by ImperfectFifth | Feb 13, 2018 | albums, wolf tracks
Ontario-based fourpiece The Crowleys have just dropped their brand new EP, Colours Change Their Tone. The Crowleys is made up of high school friends Cohen Wylie providing lead vocals and guitar, drums and backing vocals from Stuart Downie, Kaulin Horlick’s bass, and Justyn Horlick on keys and guitar.Recorded at Threshold Recording Studio, Colours Change Their Tone represents a big step into the future for the Crowleys. Known for their signature psychedelic pop, The Crowleys have a unique sound that fits well into the evolving soundscape of the 21st century.
Colours Change Their Tones starts off with the mellow, inescapable attraction of “Pink Rainbows”. After “Pink Rainbows” is “Midnight Blue”, the namesake for the album. A psychedelic, synth-packed track carries the EP well and provides a smooth transition into the next track, “Stargazer”. Midway through Colours Change Their Tones is “Girl What”, a groovy, sassy track that indubitably shines on the EP. Laced with even percussion and Following “Girl What” is “L.A. Sunsets, which again highlights the psychedelic aspects of The Crowleys while maintaining an approachable sound. Colours Change Their Tones closes out with “Pansy Party Extravaganza”, which sounds just as the name implies.
The Crowleys on their new EP: “The title comes from a corny little line in Midnight Blue, “The colours change their tone when I hear her on the phone”. It’s about how a significant person or event can change how you perceive everything around you. Small or dull things that you never notice are suddenly bright and very much in the foreground. Or like a character in a film that falls upon tough times and has literal storm clouds roll overhead. Related to that is how terrifying it is that sudden and small things or occurrences – in the grand scheme of your life – can have huge impacts.”
We are thrilled that Colours Change Their Tone is out in the world, and you should definitely give it a listen.
Colours Change Their Tone tracklist:
- Pink Rainbows
- Midnight Blue
- Stargazer
- Girl What
- L.A. Sunset
- Pansy Party Extravaganza
Keep up with The Crowleys
Facebook – Instagram – Soundcloud – Twitter
by Madison Blom | Feb 12, 2018 | albums, wolf tracks
From across the ocean in Melbourne Australia, dream pop band Lowtide is planning on releasing a fantastic new album that will both electrify and mystify their fans and followers from across the globe. This new album, Southern Mind, is scheduled to be released on February 16th, but was officially premiered in its entirety live by Henry Rollins on his KCRW radio show on Sunday, February 11. Not only has their music received overall positive reviews, but the relaxed vibes and memorizing rhythms have a high potential of being their most successful album to date. Southern Mind embodies a lot of similar sounds that fans have always related to Lowtide, however, they have added even more upbeat pop beats and undertones that add new layer and depth to their music.
New releases from Lowtide, however, do not stop with Southern Mind. On the same day that the new album was streamed, they also released a new single Elizabeth Tower as well as a new clip. Also, it is important to note that they also announced their headline tour! Obviously this Melbourne based dream pop band has been busy at work over the past year to set them up for what looks to be like pure success in the new year.
Southern Mind is out February 16th. Keep up with Lowtide here.
by Madison Blom | Feb 1, 2018 | albums, wolf tracks
From their heartbreaks and hard times, Tenderfoot has brought together the best of their sound to produce their newest album BreakApart. This new and upcoming band has brought out the best of the dream folk genre. Their new album, which is going to be released February 2, 2018, features memorizing drum loops and dreamy vocals that makes their music relatable and entertaining.
Tenderfoot’s roots are founded deep in trial, but they have since emerged at the peak of a potentially very successful career in the music community. What started as a solo project on the road has turned into a group of four who are dedicated to creating music that holds a sound unique to the group. After the traveling on the road Adam Kendall Woods (lead singer) recruited Jude Miqueli (drums), Gabriel Molinaro (keys), and Darcey Zoller (strings) and together they have found success in one of the fastest growing genres in the industry.
Not only does their newest album incorporate some of the latest musical techniques, but they also highlight some of the greatest personal triumphs and struggles-rendering their music highly relatable. However, their music is not all doom and gloom. Along with the heartbreak, the lyrics also bring out the beauty of creative progression as well as coming together with loved ones to find joy. Some of these topics include heartbreak, struggling in relationships and health scares. With the addition of three new members, the lush dynamic of a full band enhances their sound and elevates their credibility. After spending two years on this new album, fans are eagerly awaiting the release ofBreak Apart.
Fans and listeners of the folk genre will fall in love with this band’s appreciation for traditional sound with the incorporation of new and innovative lyric and rhythm. This is a band that came together for one purpose, to turn life’s hardest struggles into music that is highway, head banging worthy.
Keep up with Tenderfoot here.
by Jai'Tyria Hatton | Jan 31, 2018 | albums, wolf tracks
Spiritus is the second album from blues rock group Jane Lee Hooker, following the band’s first album No B!.
Jane Lee Hooker consists of five women – Dana ‘Danger” Athens on vocals, Hail Mary Z on bass, Melissa ‘Cool Whip’ Houston on drums, Tracy ‘Hightop’ on guitar, and Tina ‘T Bone’ Gorin on guitar – and accepts taking on the challenge of good blues with Spiritus.
The ten track album is really good and has high energy throughout every song. The tracks are inspirational, full of high energy, and encourage the listener to live their best life. The sound of the blues is prominent in each track on the new release. “Gimmie That” has a sound that shifts from blues to pop with high energy. Tracks like “Ends Meet” and “Mama Said” contain the band’s quintessential blues influence, but also a little bit of rock n’ roll.
The name of the album means “spirit,” and follows the theme of finding yourself in life. It lends itself to the idea of taking chances and not being afraid to be yourself. It is a fun listen, and will absolutely keep you engaged from start to finish.
Keep up with Jane Lee Hooker here.
by Kayla Hutton | Jan 30, 2018 | albums, wolf tracks
Lanterns, the full-length debut from Atlanta 3 piece
A Very Loud Death opens with “Consumer” an atmospheric stage-setter for a lucid journey into a darkness that could be the background music to any Edgar Allen Poe story. Don’t question the production of a simple 3 piece band, somehow they pull off full spectrum sound that you would expect of a 5 piece. Chris Edge’s vocals are heartful and poignant, while the slow to medium paced music confirms the emotive romanticism of nurturing a heart you yourself inflicted damage upon.
The album overall has segments of dreary alternative rock, emo but not whiny, and some metal dynamics. With a vast audience opportunity, A Very Loud Death would appeal to fans of Chevelle, HIM, Mars Volta, and artists that have that hint of saddened macabre. Animated and heartfelt A Very Loud Death offers heart on sleeve honesty that you can feel with every musical change and vocal melody. “Lanterns” has a System of a down like guitar riff that takes an entirely new meaning once the chorus kicks in and tones become more epic and the vocals more desperately dyer. Applying instrument and vocal effects that expand the tonal dreariness yet cast a spooky shadow that is as perfectly subtle as a thin cloud coverage.
The vocals return with a soothing embrace on “The Ease of Absurdity”. Lightly brushed tom rolls accommodate a strong bass line that really takes the wheel and directs this track. The build-ups ad an unexpected turn that isn’t overpowering and breaks up the predictability that typically bores listeners. “The Wild” is the album’s most fast-paced song and pulls between the low dark overtone and a slight anger that cradles the ears yet instills that same uneasy feeling you get when someone shoots you an uncertain grin that you cant tell is sincere or wicked. With music that is melodic and driven to fulfill the albums intense theme, the lyrics have an offbeat obscurity that follows a rhyming pattern that kind of hints that a progressive rock influence had been tossed into the blender of sound that A Very Loud Death has inside their already genre-bending core.
In closing, the best way to describe A Very Loud Death’s latest offering is that there is enough dramatic loudness to wake up empathy in a stone-cold psychopath.
Keep up with the band
here.
by Veronica DeFeo | Jan 26, 2018 | albums, wolf tracks
Kansas City, Missouri-based rock and roll indie band Listener is soon to release their full length album, Being Empty : Being Filled on February 2nd. Kansas City is home to a growing community of local indie/alternative artists, encouraged and supported by like-minded people, thanks in part to Kansas City being home to the largest revenue-making alternative radio station, 96.5 the Buzz. Thus, Listener couldn’t have a better place to call home and expand musically. However, they are by no means limited to the Midwest. Listener has been in the game for awhile, and has toured all over the world. A band of friends comprised of vocals and bass from Dan Smith, Kris Rochelle on drums, and guitar player Jon Terrey, Listener is a unique rock and roll band that pairs strong instruments with direct, bold lyrics.
From the first resonating notes of “Pent Up Genes”, you know that Listener is not a band that plays around. Already around for over a decade, the bandmates of Listener know their sound and own it unapologetically. Smith uses more spoken word than singing – what Listener calls “talk music” – in many of the tracks, which pairs well with the rock and roll tone of the band and allows for Rochelle and Terrey to sing through their instruments. While this idea of lack of singing in music may be something new for many, Listener makes it work. Focusing on the emotion and overall sound, at times, words are not even necessary, like in “Add Blue”. Aside from the clever title, already released single “Shock and Value” lives up to its name, filled with brash guitar and emotional vocals that at times surprise the listener (no pun intended). Place-themed tracks set right next to each other, “A Love Letter to Detroit” and “Manhattan Projects” encompass the feelings associated with those places. You can also view the video for “A Love Letter to Detroit” here. One of the most tender tracks on Being Empty : Being Filled is “Window to the World”, while maintaining Listener’s sound, with the simple yet touching repetition of “buddy, she was beautiful” and “the lights have to be bright to see anything at all”. Every track on Being Empty : Being Filled will leave with something to think about and hungry to hear more.
Listener is gearing up for a UK/Europe tour in March of 2018 with support from: Levi the Poet. Be sure to look for Being Empty : Being Filled, out February 2nd, 2018.
Follow Listener on Social Media
instagram
twitter
facebook
by Kayla Hutton | Jan 25, 2018 | albums, wolf tracks
Ready for heavy and hardcore?
Primal Rite comes from San Francisco, an area that is known for cranking out metal (and any sub-genre of it) awesomeness. This crossover (metal with punk attributes) 6 piece began in 2016 and have released 3 singles and an E.P. throughout 2017. There can’t be a better way to bring in 2018 than by releasing their debut full-length album
Dirge Of Escapism set to release on
January 26th via Revelation.
The album begins with “Chapter Zero” a wind swirling intro that lands upon a beat fit to send the troops into battle. The introductory guitar riff induces a metal trance that will find you thrusting your upper torso back and forth. With a rawness similar to that of Sepultura’s Schizophrenia album there is no shortage of leads that squeal like an air raid siren.There are metal grooves with dynamics that offer each transition a welcome pass to slide on in.
“Interference” possesses a classic thrash/speed metal feel that is sure to gain the respect of any true metal head, “Sensory Link to Pain” shows some serious in the pocket groove and stomp that will have you pumping your fists to the sky. You can hear an influence that is a conglomeration of classic 80’s bay area thrashers with a hint of East Coast punk/hardcore.
If there is anything you need to know before you head over to their
Bandcamp and pre-order your copy of “Dirge of Escapism” it’s this, it’s heavy, it’s brutal, it’s reminiscent of a sweaty nightclub of clashing moshpitters and hardcore dancers. The album as a whole captures the energy of what a live show would be like. As a bonus, if you pre-order
Dirge of Escapism, you get 3 tracks now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
I almost forgot to mention, those guttural vocals, no it’s not Martin Van Drunen from Asphyx, it’s Lucy. That’s right a female. Don’t even think there is a moment of weak, pretty, “hand me my skirt” moments. This chick has raised the bar and proven when it comes to metal, it’s not just boys that can lay it down. Horns up to Primal Rite.
by Meredith Schneider | Jan 19, 2018 | albums, wolf tracks
UK-based musician Ian Parton has developed a new and invigorating sound in this second iteration of The Go! Team, live players Simone Odaranile (drums) and Angela ‘Maki’ Won-Yin Mak (vocals), as well as two original members, guitarist Sam Dook and rapper Ninja. With the help of a few more friends, the project releases its brand new album Semicircle on Friday. Just ahead of its release, we got a little listen to what’s to come and, boy, were we blown away!
From the very first notes of “Mayday” to the very end of twelfth song “Get Back Up”, you’ll be mesmerized by their energy and affinity for creating a fun and uplifting soundscape for us. Though the vocals in “Chain Link Fence” feel slightly like turn of the century bubble gum pop-meets-Jackson 5, we’re certainly not knocking it. In fact, it’s what drives the song and keeps our ears glued to what’s next. It isn’t until third track “Semicircle” that we notice how intense the musicianship is in the album. (Trust us, you’ll understand when you listen.)
Fourth track “Hey!” exists, for us, behind the montage scene of a chick flick, most likely when a shopping spree is taking place. But, boy, does it bring a vitality to the album that makes us want to play it everywhere! “The Answer’s No – Now What’s The Question?” – though one of the more hilarious titles we’ve seen in a while – demonstrates the band’s ability to create depth with an often addicting, sweet-as-candy sound to it. “Chico’s Radical Decade” takes us right back in time, no vocals to be heard to distinguish it as more modern. Close your eyes and picture the brown carpet, the fun hats, people probably saying “Groovy” whether it’s culturally relevant or not…
“All The Way Live” is as sticky sweet as its predecessors, which makes us realize we’re not getting out of this one without dancing. (And we thought we could fool our coworkers into thinking we were being productive!) But doesn’t the island vibe in “If There’s One Thing You Should Know ‘If There’s One Thing You Should Know'” make you wish that it was time for some warm weather around North America at the moment? (That’s OK… this album will still be ripe for the pickin’ once spring rolls around, we guarantee it.)
Though they certainly named a few of our faves in “Tangerine / Satsuma / Clementine”, it has a little more of a mellow tempo to it, bringing our heartbeat down just slightly and adding a head bob into our awkward back and forth dance movement. And with the sentiment of the title alone of “She’s Got Guns”, we’re groovin’ around the room. While we’re on board with both the title and the percussion in “Plans Are Like A Dream U Organise”, “Getting Back Up” is so inspirational in title, instrumentals, and chorus music, that we’d be surprised if a one of you didn’t end the album with a smile on your damn face.
Says Parton of the project:
It’s about reminding yourself of the good things in life. We don’t want to be dumbly optimistic and say, ‘Hey, isn’t everything great!’ but there’s something to be said for just getting on with it, for getting organized and not letting the fuckers get you down. Party for your right to fight!
Be sure to catch The Go! Team on tour soon if you’re in the UK!
Instore dates:
01/18 – Kingston, UK @ Banquet Records
01/19 – London, UK @ Rough Trade East
01/22 – Bristol, UK @ Rough Trade Bristol
01/23 – Nottingham, UK @Rough Trade Nottingham
Headlining/Festival dates:
* with GURR
# with Neon Saints Brass
+ with The Daniel Wakeford Experience
02/09 – Glasgow, UK @ QMU *
02/10 – Leeds, UK @ The Wardrobe *
02/11 – Brighton, UK @ The Haunt *#
02/15 – London, UK @ Electric Ballroom *+
02/16 – Newcastle, UK @ Riverside *
02/17 – Manchester, UK @ Gorilla * SOLD OUT
02/22 – Amsterdam, NL @ Paradiso
02/23 – Dunkirque @ Les 4 Ecluses
02/24 – St Malo @ Route Du Rock Festival
03/02 – Cologne, DE @ Gebäude 9
03/03 – Hamburg, DE @ Nochtspeicher
03/04 – Berlin, DE @ Bi Nuu
03/24 – Los Angeles, CA @ Teragram Ballroom
03/25 – San Diego, CA @ Casbah
03/27 – San Francisco, CA @ Independent
03/29 – Portland, OR @ Doug Fir
03/30 – Seattle, WA @ Neumos
03/31 – Vancouver, BC @ Fox
04/03 – St. Paul, MN @ Turf Club
04/04 – Chicago, IL @ Lincoln Hall
04/05 – Detroit, MI @ El Club
04/06 – Toronto, ON @ Great Hall
04/08 – Boston, MA @ The Sinclair
04/09 – New York, NY@ Le Poisson Rouge
Keep up with The Go! Team here.
by Annjelica Houston | Dec 18, 2017 | snapshot
On Sunday, at Immanuel Baptist Church in Los Angeles, hundreds gathered to witness the incomparable James Blake.
When he got to the stage, he was humble, and friendly—even his attire was casual (a red and white soccer jersey). His demeanor was reminiscent of a friend that was asking you to listen to their new music as you both sat casually in a makeshift studio.
Once he began to play, it was clear that James Blake performing in a place of worship was all too perfect. The crowd became deafeningly silent, and like a tsunami, Blake was still and suddenly commanding, prominent—like a pastor in the middle of a passionate sermon. Heads bowed and swayed in sync, as if in trance.
His set list included the beloved, “Limit to Your Love,” “Retrograde,” and “Love Me In Whatever Way,” “Wilhelm Scream,” and other ethereal tracks. A new song he gifted the audience with was “Asking for a Friend.”
By the end of the show, it was clear that while it wasn’t his intention, Blake became the leader of a new religion: a group of people mesmerized by his (incomparable) vocal abilities, modesty and genuine connectivity.
If you get the opportunity, it would serve you well to see James Blake live in concert, it may not save your soul, but you can feel like it for a couple of hours.
Keep up with James Blake here.
