Reaching new heights since the release of their second album is Melbourne-based band PrettyCity who have not only taken over the Britpop grunge scene in Australia, but have also been gaining radio traction here in the US. Most recently, this group has been busy writing, performing and producing their new album Cancel the Future which was released this month. Despite their busy schedule, the band members of PrettyCity took the time to sit down with us and talk about some exciting news, here’s what they had to say.
When you started working together, what were your goals and plans for the future? How have they changed since then?
When we started, we had all been in other bands that weren’t playing as many shows as we’d have liked. We were all kind of frustrated, so we just played as many shows as possible. We said yes to absolutely everything and started touring straight away. I guess it was a very explosive but scattergun approach. Over the years we’ve refined this to try and build a more of a global fan base and not limit ourselves to Australian shores.
Was there ever a time where you felt that you had achieved what you set out to do? Or are you still chasing that dream?
No. Never. We’re always chasing better song writing and better albums. I don’t think we’ll ever stop trying to create that piece of art that we think is perfect, which is the trap because there’s no such thing. I think the four of us are just those kinds of people. Are there any bands or artists that you like to model your sound or style after?
I don’t think there’s anyone in particular that we’ve tried to model our sound and style after but we certainly have strong influences. The four of us have really diverse tastes and influences, but the band has always been great at allowing those influences to shine through and take Hugh’s songs in interesting directions. I think we draw we draw a lot from other band’s attitudes and approaches to song writing. We all love the Beatles and the Stones and the art of simplicity, but we also love bands like the Killers, Jet, and the Brian Jonestown Massacre for how they were able to reinterpret older ideas and make them their own. From the grunge era there are so many bands but I’ve been prettyinfluenced by Green River, Soundgarden, L7, Hole and the Smashing Pumpkins. From an attitude perspective we love Black Sabbath and the Doors and T. Rex. It’s just sexy stuff. What does your writing process look like? Is it a team or individual effort?
Hugh, our lead singer and guitarist, writes the songs for the most part. Or he at least has melodies and some lyrics and then we work on structures and parts together. It’s really very collaborative and each of us is totally free to make our own parts and contribute to the song writing. Hugh’s got an incredible ear for melody and for capturing and distilling complex emotions into catchy sing along lyrics, which is such a hard thing to do. We’re very lucky to have him, and the group dynamic is really productive and supportive. As you prepare for your 27-day long European tour, what are your expectations? What are you most excited for?
I’m expecting a lot of time on the autobahn. I’m expecting to eat more cheese and pork products than I would usually consume in a year. I’m really excited to go back and experience the amazing European hospitality. We had such a great time last year and we can’t wait to get back and reconnect with all the friends we made. Now that you are looking to take your music and sound to an international level, what are your expectations as far as reactions from fans and crowds?
I guess we’re excited to share our new music with people. That’s the unchanging thing for all of us that is the same whether we’re in Melbourne, Austin or Hamburg, we are excited to play music and share our experiences with everyone. I hope more people will come share that with us, but at the same time, we love playing music so much, so we’re happy either way. I think the crowds will grow in Europe significantly though.
What can fans expect in the year 2018?
Well, we’ve already recorded our third album, so you can expect to hear an early single from that later in the year. Other than that, I think we’ll be doing some more touring back home and enjoying our home town for a bit 🙂
From Guildford, England comes the voice of Annabel Allum. A small framed casually put together woman who you wouldn’t expect to have such an elegant tonal quality. “Rascal” is the 2nd single released this year following up her 2017 release “All that for what?”
“Rascal” is a very honest approach that gets more inwardly intimate than most. Revealing truths most bury, ignore, or deny. The slow tempo swaying verse begins with “I’m just a rascal woman, I take home people I meet in bars, I tell them I can see their soul, I can count their scars.” Pretty straightforward.
I always research each artist I review to get a little insight into their personality and how its applied to their approach to music. Annabel is quoted saying, “Rascal’ is about me accepting what people think of me, and trying to get on with it anyway. No one’s perfect and I’m certainly not.” The sincerity in that is very respectable. After hearing “Rascal” Annabel projects her truth exactly as it is. The chorus comes in like the morning twilight transitioning into a breathtaking sunrise. You know something is coming, your anticipation rises, the volume increases and like an orchestra director you raise your hands at the same moment the cymbals crash and the full spectral sound comes flooding in.
It is difficult to categorize Annabel as to me she is a woman with a guitar playing her heart, which is something that cannot be duplicated.
If you took Delores from The Cranberries(RIP), Liz Phair and Peri Gilpin(she played Roz on Fraider) ripped out their vocal chords and blended them like your morning smoothie, that combination would closely then resemble Annabel. While the music isn’t pop or rock it is very listener friendly.
“Rascal” is as powerful musically as it is lyrically. It’s raw yet mature. For those who aren’t afraid to admit they can be a “Rascal” at times, it’s a great song to relate to and reassuring that you aren’t terrible alone. We all have our moments. Accepting it is easy to do when there is a song to sing along to.
To purchase the single and albums prior visit her website, and don’t forget to follow her on facebook.
Drawing on the her bluesy background and soulful sound, Memphis-born artist Rania Woodard and producer/songwriter Brian Squillace have come together to put together some of the most popular up and coming sounds from the rising generation. Forming a dynamic duo, pop outfit LANNDS has created some of the most forward and interesting music on the market today. Since working together, they have worked to produce a new EP that is scheduled to drop later in the year. Their latest release, however, is the title track from the aforementioned EP titled, “Legends”.
From an early age Rania has always found solace in music and since her debut, the realization that she has a place in the music industry has transformed from a dream to a reality. Comprised of Woodard’s soulful vocals, blues background guitar as well as electro-pop musings from Squillace, this new artist’s music is as unique as it is relevant.
Since the formation of this hit new duo, they have racked up over 2 million streams to date, drawing attention to their out of the box beats and introspective, coming of age anthems. Not only have they caught the attention of fans ranging across all demographics, but they have also turned the heads of some of the well known names in the music industry such as Neon Gold. In the future, fans can look forward to the release of their EP Legends, but for now are soaking up the creative artistry of their latest release that bares the same name.
Alaskan natives The Super Saturated Sugar Strings recently released their latest album All Their Many Miles. The indie-folk group usually find inspiration through Alaskan nature sounds. All Their Many Miles is filled with nine peaceful tracks of love, heartbreak, and even shows off the bands instrumental skills. Their first track “All Their Many Miles” combines a variety of instruments such as the banjo and trumpet while being backed by soft female vocals. The lyric “I feel for all their many miles,” tells the narrative of a couple trying to make it through. “Love Cocoon” starts off with eerie sounds of soft piano, cello, trumpet, violin and guitar. The eerie intro creeps into rusty male vocals. The song soon becomes sweet and intimate professing “If we reach the top, we’ll build a love cocoon.”
My personal favorite off of All Their Many Miles is “Crocodile.” The track lasts a total of 4:13 minutes and is a total instrumental. The song has a Western-old timey theme, and shows the bands ability to be versatile in their sound. Whether you are a fan of fold or not All Their Many Miles is definitely worth taking the time to listen to.
All Their Many Miles is available now. Keep up with The Super Saturated Sugar Strings here.
DC-based quartet BRNDA is hitting the ground running, almost literally. While the band is on tour, they’re also set to release their new full-length – a collection titled Thanks For Playing – on March 30th. The preorder includes an instant download of two already available tracks – “House Show” and “Five Dollar Shake” – which just so happen to be perfect for this warmup our country is (hopefully) starting to experience for spring.
Despite the madness in their lives currently with the new release, the band sat down to chat briefly about the album, displaying their dry humor along the way for our eager ears. Check out our words below!
Each of you are important assets to the band. How did each of you get into music?
Actually, we’re not that into music. What we like is podcasts.
Fair response. Thanks for Playing is your third release. What makes this album different from the previous ones?
We haven’t released a record since 2015. This is our first time releasing a record in 2018. This is our first third release. This is the first time Christian has ever played bass on a BRNDA record – he is our bassist. This is the first record featuring a song where Leah sings lead. This is the first record we partially recorded at Alex’s house in Mt. Rainier. This is the first record featuring Dave soloing with guitar feedback. This is the shortest record we’ve ever made. We also worked with a different group of people this time, they are mentioned later in the interview so we won’t mention them just now.
What has been the biggest accomplishment that has come from Thanks for Playing?
Our greatest accomplishment of this record has been the collaboration with other cool people. Thomas William Rossi (Reyna Valencia) recorded it at lurch studios in DC; Justin Wm. Moyer (of so many of our favorite bands… Edie Sedgwick, Light Beams, Puff Pieces, Antelope, etc etc) mixed the record; TJ Lipple of Inner Ear mastered it. Christian’s sister Hadley Whittle painted the piece that is the cover art. Adam and Blake from Banana Tapes are putting it out. The National Film Board of Canadian Industry provided the footage for our recent music video for House Show. You’re writing about it. You’re reading about it. We’re collaborating.
What was the best part about developing the album?
Probably downloading the Adobe Creative Suite 10-day trial multiple times on multiple computers in order to create the album art j-card. We’re grateful for their love and support and collaboration.
We feel that! (Currently working on a trial of Lightroom.) You are out on tour right now. What sort of different experiences have you all had since being on the road?
Being on the road has a way of expanding your family. We kicked it with some truly wonderful people on this tour. We’ve been touring with Poppies, our forever buds from new York. We played the Community Records 10th anniversary celebration in New Orleans, a very special night in a very special town. We also played Mammal Gallery’s temporary location in this gorgeous former department store and shared the bill with 3 Great Bands (Breathers, Sad Fish, True Blossom). Touring around SXSW is like jumping into a giant vortex of favorite bands and friends that converges on Austin. We played three wonderful showcases. Dave saw Shopping and had a religious experience. All in all very good things and times.
What plans do you have after you wrap the tour?
Do laundry, vacuum the van, celebrate Torrey’s birthday, play our tape release show on March 29th, attend the melted mag release show at bathtub republic on March 31st, and then collaborate on some new songs.
Where do you see yourself as a band in the next 5 years?
Probably on tour.
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Preorder your copy of Thanks For Playinghere and Keep up with BRNDA here.
Let me begin with why the anagram title. Led by Christopher Porterfield is the band Field Report (Porterfield/Field Report) A-ha, get it?.) Released today, Summertime Songs is the band’s third album, and the first being released through Verve Forecast which is part of the Verve Label Group. Lyrical content seems to be a polished focal point as metaphors are commonly used and his style falls in line with classic folk singers who told stories rather than followed the Dr. Seuss rhyming scheme. There is something heartfelt as you make your way through summertime songs, and as I understand all songs were written while Christopher and his wife were expecting their first child.
Based out of Wisconsin, Field Report is rounded out by drummer Shane Leonard, guitarist Thomas Wincek, and bassist Barry Clark who’s contributions complement each other in creating solid transitions and strong build-ups. A perfect example of this can be heard on “Never look back”. Boasting soft toned clean guitar leads and lightly brushed with an epic cinematic climax “Never look back” as I interpreted it, seems to be about that train wreck style of attraction. Addicted to the things we hate, or maybe that we loved at one point, sticking with it until it comes down to yourself and what you need to do for you. summertime songs is the kind of album you can leave on from start to finish.
There is a mood that goes alongside it that is easy to swallow, cruising along with no bumps in the road, meaning there isn’t a ballad followed by a loud obnoxious track, followed by a rap song followed by a country song. “Blind Spot” has some brilliant and beautiful background vocals that lay out the as if weightless and surrounded by light soft clouds flowing in succession to the backbeat.
The highlight on the album is “If I Knew”. Subtle lyrical genius in the line, “If I knew, what I know, so far yet to go”. Along similar lines of Bruce Springsteen, Counting Crows, and John Cougar Mellencamp. Maybe even fans of The Fray will appreciate Field Reports consistency and their “just right” approach that isn’t over nor underdone. Kinda like when Goldie Locks finds her perfect temperature bowl of porridge.
Tour Dates
Tuesday, March 27: Chicago, IL – Schubas
Wednesday, March 28: Indianapolis, IN – HI-FI
Thursday, March 29: Ann Arbor, MI – The Ark
Friday, March 30: Toronto, ON – The Drake
Saturday, March 31: Montreal, QC – L’Escogriffe
Tuesday, April 3: New York, NY – Mercury Lounge
Thursday, April 5: Philadelphia, PA – Milkboy
Friday, April 6: Washington, DC – Songbyrd
Saturday, April 7: Pittsburgh, PA – Club Cafe
Sunday, April 8: Columbus, OH – Rumba Cafe
Friday, May 25 – Sunday, May 27: Boston, MA – Boston Calling
You can get a copy of Summertime Songs here. They are touring in support and you can check the dates on their website or by following them on Facebook.
Band of Gold just premiered their single “Well Who Am I” off of their forthcoming album Where’s The Magic. PopMatters describes the band sound as “A really unique take on pop music… an intriguing sound.” It is in fact an intriguing sound as the track is quirky, unique, and very zany. What you think is going to start off as an alt-pop song, leans into a rock guitar solo, but not until the vocals pick up the pace and end the song abruptly.
The most interesting part of “Well Who Am I” is the bands’ seemingly random lyrics. It starts off “I like the way you comb you hair” and is followed by “I like the neatness of your hair….but I don’t think you’ll ever dare.” The uniqueness and array of sounds/genres is what makes this song so fascinating, and addicting.
British Columbian duo Violet Night is gearing up to show the world what they can do. Violet Night is made of vocals and guitar from Connor Pohl and T.J. Rounthwaite on keys. Violet Night is set to release their debut record Colours Of You which will be out May 4.
Pohl says of the upcoming album:
We grew up on everything from heavy metal and rap, to emo and pop. We try to create a colourful mosaic of all those influences when we write; we’ve never created with borders or put limitations on what we are allowed to sound like. We’ll always do whatever feels most honest to us at that moment in our lives and I think we’ve done that here. We are really proud of the album and hope the hues presented complement yours: the colours of you.
Featured on the album is lead single “North”, along with an accompanying studio music video. The song captures a spirit of adventure, longing, and energy. “North” encompasses the emotion that Violet Night does so well at capturing. We look forward to their upcoming album and we think you will too.
Anna Robins, an indie folk/Americana artist heralding from South Dakota has just put out her brand new record, Chronicle. The 12 track LP was entirely written by Robins as the result of a 2016 Song-A-Week challenge, so the title of her album is aptly named, as it chronicled her thoughts, experiences, and feelings at the time. Not only did Robins songwrite the entirety of Chronicle, but also played mandolin, piano, acoustic guitar, and tin whistle, with accompaniment by several artists’ instrumentals as well.
We love a good overture, and Robins does not disappoint, starting her album with “Intro”. Anything with a musical prologue helps create the tone, and for Robins, sets the stage for what’s to come. Coming right up with the first ‘real’ track is “Pulse”, a yearning, strings-focused song that displays Robins’ musical heartbeat. Foreshadowed in the intro is the next song, “Driftwood”. This one shows the first bit of what Robins can do with Americana, especially in the chorus. Next up, “Thief” amps up the mood with a rollicking, harmony-infused track highlighting some excellent banjo playing. This is the kind of song that gets you stomping your feet and clapping your hands. After the whirlwhind of the preceding track, “Amelia” is a change of pace, a lovely, emotional song. Halfway through the record is the sassy “Burn It Down”, full of attitude and quite a beat; this song is unlike any other on the album.
Following up “Burn It Down” is “Trespassin”, a folk song if there ever was one. Robins again masterfully utilizes harmony and strings to make a well-composed track. “The Fox The Rabbit” starts off acapella, and brings in some well-placed bass and electric guitar to further compliment her vocals. Easily a fan favorite is “A Girl’s Gotta Be Goofy”, an absolutely fun and relatable song. While a satirical song, Robins remains down-to-earth and raw in this one. An Americana album would not be an Americana album without a locale-themed song, and “Destination Colorado” is that song – with a twist. Robins does an excellent job of painting the scene with her lyrics, yet tells the listener that this place isn’t for her.
“Call Off The Dogs” follows up the previous song with heartfelt piano and full of authentic lyrics. Closing out Chronicle with an outro called “Raise Your Glass”, Robins nicely ties up her album with a track that reminisces on what has passed while looking hopefully to the future. Robins does a fantastic job of putting her own spin on what an Americana/folk record sounds like, and we’re eager to see her do big things.
