These are all the songs I listened to while writing most of the album. Typically I’ll listen to one of the songs I’m most intrigued by and will try to vary up drum patterns and add my own flare with the guitars. Once I have the general mood of the song, that’s when the lyrics start to become apparent on what the idea is about.
This month threw so much talent in our face, and 2021 really feels like something special because of it. Check out some of the best music videos we have seen this month, and check back all year to re-visit 2021’s first releases! Including videos from Bailey Bryan, Evan Stanley, Planned Dilemma, ALPHA HOPPER, and more.
London-based singer-songwriter, CLOVES, does not wait to ask for permission in her newest track and accompanying music video, “Sicko”. Every aspect of the artist’s persona demands attention. With vibrant pink hair, disjointed dance movements and an occasionally-pained facial expression; the twenty-four year old makes it hard to look away during the duration of her three-minute-long production.
In her music video, the Australian-born singer peels back the layers of what it means to be an outsider. We are first introduced to her character via the television: an immediate suggestion to cast judgment onto the girl we see through the screen. We are then brought in for a closer look at the haunting side of isolation and loneliness, and the frailty of it all. Most interesting of all: despite the sadness behind CLOVES’ words, we are led to a chorus that resembles the melody of a lullaby, and there is somehow a sense of acceptance of the singer’s depressed state.
Like a really good horror movie you can’t stop yourself from watching, CLOVES’ “Sicko” touches on the scarier subjects in life– but you can’t help but be obsessed nonetheless.
There is a unique cadence to Nainnoh’s vocals that immediately draws you into the psychedelic, genre-bending, soulful work she creates. Her Eastern European upbringing, of course, influences those vocals, and has played an essential role in the type of Georgian folk, indie psych touches we get from her music. With her new track “Vital Illusions,” there is a beautiful, meandering quality from the composition that allows you to sort of melt into the soundscape and absorb the song’s energy as it plays.
What a way to start off 2021 for the talented songstress.
Nainnoh’s self-titled debut is due out April 2021.
If it’s been a second since you let yourself get totally wrapped up in melancholy, Zoe Wees’ single “Girls Like Us” is the perfect opportunity to get all up in your feels. The woman’s insanely rich vocals glide across a dance beat, as her heartbreak is laid out for all to witness.
The accompanying music video? Even more intense and dramatic. Gorgeous jewel tones inform the visuals, as Wees can be seen singing, crying, having makeup removed, and singing her lungs out over a variety of striking backdrops.
It moved me to tears.
“It’s not always good to think about how you look to the rest of the world,” shares Weed. “It’s much more important to think about how you feel inside. It is not easy to call yourself beautiful but being confident helps you to accept and love yourself.”
We decided to start 2021 off strong with a lyric that holds true now, more than ever before. (Plus it’s a good ol’ reliable, Elton John song. And since we entered quarantine while he was making a second round on his farewell tour, we will play him on repeat until everything gets rescheduled.)
We also decided to start January off with connection, so you’re getting our favorite new tracks of the month a little late, but with extra intention. So dive in today, tomorrow, or any other day of any other month because our favorites from January 2021 will continue to live here. (Until we can’t afford to host the site anymore, ya dig?)
Captivating alt duo Phantom Wave released the new music video for their single “Billows” today, and we’ve got the exclusive premiere for your eyes only. Drenched in vivid colors and drastic, psychedelic movement, this visual is a trippy testament to the impact of the audible art that is flooding our consciousness. There is something magical about the way the lyrics dance along the gorgeous, building instrumental composition that – coupled with the abstract visuals – makes this experience feel very personal, and yet somehow universal.
On his new album Beautiful Machine, Matt Boroff ventures into unknown territory to examine our relationship with technology. While Boroff has been making music for years, this album finds him still evolving the way artists should. Boroff compares the tracks on his newest release to episodes of Black Mirror, and this comparison is an appropriate one. With dark and sometimes dreary tones running throughout, one can easily see how these tracks could end up as the soundtrack for the show.
The first track, “Beautiful Machine” is a perfect start, representing the dark vibes that the rest of the album gives off. As the title suggests, it also is a perfect way to get us thinking about our relationship with technology. “Trust” is the realization that we cannot depend on everything around us. While this track gives off some political vibes, it also can easily be related to what we see online. Another stand-out track is “Echo Chamber”, which speaks of the frustration of having your voice lost in the mix of millions of others. Boroff closes out with “Future Crimes”, a chaotic look at our online world, one that declares nobody is innocent.
On the hunt for a smooth track that will have you dancing around in your kitchen like you’re at a trance club at 2 am, surrounded by neon lights and glitter? (We truly don’t care who witnesses us doing this at this point. Nostalgia has us dancing everywhere these days.) Well, you’ve found it in La Poré’s latest track “All We Have Is Us.”
Synth-infused pop tracks glisten off the pages of La Poré’s resume, the solo project garnering quite a bit of commercial attention in the few years since its conception. But can you blame people for falling in love with such all-encompassing transient atmospheres created by sound?