On Friday, December 14th, Rachel Mallin & The Wild Type opened for the incredible Bad Bad Hats are recordBar in Kansas City, MO. We were on the ground to get some photos, and here are some highlights from their particularly groovy set.
These are the songs that are particularly inspiring to me right now. Kind of all the place, but each of these tracks have found a special spot in my soul.
Keep up with Valentin Marx here.
On December 10th, talented sister duo Larkin Poe took the stage (by quite some force) at The Garage at Knuckleheads Saloon. We got there early, and were still hard-pressed to find a seat anywhere but along the back wall. Serves us right, for thinking a band so in-demand wouldn’t have an early arriving crowd! Photos below.
Long Island-bred singer/songwriter Evan Petruzzi has a new track out called “Sideshow”, a twang-infused pop song with a pace that will make even the most cynical of humans – especially at the holidays – tap their toes. As we listen to the building instrumentals and Petruzzi’s powerful vocals, we are carried to a place that is forever summer, a sun kissed glow dancing on our cheeks. Get into our headspace – and feel that glorious sunshine – below!
Keep up with Evan Petruzzi here.
If you’re looking for a cinematic chord progression, bedazzled with ethereal vocals reminiscent of Imogen Heap, then Fleurie‘s new track “Love Has No Limits” is the way to go. Anthemic from just the title of the track, this new single takes its time reaching its angelic crescendo. We’re big, big fans and ready to share this one with the crowd at some upcoming holiday festivities! What about you?
Keep up with Fleurie here.
Chicago-based art rock trio Arthhur – comprised of Mike Fox, Matt Cian, and Luke Dahlgren – released their fourth record on December 14th, and we’re really digging it. The 6 track tape is titled Lost In The Walled City, and is packed to the brim with attitude and a certain, unexplainable je ne sais quoi, if you will.
The title track hits hard, revving us up for the disco-laden rhythm of “Kinky Post-It”. (Yes, that’s the name of a song.) “Astral Fortnight” speaks to our higher beings, upbeat and ready to party, while “Choc Electronique” is something we would totally enter a dance contest with, as it would seem a little out of left field though the instrumentals are insanely catchy and could inspire a new line dance, if we’re being honest.
“Large Party” kicks it off with a series of sound effects and continues in the same artsy, experimental way, something we would definitely mosh to at a live show. Arthhur rounds it all out with “Get Fermented!” which is a track we’re into just from the mention of the title. Its smooth, enticing soundscape lures you in to a night of – if you’re lucky – consequence-free bad decision-making.
Keep up with Arthhur here.
Future Swedish pop icon Bellhouse creates an ethereal, lighthearted soundscape with “Coping”, a track that, honestly, isn’t as lighthearted as it comes across as at first listen. Packing in meaningful lyrics aided by the fluidity of her airy vocals, there is unexpected force in some of the lines that hits you right where it needs to. This song absolutely packs a punch, and has us looking to 2019 for more from this spectacular songstress.
Keep up with Bellhouse here.
On November 28th, Good Charlotte took over Arvest Bank Theater at The Midland in Kansas City, MO for a high-energy performance riddled with nostalgia. Frontman Joel Madden spent the evening poking fun at some of their highlight moments over the years, and asking fans where they were when certain songs came out. As memories of everyone’s adolescence came flooding back, the room was full to the brim with positive vibes. Photographer Meredith Schneider nabbed some highlights for us, which can be seen below.
The visual of chairs being set up in the round is slightly peculiar to the untrained eye, setting a microphone up while it pendulum swings above a stool, amps being set up. Casey Dubie‘s new video for “Silver” was strikingly shot by Kayhl Cooper, each frame flooded with largely monochromatic tones, giving more dimension to an already lush and beautiful visual that matches its corresponding soundscape. Explains Casey:
I had a blast working with Kayhl on this video. We shot over two days in a few locations in northern Vermont. He is so creative and I’m excited that the video narrates a few of the themes in the song really well. In this video we wanted to depict the different voices we live with that attempt to weigh us down as well as explore who our audience is.
We’re blown away by every aspect of it, and are pleased to have your first look at “Silver” in its entirety below!
Keep up with Casey Dubie here.
