Brazilian indie-pop artist Libra is making us appreciate that unique and beautiful summer night feeling with his new single of the same name, featuring the gorgeous vocals of Marnie Price. The video is shot to mirror Libra’s iconic vintage style, as he strums a beautiful mirrored guitar and meanders through the streets of Southern California. Vibrant cuts to preparing tasty summertime beverages add an appeal to the video that you can almost taste.
This is the perfect track to enjoy while your summer nights wane. The video is just as indulgent and beautiful.
DIRECTED BY ZEH MONSTRO IMAGES BY BORIS FRAT EDITED BY JULIAN DE LA CELLE
Looking for a quirky new track that is also highly relatable? (At least, in the music world it is.) Sean Padilla – or, in this case, The Cocker Spaniels – is releasing snippets of his upcoming album The Cocker Spaniels Are Still Alive And So Are You, and the new release, titled “Nobody Wants To Play Last,” is just that. The logistics around a concert and the lineup can get really dicey, so anyone who has found themselves in stage performance will feel for this one. We’re particular fans of the percussion.
Padilla was, admittedly, feeling lots of emotions during the pandemic-long creation of this impressive 20-track album, due out August 13th. Of the “brand new song,” Padilla explains:
From the spring of 2014 to the beginning of the pandemic, I supplemented my household’s income by working as a booking agent for touring artists of various genres. This song was directly inspired by my experiences as a booking agent, and the lyrics summarize most of my grievances about the live music industry.
This was one of the last songs that I recorded for the album. The drums were recorded in one take, while my toddlers were in the room with me. I sat them on the opposite side of the music room, then gave them art supplies to occupy themselves with while I played.
While I was practicing the lead guitar part, Layne texted me the news that Derek Chauvin had been found guilty of murdering George Floyd. I took a few minutes to cry, then recorded the part in two takes.
Alternative duo Wild Americans have given us a smooth, delectable taste of their upcoming album release in latest track “Again.” Drummer Mike Neglia and guitarist Andrew Milea met and formed the musical project in New York, making beautiful music together that mimics the pop rock flare of yesteryear. “Again” follows suit, with bittersweet lyrics beautifully woven together with crashing cymbals, whirring guitar, and a Beatles-esque twinge. It’s a meandering, beautiful, and introspective single that will have you feeling calm and cool in the summertime heat.
One-Dimensional Man is due out August 13th. Keep up with Wild Americans here.
Oughts influenced pop-punk outfit Young Culture has certainly stayed busy during the pandemic. Made up of childhood friends Alex Magnan (vocals), Gabe Pietrafesa (guitar), and Troy Burchett (guitar), the group spent one day a week during the lockdown portion of the pandemic writing and creating together. Their collective efforts will be shown off with the release of their record Godspeed later this month. But today, we have a taste of it with the title track.
A glittering summertime track, we will be playing this track at all of our backyard shindigs for the rest of the season.
June 24th brings us the latest release from Head Bitch Music artist LACES, “Almost Happy” featuring storied musician Butch Walker. The song is both thoughtful in its lyrics and dreamy feeling in its melody.
LACES’ voice quality at the beginning of “Almost Happy” is reminiscent of Belinda Carlisle singing “I Get Weak.” As appealing as her voice is, the lyrics are what drew me in, beginning with the very first line – “I’m just young enough to be a little numb and dumb.” The song tells a story of learning, with the ultimate lesson being “almost happy.” Throughout, you can feel the lessons: “I get more jaded every day”; “Roll with the punches, isn’t that what they say”; and “I’ll make more headway in this game.” Each one delivered with LACES’ strength and range, punctuated with guitars by Butch Walker.
Says LACES of the track:
‘Almost Happy’ feels like my honest truth. To me happiness has never been a destination, I only ever wanted to be content and okay. It’s a conversation that discusses where I’ve been, where I am, and where I’m going. It’s laced with sarcasm and self-deprecating humor, while also standing firm in belief and self-love.
LACES has been a chameleon thus far in her career – previous releases include the haunting “Moved” and “Someday Is Not Tonight.” She has also made a name for herself in commercial circles writing and producing music for cartoons and other artists, under her legal name of Jessica Vaughn. Her goal for mastering several creative avenues was strategic:
I wanted to make sure I had enough eggs in different baskets to change this industry from within––and to be respected as a businesswoman. I realized that my experience as a woman had been shaped by a lot of people making decisions for me. While I think it’s important to be collaborative and to ask for help, you never want to be in a position where you don’t have power or agency over your career or yourself.
You will want to add “Almost Happy” to your playlist – and really, anything else by LACES.
Canadian duo Mayfly, comprised of Emma Cochrane and Charlie Kunce, have released their first EP ESSENCE. Both women are singer-songwriters, as well as producers, on this gem. The highlight of each song is their extraordinary harmonies.
“The goal of the EP is to bring people in to our musical universe…The essence of Mayfly is simply our voices and how they blend together, how they create this sense of unification and harmony.” Mayfly has accomplished exactly what they set out to do and then some. They have created five songs that move effortlessly from one to another, with no weak songs in the playlist.
Kicking off with ‘to jules’, Mayfly sets the mood with a song that is almost delicate sounding. It is my favorite song on the EP and a great introduction to Mayfly’s sound. ‘When all we knew was us’ starts with an acoustic guitar and one voice, building to both Emma and Charlie harmonizing lyrics with an aching quality that permeates the rest of the song.
The third track, ‘tes larmes’ features Tendresse and Joudi and is sung entirely in French. It has a different vibe from the other four songs on the EP, like you might hear on the soundtrack of a movie, but with the same ethereal harmonies that permeate the other tunes.
‘Sad song’ and ‘show me the way out’ acted as companion pieces in my mind – the breakup song, then the resignation about the breakup song. ‘show me the way out’ has lyrics that we can all relate to on some level, even with a more sanguine melody – “I’m never getting out of here, even if I try.”
Mayfly has produced a very thoughtful and beautiful EP with ESSENCE. I look forward to hearing more from them!
This week has been mighty hectic on our end. While retrograde season is still upon us we’re pretty sure you’re feeling it a bit too. Luckily, we’ve got your first listen to the beautiful, wandering new track from Grey Fields. The Chicago-based trio – composed of Alex Dzamtovski (vocals/guitar/keys), Adam Repp (bass/vocals), and John Polischuk (drums) – has created quite a bit of magic with this one. Titled “Weather the Storm,” it creates a sense of support and calm, the instrumentals ebbing and flowing like ocean waves enveloping you.
Explains the band: “‘Weather The Storm’ is a song comprised of three sections that flirts with ideas such as the hero’s journey, The Myth of Sisyphus and most importantly fortitude in the face of struggle.”
Check out the exclusive premiere below. Then give the band some love over on good ol’ Facebook.
As much as we love covering music on an international scale, we see the value in (and need for) local artist spotlights. Since Imperfect Fifth is based in Kansas City, we have teamed up with the Kansas City Women’s Music Network to bring you artist highlights about twice per month.
About Alisa Jefferson: Alisa has always been very passionate about music and the songs she delivers as a singer/songwriter. She grew up in the Kansas City area with influences from ’70s Motown to mostly ’80s and ’90s rock/pop. She played viola in orchestra before she received her first acoustic guitar at age 13 and she hasn’t looked back since.
Currently, Alisa is writing, recording, and planning to release a 10+ track LP this summer. She has released four singles from this new LP to most major music platforms.
During SXSW 2021, I had the privilege of being able to see musicians that I would not otherwise get a chance to see. One such showcase was the CLOSE UP: A Sounds Australia Showcase. Each of the three nights had six different artists, each performing two songs. As Sounds Australia said in their release, “These performances have never been seen before and all were recorded in the artists’ ‘backyard’ (however they chose to interpret that theme).” Dom Alessio and Glenny G, both of Sounds Australia, hosted from Glenny’s actual backyard.
On this third night of music, Dom kicked off the festivities by paying respects to the elders, past, present and future, and any Indigenous people. No Money Enterprise, a hip hop quartet from Logan City, Queensland, played their energetic music in what looked like a park. In a nod to their Polynesian heritage, native dances were incorporated into the set alongside the hip hop rhythms.
Hauskey, from Western Australia, was next on deck playing from a studio. Playing the first song on the piano and the second on guitar, Hauskey displayed a pop flavor and versatility that reminded me of Ed Sheeran. He was followed by Indigo Sparke, an artist from Sydney. She played a stripped down acoustic set. Indigo Sparke has a voice quality that is both sweet and haunting.
No Money Enterprise
No Money Enterprise
Indigo Sparke
The Merindas
The Merindas
Didirri
Didirri
Jaguar Jonze
The Merindas played their set outdoors at night and I wanted to be invited to that party! The Melbourne based duo performed dance tunes that mix pop and R&B beats. Like No Money Enterprise earlier in the evening, The Merindas infuse their music with their native Indigenous language and culture.
The next artist was Didirri, who hales from the town of Warrnambool in Australia. He also played an acoustic set, using a piano for the first melancholy love song and a guitar for the second song. Didirri’s voice is raw with emotion that perfectly matches his lyrics.
The biggest surprise of the night was the appearance of Jaguar Jonze. They played a live set in front of an audience – people in the comments of the broadcast were as pleasantly surprised as I was. In all honesty, I have no idea how big the crowd was, but the people there were very responsive to Jaguar Jonze’ brand of rock music. They had an energy and stage presence that we haven’t seen since March, 2020.
I look forward to the new music that artists in this Sounds Australia showcase will be making in the coming months!
