Folk-led, genre-blending musician Mike Pope has, arguably, been one of Southern California’s best-kept secrets for years. He has certainly shared his talents by making the rounds at venues around San Diego, but it took some time before local record label Blind Owl could get him into a studio. There, he had so much material to work with that this week he released not only his debut album Songs For People (High & Low), but a bonus sophomore album titled Ripening (Ain’t It Strange).
Songs For People (High & Low) is a more self-reflective album, dancing beautifully through the speakers with its haunting melodies, striking lyrics, and captivating musicianship. From the very first lines of literal self-reflective first track “Mirror,” through the slightly quicker pace of “Steeped Cracked Rocks” and into the meandering “Teach To Sow,” the listener is transported to a slower, quieter neck of the woods. The album itself continues at a beautiful, calm clip, the compositions as though the music is physically leading us into autumn nights with friends and family.
If you are looking for a particularly complex bit of picking, “St. Augustine” will breathe life into that craving. And while the 11-track album provides a particularly pleasant audible journey, taking the time to listen to “Maryanne,” “Maryanne (Again),” and “Maryanne (Again and Again)” will light a special fire in your heart.
Dropping into the second album Ripening (Ain’t It Strange), you can tell that what’s to come will be equally pleasing. The heavier instrumentals and incorporation of more rock-focused compositions make for a completely different soundscape. While we were absolutely delighted by the percussion in the vocal-less second track “Homunculus,” the fuzzier sound to “My Spirit Orbits” makes it the perfect track to bop to on vinyl with the windows open, autumn breeze flowing through.
Ripening feels, at its core, a little edgier, but still carries a similar warmth to its sister album, stirring energy and acute want for community leading into the colder months. Colder months if you, for instance, live anywhere BUT perpetually 70-something degree San Diego.
Take some time to play in the soundscape of both albums. Now that Mike Pope has found his way out of the San Diego-specific woodwork, we’d love to maintain a mainline to his work worldwide. If ever there were an opportunity to support and encourage an artist to head back into the studio sometime soon, this is it.
On September 23rd, Lizzy McAlpine and Carol Ades took the stage at the Theatre of Living Arts in Philadelphia. Photographer Jay Lindblad was on-hand to experience the magic of the evening. He was enamored by the vocal nuances of each artist, who displayed live performance tactics that would indicate music industry experience far beyond their years. The mood of the evening was blissful despite the “sad girl” ambiance, and we got some snapshots to prove it.
We waited 29 years to experience these witches again. The long-awaited sequel to the cult classic Hocus Pocus was released just in time for the witching season, on September 30, 2022. Just 29 years, 2 months, and 2 weeks after Bette Midler, Kathy Najimy, and Sarah Jessica Parker portrayed the most wicked trio of sisters the silver screen had ever encountered.
Equal parts sass, silliness, captivating humor, and darkness, the first film created a movement of witch-adjacent fans. Holding onto that sense of magic, that belief in powers and the safety of nostalgia has kept its fire fueled all this time. So, of course, the whole world went wild when the sequel was announced.
The Deets on Hocus Pocus 2
In all honesty, my expectations were low. Three decades removed, Hocus Pocus 2 was written by producer and actress Jen D’Angelo, who was just 5 years old when the first movie made its theatrical debut. While I am a very big fan of the first movie, I was afraid enough of the characters in my early years. I didn’t get into the fandom side of things until much later in life. Still, how could this new movie possibly do the original any justice?
Let me tell you, this movie was enjoyable above and beyond all expectations. It begins by establishing the (honestly heartbreaking) history of how the Sanderson sisters became witches in a dark forest as orphaned teenagers. It quickly swoops us back to present-day Salem, where holistic wellness and mindset work mirrors witchcraft that dates back centuries. Three teen girls reignite their friendship through a high-energy plotline. It brings back key characters and highlights the importance of community and friendship.
What’s The Final Verdict?
Aside from the rogue religious rant here and there about the unholiness of witchcraft (many of whom clearly never saw the original), the movie is getting high praise from fans everywhere. Critical acclaim, however, has been a little more difficult to come by. Rotten Tomatoes only rates it at 63%, and most of the negative reviews I have happened upon indicated the plot was too simple, but most sequels are mirrors of the original plotlines.
This one is more tongue-in-cheek, the characters and their personalities are so much more diverse, and the lessons to be learned echo louder than they ever have before. My personal social media feed was full of insanely positive reviews within the first 48 hours of release. This, in turn, convinced me to dig in quickly.
Like the original, there was a lot of attention and care put into the soundtrack. While the Sanderson Sisters’ cover of “I Put a Spell On You” became a huge hit in the 90s, their entrance in this film is just as theatrical with their fun spin on Elton John’s “The Bitch is Back.”
From thoughtful easter eggs to the inclusion of popular technology and skincare, the movie is truly delightful from beginning to end. It is available to watch on Disney+ now.
Debuting from Nashville, WILSN’s music video for “If You Wanna Love Me” sets the stage for her upcoming album release. In the song, she stakes claim not only on her heart but on her place in the music scene. While a potential love interest may need to learn how to love her before gaining access to her, we get the privilege of loving her song and its steady and empowering message upon first spin. The fast clip and lyrics connect listeners to WILSN before song’s end.
WILSN’s new song “If You Wanna Love Me” has a fast, steady beat, empowering vocals, and echoes of classic female-led bands of the late 1970s and early 1980s. Kicking off with a bassline that sets a strong tone for someone standing their ground, “If You Wanna Love Me” builds both lyrics and volume. The drum beats suit a fast-running clip, the snares matching footfalls on pavement, keeping audiences moving forward with WILSN’s attitude for direction.
This anthem lays out the ground rules for love, letting both singer and potential partner know the starting line. WILSN reminds me of my worth as I venture forth on my own search for my own romantic interest, that steady snare hits nailing home the point at a staccato clip. With no distortion, these lyrics come across loud and clear. They also offer solidary, inviting anyone to sing along.
WILSN’s clear message lights up the video in its simplicity. Depicting only the band performing, it keeps the song its focal point. WILSN’s dark hair matches her simple sleeveless black dress and killer knee-high black boots as she moves through the room, exploring sound, demands, and potential connection. Though no one outside the band appears in the room, perhaps echoing no one else having learned how to love WILSN yet, it gives fans plenty of space to join the music. It doesn’t take long to learn the words, let alone love the song, so we only can hope someone learns how to love her.
On Friday, September 23rd, the rock aficionados of Kansas City fled to the Midland Theatre in search of a beauty they hadn’t witnessed in years. The Gaslight Anthem recently announced their full-time status together again after a 4-year tour hiatus. Just two weeks into this leg of the tour, they almost immediately had to cancel a show. It had been scheduled earlier in the week in Denver, and openers Tigers Jaw were able to finagle a last-minute headlining set for all ticketholders to the original show to attend in addition to the reschedule.
While they didn’t want to postpone the show altogether, lead singer Brian Fallon had to keep himself and the fans safe and encourage his healing while he dealt with some form of sickness. (Not Covid, but he was a big congested.) Fallon had quite a bit to say about the fan reaction to that decision, which was entirely supported by his empathetic – and emphatic – fans in the heart of America. He even took time during the set to explain that – while he wasn’t at 100% quite yet – he was doing his absolute best on stage because he missed this crowd in this particular city.
Whether it was pandering or not, his stories were sincere, the joy on everyone’s faces was moving, and the night was a blissful continuance of a band we have all come to know and love.
Canadian psych outfit Mother Sun is back to entertain, with their layered, intricate compositions and upbeat soundscapes. In the lead-up to their third riveting full-length release, today marks the release of their new track “Tangerine Beach” and its entertaining accompanying music video. We’ve got your exclusive first listen — and look!
The enticingly bright video – shot, produced, and edited by Josef Perzon – evokes feelings of giddiness and joy from the start. After all, who isn’t going to immediately be in a good mood after sitting in the sun, brilliant turquoise waters behind them?
‘Tangerine Beach’ and its video tell the story of a optimistic vacationer, played by Nathan, whose trip is thwarted by expectations of paradise. Arriving at at the beach, many margaritas in hand, Nathan loses a lens to the sunglasses shading him from the reality of his surroundings.
