Arthur Moon opened for the illustrious Palehound on July 10th in the depths of Brooklyn at Elsewhere. The band – comprised of Lora-Faye Åshuvud, Nick Lerman, Marty Fowler, Dave Palazola, Aviva Jaye, and Cale Hawkins – was absolutely mesmerizing, and we were lucky to have photographer Kevin McGann out to capture it! Check out some highlights below!
Keep up with Arthur Moon here.
Palehound took to the stage last Wednesday night on Elsewhere’s Rooftop in Brooklyn just as the sun was setting. The whole scene was surreal as the stage was decked out in fake flowers and tropical plants juxtaposed with the neighborhood’s industrial setting. And as the sun set and the the night sky grew dark, neon lights kicked on overhead to illuminate what would be an electric set from the Ellen Kempner led band. Her delivery provided as much contrast as the backdrop, singing at times in a soft, almost whisper like voice only to then break into a frenetic guitar solo before returning to the mic like she had just exercised her demons. The band, which includes Jesse Weiss on drums and Larz Brogan on bass, provided a solid framework and helped flesh out the songs from the recently released album, Black Friday.
Keep up with Palehound here.
Today, we sit down with incredible feminist indie-pop artist Michelle Birsky – the brainchild of BIRCH – to chat about her new album release, touching on points of sexism and the empowerment she stirs up in her music.
Today, we sit down with incredible feminist indie-pop artist Michelle Birsky – the brainchild of BIRCH – to chat about her new album release, touching on points of sexism and the empowerment she stirs up in her music. We also get deep into spiritual practice, and learn a bit more about getting in touch with ourselves.
0:00 Intro
0:11 EZVisibility.com
0:22 Dbl-take.com
0:33 imperfectfifth.com/merch
1:36 Spice Girls
2:31 Spelling Lessons
6:19 Normalizing stigma
9:15 Reiki/energy work
11:48 Spirituality whitewashing
17:10 Guided Meditations
21:43 Rituals
24:12 Aliens
27:25 Gracie & Rachel
29:44 April 11 Album Release Show
30:21 Asking For It
femme.one is out April 5th. Celebrate BIRCH’s CD release show on April 11th at Union Pool in Brooklyn with Rodes Rollins and Gold Child. More information is available here.
On November 7th, our incredible photographer Christie McMenamin captured some drop-dead photos of Julien Baker when she performed at Brooklyn Steel in NYC. Check them out – and get lost in the mood – below!
Frontman James Alex of Beach Slang brought his stripped-down project, Quiet Slang, to Brooklyn’s Rough Trade on July 9th.
It was a rainy Monday evening, and the show had been rescheduled from a prior date. Given those conditions, Alex was unsure, as he relayed to the audience between songs, how many people would show up. However, those concerns proved to be unfounded as the room was filled with fans hanging on every word.
Unlike Beach Slang shows, which are loud, clamorous, and brash, Quiet Slang is another entity entirely. As heard on Everything Matters But No One Is Listening, Quiet Slang’s debut LP, Alex has taken his work with Beach Slang and reimagined it, doing away with its thrashing, thunderous elements. Instead, Alex takes a sparse, orchestral approach: cello and piano, paired with his gritty vocals, give these formerly driving punk songs space to breathe, resurrecting them with new, balladic life.
This was reflected decoratively, as well. The stage set its own scene with flowers and strings of white lights with makeshift cotton clouds hanging in the distance. The rest of the venue was pitch-black save for a projector screen playing images of ballet dancers. Moving through the set, Alex was all heart from his honest vocals and earnest speeches of appreciation, thanking his fans over and over.
Quiet or loud, Alex delivered his audience an unforgettable night.
Nashville based singer/songwriter Connor Leimer just released his latest single “Brooklyn,” which has heartfelt but sweet lyrics and paints a bittersweet picture of love. “I never know just how to feel, I never know just how to feel about you,” sings a confused Leimer. The chorus “You’ll go back to Brooklyn and leave me here” absolutely tugs at my heart, as will most of this song. While the lyrics aren’t the brightest, the feel of the song has an upbeat bop to it. With a jazz feel, Leimer is reminiscent of Michael Buble, but in indie fashion. “Brooklyn” is a simple yet meaningful song that suits a rainy day, or a corner spot in a cafe, reading an old book. This is just the beginning for Connor, as this is the first song off of his upcoming project with Nashville sensation Matt Rollings.
Keep up with Leimer here.
Jeff Rosenstock is a household name in the New York area, particularly in Brooklyn. Touring in support of his new record, POST—, he sold out his Warsaw date so fast that another needed to be added. In his thirties, Jeff has fans both older and younger. Teens crowded the front row, pressing their bodies against the barricade to be as close as possible. Their eyes were on the band as they set up, smiles slowly creeping up their faces and eyes widening.
Before the band made their official entrance, the Foo Fighters’ “The Best of You” boomed over the speakers with only one line on repeat: “the best.” The entire audience chorused those words at the top of their lungs, fists pumping, invisibly puncturing the air.
Tearing into “USA,” POST—‘s first full track, the mayhem immediately began.
A Jeff Rosenstock show is like one collective headbang. The crowd sways and undulates back and forth like a wave with the force of fans crowdsurfing, jumping, pushing, and shoving. Beer dribbles down chins and over the mouths of metal cans in the midst of cheers while heads furiously nod to the beat, hair swinging like violent vines. Sweat beads across foreheads, bleeding down into soaked shirts. Rosenstock himself is a direct participant, a man of nonstop movement who spends more time in the air than he does with his feet planted on the ground.
The majority of the setlist consisted of both POST— and 2016’s WORRY. Every song was sung in unison, both band and crowd uniting in perfect harmony.
Towards the end, during “We Begged 2 Explode,” Rosenstock grabbed the mic and jumped into the pit, making his way down the front row where his youngest, most elated fans were located. He was not only singing to them, but with them. Their eyes sparkled while their grins shone in the light. They were hurriedly taking selfies and videos, excitedly waiting for Rosenstock to come to their particular spot.
At one point, Rosenstock suddenly disappeared. Everyone looked at each other in confusion. From the back of the crowd, there was a lot of noise and a brief clamor, causing the audience to turn around. Rosenstock had somehow gotten to the balcony in the very back of the venue by the front doors, saxophone in hand as he began to play. The crowd roared, and did so a few moments later, when Rosenstock jumped in and joined them, surfing on the weight of their hands.
Making his exit soon after, Rosenstock left the audience wanting more. That wasn’t a problem, however; many of them, as exhibited by a show of hands, were returning to see Rosenstock again the following night.
Brooklyn based indie duo Pollens, just dropped their latest track “$$$_PSA.” The duo consists of Jeff Aaron Bryant and Elizabeth “Emay” May. Right off the bat, the name of the track of grabs your attention. Listening to the track invited me in even more. The track starts off with the sassy chanting of the duo “Affluent men in their 30’s they’re all asking, ‘Is it better to get the credit for all of the things I know?” The title of the track immediately makes sense almost as “Affluence, PSA!” The track is adorably snarky with talks of affluence, sophistication, and intelligence. Combined with the pop-indie beat, the duo really feed off each other. The ingenious lyrics really shine through on “$$$_PSA.”
Pollens lyrics are purely intentional as they want their music to be “simple and immediate.” Jeff of Pollens says on the creativity “with a tiny band, we’re totally free to explore sparse, dumb, over committed ideas without a lot of risk or investment.”
Keep up with Pollens here.
Semi Automatix ripped through a set at El Cortez in Bushwick Brooklyn. The five piece group led by Tim “TC” Cribben on vocals played the punk set with a charm and charisma thats hard to match in the genre. Bassist Matt Gevaza and drummer JR Jensen synced and throbbed through a set that almost shivered with energy. Guitarists Mike Gevaza and Greg Odette traded lead harmonies seamlessly across the stage. Semi Automatix is a punk band by definition, the set however showed more depth and emotion in the songs than we have come to expect from the genre. If you can imagine the mid 90’s Long Island Punk sound and meld it with soaring classic rock solos from the 60’s and 70’s you might have an idea what Semi Automatix sound like. The set was a beautiful mix of punk energy and Marc Bolan-esque tenderness that just worked. You can check out the latest single “Never Fading” below.
