“what’s going on?!”is madilyn mei’s cosmic cry for the awkward and alienated

“what’s going on?!”is madilyn mei’s cosmic cry for the awkward and alienated

If Madilyn Mei’s music has always felt like a handwritten diary entry passed across a high school lunch table, her latest single, “What’s Going On?!”, might be the doodle-covered cover. Released May 16, this track finds Mei deepening her indie-folk bedroom pop roots while leaning into more experimental territory, complete with alien metaphors and a healthy dose of existential dread.

Produced and mixed by Scrawny and mastered by Joe Hutchinson, “What’s Going On?!” captures the disorienting experience of trying to “fit in” when you feel like you were dropped onto Earth from another planet. The track opens with an eerie, circus-like intro and transitions into a whimsical, layered soundscape that blends plucky acoustic strings with jittery synth textures. Mei’s voice, delicate yet resolute, delivers lines packed with metaphor, self-deprecating humor, and quietly devastating insight. Lyrically, the track dances on the edge of absurdity and melancholy, a balancing act Mei pulls off with signature flair.  It’s the kind of track that makes you laugh, cry, and spiral into a late-night identity crisis, all within three minutes. It’s a story of trying to belong when you feel unrecognizable to yourself and others, a meditation on loneliness that’s somehow comforting in its honesty.

The music video, streaming now on YouTube, takes the song’s surreal undertones to new heights. In it, Mei appears as a claymation alien, amplifying the song’s themes of disconnection with a dose of off-kilter whimsy, with some circus aesthetics lurking not far behind. Her current website and Instagram bio, complete with a circus tent emoji, only add to the intrigue. Could this be the first clue of a larger, thematically cohesive project on the horizon? If so, we’re buckling in.

If you’re new to Madilyn Mei, you might recognize her from viral tracks like “The Milk Carton”, “Partner in Crime”, or “Blue Haired Boy”, all beloved for their vivid storytelling and genre-defying charm. The Arizona-based 22-year-old singer-songwriter has been quietly redefining what bedroom pop can be. Known for her poetic wordplay, genre-blending arrangements, and storytelling flair, Mei has released a debut album, three EPs, and a steady stream of singles, all written and recorded from her bedroom. Her work is intimate yet imaginative, weaving together deeply personal themes with a touch of magic that feels just left of reality.

And now, she’s taking that world on the road. Mei is slated to open for AJR and others on tour this July. It’s a major step forward that speaks to her growing influence and genre-crossing appeal.

TOUR DATES:
7/20     Mountain View, CA     Shoreline Amphitheatre
7/22     Salt Lake City, UT       Utah First Credit Union Amphitheatre
7/24     Denver, CO                 Fiddler’s Green Amphitheatre
7/26     St. Louis, MO              Hollywood Casino Amphitheatre
7/27     Tinley Park, IL             Credit Union 1 Amphitheatre
7/29     Clarkston, MI              Pine Knob Music Theatre
7/31     Noblesville, IN             Ruoff Music Center
8/6       Camden, NJ                Freedom Mortgage Pavilion
8/8       Wantagh, NY              Jones Beach Amphitheatre
8/9       Mansfield, MA             Xfinity Center
10/4     Los Angeles, CA         Hollywood Bowl

“What’s Going On?!” isn’t just a catchy new track. It’s a question, a cry, and a cosmic shrug all in one. It’s for the alienated and the awkward, the overthinkers and the dreamers, and anyone who’s ever left a party wondering if they said too much or not enough. Stream “What’s Going On?!” now on Spotify, Apple Music, Amazon Music, YouTube, Pandora, and wherever else you soundtrack your identity crises. If this is just the opening act of her circus-themed era, we’re bracing ourselves for a wild, wondrous ride. 

“it’s undeniable” that hallelujah the hills just dropped another banger  

“it’s undeniable” that hallelujah the hills just dropped another banger  

There’s something deeply cathartic about shouting into the void with a guitar, and Boston’s indie rock band Hallelujah The Hills knows exactly how to do it. Their new single, “It’s Undeniable”, out May 23rd, is the equivalent of both a pep talk and an existential crisis at once. And honestly? That balance feels about right.

“It’s Undeniable” is loud in the best way. It’s raw, it’s full of distortion, and it barrels forward like a train that may or may not be on the tracks anymore. Which, to be fair, might be the most accurate depiction of how life feels in 2025. It’s a song for driving too fast or dancing in the living room, blending lo-fi garage fuzz with a driving rhythm and a vocal delivery that teeters between frantic and hopeful. It captures that exhilarating mix of chaos and clarity that makes us feel truly alive.

But the chaos is calculated. This is the latest release from DECK, Hallelujah The Hills’ wildly ambitious 54-song project that spans four albums and reimagines what an “album” can even be. Each record corresponds to a suit in a deck of playing cards, and if that sounds intense, it’s because it is. But it’s also fun. Conceptual. Weird in the best way.  “It’s Undeniable” functions as both a punchy standalone and a breadcrumb on a trail that promises to twist, burn, and break expectations before building them back up again.

Frontman and author Ryan H. Walsh leads the band through this musical labyrinth with the confidence of someone who’s read every instruction manual, thrown it away, and decided to build something better anyway. Hallelujah The Hills doesn’t just write songs, they build experiences. And this one? It’s fiery and fast and full of life, even in its most unhinged moments.

If you like Silver Jews, Titus Andronicus, The Wrens, or just songs that make you feel like sprinting down the street yelling your truth at the moon, this one’s for you. “It’s Undeniable” is streaming now on YouTube and SoundCloud. And if this is just one card from the DECK, we absolutely can’t wait to see the full hand they’re about to play.