Regardless of how much effort you put into a relationship, sometimes it’s just not meant to work out.
San Francisco-based songstress Floyd expresses this painful reality with the video for her latest single, “Shadow Self (The Best That I Can).” The alt-country pop track, produced by Ed Clare and Georgann Ireland for Nova Noir Productions, is the first offering from the singer-songwriter since she released the holiday-themed “Christmas (Baby Please Come Home)” last year.
As her musical influences range from feminist pop icon Tori Amos to new wave rocker Cyndi Lauper, it should come as no surprise that the visuals radiate a sense of vigor and determination as she performs the song in all-black attire.
Regarding the title of the single, Floyd says that the shadow self has to do with how everyone is doing the best they can in every moment and how sometimes their best is frankly not good enough for someone else. “That is a hard truth, but it’s an honest one,” she said. “And I think being honest should count for something.”
Watch the video for “Shadow Self (The Best That I Can)” below!
Through almost 15 years of intricate, involved lyricism – the crazy involved titles of the early days, the lineup rotations, the bevy of music videos and the expansion of Brendon’s vocal range – we’ve held on to our deep appreciation for Panic! @ The Disco. So to be asked to photograph Brendon Urie and his team of bandits at Sprint Center on Saturday night, there was zero hesitation. The performance itself was the most involved we’ve ever witnessed from the musical project, Urie’s energy palpable from the first jump out from the hole in the middle of the stage, to his last round of bows and high fives with the audience. The man absolutely thrives off of this life, and you can tell.
What, perhaps, is most notable about his show when comparing it to his performances of yesteryear – think ten years back – is that they have, somehow, become even more theatrical. That was what was so outstanding about Panic! @ The Disco when they emerged on the scene about 14 years ago, they existed as a beacon for the outcasts. The theatre kids, the gamers, the anti-socialites. And now here he is, all this time later, continuing to provide that entertaining escape for other generations, and leveling up with each step. (Just ask whoever he hired as his vocal coach in the past ten years, if you don’t believe us.)
In fact, he even took a moment during his set to bless an unborn child “in the state of Panic” which, to his credit, is a clever saying to have up his sleeve. (Or up his bare arm, depending on if he decides to keep his shirt on or not.)
Either way, here are some fun photos from the inclusive and beautiful evening.
If you’re looking for a topical track, Davis, California-based pop musician Lillian Frances has a new track titled “Super Bowl Party”, and it’s jam packed with relevant social commentary that should fuel your fire. If you’re into tongue in cheek humor and honesty – and especially if you’re sick of Tom Brady to some extent – then this song is right up your alley. Fair warning, though, there is some language. So perhaps check it out before you agree to play it at your party for the big game. (What? Sports ball?)
It’s mid-week and we need a mood boosting song. Fear not, as self-proclaimed “midnight pop” musician Unknown Caller‘s new track “Sayonara” fits the bill exactly. Light as air, synth-fueled melodies dance around his high ranging vocals to make your heart melt in only the way Unknown Caller will eventually become known for. All we know is this track is perfect for a low key end of summer party, and would be absolutely gorgeous played over a dimly lit dance floor.
Indie pop musician Emily Jackson may have taken a decade off of creating music to pursue her acting career, but her new single “Oh Mother” throws her right back into the magic of it all. A recent move from the sunny coast of California to the bustling streets of NYC pulled her back into her music creation sphere. And, even though she’s not acting in the song itself, there is a big, theatrical feel to the song that is absolutely gorgeous. Sounds of crashing waves and a robust feel brought on by reverb in the vocals brings this track into ballad territory, and we are all about it.
“Oh Mother” is out now. Keep up with Emily Jackson here.
Looking for a soundscape to give you a break from sticky sweet pop records for a hot second? Craving a voice that is far-reaching, robust, and has just a hint of a scratch to it? Queens-based indie artist Skela is giving us just enough of that uptempo, catchy beat underneath her gorgeous, tranquil vocals with her track “What’s Wrong With Me” and its corresponding, brilliant lyric video. Her vibrant personality comes alive in the visual, the accompanying artistic aspects give it the quirk and rebellion we were hoping for.
So “What’s Wrong With Me”? We’re struggling to figure that out as well (Nothing. There’s nothing wrong with any of this.)
From the very first, crystal-like lines of “Intro”, to the very last vibrations of bass in ninth track “Empress”, London-based electro-pop duo Cherryade has brought us a ginormous party in the form of their mini EP Fractured Fairytales. And the artists are incredibly aware of how sticky sweet everything is. admits vocalist Ellla: “Fractured Fairytales is what it says in the name – it’s a bunch of songs that are really twisted and over the top and fun. They’re stories, and they’re a good representation of us and who we are, we like things with a bitter twist and that cross the line”. Alex continues,”We’ve got so much music we’re ready to release after this mini album, and it’s a lot more pop, but to the point it’s so sweet it’ll rot your teeth”.
“Fractured Fairytales” is catchy as all get out, though there is no doubt that it is a party track. In fact, most of the album follows suit, with hard hooks and an upbeat tempo. The feel to it all is very “Halloween rave,” which we are 100% here for seeing as we’re zeroing in on autumn right now. (Hello, September!) “Get By” has that same repetitive, fun disposition as its predecessor, and while “Got You Good” feels more earthy than the others, it still has that fast, intense tempo and danceable rhythm you can burn calories to. Though “Blah Blah” won’t necessarily replace Ke$ha’s similarly named track, it holds a place close in our hearts next to it.
If you’re hometown loyal, “My Town” could be your next favorite track. With a slightly calmer vibe, “The Crown” comes in boasting a more regal overall feel. “Houdini” will make you want to drop it pretty quickly, while “Empress” will put you in the right frame of mind to go into the rest of your day feeling like hot shit.
We’re serious. Try it on for size.
Fractured Fairytales mini album tracklisting
1. Intro
2. Fractured Fairytales
3. Get By
4. Got You Good
5. Blah Blah
6. My Town
7. The Crown
8. Houdini
9. Empress
We’ve been a fan of pop artist Van Bobbi for quite some time now, and with the release of his latest single “Kickdrum Heartbeat”, that fandom only increases. Approaching the track with a more earthy sound than we are used to, he utilizes gorgeous percussion to really get the message across through the instrumentals, utilizing the words almost as backup. The song is catchy, fun, and something we anticipate making everyone’s “Summer 2018” playlist.
Who is seeking a synth-fueled, smooth like silk, otherworldly new alt-pop EP to enjoy? (Raises hands way up, and jumps up and down.) We’re SO ready for it, and San Diego based singer/songwriter JARA has a brand new 6 track stunner for us to treat our ears to. We’ve got the exclusive premiere, but we’re sure this one will make its rounds to impress the masses pretty soon, especially with its sun soaked disposition. Each track is loaded with its own personality, with a similar clip to the entire album that makes it feel like a complete journey all its own. Mid-tempo “Cutting Corners” sets the pace, while “Psycho Lovers” carries it on for us, perhaps a little more debauchery-ridden than its predecessor. And while “Something Else” stands alone as the perfect summertime carefree track, “Uninvited” brings the mood down a little bit, maintaining that same mid-tempo pace we’re too keen on to let go of. The slowest we get is with last track “Go Slow With Me”, which shines as the standout funk track and gives a little love to the entire collection before rounding it out.
Give this EP some love, you know you need some new weekend jams. 😉 Check out lead single “Something Else” below, and the entire EP under that!
