january is the month that cares | best songs 2021

january is the month that cares | best songs 2021

We decided to start 2021 off strong with a lyric that holds true now, more than ever before. (Plus it’s a good ol’ reliable, Elton John song. And since we entered quarantine while he was making a second round on his farewell tour, we will play him on repeat until everything gets rescheduled.)

We also decided to start January off with connection, so you’re getting our favorite new tracks of the month a little late, but with extra intention. So dive in today, tomorrow, or any other day of any other month because our favorites from January 2021 will continue to live here. (Until we can’t afford to host the site anymore, ya dig?)

phantom wave, “billows”

phantom wave, “billows”

Captivating alt duo Phantom Wave released the new music video for their single “Billows” today, and we’ve got the exclusive premiere for your eyes only. Drenched in vivid colors and drastic, psychedelic movement, this visual is a trippy testament to the impact of the audible art that is flooding our consciousness. There is something magical about the way the lyrics dance along the gorgeous, building instrumental composition that – coupled with the abstract visuals – makes this experience feel very personal, and yet somehow universal.

colin & caroline, “you and i both”

colin & caroline, “you and i both”

Rare is it to find a musical duo that totally creates an ambiance all their own with the way their voices blend mellifluously into instrumentals. But let me tell you… duo Colin & Caroline can make a cover song all their own in a way I have never experienced. Luckily enough, these two have a history – they’ve known each other since high school and are now happily married – that informs their melodies, taking you on new, genre-bending adventures with each release.

Today, as part of the gradual release of a slew of incredible cover tracks over the winter months, we have the exclusive premiere of the duo’s new cover. Originally made famous by Jason Mraz, you’ll find yourself enveloped in clouds with this rendition. Try it on for size below!

Previously released Covers include:

“Wrecking Ball” – Greya 
“Don’t Dream It’s Over” – Kristen Schaeffer
“When the Party’s Over” – Carl Anderson
“Holly Jolly Christmas” – Carl Anderson
“Cardigan” – Sophia Angelie

matt boroff, beautiful machine

matt boroff, beautiful machine

On his new album Beautiful Machine, Matt Boroff ventures into unknown territory to examine our relationship with technology.  While Boroff has been making music for years, this album finds him still evolving the way artists should.  Boroff compares the tracks on his newest release to episodes of Black Mirror, and this comparison is an appropriate one.  With dark and sometimes dreary tones running throughout, one can easily see how these tracks could end up as the soundtrack for the show.

The first track, “Beautiful Machine” is a perfect start, representing the dark vibes that the rest of the album gives off.  As the title suggests, it also is a perfect way to get us thinking about our relationship with technology.  “Trust” is the realization that we cannot depend on everything around us.  While this track gives off some political vibes, it also can easily be related to what we see online.  Another stand-out track is “Echo Chamber”, which speaks of the frustration of having your voice lost in the mix of millions of others.  Boroff closes out with “Future Crimes”, a chaotic look at our online world, one that declares nobody is innocent.

la poré, “all we have is us”

la poré, “all we have is us”

On the hunt for a smooth track that will have you dancing around in your kitchen like you’re at a trance club at 2 am, surrounded by neon lights and glitter? (We truly don’t care who witnesses us doing this at this point. Nostalgia has us dancing everywhere these days.) Well, you’ve found it in La Poré’s latest track “All We Have Is Us.”

Synth-infused pop tracks glisten off the pages of La Poré’s resume, the solo project garnering quite a bit of commercial attention in the few years since its conception. But can you blame people for falling in love with such all-encompassing transient atmospheres created by sound?

dark side of the light, “moist”

dark side of the light, “moist”

Jewel tones, simple, gorgeous performance visuals that dance along the fine line between simplistic and artful masterpiece. This is how we would describe the new visual for Los Angeles-based alt-indie duo Dark Side of The Light’s (Nik Frost and Grant Conway) momentum-driving single “Moist”. Expands Frost:

First of all, everything for us emanates from beats and rhythm ideas for the most part. The groove is a really important part of what we do. We took two drummers, Grant and a friend and put them into a room together and had them jam to the sick base loop, recording it live with a stereo mic. What we got sounded almost like samba or something which opened up the song to a whole new world. The actual audio at the beginning of the track is us playing live in the rehearsal space. From there I took the drums and started programming them like they would’ve done back in the day when they were using Akai samplers to do this kind of thing.

I kind of chopped the audio up into different parts and as melodies came to me, I filled the lyrics in. It was one of those songs that while it sounds complex, it actually came pretty easily and I think we created one of the best tracks on the record.

The percussion in this particular track is its own brand of cool, incorporating a soulful and somehow almost hardcore feel to it while we melt into painstakingly well-crafted melodies and a trance-like state of free fall.