Who is seeking a synth-fueled, smooth like silk, otherworldly new alt-pop EP to enjoy? (Raises hands way up, and jumps up and down.) We’re SO ready for it, and San Diego based singer/songwriter JARA has a brand new 6 track stunner for us to treat our ears to. We’ve got the exclusive premiere, but we’re sure this one will make its rounds to impress the masses pretty soon, especially with its sun soaked disposition. Each track is loaded with its own personality, with a similar clip to the entire album that makes it feel like a complete journey all its own. Mid-tempo “Cutting Corners” sets the pace, while “Psycho Lovers” carries it on for us, perhaps a little more debauchery-ridden than its predecessor. And while “Something Else” stands alone as the perfect summertime carefree track, “Uninvited” brings the mood down a little bit, maintaining that same mid-tempo pace we’re too keen on to let go of. The slowest we get is with last track “Go Slow With Me”, which shines as the standout funk track and gives a little love to the entire collection before rounding it out.
Give this EP some love, you know you need some new weekend jams. 😉 Check out lead single “Something Else” below, and the entire EP under that!
Taking the stage by storm with her latest dreamy alt-pop single, “American Nightmare” is up and coming, Minneapolis based artist, JØUR. Not only does this new track show off her amazing ability to dance on the top of wonderfully choreographed notes, but it is a perfect display of how her lyrical genius can speak to even those who associate with other genres of music. Throughout the track listeners can enjoyJØUR’s minimalistic style that perfectly show cases her natural talent as an artist. With an overall solid vocal performance and a universal message, it would not be surprising to learn that this artist goes the distance in her musical career.
While speaking of this new release she stated, “I originally wrote this song several years ago about blindly following the ‘American Dream’ of getting a job, moving to the suburbs, getting married, having kids, etc.,” explains JØUR. “I felt at the time that my life was flying in the face of conventionality when I quit my 9-5 finance job to pursue art and music and everyone was cautioning me about taking such a huge risk, when for me the biggest nightmare and risk would be to have that version of the American Dream.”
Of course, in the economic times that we are currently facing, fear of rejection and failure are often hidden occupants of our minds, however, this amazing track encourages all to break through the traditional mold that folds under the pressure of fear and pursue a life of a better. With the skill of an artist far beyond her years and the emotional stability to continue producing music equally moving and impactful, JØUR is sure to quickly rise to meet her greatest potential.
San Jose based artist, Someya just released her latest track “You Saved Me.” The alt-pop artist not really shows off herv vocals, but her ability to write. “You Saved Me” is not a ballad, but more of an exaltation—a hymn even. The song starts off “Eventually they’ll learn the truth,” which sounds as if it’s about to a diss track to a former lover. Quite the opposite however. Someya’s voice borders on creepy – yet beautiful – as she proclaims, “When the night grows cold, I know you’re always there, I know you’ll always care–you are my prayer,” and at times “You Saved Me” feels like a hungry obsession. On “You Saved Me” Someya really shows us her ability to be diverse in her writing and her vocals. She takes lyrics that are meant to be happy making them feel daunting and serious.
Band of Gold just premiered their single “Well Who Am I” off of their forthcoming album Where’s The Magic. PopMatters describes the band sound as “A really unique take on pop music… an intriguing sound.” It is in fact an intriguing sound as the track is quirky, unique, and very zany. What you think is going to start off as an alt-pop song, leans into a rock guitar solo, but not until the vocals pick up the pace and end the song abruptly.
The most interesting part of “Well Who Am I” is the bands’ seemingly random lyrics. It starts off “I like the way you comb you hair” and is followed by “I like the neatness of your hair….but I don’t think you’ll ever dare.” The uniqueness and array of sounds/genres is what makes this song so fascinating, and addicting.
Los Angeles based two-piece The Palms, composed of Johnny Zambetti and Ben Rothbard, are making big strides in the alt-pop world, now more than ever with the release of their 14-track album, Mulholland Dr. After feeling somewhat creatively restricted in their previous band, The Palms was formed as a way for Zambetti and Rothbard to forge their own path and create authentic music. Exploding onto the Californian music scene, The Palms look to expand their horizons and reach many other places. With tracks that can uplift, amp up, and chill out, The Palms tick all the boxes that an alt-pop band seeks to fulfill. Get ready to groove when you put on a record from The Palms.
The Palms answered a few of our questions, and we discovered that pretty much everyone hates the Snapchat update.
As an L.A. based band, did the band’s name inspiration come from the locale, or elsewhere?
100% from the locale. I was living in Venice at the time as Johnny and I were starting our new project and desperately trying to come up with a name. During one of our early Studio sessions, most likely as we were writing Push Off, I took a bike ride to grab some stuff from the local market and passed Palms Blvd. It hit me like a lightning bolt and i texted Johnny. He agreed immediately and that was that.
What is the biggest inspiration for your music?
Our music has to feel fresh and classic at the same time.. We’re influenced by The Beatles and Beach Boys as much as we are OutKast or Kanye West.
If your band was a color, what would it be?
Purple
Describe each other in a word.
Ben to JZ – Talent
JZ to Ben – Vocal
Favorite live show played to date?
Playing The Troubadour is always a trip being that we’re both born and raised in LA and the history of that place is intertwined in the identity of the LA music scene. Hometown shows are always special too.
Snapchat or Instagram?
Instagram 100%. Snapchat update might’ve been in the fork in that one.
Dream collaboration?
Kanye West or Kevin Parker. That should give you an idea of what we’re going for with this project.
With Bohnes‘ new music video comes a new sense of badassery to alt-pop. The musical project mastered by Alexander DeLeon (The Cab) continues to impress, maintaining the same versatile, soulful vocals he’s been dazzling us with for years, while putting a new spin on the way they are delivered. His most recent release – a music video for his track “My Friends” – is dark and brooding, yet somehow incredibly inspiring in that it prompts you to evaluate your own “demons.” While DeLeon really draws that raw, rock feel into the track with hard guitar riffs and solid, impactful percussion, we find ourselves drawn to the subject matter with brilliant visuals of a life in the dark, DeLeon’s skeletal makeup at the forefront.
Earlier this month, Kentucky-based alternative/indie group Father Mountain – comprised of Travis Cox, Jesse French, Austin Hohiemer, and Zane Martin – released ten track full-length debut Apartment Living. With that title alone, I don’t know a single person who wouldn’t be intrigued to find out if there are shared experiences in the plane of living in actual apartments. Of course, we expected topics to bounce around a little more than that. What we didn’t expect was that the album would make us feel so good.
With vocals laced so thickly with sincerity, Father Mountain completely pulls you into the emotions of every song. “Grey” teaches us not to assume too much about the mood of the track based on its title, while “Sobriety” saunters along in a melancholic sound space. (Slightly as expected.) “Friends” picks up with more of an alt-pop vibe, something that distracts from the self-assessing narrative about the importance of timing and friendship – or otherwise – hitting you when you least expect it. “Grace” exists at just over one minute, discussing the struggle of decision making in relationships, and giving us a line with the word “grey” that feels much more melancholic than the first track. “Hallelujah” has a very distinct Death Cab For Cutie feel to it, winding a narrative about angels and the afterlife, really packing in the religious verbiage and allowing those who attended private school a bit of a leg up when deciphering it.
London-raised multi-instrumentalist and electro alt-pop extraordinaire Harlequiin (Rory Simmons) has set his sights on the industry with flare, releasing his Something To Believe In EP recently, a follow-up to earlier 2017’s Clock That’s Stopped. Although he’s no stranger to music – he has been both a touring and studio musician with acts like the 1975, Paolo Nutini, Labyrinth, and more – it wasn’t until Clock That’s Stopped that he was releasing music his own music on his own terms, and we’ve been impressed with his chops ever since. Beginning with the smooth sounds of the title track – which later reveals early 2000’s quirks interwoven into its sound -, Harlequiin establishes his sound as one of all-encapsulating calm teetering on the edge of a sea of frenetic energy. This energy can be found audibly in every song, most notably toward the end of second track “Dream Deep Bloodlines” and throughout the seductive lyrics and vocals in “Kloro”. Last track “Heal Me” has a mainstream pop draw to the initial beat, layering in these beautiful, off-kilter sound effects that continue in the frenetic vein as its predecessors.
Not a single track on this EP is even remotely like the one before it, and somehow Harlequiin has found a way to truly create a signature, driving sound that aims to get your hips moving.
Every. Single. Time.
Something To Believe In is out now. Keep up with Harlequiin here.
