Zach Gerzon of Twin Bridges is an up-and-coming songwriter and self-taught cellist, breaking into the music scene with a distinct mix of folk and instrumental chamber genres. The project’s latest single, “Carbon & Dust”, puts instrumental chamber music through an indie filter, mixing traditional orchestral instruments with wistful vocals. Durnis Markov’s animated music video is as heart-wrenching as it is breathtaking, providing context for the song as well as eye candy visuals.
While self-teaching, Gerzon experimented on his cello, incorporating playing it on its side like a guitar and using a looping pedal. He brings this experience into “Carbon & Dust”, incorporating a plucked cello motif as the crux of the piece. Its ambling tempo resembles how the characters in the music video lumber through a forest aimlessly. The music video’s description elaborates that the song “explores a conversation with a loved one who has passed… Slipping between a dream and reality, the lines get blurred from reality, the afterlife and reliving trauma / tragedy.”
Along with cello and vocals, “Carbon & Dust” includes a trumpet, bass clarinet, bassoon, clarinet, and saxophone, creating a mini symphony. Each drastic change in instrumentation accompanies the events in the video. When a car crashes in a head-on collision—recalling the moment the mourned person passed in this tragic accident—the winds suddenly break into the song. The wail of strings and blast of winds juxtapose Gerzon’s forlorn voice, encompassing the simultaneously agonizing and gloomy experience of grief.
“Carbon & Dust” is only the beginning of Twin Bridges’ exploration into folk-chamber pop, as the lead single to the upcoming Fertile Ashes full-length debut, out on 10/27. With a strong start, Twin Bridges and animator Durnis Markov helm the sail of an exciting new genre.
Does a new future of folk-chamber pop lie ahead of us? Find out below!
If you have yet to happen upon the immense talents of Connor McLaren, now is your chance. The Indianapolis-based musician just released his first full-length with the indelible Ben Kweller’s label The Noise Company. Today, we get to peep the music video for the single “Candy Rain.”
A casual, meandering pace opens the track as we delve into the love story that is “Candy Rain.” While his romantic interest is metaphorically compared to this tasty concept, momentum builds and instrumentals are layered. The song becomes more of a quintessential rock ballad than originally expected, with a hint of grunge/surf rock influence in the whirring guitars. McLaren’s voice has the same appeal as your favorite 90’s crooners, giving all of his music what seems to be an unintentional – but completely genuine – layer of added nostalgia.
By the song alone, it is quite obvious that McLaren’s musicianship and professionalism far surpass the expectations normally associated with his ripe age of 21. But diving into the music video is a whole other treat. (See what we did there?)
The artist takes an artful approach to this visual release, with isolated color palettes dancing around his shadow profile in some frames, playing with natural elements like the textures in mother nature and the sun in others. Shots of the curly-haired crooner performing in earnest, surrounded by bubbles. Then covered in paint. Then avoiding a literal candy downpour under an umbrella.
The video is a kaleidoscope dream you won’t soon forget.
UPCOMING TOUR DATES: August 17 – New York, NY – The Footlight August 26 – Normal, IL – House Show August 31 – Bloomington, IN – The Atrium September 2 – Cleveland, OH – Mahall’s Apartment September 9 – West Lafayette, IN – House Show September 12 – Nashville, TN – The Basement East September 14 – Boone, NC – TApp Room September 21 – Chicago, IL – Bookclub October 14 – Charleston, SC – House Show November 10 – Appleton, WI – Appleton Beer Factory December 22 – Indianapolis, IN – HiFi **Homecoming show – TICKETS
SONG CREDITS Lead Vocals – Connor McLaren Acoustic and Electric Guitar – Alec McLaren Bass and Drums – Ben Kweller Backing Vocals – Connor McLaren and Ben Kweller **Written by Connor McLaren, Alec McLaren, and Benjamin Kweller and published by Weed Funded Songs (ASCAP), Charity Chase Songs (ASCAP) and Twelve Sided Die (ASCAP)
British-born musician Enny Owl has cultivated a musical career of what could fittingly be called the musical version of the cottage-core aesthetic. Her songs feature layered vocal harmonies that echo in the mind long after listening and lyrics that enchant with the rawness of personal struggle. “Nicolette”, the lead single from her upcoming Homes in Humans album, envisions Enny Owl as a spiritual guide for the listless soul of Nicolette, who searches for her own inner strength to fend off her enemies.
The soaring vocals immediately bring to mind a fairytale, with Enny Owl’s lead accompanied by lush harmonies. Strings and percussion in the background give depth to the soundscape, crafting a fantasy landscape through these familiar, Celtic-inspired timbres. The lyrics encourage the titular Nicolette to face her fears and “fend off dark forces”. “Nicolette” would fit snugly into a fantasy movie soundtrack, as the anthem for a determined protagonist who faces daunting tasks and dangerous enemies. In the words of Enny, “This song is about the fear of opening up after being hurt so many times before. It’s for the quiet and gentle-hearted. “Nicolette” is a reminder to be brave enough to find the strength and magic that was within you all along.”
The music video directed by Paula Crichton channels this fantasy feel to create a narrative, in which Enny Owl represents a “Spirit Guide” to the wandering Nicolette. Enny Owl sings in a forest glowing golden, surrounded by glittering magic. The beautiful costuming dresses Enny in a classic cottage-core look, donning puffy white sleeves, purple hair, and a tiara worthy of elven royalty. The character of Nicolette (Ariel Barber) wears a crimson cape, reminiscent of Little Red Riding Hood. Though, Nicolette is not taken in by the wolf. She confronts her hunters head-on, with Enny’s spirit as support.
More magical narratives await with the release of Homes in Humans, set for November 3, 2023. Each upcoming song is based on one of Enny’s listeners, and they are sure to prove just as entrancing as “Nicolette”. Now based in Los Angeles, Enny Owl is represented by Weird Sister Records.
A soft electric riff of a guitar atop steady beats of the drum… It is that awfully calming but lingering aura that really sets this unsettlement within me. A constant motion that desires more. Curling‘s “URDoM” wraps me in its embrace, and I’m overwhelmed by a torrent of emotions.
“URDoM” thrives in its ability to evoke emotions without explicitly stating them. The production elements, such as the subtle layering of instruments and the careful balance between instrumentation and vocals, contribute to the song’s immersive quality. The minimalist yet well-crafted approach allows the listener to interpret and connect with the music in their own unique way. The song’s musical layers are carefully woven together, allowing each instrument to contribute to the overall mood. Distant echoes and subtle reverberations, add depth to the atmosphere, immersing the listener in a reflective space.
Throughout the track, the dynamics build and recede, creating a sense of tension and release that mirrors the emotional rollercoaster the song portrays. The instrumental and vocal synergy reaches its peak during the climactic moments, eliciting a cathartic release that draws the listener deeper into the narrative. The composition’s aural palette leans towards a fusion of alternative and ambient elements, creating a space that is both introspective and ethereal. The instrumentation, consisting of subtle guitar work, restrained percussion, and atmospheric synth layers, works in harmony to evoke a sense of inner struggle and self-exploration.
In the end, “URDoM” isn’t just a song – it’s an emotional journey. It’s a mirror that shows me my own complexities, my own struggles. It’s a reminder that we’re not alone in our battles, that music can hold our hands as we navigate the stormy seas of the heart. Curling’s creation isn’t just a song; it’s a lifeline, a chance to find solace in the shared human experience. And as the last note fades, I’m left with a profound sense of connection, a realization that I’m not alone in feeling alone.
North American Tour Dates ^ = w/ Nation of Language 8/11: Portland, OR @ Fixin’ To 8/12: Portland, OR @ Revolution Hall ^ 8/13: Portland, OR @ Gloomhouse 8/14: Vancouver, BC @ Rickshaw Theater ^ 8/16: Grass Valley, CA @ Unchuch 8/17: Upland, CA @ Hyrule Temple 8/18: Oakland, CA @ Oakland Secret 8/19: Seattle, WA @ Central Saloon 8/20: Centralia, WA @ Space Place House
“Give Me My Halo” by Yonaka is a real gem of a song that hits you right in the feels. It’s all about finding your inner strength, breaking free from the shackles of your past, and owning your true self. It dives deep into the struggles and desires we all face on our journey to personal growth and self-acceptance.
From the moment the song starts, listeners are captivated by the pulsating rhythm. The melody rises and falls, creating a sense of anticipation and reflecting the emotional highs and lows that the lyrics delve into. It’s a sonic journey that pulls listeners in and keeps them hooked until the very end.
But the chorus, oh boy, it’s the heart of the song. “Let hell rain down on my life and allow me to grow. Burn away the parts you don’t like, I don’t care anymore. I wanna feel untouchable.” These words hit hard. They strike a chord deep within, stirring up a whirlwind of emotions. They express a desire to transcend the limitations imposed by society, to break free from self-doubt and insecurity. It’s an anthem of empowerment that inspires individuals to embrace their inner strength and stand tall in the face of adversity.
The bridge brings it home with a beautiful metaphor. “When the tide comes crashing in and I’ve got nothing left to give, will you deem me fit to swim and will you water me?” It’s like asking for support when you’re at your lowest, hoping someone will believe in you and help you keep going. We’ve all been there, and it’s comforting to hear it put into words.
As the song progresses, the intensity of the beat and the emotional depth of the lyrics intertwine, creating a profound musical experience. The combination of Yonaka’s passionate vocals and the driving instrumentals evokes a sense of liberation and encourages listeners to embrace their authenticity.
In a nutshell, “Give Me My Halo” is a song that speaks to our inner struggles and aspirations. It’s about finding strength, embracing our true selves, and asking for support when we need it most. It’s a reminder to break free, rise above, and shine with our own unique light. So go ahead, crank up the volume, and let this song resonate deep within your soul.
Xadi‘s “Black Rock” EP is a captivating musical journey that delves into dark ambiance, effortlessly blending catchy and chill elements. With its personal anecdotes and explorations of drug usage, Xadi weaves a tapestry of experiences that transcends racial boundaries, touching the hearts of listeners from all walks of life.
The EP’s main track, aptly titled “Black Rock,” stands out as a powerful statement that challenges preconceived notions about the relationship between music and race. The quote, “I didn’t know that music had a [sic] colour,” encapsulates the essence of this song and its overarching message. Xadi’s ability to create a sonic landscape that resonates with anyone and everyone, irrespective of their racial background, is truly remarkable.
The EP opens with a dark and haunting aura that immediately sets the tone for the introspective journey ahead. The production values are top-notch, showcasing Xadi’s skill in creating atmospheric soundscapes that immerse the listener. The combination of electronic elements, ethereal vocals, and carefully crafted beats creates a hypnotic experience that draws you in from the very first note.
One of the EP’s greatest strengths lies in its catchiness. Despite exploring deep and personal themes, Xadi manages to infuse the tracks with memorable hooks and melodies that stick with you long after the music ends. This balance between introspection and accessibility is a testament to Xadi’s artistry and ability to create music that can be enjoyed by a wide range of listeners.
“Black Rock” is also an EP filled with personal anecdotes and adventures. Xadi’s storytelling ability shines through as he shares his experiences with drug addiction, painting vivid pictures of struggle, redemption, and personal growth. The lyrics are thought-provoking and introspective, inviting listeners to reflect on their own lives and experiences.
As a black British music artist, Xadi brings a unique perspective to his music. While the EP addresses themes that are deeply rooted in his personal journey, the emotions and messages conveyed have a universal appeal. Xadi’s artistry transcends racial boundaries, touching upon shared human experiences that resonate with anyone willing to listen and empathize.
Experienced multi-genre artist Daniel Ellsworth brings all of his prior skills to the table, presenting his first independent project in a set of four LPs. The newly released WHAT is Ellsworth’s first fully self-produced LP and is the third in the set of I HAVE / NO CLUE / WHAT / I’M DOING. Contrary to that title, Ellsworth certainly seems to know what he’s doing, as the five new songs in WHAT display a mature musical sensibility with their clever arranging and the mixing of musical styles.
WHAT holds the listener’s hand via lyrics that tell a story, a diverse array of synths, and a clear progression of styles. Beginning with the welcoming “Lost In the Rhythm”, Ellsworth introduces a beat and whooshing synths worthy of any dance party. It’s feel-good and optimistic, in touch with the speaker’s initial meeting with the love interest.
“Blurry” heightens this euphoria, infusing its pop style with hip-hop influences, to evoke how the speaker is in complete awe of the lover. Panning synths in the catchy chorus create interest in the left and right ears, mimicking how it feels to have blurry vision in an auditory format.
“Flower Underground” flips the switch. Doubt sprouts in the speaker as the relationship with the lover takes a turn toward the uncertain. With indie-pop influences, this song has a myriad of synth timbres, creating an engaging collage of sound. The jazz piano solo hearkens to Ellsworth’s background in jazz piano, adding another new element to this LP.
Ellsworth draws from his experience in techno-pop in “Operator Emma”, as the speaker is in contact with the lover via sparse phone calls. Pleading for “an answer on the line”, Ellsworth’s voice soars into its highest range so far. The sweeping synths toward the end seem to hint at a hopeful conclusion for this complicated situation.
The final track, “I Believe In You”, is about the sun rising at the end of a long night. Circling back to indie-pop, Ellsworth’s voice has that lo-fi, old-time-radio vocal effect. There’s even word-painting when rising synths accompany the lyrics “surrounded by the sunlight”. The relationship has been repaired, and the music reflects that sense of relief and contentment that comes after a test of trust.
Daniel Ellsworth’s WHAT is a prime example of how to intermix musical genres to tell a story. After many collaborations with other artists—Daniel Ellsworth & The Great Lakes, Chaos Emeralds, and DARKMINDS—Ellsworth sets out on his own, carrying a vast scope of musical experience with him.
As Italian singer-songwriter Alice Bisi revs up for the release of her third LP, her new track “Hyperdrive” gives a taste of a new direction for the alt-pop artist. Though Bisi, or Birthh, is based in Brooklyn, her music sounds as though it originates from the fourth dimension, cleverly using synths and fast tempos to transport listeners through musical wormholes.
It’s hard to believe that the high-octane “Hyperdrive” started out as a slow ballad. When Birthh was having trouble perfecting the song to her liking, she enlisted the help of her trusted co-producer London O’Connor. After a year of tweaking in the studio, “Hyperdrive” morphed into an upbeat, euphoric depiction of Birthh’s inner world and dreams. The verses are poetic in nature, with such lyrics as “I’ll chase your face, to infinity and beyond” and “spinning round, galactic dancer”, as the speaker experiences a whirlwind romance with hopes of reciprocation from the beloved.
This track keeps the listener on its toes, constantly adding new layers and advancing the intergalactic journey through Birthh’s heart. After the verse, the chorus shifts into the titular “Hyperdrive” mode, with rhythmic variation, a denser musical texture, and an earworm of a melody. The synths, percussion, and high-pitched strings interact with the vocal samples in a bouncing vortex of musical interest. The closing portion introduces a slew of new aspects, with piano chords interrupted by vocal samples of other voices besides Birthh’s, as though it leads into another track. As of now, we can only speculate what might come next.
Birthh’s anticipated Moonlanded album is set to release on September 1 and is now available for preorder. Moonlanded is sure to be an epic ride, chronicling Birthh’s emotions around her birthplace in Italy all the way to her new home in Brooklyn. Meanwhile, stream “Hyperdrive” on all platforms and check out Birthh’s backlist of songs.
Can’t wait for Moonlanded? Give “Hyperdrive” a listen while you’re waiting!
Get ready to be swept away by Winterlark‘s newest EP, You Send Me A Photograph. This indie folk sensation is back with a collection of tunes that will tug at your heartstrings. From soulful melodies to lyrics that hit you right in the feels, Winterlark takes you on a musical adventure exploring love, memories, and those unforgettable snapshots of life.
Winterlark’s EP You Send Me A Photograph is a mesmerizing journey that transports listeners to a world of ethereal beauty. With their intricate compositions and hauntingly delicate vocals, Winterlark creates an immersive sonic landscape that lingers long after the last note fades.
The EP’s six tracks weave together elements of indie folk and dream pop, resulting in a sublime blend of introspection and enchantment. Each song is a captivating vignette, filled with evocative imagery and introspective lyrics that delve into the depths of love, loss, and the bittersweet moments of life.
From the haunting opening track to the poignant finale, Winterlark’s musicianship shines brightly. The intricate layers of strums and pizzicatos intertwine flawlessly, creating a rich tapestry of sound that envelops the senses. The duo’s harmonies are nothing short of spellbinding, evoking a sense of gentleness and emotional resonance that resonates deeply with the listener.
You Send Me A Photograph is an EP that demands to be experienced in its entirety, as each song seamlessly flows into the next, guiding the listener on a cathartic and introspective journey. Winterlark’s ability to capture raw emotions and distill them into captivating melodies is a testament to their artistry and musicianship. This EP is a true gem, destined to captivate both devoted fans and newcomers alike with its vintage beauty and heartfelt expression.
