out into the world is the main focus!
Although there may have been set backs, what has made it all worth it?
There have been countless set backs, but at the end of the day it comes down to the music. No matter how hard it gets, the music is always what paints a sunny sky after a gloomy day.
While you are performing, what is your number one priority?
We have two number one priorities and that’s really focusing on being in sync with each other + making sure everyone has a good time!
Is there any exciting news about upcoming releases or tour dates?
Our debut EP comes out May 18th. We’re playing The Mint on 4/29 here in LA and are hoping to hit the road soon. Follow us on our socials to keep in the loop!
After a long day in the studio or on stage, what is the number one thing that you like to eat?
Love this question! A warm comforting meal like potatoes, or some yum grub from one of our favorite vegan restaurants like Little Pine or Mohawk bend.
Has there been anyone or special figure who has helped you get to the point that you are at?
We have so many angels in our lives from our music producer, to our friends that take our photos and help us make our music videos. We are so grateful for them!!
I had the pleasure of interviewing Irene Greene, a Philadelphia based singer-songwriter who released her enigmatic single “Platinum Baby” just today. After speaking with her, I have been beyond elated for the release of the single, and now we might be playing it on repeat. But I digress. Below, you can find what Irene had to say on her latest single and her inspiration for music.
When did you first decide that music was something you wanted to make a career?
“It was when I was a child, and I knew that nothing else would feel like making music does.”
Your debut single is titled “Platinum Baby.” What’s the story behind that name?
“The story is that I fell in love with my current partner who has (dyed) platinum hair, and how I felt that I wasn’t good enough for him.”
The cover art for this shows a girl holding a knife behind her back. Is this symbolic or where did you draw inspiration for that?
“It’s gonna sound silly, but I had a dream with a girl holding a knife behind her back. I love toying with line of love verses obsession in “Platinum Baby” and I think that this image captures it perfectly.”
This is your debut single. Is this single reflective of “Hey this is me as an artist”?
“Normally not, because this song is actually somewhat positive and I am a debby downer.”
Even though “Platinum Baby” is releasing May 1st, are you working on anything currently that we can look forward to?
“I’m putting out a new music video for “Platinum Baby” that is 1960s inspired and very spooky!”
Where do you hope to see yourself musically in the next five year?
“Hopefully touring around the country with my band and playing sweet tunes!”
