by Meredith Schneider | Jul 7, 2022 | review, videos
When you hear me say I’m about to talk about the television show “Maggie,” there is a chance some of you might have flashbacks to reruns of the 1998 single-season series starring Ann Cusack, John Getz, and John Slattery. In that, a middle-aged Maggie returns to veterinarian school and approaches life from a different perspective.
But HULU just released the first season of “MAGGIE” — a sitcom about a young woman with psychic abilities (Rebecca Rittenhouse) and the obstacles that crop up after she thinks she has seen a vision into her own future. She grapples with her idea of what ethics a psychic needs to live by and how she thinks society views psychics. She also wonders what leverage she has over the ability to adjust her visions, and struggles with curiosity over that impact.
Everything is all the more complicated as a one-time hookup – and a man from that vision – moves into the lower level of a property her parents own with his long-term girlfriend while she occupies the upstairs apartment.
Sound silly and weird? Surprisingly, it has more depth to it than you might think. Here are four things we can all learn from watching a show like MAGGIE, below.
*SMALL SPOILER ALERT*
What Watching Maggie Can Teach Us
1. To Recognize and Appreciate All Of Yourself
The first half of the season focuses on how Maggie sees the world as a psychic and intuitive. It throws acute observance onto the fact that she is hesitant to fully embrace who she is. The second half of the season sees Maggie unable to cope when her intuition falters and she is no longer able to see visions. Her sense of self was more wrapped in her abilities, than in herself.
Just like Maggie, we all need to see that just because other people may not see all of our unique, wonderful sides doesn’t mean they are not valuable. We need to put time and attention into all of the things that we love, all of the people we adore and all of the hobbies we have. This will allow you to have other interests and fallbacks if something doesn’t work out, or if one interest burn outs.
2. To Be Honest When Establishing Relationships
The entire first season, Maggie is grappling with the guilt of sleeping with a man who is now her neighbor. For reasons we won’t spoil, Maggie finds herself feeling bad, as an empath often can. And that feeling discourages her from being open with her new friend Jessie about her dating history.
One big thought I had while watching this entire season was that Maggie could have avoided a lot of her strife with an open and honest conversation. If anyone wants to establish a lasting relationship, it should start with an open and honest dialogue that sets you up right.
3. To Know That You Create Your Own Destiny
After Maggie sees herself in someone else’s future, she begins to heavily rely on her psychic abilities to inform her decision-making.
When Maggie’s powers to see into the future abandon her mid-season, she is thrown into an identity crisis, though. First of all, who is she without this insane and unique ability to tap into the future? Does she have other talents and hobbies that can lead her into another career or pastime? The second part of her crisis is that she feels like she has no control over how she maneuvers her new relationship.
Like Maggie, we can all benefit from learning that we do have the power to create our own destinies, even if it’s not how we imagined it to unfold. And that’s okay.
4. To Stop Stressing About The Future
All of this brings me to my last point. As a habitual worry-wort, I have never had the luxury of a stress-free life. But, examining everything from the perspective of having the ability to see into the future seems heavy and stressful as well.
Worrying about how you are influencing an outcome or your own future is a fair thought to have, but focusing on it can be so detrimental. Not only does it take you out of the here and now, but it blocks you from appreciating what you do have at this moment. It distracts you from enjoying your surroundings, accomplishments, and community.
We can all truly benefit from stopping how much we put our energy into stressing about the future.
by Meredith Schneider | Jun 28, 2022 | review, videos
It’s been 10 months since the first episode of “Only Murders in the Building” premiered on Hulu. This week, our beloved trio of geriatric-minded comedians – and we would argue that Selena Gomez, at times, takes the cake for seeming the most mature – is back on the small screen with the season 2 premiere.
What is all the hype about?
Take two legendary comedians (Steve Martin and Martin Short) and one millennial who has always had a dry sense of humor and comedic timing like no other (Selena Gomez) and put them in a room together. Add in a murder mystery storyline set in Manhattan for some east coast flare, and you’ve got yourself a winner.
Vibrant, nuanced, twisted. Audiences rated it a 93% on Rotten Tomatoes while critics gave it a glowing 100%. Dad jokes, slapstick, and sarcasm. “Only Murders in the Building” has it all.
What happened in Season 1?
In a situation of happenstance, Charles-Haden Savage (Martin), Oliver Putnam (Short), and Mabel Mora (Gomez) meet in a diner during an evacuation of their apartment building, The Arconia. Conversation strikes when they realize they are all trying to catch up on the latest installment of a true-crime podcast.
But the evacuation in their building was for more than just a standard fire drill. The three new friends find out that one of their neighbors has been murdered. With their shared, vested interest in the case, they decide to create a podcast around the killing–effectively getting to the bottom of a case the police can’t seem to crack.
Tim Kono’s (Julian Cihi) murder isn’t as cut and dry as our protagonists wanted to believe. First, there’s the neighbor with a cat who doesn’t really like anyone in the building. There’s the fact that Mabel and Tim were childhood friends, something she hides for several episodes. (Why?) Plus, there is someone else who knew their childhood friend group–Theo (James Caverly)–living in the building with his father (Nathan Lane).
But his rich father couldn’t possibly know anything. He sponsors the podcast.
While their sleuthing leads them to one red herring after another, the tension and fear for their safety builds. Mabel is seemingly stalked and attacked by a man that turns out to be another member of their friend group, fresh out of prison for a murder he didn’t commit. (Or did he?)
Savage’s new girlfriend – another tenant named Jan played by Amy Ryan — is stabbed and left to die just inside her apartment door. Nosy, annoyed neighbors begin to throw obstacles in their mystery-solving path. But is it because the podcast seemingly blows up overnight, making the entrance at The Arconia a busy mess of fans? Or is it because one of these neighbors is the murderer?
Spoiler Alert
While there were certainly moments of clarity throughout the season, the uncovering of the murderer in the last two episodes and the way she spirals is a bit of a shock to the viewer. Jan, the oboist girlfriend of Savage, was Tim’s unexpected lover and murderer.
Case closed, right?
Well, the last episode unveiled a fresh murder. And now Mabel is being framed.
Season 2 is Here
Today is your lucky day. As of midnight on June 28, 2022, the first two episodes of Only Murders in the Building season 2 went live on Hulu.
by Richard Andrus | Oct 1, 2021 | albums, review
It’s hard to function after being in an unhealthy situation, but it’s even harder to overcome and embrace your emotions so you can become a better person at the end of the day. Miami-born Spanish singer-songwriter Jacqueline Loor takes listeners through this laborious yet rewarding journey on her debut album, Show Them, due to release this Friday. In response to seeing her sister endure a toxic relationship and eventually gaining the courage to leave her partner, the mother of two wrote this collection of empowering songs to inspire others to thrive and do the same.
At the beginning of the album, Loor recognizes how her relationship is in shambles and reminisces how it used to be. Over time, she realizes how her significant other is only a distant echo of who they once were until she cuts them off from her life and finally gets the opportunity to exhale without them breathing down her back. This alone time allows her to find her footing and take the reigns of her life back, so she can show the world how she can soar and carry on without her former lover.
Although she just started singing several years ago, at the age of 36, Loor’s commanding vocals and intricate, vulnerable lyricism shine throughout, ultimately sounding like an intriguing blend of the cinematic melancholia of Lana Del Rey and the ecstatic optimism of Sara Bareilles. With that in mind, if someone told me that some of these songs were from a musical on Broadway, I’d probably take their word for it.
All in all, this project is remarkable, as it aims to empower listeners worldwide to escape the darkness and discover the light inside themselves.
Loors’ passion for performing is ever-increasing, as seen by how the singer-songwriter self-produced one song on the album, “I Broke My Heart,” and has been releasing a variety of songs sung entirely in Spanish as well.
If this is her first comprehensive venture into the music industry, I’m excited to see what she has in store for the years to come.
by Meredith Schneider | Jun 28, 2021 | albums, review, wolf tracks
Isaac and Thorald Koren – or The Brothers Koren – recently released their debut collection of tracks, an exquisite full-length titled I Went To The Sea To Be Free. Dedicated to the memory of their grandmother – who flew her plane over the Southern Ocean on Mother’s Day of 1974 and was never seen again – the album itself is laced with a sense of longing in the emotional lyrics. It’s hard to believe that the brothers approached music separate from each other, and later discovered their co-creating abilities. Their harmonizing abilities are almost haunting in a way, as displayed in tracks like “Say Everything”, “Gold”, and “Like Water”. (And virtually every other gorgeous track in this collection.)
Beginning at a leisurely clip with “Easy,” the album is introduced to us in a lighthearted, open-minded way. The song itself encourages its listener to take things as they come, while the brothers sing of how easy life can be with the right person. They transition with ease into the remaining thirteen tracks, presenting a true storytelling ambiance to the piece. Their cover of Prince’s 1984 hit “I Would Die 4 U” would otherwise fall short however the single has been stripped down into a different realm than its existing danceable pop energy, highlighting the love letter nature of it all. Crowd favorites include “Like Water”, “Beyond the Wild”, and “More Than You Know”.
Keep up with The Brothers Koren here.
by Meredith Schneider | Apr 30, 2021 | albums, review, wolf tracks
One of our favorite singer/songwriter extraordinaires – alt-folk artist EVVAN – has released a dreamy new 5-track EP, Home, and we’re certain it warrants a listen from music lovers of all genres. Never have we felt so much attitude without a hard blues influence in a folk track as we did with the initial track “Wolf.” (Wolf tracks are our favorite though. ;))
Second track “I’m Not Done Yet” is delivered with the fervor you expect from someone who is fully prepared for the next chapter of their lives. “So many times in my life I’ve heard the exact phrases I wrote in the song from friends who’ve experienced the same, from people who I thought were friends and didn’t accept me, from absolute strangers on the street who noticed I was different,” says EVVAN. “It is exhausting, and while there are times I feel beaten down and without hope, I remember this is who I am, and I should be proud of that.”
A track born from the emotions around wanting to come out, Evvan carries intense emotion with each word delivered, creating a beautiful ballad that feels like a torch held by and for all of those who feel other at times. If nothing else, this track is a testament to the artful soul of its creator.
“Hurricane” comes at a more steady clip, as EVVAN details a tumultuous relationship situation. “Falling Over You” speaks to a similar relationship, as the thoughts early in a relationship take over and confuse the hell out of our protagonist. Undoubtedly, this is a highly relatable track for the listeners. It’s also got a beautiful cadence that is absolutely captivating.
The title track rounds out this new release, more simplistic instrumentally than its predecessors, just as impactful. It really is the most freeing way to end the collection. If you have the opportunity, we highly suggest listening to the work in its entirety – as a full and honest adventure – below.
by Erin P.S. Zimmerman | Apr 29, 2021 | perspective, review
“Ah, another virtual event that I will RSVP to and not at ALL want to attend most of,” I thought, as the first electronic communications regarding SXSW 2021 came through to my device.
And, as we got closer to the start date, I thought more and more about the piles of work and other obligations that I could not take a vacation from in order to attend – like I would in a non-pandemic year where I would be physically changing locations and turning on my out-of-office messages.
But, of all the virtual events I’ve attended – and chosen not to attend – during the COVID-19 pandemic, this one was by far the most beneficial for me to attend.
And, it’s not because there were speakers/talent who looked/were like me (a white, cishet, straight female), but because there were speakers/talent who looked
NOTHING. LIKE. ME.
Sure, there were some missteps. Namely:
1. Mark Cuban – not only is he the whitest dude, but he offers no additional perspective he hasn’t already spewed across all digital/media channels
2. MOST of the speakers were pre-recorded – so, couldn’t you pre-screen some of the talks to ensure that those catchy titles that were submitted in the panel picker process actually lived up to their name? (i.e. – anything that started with “How To” should have been some sort of how to…not just “I am so successful, here is how I am so successful”. See: Every white man – including Mark Cuban).
3. Allowing ANY talks with a white man – or a group of white men – by himself. Panels, groups discussions, or fireside chats with all types of people that include a white man? SURE! But our lives have been so saturated with mediocre white dudes on a podium talking down to us for LITERALLY OUR ENTIRE LIVES that we just don’t need one more talk by a solo white guy.
And, I’m not saying that was all that was there – but, constructive criticism is important. We’ve all got to keep organizers on their toes. Because, yes, there were plenty of talks that were out-of-the-box and from traditionally marginalized speakers. There were tracks on cannabis and living outside of the gender binary and women in [insert career here]. This was, in fact, the event with the widest array of representation I have attended yet.
AND it can’t stop here.
This can’t be the “diversity year” – one and done.
I hope this year’s SXSW sets the tone for pushing boundaries and innovating and leading the charge in representation across ALL events, multimedia, etc.
I hope it continues into the next in-person conference – and I am not left sitting in a cold conference room staring 10 feet up at a million Seth Rogens all week. (As delightful as one Seth Rogen can be).
I am delighted that I “left” SXSW having heard about subjects that move me from the people who are on the ground, doing the work.
Feeling full.
Feeling rejuvenated.
Feeling hopeful about things to come.
I didn’t leave thinking: so what?
I left thinking: what now?
by Elizabeth Schneider | Mar 30, 2021 | show review
The Island Stage is a platform dedicated to bringing music of the Caribbean to the forefront of the international music scene. Pioneered by rising artist Kalpee who hails from Trinidad and Tobago, and his manager Miss Vivianna of Therapy, the aim was to create a platform for Caribbean artists to come together and showcase their musical heritage. THERAPY.XYZ is a brand new series of boutique wellness and soul repairing events such as Music Festivals, Charity Events and Wellness Retreats & Seminars, which will take place in locations across the world that naturally promote healing.
On Friday March 19, I was introduced to a music showcase treat – Therapy presents ‘The Island Stage’. ‘The Island Stage’ has a mission to promote West Indian artists on the world stage. This first time entry streamed exclusively to SXSW and provided an hour packed with talented musicians, live from Hope Gardens, in Kingston, Jamaica.
First up was Mortimer, who sang an acoustic three-song set. ‘Careful’ was a blend of Caribbean rhythms and cautionary tale lyrics. This one easily segued into ‘Fight the Fight’ which also featured haunting lyrics. ‘Lightning’ is a love song written for his wife and three kids, and it was easily my favorite because of the emotion that Mortimer has in his voice. He definitely set the bar high for those artists who would come after him.
Khalia was next on the bill and she also provided an acoustic set. Her two songs, both released in 2020, were the perfect showcase for her incredible voice. ‘Love is Real’ had more of a rock sensibility but smooth vocals. ‘Easy’ was a song that made me dance in my chair! The island beat was hard to resist.
The third artist was Sevana. You may have heard her on NPR Music’s Tiny Desk (home) concert – she performed with a full band on that platform and acoustically for the SXSW stage. It was a real treat to hear the stripped-down versions of songs from NPR. The four-song set was bookended with ‘Blessed’ and ‘Mango’. ‘Blessed’ starts out slow like a torch song and builds to use the full range of Sevana’s voice. ‘Mango’ is a love song with irresistible lyrics and an unforgettable melody.
Tessellated was a complete departure from the earlier three acts in that he was backed with a full band, including horns. His songs were hip hop with a Reggae beat. You may have heard ‘I Learnt Some Jazz Today’ in an Apple commercial, but the full-length song is a jazz and island blend. Very fun! ‘Pine & Ginger’ and ‘Tropics’ also possessed Tessellated’s own original stamp of mixed genres.
Rounding out the showcase was Kalpee, who was doing triple duty for the ‘The Island Stage’. In addition to performing, he was hosting the event and is one of the pioneers of ‘The Island Stage’ with his manager Miss Vivianna of FVP Global. With a message of “music is medicine”, the Trinbagonian artist capped the night with a set that included ‘Water Flowing’ and ‘Put a Record On’. His songs have a pop energy with a Caribbean flavor, but I feel like he could sing just about any song with his voice quality. So very emotive.
I hope that this is not the only time Therapy presents a showcase. The artists that were highlighted show such range and variety. I loved this entire showcase. I will definitely keep these artists on my radar when their new music comes out.
by Elizabeth Schneider | Mar 29, 2021 | show review, snapshot, videos
Twyla Moves, the documentary story of the life and career of Twyla Tharp, had its world premiere at SXSW on March 17th. Steven Cantor, Emmy-winning and Oscar-nominated filmmaker, crafts a piece using archival and current day footage to give us a look into the life of the acclaimed dancer, choreographer and director.
Twyla Moves opens in April, 2020 with Twyla Tharp creating a dance via zoom with four dancers in four separate locations after the pandemic necessitated quarantine. Herman Cornejo, Maria Khoreva, Benjamin Buza, and Misty Copeland all answered the challenge. As she was choreographing this dance, we are treated to the earliest film of Tharp dancing with her own voice as the narration, as well as taped interviews. Twyla Moves toggles seamlessly between the early days and the current times to show us the evolution of her dance which mixes modern dance and ballet. Although she began dancing in New York after college in 1963 – living in a Franklin Street ‘loft’ for $50 a month – it wasn’t until 1965 when she formed her first dance company that she began to get the kind of attention that would propel her to greater heights. That first company, Twyla Tharp Dance, was all women “because we didn’t want to be told what to do”.
In 1973, Robert Joffrey asked Tharp to choreograph a dance for the Joffrey Ballet and this is where the real combination of modern dance with ballet occurred. Over the ensuing decades, she would go on to choreograph more that 160 works, including Broadway shows, movies, figure skating and television specials in addition to ballets.
In a particular montage from 2020 early in the movie, the 79-year-old Tharp does warm-up exercises in preparation to dance herself. I was exhausted just watching her move. Twyla Tharp continues to have an infinite well of energy as she plots the next stop in her creative journey. As Misty Copeland said, “Even in this stage of her career and her life, she’s setting the standard for where dance is evolving to.”
I found this to be a fascinating documentary and I really enjoyed Cantor’s storytelling choice to interweave the old and new footage. I discovered that Twyla Tharp’s creativity and fearlessness have been the keys to her long career in dance. I can only hope to be like her when I grow up!
Twyla Moves is streaming on PBS until April 23, 2021 as part of the American Masters series.
by Meredith Schneider | Mar 25, 2021 | albums, review
For a rip-roarin’ good time, country singer/songwriter Charlie Treat’s new album is the perfect answer to your prayers. Beginning with the amped-up energy of “I Ain’t Gonna Be The One To Do It,” he finds a way to lure the audience in with wit and a bite of nostalgia in the instrumentals. Even the slow down of pace with the second track “Drink With Me” holds lengthy, rhythmic lines, with (what appears to me to be) clear nods to The Black Crowes. (“Hard To Handle,” specifically, for those of you asking. And yes, it did take me calling the insanely talented music journalist Elizabeth Schneider to pinpoint the exact sound. Kudos to her.) Just those two tracks will have your mind spinning, but there are ten more inspired songs left to enjoy past that with this new release.
“The Two Best People” really brings the energy down, while singing of “bringing each other down.” Bluesy, beautiful energy to launch you into a light, airy “Tune As Pretty As You.” “Steamshovel Blues” brings the pace up again, but “So Much Better” lulls us back into that slow, glittering, 70’s sound. “Rain Again” comes at you with an edge off the bat, with some quick bongos and even quicker lyrics.
“Drive My Blues Away” is the most melancholic track we have yet to experience on this collection. The vocals seem very inspired, at times Springsteen, and at others Steven Tyler. The piano and whirring guitar solo make the whole thing feel like it could have been recorded in the 90s.
Thank goodness “Dollar For Dollar” brings the pace back up, as the subject matter isn’t entirely something to celebrate. However, the idea of rallying for the working man is something we can all relate to, especially after the trials the last year has presented us with. “Dancing At The Bar (The Quarantine Song)” starts out with glittering synth, and honestly we could see this track being performed alongside anything by ABBA. (Can you hear it?) “Candi” plays with dissonance before the first vocals hit, making it feel almost calmer as the lyrics set in. The whole album is rounded out quite well with “Biggest Fool,” which somehow blendsseveral of the aforementioned genres into one song. (Is that sitar? Are we in a 70’s music video? Where did that trumpet come from?)
One thing is for certain. Charlie Treat has chops. His ability to write lyrics that somehow perfectly complement each instrumental, creating new sounds that simultaneously pay homage to genre-spanning predecessors, is actually quite unique and very appreciated. The Comet should be approached as an adventure and a very appreciated leap into nostalgia.
The Comet is out on March 26.
