Did we ever think we would address a Jennifer Lopez romantic comedy as an “adventure rom-com?” The answer is, indeed, no. But after watching her latest – an incredibly ludicrous but equally entertaining wedding comedy set in the Phillippines – it seems like that is the best way to describe this action-packed film.
While the idea of a JLo rom-com feels frilly and predictable, the only frills you will find in the new Amazon Prime film Shotgun Wedding would be in the layers of her dress. And only after she rips it into shreds to escape and defeat pirates.
Yup. It’s kind of like that.
So, what makes this film more entertaining than other new releases? Why should you give it the time of day at all? Here are three reasons to indulge in the ridiculousness that is Shotgun Wedding.
Cheech Marin is a Zaddy
Yup. You read that right. The storied Cheech Marin plays Robert, Darcy’s (Lopez) wealthy father. He shows up to her wedding, not only as the lost one true love of her mourning mother Renata (Sōnia Braga) but arm-in-arm with his yoga instructor girlfriend Harriet (D’Arcy Carden), who is decades younger and hiding a few surprises up her sleeves.
Lenny Kravitz Wears Pearls
Lenny Kravitz makes his way into the fold as Sean Hawkins, Darcy’s sexy, alluring ex who works for her father. The kicker? The man shows up in a helicopter after a pity invite, blindsiding the happy couple having never RSVP’d to the wedding. His presence throws more than a wrench into things, but his endless pearl necklace and unbuttoned shirt at the ceremony almost make up for it.
Jennifer Coolidge is a Badass Moonlighting as an Overbearing Mother
Jennifer Coolidge has been on a magnificent acting streak as of late. It seems as though she appears in everything, and you won’t hear us complaining. The woman who made the “bend and snap” a reality now stars as the mother of the groom (Josh Duhamel), whose unappreciated, rusted cake knife gift to the couple may just come in handy when battling pirates on international soil. Her overbearingness is made up for in time, especially when it comes to her surprise ability to handle weaponry.
While we certainly don’t want to provide too many spoilers, we can say that this film took a drastically different course than we initially imagined. Plus, the behind-the-scenes experience for this all-star cast seems to have been an extremely fun and memorable time.
If you’re looking for a movie with romance, golf cart crashes, live grenades, giant diamond rings, and maybe an insane yoga instructor or scorned ex, Shotgun Wedding should be your next movie night go-to.
Singer, actress, and author Sophia Marie is no stranger to heartbreak. Or so the debut single from her sophomore effort, a song titled “Femme Fatale” would have you believe. With a distinct nod to late 80s/early 90s pop, this track absolutely glitters sonically from the first chord to the very last line. But the subject matter? A bit more tempestuous.
Admits Sophia Marie of the track:
‘Femme Fatale’ is an 80s-inspired ballad that depicts a narrator engaging in reckless, degenerate, and overtly flirtatious behavior because the one man that would make her calm, steady, and stable doesn’t love her back.
It’s a song that attempts to hide its insecurity but then blazes it out in the open, describing the narrator’s process of morphing into something she despises just to stoke envy in her lover’s heart. I was inspired by my own experiences, exaggerating my changes in personality when I became jaded or disillusioned with love, but I also drew heavily upon iconic historical and literary femme fatale figures like Cleopatra, Helen of Troy, and Moulin Rouge’s Satine to give it a sexy ambiance that causes dissonance with its depressing words.
“Femme Fatale” works up a frenzy lyrically, with a disarmingly smooth sound. Get your first listen below.
Pre-save the track here and keep up with Sophia Marie here.
In case you have been living under a rock or in a hollow tree, Tim Burton’s latest addition to the Disney universe – the series reimagination of The Addams Family, aptly titled Wednesday – has been making waves since its Netflix release on November 23rd. While purists might not be immediately ready to dive in, I binged the series (3 times) and heavily encourage you to do so as well. Here’s why.
“Wednesday” Is A Welcome Departure From Reality
Reality has been dark. But Wednesday? She’s darker. A teen nightmare who is obsessed with all things evil is absolutely entertaining. The closest we can get to having friends like Wednesday is if we unironically hang out with gothic peers or take a time machine back to the aughts emo scene. Existing in the orbit of someone this maniacal isn’t usually a pleasure we all have.
Watching someone use piranhas for their high school revenge schemes is laughable and unrealistic (for the most part), but so out of left field that it’s funny to watch. Having a detached hand named Thing scurrying around and supporting your educational efforts isn’t something you see every day.
Wednesday Is More Relatable This Time Around
Wednesday – now depicted by the indelible Jenna Ortega – seems even more relatable post-pandemic. The disdain for other humans? Check. The quirky ways she moves through life, particularly on the dancefloor? Check. The constant desire to be alone? Check, check, check.
Wednesday’s Humor Is Elevated
Sure, all former portrayals of the character of Wednesday include some heavy dry humor and sarcasm. But the bits in this revival – and Ortega’s delivery of said bits – are absolute gold. Some of our favorite quotable Wednesday moments?
“I don’t bury hatchets. I sharpen them.”
“But drip [coffee] is for people who hate themselves and know their lives have no real purpose or meaning.”
“I don’t need your help or your pity. I already have a mother and a therapist. That’s enough torture, even for me.”
“It’s not my fault I can’t interpret your emotional Morse code.”
“I find social media to be a soul-sucking void of meaningless affirmation.”
The Easter Eggs Are Amazing
What does everyone want out of a follow-up, sequel, or remake? They want callbacks. Give me all the new material you want, but if you can slide props, quotes, cameos, or similar storylines in for nostalgia, you’ve captured my attention. For example, there is a secret society housed in the walls at Wednesday’s outcast school – where her parents met and fell in love – Nevermore. The “passcode” to enter is a quick two-finger snaps. Where have we heard that before?
How about the archery scenes at Nevermore that harken to scenes of Pugsley and Wednesday practicing archery in Addams Family Values? Plus, Wednesday hates pilgrims… if ever there were a nod to Christina Ricci’s portrayal of the character, this is it. You’ll notice this – plus many more references to previous storylines and even Tim Burton’s work – sprinkled throughout.
Wednesday’s Rendition Of “Paint it Black”
I had never heard anything so painfully beautiful until the first episode of this series when Wednesday plays the cello. Her own siren song, it seems, “Paint it Black” by The Rolling Stones was performed by Ortega herself, who learned to play cello for the role. If you tune in for nothing else, this moment will change you.
Holiday-themed romantic comedies are a dime a dozen these days. So when Amazon Prime posted “The People We Hate At The Wedding” to their app during this timeframe, the cynic inside of me jumped for absolute joy. As a single person, I was over the sticky-sweet, predictable cuteness of the regular winter release. As someone who works pretty heavily in the wedding industry? I was ready to see the jaded side of celebration season.
Based on the book by Grant Ginder and directed by Claire Scanlon, the movie follows a brother and sister as their half-sister gets married in an extravagant ceremony overseas. The three siblings, played by Kristen Bell (Alice), Ben Platt (Paul), and Cynthia Addai-Robinson (Eloise) have a strained relationship, with Eloise being particularly estranged from the other two. The trio has a special type of chemistry in the way they choose to fight and play nice throughout the film.
The incomparable Allison Janney plays their mother Donna effortlessly, echoing the “can’t you all just get along?” sentiments that generations of parents have screamed into the abyss.
1. It Humanizes Parents
So many romantic comedies keep the plotline basic and don’t spend time on characters that have, in theory, shaped the protagonists. I can’t speak to the book, but the movie spends considerable time elaborating on Donna’s story. Yes, she is portrayed as a bit of a tightwad and incredibly frustrating for the kids in the beginning. But for once, you get a glimpse into the matriarch’s past, present, and future. You can see her heartache, notice how she supports and protects her children, and view her as an entirely independent character from the three true protagonists.
2. It Is Inclusive
“The People We Hate At The Wedding” focuses on blended families and the pain of comparison in a way that we are not familiar with in modern cinema. It isn’t afraid to vocalize both the beauties and the difficulties of a layered family.
The movie is inclusive of same-sex relationships – like that between Paul and his boyfriend – and engages in the discussion of what emotions come up when trying something like an open relationship.
3. It Examines Self-Worth Through Many Lenses
“The People We Hate At The Wedding” emphasizes a discussion around self-worth as it stands for each character. While Donna explores what makes her truly happy – and begins to find it in an old flame – Paul also has self-reflection time to explore what he wants in a romantic partner. His confidence in both himself and his familial relationships becomes clearer by the end of the movie.
Noticing true character progression in such palpable ways leaves the viewer inspired and excited for self-discovery in their own lives.
4. British Accents Abound
Love a good British accent? This film is largely based in the UK, so you’ll get your fix every so often. Does anyone really need another reason to melt into a new flick?
5. The Misadventures Will Make You Feel Good About Yourself
While the 3-star rating on IMDB might not exactly indicate it, there are moments of pure hilarity in this film that make it truly enjoyable. Like when Eloise absolutely burns Paul’s ex-boyfriend out of absolutely nowhere. Or when drunk Paul can’t stop talking about his breakup at the rehearsal dinner.
Plus, 3 family members end up in jail the week of the wedding. Can you guess who they might be? You’ve got to watch to find out!
Savory, sweet, a fun combination… I will eat pancakes, waffles, fries, quiche, a great bagel, and shmear, or otherwise. Give me bellinis and rose, citrus juice, or a hot chocolate concoction. This delicious ritual of great friends enjoying each other’s company is something I have always been on board with.
So when Dan Levy’s face popped up on HBO next to the term “brunch,” I had to check it out. Here is why I believe you should take some time to enjoy this offbeat chef’s challenge show, “The Big Brunch.”
The Cast Is Inclusive
Whoever was involved in casting this show did an impeccable job. They chose people from all racial backgrounds, religious and social affiliations, cultures, and regions. Some of their chefs were professionally trained, while many had complicated and beautiful backstories that made their vision for their meals come alive.
Take, for example, fan-favorite Catie Randazzo, who is the Executive Chef of Huckleberry Bakery & Cafe in Santa Monica. She can come to some hard self-realizations during the show, and her vulnerability makes her endlessly relatable. Or Danielle Sepsy, a pastry chef from New York who has already made quite the name for herself through her elaborate and eye-popping confections, as well as her wholesale business.
Then there’s Roman Wilcox, co-owner of the first 100% plant-based food business in El Paso. You can find his culture and family traditions sprinkled throughout his creations, as he explores flavors that led him to his own meatless diet in recent years.
Episode Themes Make It Original
While many chef competition shows explore multiple ideas per episode, The Big Brunch simplifies things with a cohesive theme throughout each episode. Take, for example, Episode 1 Today’s Brunch Special is You. From the name alone, you get the impression that the chefs have been tasked with representing themselves, somehow, on their plates.
And that is exactly what is happening. The episode allows each chef to introduce themself uniquely, using ingredients and techniques they are fond of or that represent a part of them. It is an incredible icebreaker and gets the audience to consider how they would present themselves if given the opportunity.
The chefs get especially vulnerable in the third episode, titled “Farm to Table Brunch.” They get to individually dive into clean ingredients and this is where we begin to truly see the emotional side to some of them. This is especially true for those who have started their clean food journeys, which it seems they are all very cognizant of the importance of.
The Recipes Are Accessible
Incredible-looking courses created in front of a camera for me to learn about? Sign me up! While some recipes are a little bit more difficult to master, many of them are created with simple ingredients and accessibility in mind. If you really want to see an eye sore, tune into the bread episode, Carb Loading Brunch.”
Looking for a spin on Thanksgiving and other cold-weather holiday favorites? Explore episode #7, Holiday Brunch. We may have snagged a few tips to make this year’s festive favorites a little more elevated than usual!
Dan Levy Is The Host And 1 Of 3 Judges
Need I say more?
If I must, the man’s biting sense of humor perfectly entangles with his affinity for food and helping to make people’s dreams come true. The winner comes away with a cool $30k, and the others get infinite wisdom – and humor – from the judges.
Berklee student Maggie Cubillos is making her mark on the music industry with new single “Old Shoes.” Raised around the industry because of her dad’s role in it – though the way she approaches it is nuanced in a way that reveals she has created a path all her own – she seems to have accrued the knowledge and wherewithal to know exactly what the world needs to hear, and when.
“Old Shoes” is a meandering, beautiful composition that sets Maggie’s light-as-a-feather vocals center stage. As she sings of struggling with a variety of emotions, the listener absolutely melts into the melody. Maggie’s songwriting abilities indicate a self-awareness and soul far beyond her years, and we can’t wait to hear more from this newcomer.
Keep up with Maggie and her blossoming music career here.
At just 18 years old, Michigan-based Eli 07‘s (Eli Wilson) true musical talent originally gained him traction on TikTok. But his collaboration efforts and insane vocal talents are what will sustain him in the music industry for years to come. His music is soulful, equal parts softness and conviction. “15 Miles” is a rhythmic piece that utilizes acoustic guitar to create a sound that feels like the perfect blend of aughts’ emo and modern indie.
The music video – directed and edited by Rascreative – serves to perfectly amplify the initial pull and sadness of the track. With cool undertones, it follows the artist while he sings his woes on an abandoned beach. A sense of emotional struggle is introduced to the visual as he wears a suit and tie, but then abandons the buttoned-up look to connect with the waves. It is a scene worthy of a major motion picture.
Check out the video below, and let us know what you think!
Production Assistant: Felipe Navia Song Produced by @King Theta Mix/Mastered by @felipejnavia Written and Performed by @eliwilson07
This weekend was one for the books. A massive crowd gathered at The Truman in Kansas City, Missouri to enjoy a sold-out show featuring CVBZ and Teddy Swims. We happened upon the artist and his band during their Bonnaroo set this summer, and have been singing their praises ever since. His powerhouse vocals and humble nature, and everyone’s massive musical talent, are endearing as hell.
The band walked in at the start, followed by the charming lead singer. He was propped on two crutches, with two bare feet wrapped in athletic tape. You could tell the crowd was confused, but everyone’s attention was immediately drawn to the energy of the band.
After singing a bit, he addressed his bare feet, the clear elephant in the room. He told us that he sustained an injury while on a tour stop in Las Vegas. Instead of getting his ankle checked out, he chose to favor his leg and limp in the coming days. Today, however, a trip to urgent care revealed that, because he did not seek medical care for this first injury, he now had two sprained ankles. While he spent a few songs on his feet, there was a loveseat conveniently located by the microphone and a pile of water bottles for him to enjoy as he entertained the crowd.
His set included a few lively covers, “Broke,” the sultry “Two Moods” and crowd favorites “Simple Things” and “Bed on Fire.”
Los Angeles-based Sara Niemiętz‘s sound has evolved over time, each new release intrinsically captivating. Today, the talented singer/songwriter releases her fourth full-length, an audible treat titled Superman. Explains Sara of the project: “This album is about vulnerability and empowerment. It’s about speaking your piece, shaking off the past, and finding the superhero inside.”
And she’s not messing around. We start off with the sultry, confident track “Locks,” which serves as a ballbuster of an introduction to this particular collection of music. “I Want You” continues on theme, leading with a bass riff that perfectly frames and encourages the rock anthem that follows. Lines like “baby, I’m your type” reinforce the confidence that Niemiętz has built her career around. It’s a brand of badass that we can really rally behind.
Fourth track “Lovely Lies” begins with pure romance, a Spanish-style guitar taking just slightly off-center stage — to the side of the commanding vocals. Bongos seep into the mix, solidifying a new energy to this piece of the album. In a very cohesive manner, “Fill Me Up” begins slowly, reminiscent of a slightly more soulful Norah Jones, in all honesty.
“Four Walls” is a beautiful track that speaks to the weight of the pandemic and our collective stresses over the past several years. The soundscape feels organic, with gorgeous sound effects that make this song perfect for the end of an invigorating yoga practice. While “Come to Me” continues at a similar clip, “Names” drops with so much attitude you almost can’t handle it. “Keep an Eye” goes back to a more meandering pace, with a speed up – and captivating instrumental solos – later in the track.
“GOODx3” explores the silver linings to breakups, the things you learn, and the brightness that can shine through the “cracks.” It’s one of our favorites on the album, both regarding the instrumental composition and the lively vocals. The title track explores the many facets a person can have, even if they seem one-dimensional in your life’s story. Sara sings of the support that she can provide in love. “Every Light” continues in a similar vein, as she expresses her adoration for a romantic interest.
“Words” comes in heavier than its predecessors, a different level of rock with an added layer of psychedelic ambiance. The album ends with “The Dimming,” a self-reflective assessment that will ring very highly relatable for many. A lesson in perspective, it is a graceful ending to an album we truly enjoyed from beginning to end.
