the greeting committee @ uptown theater

the greeting committee @ uptown theater

Not even freezing temperatures and icy roads could stop Kansas City from showing up for their favorite hometown act last Saturday as indie-pop band The Greeting Committee returned home and took the stage for a sold-out crowd at Uptown Theater. The energy in the theater was absolutely electric as fans packed into the venue, eager for an escape from the cold and snowy night. It was delivered.
Addie Sartino, the band’s frontwoman and charismatic shining star, was, as expected by the eager crowd, a force to be reckoned with. It was a constant stream of highs as Sartino led the audience through a whirlwind of emotions throughout the night. The group played fan favorites like “Don’t Go”, “Pull It Together”, and “You’ve Got Me” as an ecstatic crowd danced and sang along with Sartino. She flawlessly demonstrated her talents on every one, not missing a beat and thriving throughout the spirited set.
A notable moment came fairly early on as a nostalgia-inducing “salute to our youth” saw the band bring on stage a large group of local Kansas City musicians for a cover of Arcade Fire’s “Wake Up” that bordered on spiritual. But the homegrown band was just getting started.
About halfway through the show, Sartino asked the audience to respect her request “human being to human being” as she asked that everyone be completely silent while she performed “Call in the Morning”, a somber track that deals with tragedy off of the band’s new EP. Complete and total silence blanketed Uptown as Sartino traded her typical high-energy performance style for vulnerability and a powerful stillness as she stood center-stage while singing the track. Even in her stillness, her ability to connect to her material shone through. A completely mesmerized crowd couldn’t peel their eyes away from the frontwoman, who encapsulated what it means to put yourself into a performance. Sartino’s demanor shifted as she made it to the song’s spoken word portion, and she frantically ran around the stage as the lights went blue and she yelled out the monologue to a sea of teary faces. “Call the police, drain the bathtub, hide the bleach, call ‘em quick love. I think we’ve lost it” she screamed. “I cannot find another you”.
Sartino threw herself to the floor and pounded her fists along with the heartbeat-like drums as she screamed “Call the police!” over and over again. The song appeared to be pure catharsis for the young performer. The theater went dark as “1-800-273-8255” and “If you’re looking for a sign to stay alive, this is it” appeared on the screen and remained there as the band played the ending to the song softly in the background. 2,000 fans stood unmoving and silent, and many faces were streaked with tears as the audience stared at the dark stage, completely overcome by the power of the moment that they had just witnessed. Uptown was momentarily still as the crowd stood frozen, unsure of how or if the silence should be broken.
But just like that, Sartino was back on stage and better than ever, and the crowd rallied along with their fearless leader. The band took what could easily have been a hard moment to recover from and kept the wonderful moments coming, and it was impossible not to latch on to their infectious energy. The crowd’s spirits climbed through the roof as the show continued to escalate. The back half of the night included a mosh pit during fan-favorite “Hands Down”, and crowd-surfing by literally everyone in the band. The final song of the night, “Gold Star”, got intimate as the band got off stage and played amongst the very crowd that helped them make their largest show to date possible before exiting (while still playing of course) out the front door. It was a full-circle kind of night for the band and fans alike, and, in the words of the guy in front of me who couldn’t stop crying, “That was just special”.
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article by: madi toman

cathedral bells, “disconnected”

cathedral bells, “disconnected”

If there is a time of year that leaves us longing for an escape, it’s now, trapped in the midst of another endless winter. Matt Messore has delivered the very portal to another world that we’ve been craving with his new bedroom-pop project Cathedral Bells and their debut LP, Velvet Spirit.

Messore recently traded in touring to set up shop in his hometown in Central Florida to record this ethereal DIY project in his bedroom. They just dropped their new single, “Disconnected”, a hypnotic track heavy with layer after layer of ethereal vocals and bright and shimmery guitar.

This dreamy track slowly and smoothly entangles the listener into an echoey lo-fi fantasy that will be sure to make you forget all of your pesky real world troubles. I personally get the urge to lie on the floor of a cool-toned, neon-filled room and stare at a disco ball for several hours. While that may seem like an oddly specific fantasy with major Euphoria vibes, so is this track. As the title suggests, it will leave you feeling almost disconnected from the real world as you become in danger of falling into a shoegazey alternate dimension that you may or may not ever pull yourself out of. Did Messore slip something in my coffee this morning? Guess we’ll never know.

Velvet Dreams is out everywhere on March 6th. Hide your disco balls, folks, and until then, check out “Disconnected”!

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written by: madi toman

circa waves, “move to san francisco”

circa waves, “move to san francisco”

British Indie-Rock quartet Circa Waves have started out 2020 by hopping on the exciting bandwagon of experimental album release with their new 2-part album Sad Happy. The group is dropping their new record A/B style, with Happy premiering in January of 2020 and the Sad dropping in March.

In anticipation of the first part of the release, Circa Waves premiered the second single from the Happy side of their album on Friday with dreamy pop single “Move to San Francisco”.The single was released with a charming self-shot video of the four piece group quite literally frolicking around the Bay Area, the west coast haven that the song’s subject toys with escaping to with his partner. Romantic California imagery of everything from palm trees to dive bars pairs smoothly with the hopeful track.

The song employs warm and optimistic images of escapism and sunshine as vocalist/guitarist Kieran Shudall sings about freedom and the uncertainty that comes with it. “Oh I wanna live like this / For another dozen years / We could live so free” Shudall repeats throughout the bridge and outro, reminding us what it’s like to feel the temptation of getting lost in an idealistic world where running away to greener pastures can save a fading relationship.

With bright and shiny lead guitar and dreamy mellotron that would make Paul McCartney proud, this gold-toned single is a strong precursor to the upcoming album and a welcome break from this dreary January.

TOUR DATES:
(Two Door Cinema Club support)

Jan 17 – Columbiahalle, Berlin, Germany
Jan 18 – Docks, Hamburg, Germany
Jan 20 – Carlswerk, Cologne, Germany
Jan 21 – Paradiso, Amsterdam, Netherlands
Jan 23 – Olympia, Paris, France
Jan 24 – Den Atelier, Luxembourg City, Luxembourg
Jan 26 – TivoliVredenburg, Utrecht, Netherlands
Jan 27 – Ancienne Belgique, Brussels, Belgium

(UK 2020 tour)
March 27 – O2 Academy, Glasgow
March 28 – Keele University SU, Keele
March 30 – The Tramshed, Cardiff
March 31 – O2 Academy, Leicester
April 2 – The Waterfront, Norwich
April 3 – O2 Academy Brixton, London
April 4 – Liverpool Uni, Mountford Hall, Liverpool

Keep up with Circa Waves here.

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written by: madi toman

ollie trevers, cordelia

ollie trevers, cordelia

Still haven’t decided on that perfect music selection for the quiet moments amidst the madness of the holidays? That’s OK.London-based singer/songwriter Ollie Trevers has swooped in with a win for you, boasting five incredibly beautiful tracks on his new EP Cordelia. Each song is dripping with emotion, Trevers’ vocals acting as the main instrument. Sincerely, if you haven’t experienced this man’s vocal talent, it’s absolutely time.

Take first track “Dispassionate Love”, for example. There are points in that song that sound like he is weeping. And then he’s singing at the top of his lungs like a ballad. Not to mention the mellifluous sounds he makes between lyrical stanzas, and the gorgeous note changes while drawing out words. “Can’t Make It Up” follows suit, beginning slower and progressing to a cacophony of sound at points during the track. What I love about this one is that it builds to a head, and then slows down again several times. It leaves you slightly unsatisfied throughout in that regard, though disappointing it is not. It edges more on the side of intriguing.

“Stage of Fools” might be one of the most gorgeous songs we have ever encountered, and the album gets no more upbeat in topic from there. The entire EP details loss in love, emotional wreckage, and the relatable thoughts brought on by heartbreak. “I Need Someone” magnifies this, definitely written in a poetic — albeit low — moment. “Lost Alone” rounds everything out with an audio atmosphere that feels very Queen-inspired, a love rock anthem to its core.

What do you think? Let us know on Facebook!

Track Listings – Cordelia EP
1 – Dispassionate Love
2 – Can’t Make It Up
3 – Stage Of Fools
4 – I Need Someone
5 – Lost Alone

See Ollie Trevers live
23rd January – Nambucca, London
31st January – The Finsbury, London

Keep up with Ollie Trevers here.

the vapor caves | harmonious funk

the vapor caves | harmonious funk

The title and theme of this playlist is “Harmonious Funk”. Yadira’s love for harmony fuels the songwriting of The Vapor Caves and BoomBaptist’s deep love for funk is a driving force in the production. We chose these songs with this combination in mind.

Keep up with The Vapor Caves here.

cigarettes & alcohol | the revel

cigarettes & alcohol | the revel

Through the years lyrically and musically these songs have sculpted our imaginations. Thinking outside the box, but staying true to rock and roll is what The Revel is about and what this playlist emulates. These songs have been a constant inspiration for our writing, recording, and overall sound.

1: Remedy – The Black Crowes
2: Back in the Saddle – Aerosmith
3: Can’t You Hear Me Knocking – The Rolling Stones
4: Lyla – Oasis
5: Consolers of the Lonely – The Raconteurs
6: Black Dog – Led Zeppelin
7: The Fly – U2
8: Maggie May – Rod Stewart
9: Stay With Me – The Faces
10: Cold Hard Bitch – Jet
11: No. 1 Party Anthem – Arctic Monkeys
12: Tie Your Mother Down – Queen
13: Out Of The Black – Royal Blood
14: Fame – David Bowie
15: It’s So Easy – Guns N’ Roses
16: Lust for Life – Iggy Pop
17: Are You Gonna Go My Way – Lenny Kravitz
18: Steady – The London Souls
19: The Stroke – Billy Squier

Keep up with The Revel here.

most captivating new music videos of august 2019

most captivating new music videos of august 2019

August has been a beautiful, hot, wonderful month and we are so grateful to have so much new art available to us! We continue our monthly installment of the visual soundtrack, a Youtube playlist of new music videos that we love! Most – if not all – of these videos were released this month, so if you’re looking for new releases, this is your most up-to-date list. Check it out daily for the rest of the month for new additions, and come back anytime to relive August 2019!