Love them or hate them, bands that were popular at the turn of the century are making a comeback. And Hanson? They never really went anywhere. After going indie when their label failed them professionally, the three-brother band has maintained a brand – with multiple creative endeavors within it, including a beer company, tiered fan club membership, collaborative fan community, and more – that has continued to serve them and their growing family over the years. They have consistently toured, continuously contributed to nonprofit funding efforts, and continue to deliver new music as a sibling project year after year.
On Friday, June 14th, Hanson entertained a large crowd gathered in front of the Visit Missouri main stage at Boulevardia in Kansas City, Missouri. There, they announced the release of their new peach cider venture – that comes in honor of the 20th anniversary of “Penny & Me” – that they would be pouring themselves at the Taps & Tastes event the following day.
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Boulevardia draws thousands to the Kansas City area every Father’s Day weekend for an interactive beer and music festival, with local makers and food vendors galore.
Every Father’s Day weekend – for years now – Boulevardia has taken over a crucial area of Kansas City, bringing the best taps, tastes, and tunes to the metropolitan area. (And region, if we are being honest.) The relocation to Crown Center a handful of years ago made the festival a little more central — though no less sweltering hot.
I arrived later on Friday, making it a point to get there in time to see Pom Pom Squad. Frontwoman Mia Berrin introduced the band as Hanson – who was coming up next on the Visit Missouri main stage – and then proceeded to rip our faces off. Berrin’s dynamic vocals serenaded us through a breezy, hot Midwest sunset. A few fun photos below.
The line wrapped around Times Square, making a mess of Broadway. Swarms of fans covered themselves in swaths of red and green, draping blinking Christmas lights across their bodies and topping them off with Santa hats. And some were decked out another way: t-shirts with pictures of three smiling brothers were the most common, and even fashionable, accessory.
Right on the heels of their Middle of Everywhere tour, honoring 25 years as a band, Hanson was intent on closing 2017 with a bang. With October 27th’s release of their new Christmas album, Finally It’s Christmas, Hanson added an implicit nod to their fanbase. Every yearsince the release of their first Christmas record twenty years ago, Snowed In, Hanson’s fans have been eagerly and incessantly clamoring for another. And this year, an early Christmas gift arrived, complete with celebratory shows in select cities, almost all of them sold out. November 28th was the first of Hanson’s two-night run at the PlayStation Theater.
The stage was set, adorned with lights and garland, readying the audience for what was to come as greetings were given, drinks were purchased, and laughter wafted through the air. Projections of snowflakes swept across the floor, lending a more wintry feel to a surprisingly warm November night.
And then the lights were lowered. Screams, cheers, and claps commenced as Hanson stepped out, each formally dressed as if on the way to a holiday party; guitarist Isaac Hanson sported a green tie, drummer Zac Hanson a red bowtie, and pianist Taylor Hanson with a blue scarf dotted with white, resembling the snowflakes on stage. Immediately breaking into “Finally It’s Christmas,” the triumphant first track kicking off the new album, the crowd began singing along at the top of their lungs; they already had it memorized. Accompanying Hanson was a saxophone player, who often danced in coordinated movements with their bass player, laughing as they did so and giving a new meaning to the word “merry.” With this inclusion, Hanson’s sound was more jubilant than ever before, an elevation to a fuller, louder plane, similar to 2010’s Shout It Out, which features horns on many of its tracks. Hanson crafts each song in a different way, and are always up for experimentation. With 25 years under their collective belt, they search for new and innovative ways to enhance their music, and this new record is proof.
Hanson not only played songs off Finally It’s Christmas, but also songs off Snowed In. Though they were only children at the time, they still penned three original Christmas tracks, “At Christmas,” “Christmas Time,” and “Everybody Knows The Claus” as well as their own medley of “O Holy Night,” “Silent Night,” and “O Come All Ye Faithful.”
There were too many highlights of the show to count: you could say the best part was Taylor walking to the front of the stage during “Christmas (Baby Please Come Home),” shaking a tambourine and encouraging the crowd to sing background vocals with Isaac and Zac. Or when Isaac issued a challenge to the audience during “Til New Year’s Night,” one of the most standout tracks on Finally It’s Christmas, imploring the crowd to name each reindeer before launching back into the song Chuck Berry-style. Or maybe it was when Zac took over the piano during “Please Come Home,” his voice soaring over the keys while Taylor played drums. Objectively, however, it was “Joy To The Mountain” a capella that stood out the most, with Hanson’s harmonies in flight, echoing from floor to ceiling in the near-silent theater. It grabbed the audience and arrested them into a quiet trance, the lull of a Christmas lullaby.
The end of the show featured “Everybody Knows The Claus,” one of Snowed In’s most beloved tracks. Everyone was dancing with abandon, recalling the days of childhood and the mad dash to the local record store on the day Snowed In was first released, relishing every bit of it, second after second, minute after minute, meticulously taking it all in on cassette tape. And 20 years later, those experiences and memories are still emblazed in the brain and heart, which is what made this show so meaningful. Hanson always delivers to their fans, giving them nearly two hours of music, finally ending the encore with “Have Yourself A Merry Little Christmas.”
It was the perfect note to end on, allowing a moment of reflection and pause before the final bow and goodbye—until 2018.
Storied indie trio Bandits On The Run was passing through Kansas City last weekend, with a flurry of notable performances scheduled for Folk Alliance. But that wasn’t all they had up their sleeves. On Friday, February 3rd, they brought their instruments to the effing candle co. storefront in Midtown for a night that cute crowd would not forget.
Though capacity was limited inside the storefront, the energy was palpable from outside on the chilly streets of the city. effing candle co. owner Byrdie Hanson donated proceeds of period products and monetary donations to a local women’s shelter, for which she put together goodie bags as well. The candle company’s commitment to humor is matched only by its commitments to both sustainability and civil rights.
In front of a rainbow-tinged front window, this folk group garnered smiles all around. Plus the Bandits made time to hang out with their fans afterward, identifying their favorite candle scents and enjoying time with new friends. It was a night of pure magic, where everyone was lifted up, and we were honored to be in attendance.
What to do when you find out your favorite musician is Racist and/or Sexist and/or Homophobic and/or Transphobic and/or COVID-denying and/or A general piece of garbage…
You know that band/musician you loved growing up? The one that speaks to you at any age. The one you’ve seen in concert 10+ times? You’ve gone to festivals for them, you’ve had their posters since you were 8, their music got you through the good AND bad times – including moving to a new city as a kid. You requested a song of theirs and dedicated it to your twin sister at your wedding reception…
If you can’t tell, I have a band that fits this bill. And last week, it came to my attention that at least two of their members have revealed themselves as garbage.
And, I’m not kidding when I say that I have supported them, purchased their music and trivia books and even had lunch with them in high school. #BigFan
But, as of last week, that is no more. And, on top of that, I felt a strong urge to take a few more steps. So, if you are devastated and angry at a revelation that a musician that has had a strong impact in your life up to this point is actually COVID-denier – and more – and you aren’t sure what to do with that rage? How do you reconcile with the fact that you supported that trash for so long? Here’s what I’m doing:
Sit with the fact that you wish they wouldn’t have said anything at all. It’s there. It’s real. AND it’s a red flag of privilege – that ignorance-is-bliss mentality COULD be easier at times, but isn’t something that many humans can afford, nor is it something to seek out. Easier does NOT equal better – at least in this case. Their saying something out loud may feel like a curse. It’s really a blessing. Because, once you know better, you do better, right?
In your mind/journal, thank them for everything they brought/were to you/did for you in the before times. Maybe vent into a voice message. Scream into a pillow. All good things must come to an end. Now, get to work.
Cut ‘em off. All social media follows and purchases.
Call ‘em out. It’s not enough just to unfollow. Let people know the type of folks they are supporting/following. And, if all you can think with this step is, “WOW, another person promoting cancel culture and trying to silence someone”…read up on what cancel culture really is/means (and, this Times article is from 2019…still very much stands)
Stop streaming. Even though it’s just pennies per stream – they are benefitting monetarily from you still tuning into their music.
Count up how much money you’ve paid them over the years – posters, albums, concert tickets, merch, etc. – and demand they pay that in donations/reparations. Not sure what reparations are? Nicole Cardoza of Anti-Racism Daily (subscribe to the daily newsletter AND support their work monetarily), shared the following in the February 1, 2021 version of the newsletter:
“Reparations are necessary for achieving racial equity (Brookings). On an individual level, pay it forward to creators you learn from on social media or organizers in your community. On a local level, find the local or state initiative advocating for reparations and support for their work. In addition, I recommend completing the Reparations Now Tool Kit created by the Movement for Black Lives to create a comprehensive plan.”
That last ask feel like a bit of a stretch? That’s OK. If you have the means, pay those reparations/donations yourself. Installments are fine. Refer to my last point in where to contribute, if you can’t think of anything. (For example: I am contributing to KC Tenants – a multiracial group in my hometown that organizes to ensure everyone has a safe, accessible, and affordable home. I also contribute to Gift KC on a monthly recurring basis).
Feel like there is a hole in your heart where that music lived? Find some new music – you are in the right place to find independent artists here at imperfect Fifth), and accept that this – like many things and all of 2020 – is a grieving process. You won’t “just get over it”.
Just know that not taking action shows lack of care, and even – dare I say it – complicity?
The world won’t change unless we each take steps – individually and collectively – towards the world we want.
wondering what former favorite band of mine I might be referring to? Hanson. It’s Hanson (find out what led me to this action and rant, here and here). ALSO? Brian Littrell. Fuck em.
If 2020 has taught me one thing it’s that I don’t have a lot of ancillary sound in my daily life. All of the music, news, podcasts, and conversations are chosen by me. Since I am not going into stores, restaurants, and theaters this year, I am also not in my car very often so my exposure to seasonal music is only what I am hearing at home. That is a great thing! I am able to listen to holiday music, knowing that I won’t have to hear the same 10 songs in a loop. I can also throw in favorites that, although aren’t strictly holiday songs, have the same spirit.
Are you spending time this month organizing, baking, or decorating?We’ve all got those menial tasks this time of year that could use more joy and movement, and these songs will do just the trick without being loaded with too many holiday frills. (You know what I mean.)
Christmas in Hollis – Run DMC Grey In LA – Loudon Wainwright III Carol of the Bells – Los Lonely Boys Little Drummer Boy/Hot Hot Hot – Wyclef Jean What Christmas Means to Me – Hanson Raise Your Glass – P!nk God Rest Ye Merry Gentlemen/We Three Kings – Barenaked Ladies and Sarah McLachlan Merry Christmas Baby – Otis Redding Oh How the Years Go By – Vanessa Williams O Tannenbaum – Vince Guaraldi Trio (A Charlie Brown Christmas) Somewhere Only We Know – Keane Peace on Earth/Little Drummer Boy – David Bowie & Bing Crosby Christmas (Baby Please Come Home) – Darlene Love
Erin P.S. Zimmerman has not only the memory of an elephant and the rhythm of one of Destiny’s children, but she’s the twin sister of our Editor, so she’s an absolute magnet for pop culture. She took a side road and grabbed us a large quantity of songs for a playlist that easily covers the entire decade. We’re sure it was inspired by her Spotify plays, as well as a deep dive into each year and her own iTunes library. But this girl’s got some gems. So read em, listen to em, and celebrate 2020 with the sounds of the past!
2009
Dick in a Box – Lonely Island ft Justin Timberlake One of the first times I realized that my mom has a wicked dirty sense of humor. In 2011, we requested this one at a piano bar “for our mom”. They pulled her on stage to sing and dance…and boy, did she!
I’m on a Boat – The Lonely Island Everyone seemed to know this one, and it brought us all togethe
Water Landing – Third Eye Blind Favorite TEB song. My new bf at the time – now my husband – made me a mix CD when we started dating, and this was the first song.
Boom Boom Pow – The Black Eyed Peas “You’re so two thousand and LATE!” – Also, my sorority formal date’s “THIS IS MY JAM!”
Gives You Hell – The All-American Rejects Our anthem for all the bullshit left behind in high school.
Use Somebody – Kings of Leon Favorite moment of my study abroad trip to London: a packed room at a bar singing this to a live band playing a cover.
Party in the USA – Miley Cyrus There is no physical possibility she could walk off the plane at LAX, hop in her cab and look to the right to see the Hollywood sign.
Battlefield – Jordin Sparks Why DOES love always feel like a battlefield?
Fireflies – Owl City Why did we like this one so much??
I Love College – Asher Roth This is the given on the soundtrack of someone who was in college in 2009 or any year after.
Breakeven – The Script This introduced me to The Script. Which became part of the soundtrack to my summer.
Lines, Vines, and Trying Times – Jonas Brothers YES, this is the whole album. Because I loved about 4/5ths of it. And it was the magical soundtrack to exploring London and Los Angeles.
2010
Cooler Than Me – Mike Posner Someone told me they thought of me every time they hear this song because I probably think I’m cooler than them. I am.
Billionaire – Travie McCoy ft Bruno Mars Heard this one for the first time driving around Los Angeles with some friends. And I could picture myself as a billionaire VERY clearly – and still do every time I hear it!
Club Can’t Handle Me – Flo Rida ft. David Guetta Always blasted in my dorm with my roommates. Always never at the club…because it can’t handle me right now.
Whataya Want from Me – Adam Lambert I felt like I had his vocal range. Spoiler alert: I didn’t. Also: what I sang in my head every time someone from high school reached out to me…
If I Die Young – The Band Perry My co-worker’s young daughter loved this song. And creepily sang every word as she stared deep into my eyes. I lived to tell the tale.
Shout It Out – Hanson Yes, it’s another boy band album. I truly love all of the upbeat music on this, and it’s great for running through the sprinklers and then enjoying a bomb pop on a summer day (or upbeat music for your NYE)!
2011
Under the Mistletoe – Justin Bieber My sister received a video invitation to a Christmas party in Manhattan, New York that featured this song. And it was original and funny and I can’t help but love the song now.
Rolling in the Deep – Adele Power ballad and my introduction to Adele [insert heart eyes]
Party Rock Anthem – LMFAO My little bro learned the dance. We made the gold box head from the video for him. This was his anthem.
Raise Your Glass – P!nk Underdogs. Weirdos. Dirty little freaks. I’ve never felt so seen…
F**kin’ Perfect – P!nk NOW I feel seen.
Look At Me Now – Chris Brown ft Lil Wayne and Busta Rhymes I spent an entire week vacationing in San Diego practicing rapping to Busta’s verse. I got most of it, performed it at my 21st birthday party, and retired from the rap game.
Good Life – OneRepublic Upbeat. Meaningful. Nostalgic. Perfect for a party!
Pretty Girl Rock – Keri Hilson Because, of course.
Jessie J’s entire album: Who You Are Spent the summer – and fall and winter and spring – driving around with my twin sis rockin’ out to this one! Daddio’s favorite is Price Tag
Threw it on the Ground – The Lonely Island Makes me giggle. Referenced often to this day.
2012
Somebody That I Used to Know – Gotye Just one of those songs from 2012 that defined the year…because it was played non-stop on every radio station. So, everyone knows it.
We Are Young – Fun Another one of those anthems for people of all ages about going out and painting the town red – or setting it on fire, whatever
Ni**as in Paris – Jay Z and Kanye West A fun one that made at least SOMETHING in Blades of Glory funny.
Birthday Cake – Rihanna ft Chris Brown Super weird collaboration following his assaulting her and the romantic breakup that followed 3 years prior…but a super catchy – albeit sometimes annoying – track.
2013
Thrift Shop – Macklemore and Ryan Lewis Who didn’t love this song, and then become a complete thrift shop junkie? It took me years to get back to thrifting and getting anything good!
Flawless – Beyonce Empowerment anthem OF THE DECADE. And, most days? I DID wake up like this.
Mirrors – Justin Timberlake Cried. Sang it with the windows down driving up the 101. Made my bridal party do a dance to it. There is video evidence.
Royals – Lorde I had somehow forgotten this song. It played in perpetuity from 2013-the KC Royals 2015 World Series Championship. Now I can’t get it out of my head…
Wrecking Ball – Miley Cyrus An ode to Miley’s breakup, breakdown and ripping off the bandaid that was her Disney persona. And you, too, can get a skin for your MacBook that turns your Apple logo into the wrecking ball in question.
Girl on Fire – Alicia Keys ANOTHER empowerment anthem? We will take all of them we can get!
Try – P!nk Have you ever seen the music video? Watch it. NOW.
You and I – John Legend Hell, really I just mean all of the album “Love in the Future”. Best of 2013.
2014
Happy – Pharrell Williams Who doesn’t want a feel-good song to take you from down in the dumps, to dancing on the hood of your car? Or the bar? Or the table or the street?
All of Me – John Legend Bawled. Became first dance at wedding. Years later, I told John Legend to his face that he only makes music to purposefully make me cry. And he guaranteed tears at his concert. And he delivered. Damn him.
Turn Down for What – DJ Snake and Lil Jon Only video I took at my wedding: Dance off in the foreground between 5 VERY white boys to this song. In the background? Family friend Russian kicking my 9-year-old niece into 2016.
Chandelier – Sia I DO want to swing from the chandeli-here!
The Man – Aloe Blacc Best basketball warm up song. Best slideshow music for the graduating seniors of the St. Pius X high school basketball team.
Partition – Beyonce This one just has me feelin’ myself, no matter what mood I was in before! In fact, I’m going to go listen to it, now!
2015
See You Again – Wiz Khalifa ft Charlie Puth First death of a friend my age. This played on a slideshow. He’s all I think of when I hear it and I cry. Which means I cried while watching Fast and the Furious. But not because of Fast and the Furious.
Take Me to Church – Hozier The year I really STOPPED going to church. But his voice more than made up for it!
Elastic Heart – Sia Two words: Shia. Labeouf.
Outlaws – Alessia Cara I felt like this was the anthem for myself and my fellow entrepreneurs as we retreated in the mountains and built our businesses and white-water rafted and had a jolly ole time.
House Party – Sam Hunt How the twin and I have always lived our lives: entertaining from the comfort of our own homes.
2016
Love Yourself – Justin Bieber
Sorry – Justin Bieber OK, let’s be honest. The whole damn album. I’m not embarrassed. I danced my way through 2016 to JB.
Work from Home – Fifth Harmony I had just started working from home as a full-time freelancer when this one came out. So, it was constantly in my head – and is a fun one to dance to, as well!
Just Like Fire – P!nk Apparently, I am drawn to fire. I believe it’s the Aries in me…
One Call Away – Charlie Puth Sister broke up with her boyfriend. I rallied the troops and had friends and family from across the US lip sync on video and put it together as a breakup gift. And a perpetual reminder.
Sit Still, Look Pretty – Daya Calling society in to question. While being catchy and easy to dance to? Yes, please and thank you! Because smashing the patriarchy can and should feel a hell of a lot more fun!
Lost Boy – Ruth B Haunting, gender-bending, put into question how we see ourselves vs. how we are seen.
I know, deep, right?
2017
HUMBLE – Kendrick Lamar I saw this one as a challenge for me to be less humble and take up space, while also singing along loudly in the direction of folx who need to sit the f*** down, shut up and listen.
Say You Won’t Let Go – James Arthur Does anyone else see Jane and Rafael from Jane the Virgin when they listen to this song? No? Just me?
Redbone – Childish Gambino A range and style no one expected, but everyone needed.
Slow Hands – Niall Horan Sexy from a former One Directioner…I should have seen it coming.
Sorry Not Sorry – Demi Lovato Hate the saying. LOVE the song.
DNA – Kendrick Lamar The BEST song to lift heavy weights and smash a bag around to! TRY to tell me differently!
Better Life – P!nk Sad and beautiful. It helps me to stop and take inventory and answer P!nk’s question for myself.
Younger Now – Miley Cyrus How I feel with each passing year…
Bastards – Kesha First song on her 2017 album. “Don’t let the bastards get you down” (America’s official slogan since, what, 2016?)
Everybody Lost Somebody – Bleachers Bleachers makes depression fun by helping folx find commonalities in one another. YOU are not alone!
Finesse – Bruno Mars and Cardi B LOVE the throwback late 80s/early 90s sound. MORE PLEASE!
All The Stars – Kendrick Lamar & SZA Black Panther. Entire Marvel/Disney soundtrack produced by Kendrick Lamar. My mom is friends with SZA’s mom.
This is America – Childish Gambino Calling us out. Poignant. This IS America. Always and still.
God is a Woman – Ariana Grande Finally. Someone got it right.
Shape of You – Ed Sheeran I’m still trying to hate it. But every time it comes on – and it still does a LOT – my foot just gets a’tappin’!
Thank U, Next – Ariana Grande I find myself singing this at my husband of 5+ years. Gotta keep um on their toes!
Hey Look Ma, I Made It – Pan!c at the Disco Haven’t heard much from Pan!c since the mid 2000s…and now they are back and better than ever! In fact: theirs was my favorite show of 2019 (and Elizabeth’s! Check out her review here: http://imperfectfifth.com/elizabeths-favorite-shows-of-2019-dont-threaten-me-with-a-good-time/)
2019
7 Rings – Ariana Grande Sound of Music is my favorite. And so are my bitches (though, I don’t have 6 of them…probably)
Old Town Road – Lil Nas X ft Billy Ray Cyrus Lil Nas X became a role model, THEN came out (and became an even BIGGER role model), all while trolling us with this annoyingly catchy – but really bad – anthem of 2019.
Bad Guy – Billie Eilish Hate to say it…I love it. Because, well, I don’t always want to be the nice guy!
I Don’t Care – Ed Sheeran and Justin Bieber This is literally how I feel about everyone and everything. Except for my family. Sometimes. Other times, it’s exactly how I feel about all humans except myself.
Homecoming: The Live Album – Beyonce Watching it live. Listening to it in its entirety. Tears to my eyes and over a decade of music and emotions.
If you haven’t experienced KONGOS live yet, it’s really high time you should. The South African quartet — comprised of brothersJohnny Kongos, Jesse Kongos, Dylan Kongos, and Daniel Kongos — boasts incredible vocal harmonies and layered, striking instrumentals (hello, accordion!). Their captivating stage presence is no surprise, as their musician father must have had quite the influence on them. Just a few days after spending time in the studio with Hanson in Oklahoma, the brothers performed compellingly to an audience in Kansas City, MO. Nothing could have been more beautiful than the full moon on October 13th, shining brightly over this collective crooning to the patio stage at Riot Room.
Through every track, there was a sense of belief in the story that was being told. At times the vocals were raspy and rough, while at others there was a smoothness you almost didn’t expect from this handsome group of men. Regardless of its delivery, each song felt so effortlessly inspiring. For example, during the more tropical-infused track “I Am Not Me”, the audience sang at the sky, as though every individual was having the same existential realization at the exact same time. It was such an intensely beautiful moment, illuminated by the red stage lights, that by the time we got to crowd favorite “Come With Me Now”, I felt like most of the audience had become family. Litter percussive tracks like “Birds Do It” and “I’m Only Joking”, and you’re in for a night of blissful camaraderie with strangers, no matter your surroundings.
What was perhaps most notable was the friendliness with which the group welcomed the crowd and shared anecdotes to introduce their songs. I’m not certain what it was, but a sense of magic surrounded this performance that I wasn’t altogether expecting. Charming, incredible musicians with a lot of love and fire for their work. And simplified, that’s the experience KONGOS creates.
On today’s episode, we sit down with someone I have known for almost a decade. (If you didn’t know, I may mention it too many times.) Blake La Grange is the Owner and Founder at Mastering.com. He is also the CEO & Founder at Mercury Mastering LLC and has worked with talents of all kinds. He and his family recently made the move to New York for the next chapter of their journey, and it was a pleasure to catch up.