Pierre Marie-Maulini is a man for all seasons. His previous musical experience includes post-rock project A Red Season Change and touring with M83, but he formed STAL in 2011. STAL has put out We Are Two EP and Young Hearts LP. Their upcoming new EP, Fresh Blood, will be released this summer, and follows Maulini’s 2017 decision to move to Los Angeles from his native France. Maulini is not always a one man show; Renaud Rodier has been playing drums for STAL since its formation and Jeff Di Rienzo brings his guitar skills to form the trio. While previous records were full of spontaneity, Fresh Blood is the result of meticulous production (thanks to producer Eric Palmquist) and is Maulini’s creativity at its finest.
Today, STAL has just come off of an exciting time at SXSW, and are thrilled for their forthcoming EP. Their brand new single, “Magic”, is just a taste of what is to come. Lucky for us, STAL was able to answer a few of our questions about music, must-haves, and their upcoming EP.
Sum up your new single, “Magic ”? Magic is about what we can do for each other as human beings. You can count on me, I can count on you. Be yourself, there’s no judge here.
What’s the best part of being a musical artist today?
Thanks to the internet, you can easily share your music with millions of people. The other great part is touring. Touring has become more and more important. STAL is definitely a “stage” band, so I love that!
Biggest influence for your upcoming EP? My life these past 3 years.
What is a must-have when recording? An amazing producer, some great guitars and a brain that works.
Dream collaboration? The National
What do you want new listeners to know about your music? I want them to feel that STAL is true and sincere and hopefully this EP makes htem wanna come to our shows.
Biggest takeaway from your time at SXSW? The Paradigm showcase with Pale Waves was great. Otherwise, we totally fell in love with Austin and this Salt Lick BBQ!
David Rosales was waiting for me on a street corner in Austin when I meandered up to him for the second time that day. In fact, he had been waiting patiently as some of my other interviews ran late, his back certainly weighing heavy with his luggage and guitar strapped on him and sitting next to him. Despite the 88 degree weather – and what should have been the most aggravating conditions – he brought with him a sense of ease and a feeling of calm that I hadn’t felt yet on 6th Street during SXSW 2018. He was kind, and ready to chat freely about his SX experience, his musical journey, and everything in between.
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Let’s do this. I know – get your stuff situated, or hold it on your back the whole time, that’s fine too.
David: I’m sweating. I’m not used to this. I’m used to California.
Right? OK, so speaking of, how long have you been out here for South By? When did you get in town?
David: A couple days ago I got in on a Greyhound from Dallas. I flew to Dallas and then took a Greyhound down here with like my guitar on my lap, you know, because I didn’t want it to sit underneath with luggage and didn’t want it to sit in the overhead. Cause it’s not like a plane, you know, it’s a bus…
That’s scary.
David: So I’m sitting there with like a book in one hand and a guitar in the other, cramped up, you know, I’m six foot one so it’s uncomfortable. Those Greyhounds are kind of small. But, yeah, I know, it sounds like the beginning of a song. I think it’s got a song in there somewhere. I got into Austin on a Greyhound. And it was late, it was like three hours late, so…
Meredith: So everything was going correctly?
David: You just need to be mellow when you’re touring. You’ve just to realize that, you know, you just got to flex and flow. You get what you get and you don’t throw a fit.
Did you come into the industry with that thought process or did it take a while for you?
David: I don’t know, I guess I’ve been in the “industry” for a long time. I was in a hard rock band for like ten years. I was in garage bands before that through high school, junior high and stuff. Just growing up in L.A., it’s a big market. So I did the whole Sunset thing and touring around the country on an indie label. Then at about thirty, my band kind of dissolved at that time and I had written this EP that was just because I had a baby coming and I went from writing songs about death, and just rock themes, dark and stuff like that. I went in the studio and started writing some about love and stuff I wasn’t really comfortable with before. And when my band dissolved, I was like “well might as well follow this because it is the only thing I have”.
It wasn’t meant for anybody and it was this first EP that I released called Smile. I just went with it because it was the only thing I had. I didn’t have my band anymore and I just had these songs and I just started playing them, people were digging them, buying them. I sing with a girl named Olivia and we kind of did our thing and then we came out with an EP, the duet EP. We were Dave and Olivia for a bit. I did another solo EP called Along the Way that came out in ’14. I’ve just kind of been playing a ton of gigs and stuff since then, writing this new material, recording it, and getting the cash flow up to come out and do something proper with it.
This album we have coming up called Brave Ones is the culmination of all that. It’s eleven songs of love, loss, despair, triumph, you know, everything that’s kind of like the human experience. It’s a lot of relatable stuff. It’s crazy looking at myself as this thirteen year old skateboarder that would jump off rooftops into pools and stuff like that with my garage band and go to like, where I am now. Music’s always been there for me, but it’s changed and it’s grown as humans do. We’re not the same people we were when we were thirteen…
What?!
David: Or even eighteen…
Yeah we are!! (laughs)
David: (laughs) So it’s like, that’s the beauty of life, is kind of accepting those changes and stuff, and just kind of walking kind of gracefully. Fortunately for me, this kind of step that happened six years ago just kind of came at the right time and you just kind of flex and flow with it.
So with your new work, how can you imagine someone listening to it in its’ entirety? With a glass of Scotch sitting by a fire Anchorman style, out with their friends, is there an atmosphere you want to create with this?
David: It’s crazy to picture anybody listening to a complete album anymore…
I know, but I do it. I still do it!
David: That’s why we write these albums and that’s why I am, like, going over and over and over sequencing the songs, because I believe in it. I believe in the story that I’m telling. I believe in a whole vibe of an album. My album’s very round. It has a beginning and it has an end. It has arcs and stuff of a story and it kind of follows this path. I’m a student of songwriting completely so I love the whole story telling. I read Stephen King “On Writing”. I read great writers, I’m a student of it so what do I picture?
I picture somebody driving. It’s kind of like driving music. I think it’s somebody who could be cruising. Maybe like on the 101 in California, or just a long distance where they have…they can just kind of…Did you ever start a drive and you, “OK, I got to my location but I don’t really remember too much of the in between. I was vibing on it, but I just got here.” I want to take people away. I want to have them kind of look at – and relate to – what I’m writing. I think that I’m writing about relatable human experiences.
That’s the great thing about songwriters. Songwriters are, we’re just like you or somebody else that maybe doesn’t play music or something like that, but we just kind of recognize these mundane human experiences. These day to day things and we kind of put them in a song so that you go “Oh I had that same experience” or “I can relate to that” or “I can vibe on that”.
Absolutely. Here’s a quick, off the cuff, question: What’s been your favorite food at South By?
David: I’m staying with my cousins, so my cousin’s chorizo. She makes it like my mom where it’s not too greasy.
Dammit. Makes us all jealous. I’m going to tell people his favorite thing in Austin is this, but you can’t have it, sorry.
David: I really haven’t eaten too much food – I’ve been drinking a ton here. I’ve been kind of hydrating, that’s what I’m doing. Hydrating. So I haven’t been eating a ton of food when I’m playing gigs. It’s tough to eat and play and talk to people, so it kind of gets lost. I’m one of those people where I forget to eat, just in general. I run a lot and I’m almost forced to eat, so that kind of keeps me eating. I forget because I’m just so busy. It’s tough. So being a dad, running, my wife, just everything, I think about myself last in a way because everybody else comes before me.
Meredith: You’ve performed already at South By clearly, you’ve been here a little bit…
David: I’ve done three shows and done some interviews and press and stuff like that and I have two more shows tomorrow. We’re playing at the Westin Rooftop on the 20th floor for Chive TV at 1pm, and then an hour later at 87 Rainey Street.
Meredith: That’s a quick turnaround! You sound fancy!
David: I don’t know if I’m fancy. But I love it!
Keep up with the wonderful David Rosales and his intricate and beautiful musical path here.
On Friday, March 16th, we met up with the incredibly talented Whitney Fenimore (That’s right – the one from The Voice.) to talk all things SXSW in the middle of 6th St. at SXSW. Her bubbly personality overtook the interview, and we fast found ourselves yearning to be her best friend.
But alas, not all pipe dreams come true. One thing is for sure… she is one to really look out for. We feel some big things coming.
Reaching new heights since the release of their second album is Melbourne-based band PrettyCity who have not only taken over the Britpop grunge scene in Australia, but have also been gaining radio traction here in the US. Most recently, this group has been busy writing, performing and producing their new album Cancel the Future which was released this month. Despite their busy schedule, the band members of PrettyCity took the time to sit down with us and talk about some exciting news, here’s what they had to say.
When you started working together, what were your goals and plans for the future? How have they changed since then?
When we started, we had all been in other bands that weren’t playing as many shows as we’d have liked. We were all kind of frustrated, so we just played as many shows as possible. We said yes to absolutely everything and started touring straight away. I guess it was a very explosive but scattergun approach. Over the years we’ve refined this to try and build a more of a global fan base and not limit ourselves to Australian shores.
Was there ever a time where you felt that you had achieved what you set out to do? Or are you still chasing that dream?
No. Never. We’re always chasing better song writing and better albums. I don’t think we’ll ever stop trying to create that piece of art that we think is perfect, which is the trap because there’s no such thing. I think the four of us are just those kinds of people. Are there any bands or artists that you like to model your sound or style after?
I don’t think there’s anyone in particular that we’ve tried to model our sound and style after but we certainly have strong influences. The four of us have really diverse tastes and influences, but the band has always been great at allowing those influences to shine through and take Hugh’s songs in interesting directions. I think we draw we draw a lot from other band’s attitudes and approaches to song writing. We all love the Beatles and the Stones and the art of simplicity, but we also love bands like the Killers, Jet, and the Brian Jonestown Massacre for how they were able to reinterpret older ideas and make them their own. From the grunge era there are so many bands but I’ve been prettyinfluenced by Green River, Soundgarden, L7, Hole and the Smashing Pumpkins. From an attitude perspective we love Black Sabbath and the Doors and T. Rex. It’s just sexy stuff. What does your writing process look like? Is it a team or individual effort?
Hugh, our lead singer and guitarist, writes the songs for the most part. Or he at least has melodies and some lyrics and then we work on structures and parts together. It’s really very collaborative and each of us is totally free to make our own parts and contribute to the song writing. Hugh’s got an incredible ear for melody and for capturing and distilling complex emotions into catchy sing along lyrics, which is such a hard thing to do. We’re very lucky to have him, and the group dynamic is really productive and supportive. As you prepare for your 27-day long European tour, what are your expectations? What are you most excited for?
I’m expecting a lot of time on the autobahn. I’m expecting to eat more cheese and pork products than I would usually consume in a year. I’m really excited to go back and experience the amazing European hospitality. We had such a great time last year and we can’t wait to get back and reconnect with all the friends we made. Now that you are looking to take your music and sound to an international level, what are your expectations as far as reactions from fans and crowds?
I guess we’re excited to share our new music with people. That’s the unchanging thing for all of us that is the same whether we’re in Melbourne, Austin or Hamburg, we are excited to play music and share our experiences with everyone. I hope more people will come share that with us, but at the same time, we love playing music so much, so we’re happy either way. I think the crowds will grow in Europe significantly though.
What can fans expect in the year 2018?
Well, we’ve already recorded our third album, so you can expect to hear an early single from that later in the year. Other than that, I think we’ll be doing some more touring back home and enjoying our home town for a bit 🙂
On a balmy 88 degree day, with direct sunlight beating down on us, the ever-extraordinary Elle Exxe sat down to do a quick interview and portrait session with us. You can check out the interview and a few of our favorite shots from that day below!
DC-based quartet BRNDA is hitting the ground running, almost literally. While the band is on tour, they’re also set to release their new full-length – a collection titled Thanks For Playing – on March 30th. The preorder includes an instant download of two already available tracks – “House Show” and “Five Dollar Shake” – which just so happen to be perfect for this warmup our country is (hopefully) starting to experience for spring.
Despite the madness in their lives currently with the new release, the band sat down to chat briefly about the album, displaying their dry humor along the way for our eager ears. Check out our words below!
Each of you are important assets to the band. How did each of you get into music?
Actually, we’re not that into music. What we like is podcasts.
Fair response. Thanks for Playing is your third release. What makes this album different from the previous ones?
We haven’t released a record since 2015. This is our first time releasing a record in 2018. This is our first third release. This is the first time Christian has ever played bass on a BRNDA record – he is our bassist. This is the first record featuring a song where Leah sings lead. This is the first record we partially recorded at Alex’s house in Mt. Rainier. This is the first record featuring Dave soloing with guitar feedback. This is the shortest record we’ve ever made. We also worked with a different group of people this time, they are mentioned later in the interview so we won’t mention them just now.
What has been the biggest accomplishment that has come from Thanks for Playing?
Our greatest accomplishment of this record has been the collaboration with other cool people. Thomas William Rossi (Reyna Valencia) recorded it at lurch studios in DC; Justin Wm. Moyer (of so many of our favorite bands… Edie Sedgwick, Light Beams, Puff Pieces, Antelope, etc etc) mixed the record; TJ Lipple of Inner Ear mastered it. Christian’s sister Hadley Whittle painted the piece that is the cover art. Adam and Blake from Banana Tapes are putting it out. The National Film Board of Canadian Industry provided the footage for our recent music video for House Show. You’re writing about it. You’re reading about it. We’re collaborating.
What was the best part about developing the album?
Probably downloading the Adobe Creative Suite 10-day trial multiple times on multiple computers in order to create the album art j-card. We’re grateful for their love and support and collaboration.
We feel that! (Currently working on a trial of Lightroom.) You are out on tour right now. What sort of different experiences have you all had since being on the road?
Being on the road has a way of expanding your family. We kicked it with some truly wonderful people on this tour. We’ve been touring with Poppies, our forever buds from new York. We played the Community Records 10th anniversary celebration in New Orleans, a very special night in a very special town. We also played Mammal Gallery’s temporary location in this gorgeous former department store and shared the bill with 3 Great Bands (Breathers, Sad Fish, True Blossom). Touring around SXSW is like jumping into a giant vortex of favorite bands and friends that converges on Austin. We played three wonderful showcases. Dave saw Shopping and had a religious experience. All in all very good things and times.
What plans do you have after you wrap the tour?
Do laundry, vacuum the van, celebrate Torrey’s birthday, play our tape release show on March 29th, attend the melted mag release show at bathtub republic on March 31st, and then collaborate on some new songs.
Where do you see yourself as a band in the next 5 years?
Probably on tour.
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Preorder your copy of Thanks For Playinghere and Keep up with BRNDA here.
