Max McNown sold out two back-to-back nights at the Bowery Ballroom, a triumphant success for any new artist playing NYC. There was, however, just one problem.
A certain, then-unnamed artist needed the venue, bumping McNown’s shows on February 11th and 12th over to the larger Irving Plaza. This wasn’t the worst thing to occur; if anything, more fans would be able to attend, and as McNown’s popularity continues to grow daily, the larger the venue, the better.
McNown’s people knew that the artist had to be huge; to be bumped like that would make no sense otherwise. After some inquiries, their hunch had been confirmed: Sir Paul McCartney would be playing two unannounced, intimate shows and wanted the Bowery Ballroom for those nights specifically, as February 11th was the 61st anniversary of the Beatles’ first show in the United States in Washington, D.C.
McCartney was quite apologetic, offering McNown tickets to his shows. However, McNown notes that despite wanting to go, he felt he had to be responsible: “I honestly wish I could have pulled it off…I always say touring is a job and there were too many people counting on me to play my own show to skip out on it. But yes, ‘tempted’ is an understatement.’”
Irving Plaza was packed on February 11th, and it was clear that being bumped had worked in McNown’s favor. The sheer number of fans was startling, and all were armed with cell phones at the ready, flooding into the front. Further, the crowd was one of all ages, a smattering of a few young children in addition to teenagers and older adults.
McNown opened the show by casually sitting on the side of the stage, just a few feet from the barricade. The audience, rapt, was elated at the intimacy, as if McNown were merely hanging out with his friends. Faces lit up, as did phones, and the show was in full swing as McNown stood and proceeded to make his way to the stage’s center. Ripping into “Love I’ve Got Left,” his second song of the night, the lights burst bright as McNown’s vocals washed over the crowd. An upbeat, anthemic tune, “Love I’ve Got Left” is a standout on McNown’s LP, Wandering, as is his breakout hit, “A Lot More Free,” a track about breaking up with someone, yet subsequently realizing the silver lining. This is the track that put him on the map, introducing his music to TikTok and going viral.
The show consisted of songs off his latest LP, Night Diving, in addition to Wandering and Willfully Blind. McNown is a force to be reckoned with, and this is just the beginning.
The wait begins: the inimitable CMAT, goddess of all things superlative, campy, and twangy has announced her forthcoming LP, Euro-Country, out on August 29th. The first single, “Running/Planning,” is out on streaming services now, as well as an incredible video. As she explains to NME:
‘Running/Planning’ is about having to chase your own tail to be good enough to exist. It’s an abstracted view of societal pressure on women – specifically through a relationship lens: You start dating someone, you get engaged, you get married, you have kids etc., etc., etc… everything has to follow this linear pattern. (That’s the reason for the repetitive chorus!).
She expands: “And the minute you don’t follow that path, your mam starts giving out to you. That narrow path that everyone is supposed to be on…the minute you get outside of that, it gets incredibly stressful. And I don’t know anyone who is like, ‘Yeah, love this!’”
Typically CMAT, she has been gleefully running around London, plastering every inanimate object she come across or that takes her fancy with CMAT stickers. Emblazoned with the font of her new album cover, dodging prosecution and penalties, CMAT’s Instagram stories show every part of the journey. Her latest concoction is a sticker that reads “Lord, let that Tesla crash.”
May 23rd – Wide Awake Festival, London, UK May 25th – Neighbourhood Festival, Warrington, UK Jun 5th – Primavera, Barcelona, ESP Jun 6th – London Stadium, London, UK * Jun 12th – St James Park, Newcastle, UK * Jun 14th – St James Park, Newcastle, UK * Jun 15th – St James Park, Newcastle, UK * Jun 27th – Glastonbury, UK Jul 12th – NOS, Lisbon, POR Jul 26th – Truck Festival, Oxfordshire, UK Jul 27th – Tramlines Festival, Sheffield, UK Aug 1st – Belladrum Tartan Heart, Belladrum, UK Aug 2nd – All Together Now, Waterford, IRE Aug 7th – Syd For Solen, Copenhagen, DEN Aug 8th – Way Out West, Gothenburg, SWE Aug 14th – Cabaret Vert – Charleville Mezeries, FR Aug 15th – Lowlands, Biddinghuizen, NL Aug 16th – Green Man Festival, Crickhowell, UK Aug 28th – Boucher Playing Fields, Belfast, UK * Oct 2nd – O2 Academy Brixton, London, UK Oct 4th – Academy, Manchester, UK Oct 5th – O2 Academy, Leeds, UK Oct 6th – NX, Newcastle, UK Oct 9th – Barrowland Ballroom, Glasgow, UK Oct 12th – Rock City, Nottingham, UK Oct 13th – Corn Exchange, Cambridge, UK Oct 15th – Dome Concert Hall, Brighton, UK Oct 16th – O2 Institute, Birmingham, UK Oct 17th – UEA, Norwich, UK Oct 19th – Octagon, Sheffield, UK Oct 20th – O2 Academy, Bristol, UK Dec 5th – 3Arena, Dublin, IRE
Maddie Zahm’s latest single “Sheets” was performed on tour last year, and was a huge highlight of the performance. It was a long wait to have a studio cut version, but finally, it’s arrived. “Sheets” is also part of an exciting, yet-to-be announced project.
An anthemic breakup song, “Sheets” is a massive fuck-you to a woman Zahm dated that quickly moved on from their relationship—a bit too quickly. The scenario is all-too relatable for many. Zahm explains:
And like every dramatic, you know, young gay in Los Angeles, I got updates from my friends that my ex was kissing blondes at a party. It crossed the line for me. So I went home and I wrote “Sheets” and pretty much I just was like, ‘did she even change her sheets before she’s making out with other people?’ That’s insane.
Her can’t-miss Sad & Sexy tour begins next month, and we’re betting she’s coming to a city near you. Grab tickets for your date, below:
3/21 – Houston, TX – The Heights Theater 3/22 – Dallas, TX – The Kessler 3/24 – Nashville, TN – Brooklyn Bowl Nashville 3/25 – Charlotte, NC – The Underground 3/26 – Raleigh, NC – Lincoln Theatre 3/28 – Washington, DC – 9:30 Club 3/29 – Philadelphia, PA – Brooklyn Bowl Philadelphia 3/30 – New York, NY – Irving Plaza 4/1 – Boston, MA – Paradise Rock Club 4/3 – Cleveland, OH – House of Blues Cleveland 4/4 – Columbus, OH – The Athenaeum Theatre 4/5 – Toronto, ON – The Opera House 4/7 – Detroit, MI – Saint Andrew’s Hall 4/8 – Indianapolis, IN – HI-FI Annex 4/10 – Chicago, IL – Metro 4/11 – Minneapolis, MN – First Avenue 4/12 – Lawrence, KS – The Granada 4/14 – Denver, CO – Gothic 4/16 – Salt Lake City, UT – The Complex 4/18 – Seattle, WA – Neptune 4/19 – Portland, OR – Hawthorne Theatre 4/21 – San Francisco, CA – Great American Music Hall 4/23 – Phoenix, AZ – The Van Buren 4/24 – San Diego, CA – Music Box 4/26 – Los Angeles, CA – The Fonda Theatre
We loved getting to spend a night with Yola at her event for the Grammy Museum! Taking place at WNYC’s Greene Space, we spent a cold, bitter night being warmed by Yola’s presence. Performing songs off her new EP, My Way, Yola took time to open up about her life, her musical roots, and her personal journey to becoming the woman she is today. The audience was completely captivated, as was I.
Enjoy videos from her live performance – and a look into her breathtaking presence – at the videos linked below!
Indie rockers Julien Baker and Torres (Mackenzie Scott) have released the second single off their highly-anticipated country record, Send a Prayer My Way, out on April 18th.
The latest song after December’s “Sugar in the Tank,” “Sylvia” is about Scott’s dog.
The morning I went to pick up Sylvia from an upstate shelter, I was at home making my coffee and I turned on WFMU and Dolly Parton’s “Cracker Jack” was on. I burst into tears—it felt like the universe was telling me she was going to be mine (Sylvia was only meant to be a foster). I remember thinking that I’d love to write a song like that, a song that people could feel in their chest within five seconds of turning on the radio, because anyone who has ever had the honor of sharing a home with a beloved pet knows that a pet is family—they’re the best friends you could ever have.
The video for “Sylvia” includes scenes from their sold-out surprise show at the Mercury Lounge back in December.
Julien Baker Week descended on New York City with a flourish, the rush of which resembled the city itself. With three sold-out nights at Webster Hall, tickets were highly coveted. This was even reflected in the line prior to doors, as fans began to line up around 2-3pm, gunning for the first row.
On the second night, however, Baker suffered from a stomach bug and had to end the show after 40 minutes. Thankfully, she added a date to make up for the shorter set, this time at Brooklyn Steel, where she has played three times in the past. Unfortunately, due to the fact that the show was added last minute, Baker didn’t have a second opener. She then enlisted her Boygenius bandmate, Lucy Dacus, to do a short interlude after singer/songwriter Katie Malco’s set.
As Lucy Dacus took the stage, armed only with her acoustic guitar, the ear-piercing screams that greeted her would have had one convinced that she herself was the headliner as opposed to Baker. The crowd sang along, providing enthusiastic accompaniment. Dacus was smiley and chatty, joking around between songs and telling stories, even debuting a brand-new song. Ending with “Night Shift,” Baker and her band joined in to do it electric, mimicking the exact feeling of the night.
When Baker took the stage, the energy shifted to one of quiet reverence. After her band played the intro to her second LP, Turn Out the Lights, “Over,” Baker began to sing “Appointments,” the opening track. Performing songs from each of her records, 2015’s Sprained Ankle, 2017’s aforementioned Turn Out the Lights, and 2019’s Little Oblivions, the setlist covered the span of her career, including some of her EPs, such as tracks like “Tokyo” and “Red Door.” She also played two new songs, “Middle Children” and “High in the Basement.’ Further, Baker excitingly rearranged some of her songs, giving them a new emotional pull. She also had her band backing her up (which has only occurred on the Wild Hearts tour) as opposed to her earlier shows with only an acoustic guitar.
Baker next heads to San Francisco and LA, where she is playing a 3-show residency in each city. After, she will fly to London for a 4-show residency.
Fans had no problem waiting in the heavy, pouring rain for Maddie Zahm. Before doors even opened, the lengthy line to Irving Plaza wrapped around the venue, stretching for blocks upward. This isn’t completely odd for certain shows at Irving Plaza, but I only had one question: who was Maddie Zahm?
I hadn’t heard of Zahm before, and was quite curious. It was clear she had cultivated a very large fanbase. To figure this out, I began questioning them. I wanted to know everything about her, and was quickly given the story:
Zahm’s fanbase developed from an EP, You Might Not Like Her. With singles such as “Fat Funny Friend,” “If It’s Not God,” and the title track, “You Might Not Like Her,” Zahm went viral. She went viral on Reddit, she went viral on TikTok, she went viral pretty much everywhere. And it’s easy to see why. Zahm writes confessional lyrics about some of her most painful experiences, creating mini-memoirs. She also shares these stories on TikTok, providing a safe place where fans can experience not just her music, but who she is as a person.
Chronicling her youth and young adulthood growing up in the church in Boise, Idaho, Zahm discusses religious trauma and how it can play out in the mental, emotional, and physical self. She also notes her bisexuality, and how the church made her feel alien unto herself as she sought to understand who she really was, entering the stage of unlearning. (In fact, in the video for You Might Not Like Her, Zahm and her parents act in a scene depicting her coming out story. The scene ends with a group hug.) Zahm has also struggled with weight gain due to her diagnosis of Polycystic Ovary Syndrome (PCOS) and describes how she was treated by her peers, with multiple scenes in the You Might Not Like Her video.
It’s Zahm’s candor, authenticity, and unwavering kindness that have most endeared her to her fans. Now touring for her new LP, the appropriately titled Now That I’ve Been Honest, the response to Zahm has exploded. For the EP, she played at smaller New York City venues such as the Mercury Lounge. For her LP, Zahm graduated to Irving Plaza.
I began asking fans if this was their first Zahm show, the answer usually being a resounding “no.” There were, however, newer fans Zahm gained with the success of her LP, most of whom were eagerly waiting for this show since it was announced. The majority of fans revealed that they had experienced one or more of the issues Zahm addresses, offering them solace and representation. It wasn’t just the music they loved, it was Zahm herself.Her shows are safe spaces, they told me, where everyone is welcome and included. Fans also detailed how they met at Zahm concerts, from making new acquaintances to forging close friendships.
I asked for more specifics on Zahm’s live show, which was summed up for me by one fan: “You just have to see her. It’s hard to explain. But when you see her perform, you’ll just get it.” And this fan was right, far more right than I even knew.
When Zahm walked out onstage, she was beaming from ear to ear. In fact, the first photo I snapped was of her infectious smile. Her fans cheered and gazed at her longingly, reverently. She opted for her first song to be a slower one, the achingly beautiful “Blind Spot.” Maddie sang so close to the edge of the stage that I thought she might fall off, but I quickly understood why: Zahm wants to be as close to her fans as possible.
In between lyrics, Zahm went around to the first row, saying a quiet hi, sometimes with a wave, to each fan up front. In addition, Zahm often holds the mic to the crowd, inviting them to sing with her. It’s this collective chorus and communal space that causes fans to refer to Zahm shows as “church.”
Zahm is witty and sharp, often cracking jokes between songs. Prefacing the second track on her LP, “Eightball Girl,” she noted that her mother, upon hearing the song, asked her if she was doing cocaine. (For the record, it’s about a magic eightball.) Loud laughter echoed throughout the venue, bouncing off the walls. The balance between pain and its collective intimacy, laughter and joy, is what a Zahm show brings. It’s clear her star will keep rising—and we’ll follow with it.
The second leg of Zahm’s tour is happening now! Dates are below: May 20 Wooly’s – Des Moines, IA May 21 The Waiting Room – Omaha, NE May 23 Center for the Arts – Jackson, WY May 24 Knitting Factory – Boise, ID
The Dandy Warhols’ album release week swept New York City in March. With shows at Elsewhere, Gonzos, and Webster Hall, the Dandy Warhols introduced Rockmaker to the world. The Warhols’ Webster Hall show was epic, and is captured in the pictures below.
St. Louis’ Story of The Year has been making the rounds in 2023. But their announcement as the opener at Yellowcard’s first show in New York in years helped to secure the lineup of the summer. Our emo nostalgia minds were absolutely blown from the very first chords, and we are thrilled to have been present for this magic.
