by Meredith Schneider | Dec 6, 2018 | snapshot, soundtrack
These days, it can be difficult to determine one songstress from another, let alone save a track and keep the name of its creator in your music library. This time of year, everyone is posting their “Best of” lists for 2018. We aren’t doing a super deep dive. We’ve just chosen 7 of our favorite female vocalists that have really ignited our hearts in the last year or so – one we found as recently as a couple of weeks ago! – and we’re all about sharing! Check out some of our favorite non-male performers below, and then maybe go make an entire WHO RUN THE WORLD? playlist featuring each and every one of these powerhouses!
by meredith schneider
Billie Eilish wasn’t someone we saw coming. Having jammed out to a couple of her songs, Bonnaroo 2018 brought her to the stage in front of us for the first time. A look of vulnerability in her eyes, she gave that crowd more than what she had that day, throwing her body into her stage presence and really working the stage so that everyone felt like they were a part of it. Each new release brings with it an extended feeling of empowerment, and we’re keen on what’s to come for this incredibly talented young musician. (See video at the end of this piece: she is one of Tan France’s favorites!)
by christie mcmenamin
Lucy Dacus‘ voice is tranquil, delicate, and perfectly matched to her bittersweet, relatable lyrics. We’ve fallen in love with her as gently as her music progression over the years. We’re super pleased with her new supergroup boygenius (see: Julien Baker below), if not only because it gives us an additional reason to see her live more often. All the heart eyes going into 2019 on this lady!
by jeo taymany
Ness Heads is a Chicago-based artist who sings a soulful mixture of R&B and hip hop, with a bit of a pop flare. Her single “Flip Em” threw us for a loop during the summer of 2018, and we’re keeping that energy going through the next month as we hustle through our last minute year-end “to do” lists.
by christie mcmenamin
The world’s lead producer of sad music, Julien Baker stole our hearts a few years ago, but her stage presence and the incredible way she interacts with her fans is something of note. We were lucky enough to have seen her both locally and at 2018’s last ever Sasquatch Music Festival, and were floored on a number of occasions by her prowess. Check her out with new supergroup boygenius!
by erin p.s. zimmerman
It was 2016 when we first had the unique pleasure of photographing Bishop Briggs, as she prepped for an evening performing at the Midland in Kansas City. Flash forward 2 years and we’ve seen her a number of additional times, photographed her once more (see above photo, SXSW 2017), and have continued to follow each and every impassioned song that she releases as she’s toured the country multiple times, played every festival known to mankind, and as her music has been placed in both television and film. Her energy is unlike any other when she steps on stage, and her compassion is limitless. (See: her recent haircut) Plus, she was just featured on JVN’s podcast, so she’s definitely “having a moment!”
by meredith schneider
Mess lead singer Allison Gliesman is a kind, hilarious, and obscenely generous human soul. We’re fortunate to know them as a friend, but their music stunned us even before we met them face to face. Flash forward to witnessing those powerhouse vocals one night at The Rino in KC and our world was changed forever. If you haven’t yet blasted a Mess song at full volume in your car, now is the time. Keep your eyes peeled for this one.
by dara munnis
I was at Sasquatch Music Festival photographing a female-led band at one stage, when the music from another stage flooded my ears. Like a siren call, I followed it, toting my boyfriend like a rag doll. This. Woman. Has. Chops. Tash Sultana. After three songs, I turned and said, “She can do it all. Seriously. What can’t she do?” As if she could hear me, she got out a pan flute within 30 seconds… and started to beat box with it.
If you aren’t in love just with that statement, then I don’t know who you are. Insane. That’s the only word to describe it.
BONUS – While our other listing pieces will include just 7 representatives, we may have gone overboard BECAUSE WE ARE SO FLOORED BY SO MANY RAD NON-MALE VOCALISTS. So check out our list add-on below, and revel in the glory of 8 incredible humans!
by zyanya lorenzo
If you ask Antoni from Queer Eye about his favorite artist (like I did!), he’s got a substantial amount to say about Maggie Rogers. And we don’t disagree. Her voice is absolutely captivating, the lyrics she weaves are catchy, touching, and the instrumentals always have “#1 single” written all over them. We are smitten.
by Christie McMenamin | Dec 5, 2018 | snapshot, visual
On November 7th, our incredible photographer Christie McMenamin captured some drop-dead photos of Julien Baker when she performed at Brooklyn Steel in NYC. Check them out – and get lost in the mood – below!
by Christie McMenamin | Dec 3, 2018 | snapshot, visual
On October 27th, the indelible Garbage regaled a full house at Kings Theater in New York City. Our wonderful friend and glorious photographer Christie McMenamin was there to nab some highlights for you.
Keep up with Garbage here.
**Please send all of your positive thoughts to Christie as she is going through a bit of a rough time health-wise, hence why some of her photo sets are going up a bit belated.
by Christie McMenamin | Nov 20, 2018 | snapshot, visual
Everyone’s new favorite supergroup is Boygenius, the (no less than) GENIUS collaboration between incredible songstresses Julien Baker, Phoebe Bridgers, and Lucy Dacus. We were lucky enough to have photographer Christie McMenamin on the ground for their show at Brooklyn Steel on November 7th. Peep those photos below!
Keep up with Boygenius here.
by Christie McMenamin | Oct 25, 2018 | snapshot, visual
Phenomenal songwriter Butch Walker headlined a show at Irving Plaza in New York fairly recently, captivating the crowd as he has for years. The energy coming off the stage was palpable as soon as he stepped on, and we were regaled with a gorgeous evening full of amazing showmanship. Photographer Christie McMenamin captured that for us, and it can be witnessed below.
by Christie McMenamin | Oct 15, 2018 | show review, snapshot, visual
Acclaimed singer/songwriter Greg Holden made his return to New York City on September 23rd. Opening for Butch Walker, who produced his single, “On The Run,” Holden’s performance was like a homecoming. It’s a rare thing for an opener, especially one singularly armed with an acoustic guitar, to hush Irving Plaza from front to back, but Holden managed to wield this uncanny power with effortless ability.
When Holden first emerged from the side of the stage, the crowd’s vigorous, impassioned applause was astonishing. He strolled out with an unassuming, quiet confidence and began strumming as the audience quickly fell silent. As his 7-song set kicked off, Holden was oftentimes chatty between songs, lending an affable familiarity with a room of people whom he’d never met, treating them like valued friends. Constantly encouraging the crowd to sing and clap during parts of his songs, Holden’s set was interactive, a joint, group effort.
On “Home,” Holden issued a command for the audience to stop their feet in time to the beat. In turn, he received an eager assent as the stomps echoed throughout the venue and shook the floor. Holden’s newest track, “The Power Shift,” was prefaced by a quick lament, noting Donald Trump was currently in the city. The audience loudly booed, prompting Holden to launch into this political song, calling others to recognize the link between power and inequality, and one that was more than well-received in New York City.
“Boys In The Streets,” arguably Holden’s most moving song, showcases his lyrical prowess, one that is omnipresent throughout his work. Telling the story of a father struggling with his son’s sexuality, it’s only on his deathbed that he makes a confession: his intolerance was due to what he was taught growing up. He finally understands and encourages his son to be himself. Holden’s live performance evoked the pathos and pain of both son and father, and cheers went through the crowd as Holden reached the uplifting conclusion.
Lastly, Holden performed “Hold On Tight,” a triumphant, empowering song that bursts into a big, gleeful chorus as he sang an urgent warning: “don’t take your life for granted.”
It was an awe-inspiring set from a seasoned musician, one who will no doubt be back to New York City in the future.
by Christie McMenamin | Jul 12, 2018 | show review, snapshot, visual
Ciaran Lavery, an Irish singer/songwriter, performed an intimate solo set at New York City’s Rockwood Music Hall on June 22nd.
Playing to a small, darkened room, a reverent silence took hold of the audience the moment Lavery began his first song. Switching back and forth between acoustic guitar and piano, his sparse accompaniments allowed his gentle, hushed voice to soar. With introspective, narrative lyrics, Lavery is a poetic storyteller. His ballads pull at your heartstrings, his words run the gamut of emotional experience. As a performer, he makes meaningful eye contact with each member of his audience, drawing his listeners further into his world.
In-between songs, Lavery continued his stories, revealing his sense of humor. Speaking of nervousness on an airplane, he once tried to relax by watching, as a dog lover, Marley and Me. He wasn’t, however, aware of the ending. Lavery also had a revelation while listening to the radio on a long drive, attempting to figure out the meaning of the genre “soft rock.” With a creeping sense of dread, he put it together: he is soft rock. Lavery easily pulled laughs from his listeners’ throats as he framed simple, universal experiences as ones of casual mirth.
More info about Lavery can be found here.
by Christie McMenamin | Jul 12, 2018 | snapshot, visual
On June 21st, Aimee Mann and Superchunk entertained a large crowd at the Celebrate Brooklyn! Festival in New York. Photographer Christie McMenamin was on hand, and captured some stunning photos for us.
by Christie McMenamin | May 29, 2018 | snapshot, visual
Slenderbodies headlined Brooklyn’s Rough Trade on May 7th. The indie/electronic guitar duo, made up of Ben and Max, were met with success quite quickly, scoring opening slots for both Passion Pit and PVRIS. For anyone who’s listened to Slenderbodies, it’s not much of a surprise. Not only is their guitar work deeply intricate, boasting a trademark wispiness that sets them apart from their peers, but they also sing, write, mix, and produce all their tracks. They fully own and control their creativity without anyone else interfering. It’s a rare feat in the music business, one that Slenderbodies deftly navigates with a seeming effortlessness.
Setting the mood prior to their set, two large lava lamps were placed to the right and left of the stage while a scarf swirled around a mic stand. The room was packed, and as Slenderbodies began to play in the near-darkness, the audience swayed and danced as the music gently wafted through the air. The only light came from brightly-colored, psychedelic graphics floating across a projector screen behind the band. The atmosphere was relaxing and peaceful; Slenderbodies delivered their fans a perfect ending to a Monday night.
Slenderbodies has a new LP coming out mid-late summer. Check out their latest single, “Anome,” here and for more Slenderbodies music, including a cover of MGMT’s “Electric Feel,” check out their Soundcloud here.
