by Kendal Chandler | Mar 3, 2020 | singles, wolf tracks
LA duo MARNEY, comprised of Crystal Douesnard (vocals) and Thomas Moore (guitar/bass/production) have just released their debut single “Conversations”. This is the first track to be released off their upcoming debut EP Feelings, set to drop in April.
MARNEY’s musical style is one full of nostalgia that explores dark emotions. The indie duo combine modern sounds with dark undertones to create their personal style. “Conversations” examines the idea of our own perception of self, and creating a face for others. The hook “nothing wrong with my mind” perfectly frames the idea that one believes they are one way but at the same time are saying this to invalidate the negative feeling of others’ poor view of them.
Keep up with MARNEY here.
by Madi Toman | Mar 3, 2020 | premieres, singles, videos
Nashville pop outfit Marquee Mayfield (Who’s rumored to have been a country-pop industry plant in addition to an actual robot in his former life, stand by for debunking) is releasing their new single + music video on March 6th, and this one is GUARANTEED to drag you down memory lane.
Mayfield takes us into a pastel paradise via this majorly nostalgic music video inspired by none other than the 80’s own Miami Vice. While those familiar with Mayfield’s work are sure to recognize the 80s influence from his music, viewers are now treated to seeing his music vision come to life right in front of their eyes through the iconic staples of the era brought back for this video, and it’s sure to have them busting out their ‘Party’ fanny packs and neon-colored, geometric-printed windbreakers from back in the day. Roller-blading and polaroids and cassette players, oh my!
Be sure to check out this throwback inspired number for yourself via our exclusive premiere below and see how many 80s references you can spot, including but not limited to a particularly well-done tribute to Miami Vice’s own fashion icon Don Johnson. We see you Mayfield, and we’re here for it.
by Kendal Chandler | Mar 2, 2020 | albums, review
Singer-songwriter Sophie Allison, better known as Soccer Mommy, releases sophomore album color theory, an album heavily looking at internal worries and concerns of any person in their 20’s. Just like with her debut record Clean, Gabe Wax was the producer. Wax is credited for working on projects for indie artists such as the War on Drugs and Deerhunter.
Unlike her first release, color theory is a darker look inward at the human response to transformative transitions. The sound feels dimmer and the emotional weight stronger. From the opening lyrics of the first track “bloodstream” listeners know this record is taking a different direction. Regardless of the change in mood from the urgency of youth, found on Clean, to the overarching concerns of what happens when the light of adolescence fades, the music style of color theory is still authentically Allison.
Keep up with Soccer Mommy here.
by Madi Toman | Mar 2, 2020 | albums, review
Psychedelic indie project The Undercover Dream Lovers just released its debut album, It’s All in Your Head. TUDL is the brainchild of LA based artist Matt Koenig, an all around DIY badass who’s stayed true to the OG meaning of indie, navigating the industry label free throughout his career. Koenig cites his influences as everything from The Beatles to Tame Impala to Led Zeppelin and views himself and his music as a bridge between eras, a statement that I can confidently say reigns true after listening to the record.
It’s All in Your Head was recorded in Koenig’s home studio in Los Angeles, where the multi-talented Koenig handled writing, production, and mixing himself. The record is largely influenced by Koenig’s desire to create a “bustling, vibrant, and groovy” live show, which is immediately clear even via digital consumption. He is known for his quickly recognizable disco-influenced bass lines, a staple that consistently appears on this project as well as his Koenig’s older work.
The album opener, “A Way Out”, was one of the first tracks that Koenig made for the record, and is meant to serve as an initial taste for listeners to get a feel for the direction that he takes the record production-wise, which delves into new territory for Koenig. The disco rhythms that would end up influencing the rest of the album are introduced here through infectious dance floor rhythms that are a constant presence throughout the record.
One of the standouts on the record, “Plane Ride”, was largely influenced by the fatal car accident that took the lives of rock duo Her’s while Koenig was on tour with them. He took a break after the tragic event, and “Plane Ride” was the first thing he worked on after returning. The verse was written before the accident and was about Koenig feeling caught in life’s distractions. The rest of the track comes from the traumatic experience, with the ‘ride’ being a metaphor for life and the plane crash talked about in the song representative of death. Koenig kept that verse even after the meaning of the song shifted for him, allowing it to represent the ‘before’ of the accident and letting the number be symbolic for how quickly what we view as important can shift when trauma comes into play.
“Soon Enough”, co-written with Dent May, is a hopeful track sprinkled with vibrant-driven guitar riffs and a light and airy chorus. “Chardonnay” drips with groove and (fun fact) was created in a room in LA by three people named Matt. Every track on the project boasts unique differences in production, vibe, and lyrical themes while keeping to a uniform overall feeling that makes the album itself feel like a collective work of art, a refreshing element frequently missing in modern music where albums seem to be carried on the backs of singles which often feel worlds apart from the rest of the record.
While much of the album seems to exist in an intergalactic air-space, album-closer “Everyone’s Confused” feels down to earth in comparison. The groovy guitars that stand out on many of the album’s best tracks blend seamlessly with rolling rock riffs that feel as though they could be pulled straight from the 70s. “Everything is fake, and well, everyone’s confused” Koenig sings in a moment of blunt honesty.
Keep up with TUDL here.
by Kendal Chandler | Feb 28, 2020 | singles, wolf tracks
Americana sibling duo me&you release their new single “S.O.L”– which stands for “shit outta luck”– and in the case of this song, it’s in reference to bad timing of a relationship. The track is a country-folk, shows the complexity of a relationship, when one person is in another place compared to the other. “S.O.L” is also a track with a slow burn. It starts off simply and slowly builds, where it seems to peak in the chorus.
Siblings Karlee and Connor Hormell have been playing music together since they were kids. me&you project came into place after a month-long trip traveling through the backcountry of New Zealand in a camper van. Karlee explains their band name comes from something the two would always tell each other, “All we have is me and you.”
Keep up with me&you here.
by Meredith Schneider | Feb 27, 2020 | videos, wolf tracks
From the freezing forests of Norway emerges your new favorite ambience-inducing producer, a truly talented artist named Ruben Dawnson. His single “FYALMA” may seem a little jarring lyrically, but it is totally an anthem for those fighting anxiety. This is the unifying song we all needed even if we didn’t realize it. Admits the artist”
This is by far the most liberating song I’ve ever written! It’s a big fuck you anthem to anxiety! Like many others I’ve been struggling with it for a long time… hopefully this can lift people’s spirit and I hope people will connect with it and scream out the lyrics!! I really want it to reach as many as possible and help create a big “fuck you” wave towards anxiety!! I know it won’t solve any deep issues people might have, but hopefully it can make someone feel less lonely.
Dawnson just released the accompanying music video, which can be seen below. Watch as he runs around town, looking similar to the feelings those of us struggling with anxiety hold inside. Not only does this video feel a bit chaotic, but it’s also very inviting. Get your fresh air. Get outside and move. Break away from yourself sometimes.
What do you find powerful about this song and video? Let us know on Facebook!
Keep up with Ruben Dawnson here.
by Kendal Chandler | Feb 27, 2020 | singles, wolf tracks
Danish retro indie pop artist Favor releases new single “Soda”, which is a look at addiction through the eyes of the child. Under the name Favor, Jeppe Gande, shows off how he can create very own lyrical universe through his writing.
By addiction, Gande is referring to obsessions, like relationships, nights out, social media and work. “Soda” is his look back to the times of being a naive child – when the world was your playground and your life was not cluttered with responsibilities and commitments. Gande views childhood as a time ruled by innocence, and adulthood ruled with obsession.
“Soda” is off Favor’s upcoming album Crush out March 27.
by Meredith Schneider | Feb 26, 2020 | singles, wolf tracks
Have you ever been so thrilled with the way a song makes you FEEL THE EMOTIONS that you just want to shout it from the rooftops? With dark, brooding vocals, an incredible amount of dismal attitude, and whirring guitars, The Great Dictators bring us new track “Play Dead Together”, which is sonically just as morbid as its title suggests. Past the initial impression, it is a love song at its core, and sweet in a sinister and beautiful way.
To truly understand what any of this means, of course, you have to take a listen for yourself. So check it out, and check back in with us over on Facebook with your thoughts!
Keep up with The Great Dictators here.
by Kendal Chandler | Feb 26, 2020 | singles, wolf tracks
Los Angeles based artist Suzy & the Lifeguard released their newest single “Take it Slow” off upcoming EP ANIMA out May 1. “Take it Slow” is a look at the dichotomy between longing for love and falling to lust. This contrast of love and lust is shown within the vocals and the musical arrangement. The vocals are sultry and flirty teasing at the dark corners of this split. The horns used in the composition bring visions of forbidden romance, something that is both infatuating and dangerous.
“Take it Slow” is composed of lyrics of seduction and regret. With words that emanate a desire for love, our hearts break. “We both we’ll take it slow / As I am taking you back home,” is soon followed by feelings of remorse, “Nobody wins when we play games.” This back and forth creates a look at that rocky line between love and lust, when it turns, and what happens because of it.
Keep up with Suzy & The Lifeguard here.
