jeremy buck, “don’t look down”

jeremy buck, “don’t look down”

At just the time when we are in need of as much cheer as we can get, Indiana-born and LA-based indie rock artist Jeremy Buck has bestowed upon us the uplifting and empowering single, “Don’t Look Down”.  Inspired by how one may feel while walking on a tightrope and riddled with fear, the track sends the message that even though a lot of things really suck, everything will be okay if you just focus on the good things life has to offer.  

The catchy chorus is sure to satisfy any pop music fan’s quest for a new sing-along jam, and it will likely remain in your head for an extended stay after an initial listen.  Buck’s powerful vocals carry the verses, which provide a perfect sprinkle of rock n’roll.

Buck shares of the need to write a song like this:

With all of the negative energy and the constant threat of imminent doom that is being spoon-fed to use through the media, I felt a huge creative urge to share my concerns and frustrations but in a way that will hopefully spread positivity.

sarah sample, “old barn owl”

sarah sample, “old barn owl”

Sitting under the starry sky at a songwriting retreat in West Texas, Sarah Sample and her sister began writing “Old Barn Owl”.  A feeling of openness came over them, one that can be hard to obtain otherwise in a world filled with such judgment.  For the listener, that same feeling of openness translates well, leaving your speakers and entering your world.  All it takes is a soft guitar and gentle words to feel the very same warmth of the fall Texas air that Sample felt when penning this tune.  When the last note hits, you will indeed forget any feelings of failure and uncertainty, trading it for the feeling that everything is alright.

Sample says of her experience writing the track:

My sister and I sat under a fall moon and wrote the chorus. As we started singing the lines, something cathartic was happening. It was quiet. It was healing. We reflected on what can happen in nature, with no one to judge you and the acceptance that you are worthy just as you are. You never know what kind of song you’re going to write, but sometimes when you’re in a mystic place you get these kinds of odes to nature.

josephine johnson, “built to last”

josephine johnson, “built to last”

When Georgia-based indie artist Josephine Johnson realized that her love for music took precedent over her love of a person, she took that feeling to the studio and created “Built to Last”.  This is where Johnson is able to build upon the idea that what we need may not always be what we want.  The peaceful essence of the tune creates a powerful feeling of security in the sometimes uncomfortable realization that what we need for ourselves may be just a step outside of our comfort zone. 

With the help of Johnson and “Built to Last”, we are reminded that while there may be a great deal of comfort in what we want, there just may be a greater payoff for going for what we need.  At the end of the day, you just might see yourself blossom.

Johnson explains of what inspired the track: “I loved someone very much, but ultimately knew that the path I’m on—doing music professionally, touring–would be done without him, though in my heart it always felt that I was the one he needed. Funny, I know now that I don’t need him!”

kat saul, made in the 90s

kat saul, made in the 90s

Alt-pop artist Kat Saul’s newest EP, Made in the 90s, has been released, and is the perfect way to celebrate being human.  “Alright”, a track about how hard it is to get somebody off your mind when you’re into them, starts off the celebration with an intro that sounds like it comes from a basement rock concert.  “X2” is a catchy hit-worthy bop about moving on, or actually being tired of trying to move on.  In all honesty, this should be in regular rotation at all Top 40 stations.  Saul slows it down a bit with “Monsters”, where the celebrations are toned down in a search for inner peace and serenity.  Not to worry, “I Love To Hate You” speeds everything back up with a sobering story of mutual frustration at the end of a relationship.  Appropriately, the last song celebrates that person that is always by your side at the end of the day.  This is the feeling of floating on “Cloud 9”.

Made in the 90s may have actually been made in 2020 or shortly before, but the music lives up to the name.  A perfect blend of 90s rock and modern pop, Saul proves that you don’t have to escape older sounds to create new ones.  She explains of the EP:  “It’s me reflecting on who I am and what I’ve been through as I transition into adult life so that I can process how the past has made me who I am…because that’s what art is right?”

foo fighters, “shame shame”

foo fighters, “shame shame”

Foo Fighters have given us a first glance into their upcoming album, Medicine at Midnight, with “Shame Shame”, a foggy tune that brilliantly addresses the feelings of emptiness and the racing mind.  The thought-provoking lyrics provide you with some level of ambiguity while staying in line with some general theme. 

The track features all of the best that modern rock music has to offer.  Equipped with a fiery guitar riff and hard percussion, it is no wonder the band are put on a pedestal of current rockers.  The slow, gentle progression of the verses work as the perfect introduction to the song and the new era that fans are entering.  That being said, the most defining moment comes during the pre-chorus.  With just a simple recitation of the title, Foo Fighters prove that simplicity can go a long way. 

The best thing about the band is that they don’t actually need to live in a past generation of rock n’ roll to be great.  While the melody of the chorus is reminiscent of some timeless rock hits, sonically and lyrically, they are fully taking advantage of what modern music has to offer to perfect their craft.

the way way back, baggage or you’re never going to leave it all behind

the way way back, baggage or you’re never going to leave it all behind

From Kansas City comes pop-punk outfit The Way Way Back, and from them comes their album, Baggage or You’re Never Going to Leave it All Behind.  This is a monumental expression of pain and bravery packed into seven tracks.  “Baggage” may come without lyrics, but acts as a brilliant introduction to the saga.  Opening with a shuffling of people in a crowded place before venturing into just the right punk melody at just the right time, the track welcomes you to the beautiful chaos.  This transitions directly into the second track, “I Am Not Afraid to Walk This World Alone”, a heavy rocker dedicated to a former flame, perhaps from a place of discontent or even anger.  The more stripped back “Kintsugi” has the acoustic guitar to thank for the perfect runaway song, which happens to be the subject of this ballad.  The band keeps it relatively slow for “Bad Star”, the story of someone who is down in their luck and unable to get out of a dark place.  The final track is “Waste Away”, which one could consider the optimistic song of the album.  This is where we are asked what we’ll do with ourselves as life moves so fast.  Perhaps, we don’t have an answer.

The Way Way Back may have included many elements of pain with this release, but what stands out more is the overwhelming elements of wonder and hope that are buried within each song. 

nomadic firs, memory weeks

nomadic firs, memory weeks

Nomadic Firs was hard at work on another project when he decided to change course with the onset of the pandemic.  That new project became his album, Memory Weeks, a glimpse of hope amongst all the hopelessness.  “Captain Hammock” starts out with a simple guitar and lyrics about longing for something better.  About halfway through, the guitar fades away as a sort of electronic interlude takes its place, perhaps as a transition to this better place.  Moving on to “William”, we hear less melody and more of a narrative about seeking security and safety in turbulent times.  It has sentiments of thankfulness for the ability to take a pause from life and just breathe, a departure from the previous track. 

The electrifying “Planes in the Dark” sets a new tone for the album, offering listeners a chance to question their own perceptions.  The seemingly endless synthesizers effectively suck you right into the world of the song.  As the record carries on, the tones shift, including with “Ok Sleep In”, which brings you to a dreamland, perhaps one you would find when getting that needed extra rest.  The final track, “DJ Preesh”, is a far contrast from the earlier tracks.  Bringing the album and all of its pieces full circle, it takes us to the “something better” that we were longing for in the opener.  Now, we are set free.

eliyya lane, “drippin'”

eliyya lane, “drippin'”

Pour yourself a glass of wine and get ready to hit play on Eliyya Lane’s hypnotizing new single, “Drippin’”.  You will feel a rush of calm energy come over you as you indulge in this soothing ballad.  It is almost as if it was created for the specific purpose of listening to it with lights down low on a cozy fall evening.  Perhaps this feeling comes from the lyrics themselves, which seem to point towards Lane being in a euphoric state due to the warmness she feels being around the person she loves.  That warmness translates from the speakers well, leaving you feeling wrapped up in the very same elatedness that overcomes her.  This calm feeling could also come from the sonic world created within the track.  This world includes haunting percussion and synthesizers that gradually intensify as they pull you further into Lane’s world throughout the duration of the song.

Lane has worked to craft a song that is perfect for a couple things.  It is a great song to turn on when you are filled with happiness, especially if the source of the happiness is love.  It is also just simply a much-appreciated relaxation tune.  If you are looking to sit back and turn the world off for just a few minutes, Eliyya Lane has you covered.

irene skylakaki, “sutherland avenue”

irene skylakaki, “sutherland avenue”

Rainy car rides in the fall could use more songs like Irene Skylakaki’s “Sutherland Avenue”.  Complete with emotional lyrics and a gentle sway-like melody, it makes you want to embark on a journey of self-discovery of sorts, searching for all the answers as to how you ended up here.  Maybe by the end, you will find what you are looking for, as suggested by how the track accelerates into a completely new world after the two-minute mark.  It is a story of perplexity, maybe even frustration, about something you love ending and feeling like you have no understanding of how it happened.  In her search for her own moment of clarity, she actually provides us with clarity as we are able to work to fully understand not her emotions that inspired the song, but our own emotions that become comprehensible after listening to it.

Irene says of her hope for the track:

I would prefer it if anyone who listens to ‘Sutherland Avenue’ connects with it through their own experiences. The lyrics to the song are quite self-explanatory and raw and after various tries, I insisted on keeping them as they are unsophisticated and honest.