We decided to start 2021 off strong with a lyric that holds true now, more than ever before. (Plus it’s a good ol’ reliable, Elton John song. And since we entered quarantine while he was making a second round on his farewell tour, we will play him on repeat until everything gets rescheduled.)
We also decided to start January off with connection, so you’re getting our favorite new tracks of the month a little late, but with extra intention. So dive in today, tomorrow, or any other day of any other month because our favorites from January 2021 will continue to live here. (Until we can’t afford to host the site anymore, ya dig?)
Rare is it to find a musical duo that totally creates an ambiance all their own with the way their voices blend mellifluously into instrumentals. But let me tell you… duo Colin & Caroline can make a cover song all their own in a way I have never experienced. Luckily enough, these two have a history – they’ve known each other since high school and are now happily married – that informs their melodies, taking you on new, genre-bending adventures with each release.
Today, as part of the gradual release of a slew of incredible cover tracks over the winter months, we have the exclusive premiere of the duo’s new cover. Originally made famous by Jason Mraz, you’ll find yourself enveloped in clouds with this rendition. Try it on for size below!
The start of every new year often brings new resolutions, aspirations, and sometimes an overwhelming emphasis on the need to be “positive”. While there’s no doubt such efforts are commendable, there is something refreshing about a voice that speaks out against the crowd.
With upbeat production and catchy bop after the next, Oscar DeLaughter and his newest single provide listeners with an oddly-cheerful acceptance of life’s duller moments. If your 2021 hasn’t started off the way you might’ve hoped for, DeLaughter’s track, “Just Woke Up”, will assure you that you aren’t the only one. Playing on the ordinary routine of waking up to yet another underwhelming day, DeLaughter manages to turn a depressing theme into an enjoyable one.
As opposed to shying away from the daunting topics of uncertainty and confusion, the young musician provides lightheartedness when we need it most– creating something we can even sing along to.
If you have been sitting around looking for the perfect way to entertain yourself as a cure for your boredom, it is perhaps most appropriate to turn to Antidote to Being Bored, Oscar Lang’s folk-rock experiment. Lang promises a high-volume experience with his newest release, starting with the EP’s title track all the way down to the final track, “Something Has Changed”, and every track in between. The entire track list is a blesses us with piercing electric guitars and bewitching melodies, perfect for both your winter run around the block or your quiet fireside music listening sessions. What makes this release stand out is the ability of every song to fit different moods and still be a fantastic choice.
Lang says of the EP:
I wrote Antidote to Being Bored to be an absolute blow-the-roof-off-the-stadium rock banger and I think it lives up to that. I wanted to get a little darker with this EP, while continuing the sound of the previous one. I feel like I really found a style of music that I love and am just excited to play. So, this release was all about developing that sound further.
When Heather Porcaro decided to jump back into music as her form of self-expression, she did so in a way that bends genre lines. This is reflected in “Charleston”, a heavy tune that addresses the suicide of her cousin’s brother. What makes it even more personal is that it was co-written by her cousin. Together, they crafted a story that takes you through various moments of time, stopping along the way at the most crucial and captivating moments to tell their story. For example, these stops may include heart shattering details about the final conversation that they had with the person who is no longer around. More than just a journey through time, Porcaro does what she does best, giving a sprinkle of different genres. This magic touch ties the entire project together, giving listeners jazz, pop, and even rock elements and an opportunity to dissect while listening.
When sitting down to listen to “Charleston” for the first time, you should be prepared for a heavy theme running throughout the track. While heartbreaking and real, it offers a chance to reflect while also appreciating the musical complexities that Porcaro has to offer.
November is already off to a kickass start. We’ve got a lot of pressure in the first week of the month alone – and that’s only after enduring the insane energy from a blue moon, daylight savings time, and Halloween this weekend – so it’s ok to return to check out our favorite newbies as much as you can for some music therapy! The soundtrack includes Lowertown, Allegra, MIHI NIHIL, Bengal Lancers, Wa Wa Punx, Ludic, Jesse Ruben, Malvae, Alex Maas, and more.
Twenty-year-old Caroline Culver’s new single “I Went Out With A Man” is an ironic lesson in enjoying disappointment in the form of a mesmerizingly moody anthem. Culver recounts her experience going out with a man in his late twenties and finding that her expectation that he would be any more mature or exciting than a boy her own age to be unfulfilled. Recorded and produced by Jason Cummings at the Cutting Room Studios in NYC, “I Went Out With A Man” uses Culver’s foundation as a singer-songwriter as a jumping-off point, exploring stately vocal lines superimposed on top of introspective soundscapes. The resulting atmospheric sound echoes that of bands like Alvvays and Soccer Mommy, but the distorted guitars and crashing cymbals give Culver a bit of an edge. Her powerful voice perfectly encapsulates the saturnine disenchantment of this song both in the softer verses and the grandiose choruses. Each melody line is surprising, compelling the listener as Culver’s voice flits upwards at the ends of words.
About the song, Culver says “Ultimately, this song is an anthem for single girls dating around in their twenties and all the excitement it brings.” So while the underlying emotion behind “I Went Out With A Man” is a sense of disappointment, it’s also a tongue-in-cheek celebration of the exhilaration that comes with a young girl finding her way.
Who Cares How It Ends is the debut album from War Strings and is the result of passion and perseverance. Los Angeles-based indie artist Andrew Stogel has been working on his craft from a young age and all of that hard work has led up to this. War Strings is an evolution of fronting bands like Dreamer Dose and LOVEYOU combined with his life experiences, both good and bad. Stogel suffered a major head injury that caused him to be bedridden for almost eight months, making him feel like he was on his deathbed. However, he came out of this stronger than ever and stumbled upon a new musical perspective in the process. He recalls, “I wrote Who Cares How It Ends following a debilitating injury in 2018. I remember, on the way to the hospital when things seemed their most dire, feeling a sense of clarity. When I got home, I wanted to get songs down quickly. I spent months stuck in bed, writing in a dark room. Endless days of reflection. Who Cares How It Ends are those reflections.”
The album starts with the sounds of a jarring guitar riff, a sound that becomes very familiar throughout. “Right Side” sets the tone for War String’s signature sound and opens the floodgates for the rest of the tracks to flow through. Sounding like a male version of Snail Mail, “Tragedy” is an indie-punk headbanger that is bound to stick around in your head for a while. The lyrics that stand out the most are, “She’ll ever listen to my love songs / she’s all I want / I’m doing it all wrong”. Not only is Stogel’s sound reminiscent of Snail Mail, but the sounds of The Strokes and Pinegrove. There is a reliance on this prominent guitar sound that compliments his vocals, “Seventeen” is the prime example of it. If you listen closely to the lyrics, “My Alien Heart” stands out among the rest of the tracks. You can hear the strain behind his voice and the passion behind the music.
This re-approach to music and the life-changing experience he faced made Who Cares How It Ends a true journey. About halfway through the album, things start to slow and become more vulnerable. “Archer” sounds like a song that was released in the 90’s, a slow, indie rock single. This sound is similar to “One Shot” and “Loved” as well. The final track, “An Answer”, is the most vulnerable and soft song. Stogel’s vocals float over the light instrumental and leave you with a good taste in your mouth. Over three months, and mostly in bed, he crafted this debut album and overcame a big setback in his life. All music and lyrics were written, arranged, and performed by Stogel himself. He admits of the project:
“I wrote Who Cares How It Ends following a debilitating injury in 2018. I remember, on the way to the hospital when things seemed their most dire, feeling a sense of clarity. When I got home, I wanted to get songs down quickly. I spent months stuck in bed, writing in a dark room. Endless days of reflection. Who Cares How It Ends are those reflections.”
It all represents reconstructing his life and embracing the imperfection because you only have one shot at life, so why waste it?
Beabadoobee, one of music’s most talked-about artists, dropped her new single, “Care”. The track is from her highly-anticipated debut full-length album Fake It Flowers, which is set to release later this year. “Care” is all about rejecting sympathy from people who aren’t interested in really getting to know and understand her. A cathartic, to-the-point chorus is a new and explicitly vulnerable direction for her music.
Bea Kristi, beabadoobee, gives fans another bedroom pop song to jam out to. You can feel the real emotions and the anger behind the lyrics, without overdoing it. Some of the first lyrics in the song that stand out are, “I need some help to forget about it / I don’t want your sympathy, stop sayin’ you give a shit / ‘cause you don’t really / care”. Everyone can relate to this feeling at some point in your life and can connect with the frustration felt in this type of situation.
Accompanied by a music video full of outrage and different trippy graphics shot in quarantine, it makes the song more personal. It’s the type of music video that you would love to see premiere on MTV in the early days. Talking about the track and the video, Bea explained, “This song has end-of-a-90s movie vibes, like you’re driving down a highway. It is pretty much me being angry at society, or people around me who I just don’t think know me and don’t care. I don’t want you to feel fucking sorry for me. I just want you to understand what I’ve been through. I never expected to be making the first video from my album during a pandemic! I was so lucky to be locked down with the bedroom guys, it feels like it turned out as one of the most personal, real videos I’ve made.”
“Care” is another great addition to her repertoire and the fans are all for it. The song is brutally honest and exemplifies her struggles, but shows how she still is the same person she’s always been. With praises from Rolling Stone and NPR along with her feature in the worldwide chart-dominating hit “deathbed (coffee for your head)”, which includes a sample of her song “Coffee”, beabadoobee really is something special.
