by Abby Trapp | Apr 2, 2018 | singles, wolf tracks
L.A. producer /artist Koda just released his latest single “Touch”, which is melancholy, intense, and seeps into your feelings. The song begins with lyrics from Koda stating “We touch ourselves to distant memories/I feel what you felt when you were lying next to me.” His voice is drawn out and breathy giving the song a haunting mood to it. While he track tells the tale of a past love, the whole thing isn’t so bleak. Koda finds hope through the heartbreak on “Touch” proclaiming “Next time I’ll hold you close, I’ll never let you go– I need another dose so you can make me whole again.” “Touch” encompasses all the things that went wrong, but all the things that can go right should you make the decision to go the second time around.
Keep up with Koda here.
by Veronica DeFeo | Mar 30, 2018 | albums, review, wolf tracks
Chicago/L.A.-based four-piece Young Jesus has just put out a brand new record, S/T. Young Jesus is made up of John Rossiter (guitar/vocals), Kern Haug on drums, Marcel Borbon on bass, and Eric Shevrin on keys and vocals. Says Rossister on the sound of Young Jesus: “the ethos is to push each other to express things that are not common– like ideas of love and trust within friendships– through being extremely vulnerable and making mistakes. Hopefully those mistakes become framed as an important and necessary part of process. It’s about communication between four people. Hopefully it is the sound of four very good friends who want to let other people into that space.” Their new album is the culmination of the honing of their sound and an exploration of what it means for Young Jesus to be an indie rock band.
Tracklist:
- Green – the record starts out with a marvelous track, “Green”. From the get-go, it brings the listener into the indie-rock sound that Young Jesus makes their very own.Check out the music video for “Green” here.
- River – you’ll feel like you’re down by the river when you put this one on. Slow, melodic, and composed of a soundscape filled with longing, “River” is a gem.
- Eddy – a longer song that is filled with depth of feeling, “Eddy” reminds the listener of simpler times, and the cloud of bittersweet reminiscence that surrounds every memory
- Under – an emotional, raw track tinged with well-placed acoustic guitar. Rossiter’s vocals hover on the edge of breaking, really bringing the listener in as the the song develops.
- Desert – “every little landscape breaks my heart”, sings Rossiter. This song lends itself to the feelings one associates with places that make and break a person.
- Feeling – while every artist generally strives to capture emotion in their music, Young Jesus actually paints them musically for the listener in this track.
- Storm – closing out the album is the nearly 13 minute track “Storm”. Through the length of the song, Young Jesus is able to bring the listener along for a look into their nature.
Stay connected with Young Jesus:
Twitter – Instagram – Facebook
by Abby Trapp | Mar 29, 2018 | show review
Hip-hop duo Atmosphere returned to Kansas City on Saturday, the 24th at the Voodoo Lounge. Atmosphere was previously in Kansas City three years ago and was thrilled about their return. The duo performed songs from albums such as Fishing Blues, God Loves Ugly, and Lucy Ford. Atmosphere did not have a problem with keeping the crowd hyped, commanding us to “Put your hands up Kansas City.”
The show was so wild, that at one point in the night, an edible was thrown onstage. It was acknowledged, but fittingly thrown back into the audience. Atmosphere even noted that they were working on a new album, and previewed a new song. It was a night filled with energy and excitement, and if you have the chance, catch Atmosphere on tour.
You can find tour dates and more info here.
by Jai'Tyria Hatton | Mar 29, 2018 | albums, review, wolf tracks
Spelles is back with her second EP titled Skeleton Coast, which consists of five songs that define who Spelles is as an artist. The lead single from the album is titled “Dead in the Water”, which is a song with immense emotion and power. It has a pop vibe with a dark sound to it, showing that there is power that lives inside of us that we sometimes cannot recognize.
A favorite from the EP is “Light Me on Fire”, which captures Spelles’ powerful vocals as an artist and shows why she is destined to live out her musical dreams. The song is about staying to support someone instead of leaving them.
Listening to Spelles’ new EP is an absolute joy. After listening to her EP, the anticipation to see where she grows as an artist is exciting.
Keep up with Spelles here.
by Veronica DeFeo | Mar 28, 2018 | albums, review, wolf tracks
D.C. based four-piece Babbling April just self-released a brand new EP titled Holy Gold. Babbling April is made up of Dave New, Vivi Machi, Ben Medina, and Ben Melrod. February of 2015 saw their debut release, On Breath. Now, Babbling April is back better than ever with the release of Holy Gold. With a unique indie sound and always authentic by self-releasing, Babbling April seeks to be truly themselves and bring joy to others through their music.
Tracklist:
- “Reputation”: Reputation seems to be a popular subject these days, and this unapologetic track flips it upside down with the idea that reputation doesn’t actually matter. Need to shake off the haters? Put this song on.
- “Blighted Years”: this track starts off with some excellent instrumentals and an inescapable beat. “Blighted Years” combines harmony, hitting lyrics, and great percussion to tie up a fantastic song.
- “In the Vulgate”: A rocking, quirky track, “In the Vulgate” is an instrumental interlude halfway through the EP that carries the listener into the second half of Holy Gold.
- “If Hearts Really Do Break”: Starting with a foreboding, almost extraterrestrial sound leading into a more gentle and acoustic instrumental track.
- “Without A Care”: Following in the vein of “Reputation”, this track lends itself to a bittersweet sound and some emotional lyrics.
- “Alliances and Rifts (and Separations in the Holy Gold)”: closing out Holy Gold is another instrumental track that has excellent composition and balance of instruments.
Overall, one of the best aspects of Babbling April’s EP is the careful instrumentation and attention to balance.
Holy Gold is available for vinyl preorder now. Keep up with Babbling April here.
by Abby Trapp | Mar 27, 2018 | albums, review
Alaskan natives The Super Saturated Sugar Strings recently released their latest album All Their Many Miles. The indie-folk group usually find inspiration through Alaskan nature sounds. All Their Many Miles is filled with nine peaceful tracks of love, heartbreak, and even shows off the bands instrumental skills. Their first track “All Their Many Miles” combines a variety of instruments such as the banjo and trumpet while being backed by soft female vocals. The lyric “I feel for all their many miles,” tells the narrative of a couple trying to make it through. “Love Cocoon” starts off with eerie sounds of soft piano, cello, trumpet, violin and guitar. The eerie intro creeps into rusty male vocals. The song soon becomes sweet and intimate professing “If we reach the top, we’ll build a love cocoon.”
My personal favorite off of All Their Many Miles is “Crocodile.” The track lasts a total of 4:13 minutes and is a total instrumental. The song has a Western-old timey theme, and shows the bands ability to be versatile in their sound. Whether you are a fan of fold or not All Their Many Miles is definitely worth taking the time to listen to.
All Their Many Miles is available now. Keep up with The Super Saturated Sugar Strings here.
by Abby Trapp | Mar 22, 2018 | singles, wolf tracks
Artist Evelinn Trouble releases her latest single “Monstruous.” The track starts out with a softs notes of a piano (almost calming a for about five seconds. However, the mood shifts quickly into an electronic drop. Evelinn tells us the tale of a conflicting love song as her raw vocals proclaim “It is monstruous, it is evrything for a moment then, then it’s nothing.” ” ‘Monstruous is my attempt at writing a romantic pop anthem…now I love it for what it is; a song about the impossibility of love, made of scraps, wrapped shiny in plastic” says the artist. “Monstruous” is emotional, raw, haunting, and definitely worth the listen.
Keep up with Evelinn Trouble here.
by Veronica DeFeo | Mar 21, 2018 | albums, wolf tracks
Anna Robins, an indie folk/Americana artist heralding from South Dakota has just put out her brand new record, Chronicle. The 12 track LP was entirely written by Robins as the result of a 2016 Song-A-Week challenge, so the title of her album is aptly named, as it chronicled her thoughts, experiences, and feelings at the time. Not only did Robins songwrite the entirety of Chronicle, but also played mandolin, piano, acoustic guitar, and tin whistle, with accompaniment by several artists’ instrumentals as well.
We love a good overture, and Robins does not disappoint, starting her album with “Intro”. Anything with a musical prologue helps create the tone, and for Robins, sets the stage for what’s to come. Coming right up with the first ‘real’ track is “Pulse”, a yearning, strings-focused song that displays Robins’ musical heartbeat. Foreshadowed in the intro is the next song, “Driftwood”. This one shows the first bit of what Robins can do with Americana, especially in the chorus. Next up, “Thief” amps up the mood with a rollicking, harmony-infused track highlighting some excellent banjo playing. This is the kind of song that gets you stomping your feet and clapping your hands. After the whirlwhind of the preceding track, “Amelia” is a change of pace, a lovely, emotional song. Halfway through the record is the sassy “Burn It Down”, full of attitude and quite a beat; this song is unlike any other on the album.
Following up “Burn It Down” is “Trespassin”, a folk song if there ever was one. Robins again masterfully utilizes harmony and strings to make a well-composed track. “The Fox The Rabbit” starts off acapella, and brings in some well-placed bass and electric guitar to further compliment her vocals. Easily a fan favorite is “A Girl’s Gotta Be Goofy”, an absolutely fun and relatable song. While a satirical song, Robins remains down-to-earth and raw in this one. An Americana album would not be an Americana album without a locale-themed song, and “Destination Colorado” is that song – with a twist. Robins does an excellent job of painting the scene with her lyrics, yet tells the listener that this place isn’t for her.
“Call Off The Dogs” follows up the previous song with heartfelt piano and full of authentic lyrics. Closing out Chronicle with an outro called “Raise Your Glass”, Robins nicely ties up her album with a track that reminisces on what has passed while looking hopefully to the future. Robins does a fantastic job of putting her own spin on what an Americana/folk record sounds like, and we’re eager to see her do big things.
Keep up with Anna Robins
https://www.facebook.com/AnnaRobinsMusic/
www.annarobins.com
www.youtube.com/annarobins
www.soundcloud.com/annarobinsonmusic
www.reverbnation.com/annarobinsonmusic
by Kayla Hutton | Mar 12, 2018 | albums, wolf tracks
Remember the day Beavis and Butthead immortalized the band “Ween” and the song “Push th’ little Daisies?” Half of the group’s mastermind dean ween, aka the deaner, rounded out by Mike Dillon, Bill Fowler (Sound of Urchin), Adam Weiner (Low Cut Connie), Michael Hampton (Parliament-Funkadelic) make up the dean ween group. Their second album, rock2, will hit the drums of your ears March 16th, 2018.
“Showstopper”, the first track off of rock2, is a garage rock classic, a first-hand account of a small space and loud amps. The second track,”Fingerbangin”, is a semi- surf riff driven track with some superb drumming. I’m sure a crowd favorite at concerts.I was about 3 songs deep when I realized Dean Wean, all suggestive humor aside has become a very seriously seasoned musician. The total 180 spawns a sound you’d find on an old Eagles album. Returning to form with “Theme from skinheads kicking your ass” is saturated with horns in the back, anamorphic bass guitar and it’s easy to sing along to because the only word is “Oi.” Pulling more twists and turns to the albums sound is Rock2’s shining moment, “Yellow Pontiac.”
“You are what you eat, and you are what you drive”
This gritty, grungy, roll around in the swamp mud, tear into a solo cup with your teeth, gulp the beverage inside, and spit out what you chewed off, kinda rock song is seriously humorous.
The album ends with one more turn that isn’t as drastic. A dive bar, blues-rock jam “Sunset over Belmar.” Overall there is plenty of Dean Ween’s style of humor as well as a split personality type of musical diversity.
You can preorder rock2 out on March 16th through Schnitzel Records and keep up with the Dean Ween Group via their Facebook page.
