After Wednesday night’s performance at the Uptown Theater, we might be able to forgive rock outfit Sons of Silver for having never been to Kansas City together before. Their opening set for Dogstar was energetic and fun. The band took moments to appreciate their position and the evening, ensuring an almost instant connection with the audience. After their set, the band took some time to meet fans by their merch table while Dogstar got situated on stage.
When was the last time you craved a great rock show and it actually delivered? We set out on a Wednesday night to see the storied Dogstar play at the historic Uptown Theater in Kansas City, Missouri. Not only did the merchandise line snake through the front lobby, but it wrapped down the hall and into the bar area on the other side. I’ve been going to shows for nearly 30 years at this venue, and I’ve never seen anything like it.
From the moment they hit the stage, the trio delivered nonstop entertainment, rolling through a variety of keepers from their catalog. Their particular blend of alternative rock brings with it hints of goth and more theatrical vocals at times, keeping you on the edge of your seat, singing with the crowd. Of course, there were a couple of “I love you, Keanu!” screams from the crowd at times, but for the most part, the crowd was respectful of the reason we were all there… music.
With an incredible 33-year run so far, this band is showing no signs of slowing down.
Setlist Blonde Lust How the Story Ends Everything Turns Around Out Of Glimmer Dillon Street This Is What Math Is For Shards of Rain Overhang Sleep Runway Marmalade Breach Just Like Heaven Shallow Easy Upside Jackbox I Wanna Be Sedated
Ohio-bred indie folk outfit Oliver Hazard swooped through Kansas City last night, lighting up the stage at recordBar — quite literally, with their backdrop and Edison bulbs. The trio brought their melodic magic to a captivated crowd.
To note, it was an audience of mostly Gen Z, carrying Nikon point-and-shoot cameras to capture their memories in a wholesome, “old-fashioned” way. It was a delightful way to spend an otherwise uncomfortably warm Wednesday evening, as the band rolled through their catalog and spoke of singing the national anthem at a Royals MLB game. (You know, as one does.)
Catch Oliver Hazard on one of the upcoming tour dates!
Oliver Hazard Tour Dates: Headline dates June 27 – St. Louis, MO – Blueberry Hill Jul 26 – Jul 28, 2024 – Newport Folk Festival* August 2 – Bozeman, MT – Sweet Pea Festival* August 16 – Huber Heights, OH – Rose Music Center^ Aug 17 – Waterville, OH – Oliver Hazard Day*
w/the 502s Sept 3 – Burlington, VT – Higher Ground Sept 5 – Huntington, NY – The Paramount Sept 6 – Portland, ME – Aura Sept 7 – Baltimore, MD – Baltimore Soundstage Sept 8 – Cleveland, OH – House of Blues Sept 10 – Louisville, KY – Mercury Ballroom Sept 14 – Charleston, SC – The Riviera Theater Sept 15 – Charleston, SC – The Riviera Theater Sept 16 – Asheville, NC – The Orange Peel Sept 18 – Athens, GA – 40 Watt Club Sept 19 – Raleigh, NC – The Ritz
Headline dates Oct 16 – Toronto, ON – Horseshoe Tavern Oct 17 – Syracuse, NY – Funk ‘n Waffles Oct 18 – Concord, NH – Sound and Color Festival* Oct 19 – Hamden, CT – Space Ballroom Oct 20 – Cambridge, MA – The Sinclair Oct 22 – Philadelphia, PA – World Cafe Live Oct 23 – Brooklyn, NY – Music Hall of Williamsburg Oct 24 – Washington, DC – Union Stage Oct 26 – Lexington, KY – The Burl
Love them or hate them, bands that were popular at the turn of the century are making a comeback. And Hanson? They never really went anywhere. After going indie when their label failed them professionally, the three-brother band has maintained a brand – with multiple creative endeavors within it, including a beer company, tiered fan club membership, collaborative fan community, and more – that has continued to serve them and their growing family over the years. They have consistently toured, continuously contributed to nonprofit funding efforts, and continue to deliver new music as a sibling project year after year.
On Friday, June 14th, Hanson entertained a large crowd gathered in front of the Visit Missouri main stage at Boulevardia in Kansas City, Missouri. There, they announced the release of their new peach cider venture – that comes in honor of the 20th anniversary of “Penny & Me” – that they would be pouring themselves at the Taps & Tastes event the following day.
taylor hansonisaac hansonzac hanson
Boulevardia draws thousands to the Kansas City area every Father’s Day weekend for an interactive beer and music festival, with local makers and food vendors galore.
If you didn’t know who Goose was already, then you could have gotten the full run-down from any man found within a 4 block radius of The Midland on Tuesday evening. “Do you know who Goose is?” a man in a gray tie dyed shirt excitedly asked me as I walked up to the box office to nab my photo pass. “Yes, I’m photographing them.” (And I do know their music. And they’re fantastic.) “Oh.”
But I didn’t have to worry about taking this man’s shine for too long. Almost immediately, he turned to a woman walking from the other direction and excitedly asked, “Do you know who Goose is?” She didn’t, and he was aghast. Immediately he launched into a tale about a young jam band that he and his friends championed from the beginning. I laughed at her expression, got my pass, and went inside.
But that’s what Goose does – they fire up the crowd. They are, in essence, a feel good band with an open, excitable fan base. Walking in, it felt like I was headed to camp. Everyone was complimenting each other’s shirts and looks, asking about strangers’ favorite songs, taking photos with signs and posters.
And that’s another thing… I’ve never seen so many banners and posters in this venue before. I’ve never felt the nostalgia of summer camp inside a venue in Kansas City. In my life. And I’m a native.
That was the vibe they brought. With an enchanting stage set, some quirky accessories (hello stuffed Luigi on a keyboard), and a crowd that was ready to be best friends, Goose brought everyone together on a perfect 70 something degree evening in the midwest.
There were warnings of storms looming all day on Saturday, July 1st in Kansas City, Missouri. At any moment, a pop-up shower could leave any part of the metropolitan area drenched. And it did. Multiple times.
But not that night.
Not that evening when German rock band – and Midwest fav – Milky Chance opened for Young The Giant at the gorgeous Starlight Theatre. They dazzled the crowd with eye-catching style, serotonin-boosting tunes, and envious hair (according to pretty much everyone there). Here are some beautiful moments from the opening of the show.
This weekend was one for the books. A massive crowd gathered at The Truman in Kansas City, Missouri to enjoy a sold-out show featuring CVBZ and Teddy Swims. We happened upon the artist and his band during their Bonnaroo set this summer, and have been singing their praises ever since. His powerhouse vocals and humble nature, and everyone’s massive musical talent, are endearing as hell.
The band walked in at the start, followed by the charming lead singer. He was propped on two crutches, with two bare feet wrapped in athletic tape. You could tell the crowd was confused, but everyone’s attention was immediately drawn to the energy of the band.
After singing a bit, he addressed his bare feet, the clear elephant in the room. He told us that he sustained an injury while on a tour stop in Las Vegas. Instead of getting his ankle checked out, he chose to favor his leg and limp in the coming days. Today, however, a trip to urgent care revealed that, because he did not seek medical care for this first injury, he now had two sprained ankles. While he spent a few songs on his feet, there was a loveseat conveniently located by the microphone and a pile of water bottles for him to enjoy as he entertained the crowd.
His set included a few lively covers, “Broke,” the sultry “Two Moods” and crowd favorites “Simple Things” and “Bed on Fire.”
On a mid-summer night at the beginning August of 2022, The Goo Goo Dolls took the stage to an (almost) sold-out crowd at Starlight Theatre in Kansas City, Missouri. A show that had been postponed from a previously scheduled date, there was heightened energy around the event.
The Goo Goo Dolls riveted the audience with a 23-song setlist. They brought the heat starting with the first lines of opener “Yeah, I Like You,” an effervescent track from this year’s self-reflective Chaos in Bloom. Along with their new work, they played the audience through a multitude of hits and favorites. “Slide,” “Here Is Gone,” “Black Balloon,” and “Lucky Star” were all performed within the first ten songs. And there was no room for slowing down there.
Bassist/vocalist Robby Takac brought his quintessential “ball of fun” energy to the stage all night long–this time around, notably wearing shoes, which isn’t necessarily his MO–dazzling the crowd with some deep-cut tracks in moments you can only classify as magic. As many post-pandemic shows have gone along to prove, The Goo Goo Dolls’ influence spans generations, as people of all ages and demographics came out to enjoy the show despite the blistering midwest heat. (I wore a neck fan I borrowed from my parents, and have no shame around that fact.)
As someone who has had the honor of seeing this storied band perform live multiple times during their time in the limelight, I can firmly say that their performance felt different this time around. Though there were kaleidoscope lighting features and the same level of excitement coming from the band members as in previous shows, there was an extra layer of sheer joy emanating from the stage. You could sense Johnny Rzeznik’s (guitarist, vocalist) weightlessness as he beamed at the audience, appreciating the moment much more, perhaps, than anyone could have pre-pandemic.
If you stayed through to the end, you had the benefit of singing along to “Name,” “Broadway,” “Iris,” and more, and may have even had the privilege of singing along to a beautiful, showstopping cover of Petty‘s “Runnin’ Down a Dream.” It felt like glitter was falling over the crowd if you took the chance to gaze up at the starry night sky at that moment.
Until you remembered that, with the end of the show comes the end of the beautiful distraction. And you’re actually outside. Sweating from every pore. And the band is gone.
But–if you’re one of the lucky few–the black balloons that were passed around the audience might not be gone. (And we treasure a show souvenir.)
Anna Hamilton was the newcomer most hadn’t been acquainted with, winning a contest to open for Dermot Kennedy as a local act. A Kansas native and one of 12 children in her family, Anna’s music dripped with bits of nostalgia and hopeful thoughts for the future. It was also an insanely beautiful experience, her sweet-as-honey vocals accompanied only by a guitar. It was mesmerizing.
By her third song, we caught a glimpse at specificity in a track about a boy that left her for a city – “Me For Barcelona.” The song had never been played in front of a live audience before and is not currently available, but is open for preorder via her link in bio at clever Instagram handle @a.ham.sandwich. Her fourth trach was about leaving Kansas to pursue her singing career in Tennessee, something so many artists struggle with. She has clearly found a safe haven and inspirational options in her relocation, as her last track – “Self Help” – was realized so early on. Of the track, she admitted that it was about taking care of yourself before allowing others to benefit from you. “You need to be 100% before your cup overflows and they can receive it.”
Bishop Briggs emerged, energetic as ever and donning a leather jacket on a pretty balmy night in the midwest. It was shed quickly, to reveal skeleton-printed fingerless gloves and delicate tattoos dancing across both forearms. The first time this town got acquainted with Bishop, she had barely edged into the world of tattoos. Now, you find yourself mesmerized by them as she jumps across the stage with every robust, belted line.
An artist that truly allows you to feel the songs with her, Bishop has cultivated a fandom that spans generations, cultures, and ideals. Perhaps the show’s littlest attendant – a young man no older than 10 or 11 – could be found belting out lyrics and clapping in time with his family during the intense track “Hi-Lo (Hollow)”. Her set included “Someone Else,” “Darkside,” and her most recognizable hit, “River”, among others.
