Today, we sit down with Nate Sirotta. He is the founder of – and digital publicist at – Impulse Artists, a boutique digital marketing and publicity agency based in Portland and Los Angeles. Since he lives in the Pacific Northwest, I tried to talk Sasquatch. But it was more fun catching up and delving into his work, to be honest.
On today’s episode, we sit down with someone I have known for almost a decade. (If you didn’t know, I may mention it too many times.) Blake La Grange is the Owner and Founder at Mastering.com. He is also the CEO & Founder at Mercury Mastering LLC and has worked with talents of all kinds. He and his family recently made the move to New York for the next chapter of their journey, and it was a pleasure to catch up.
On today’s episode, we sit down with electronic musical duo Bronze Whale to talk about their evolution in the industry and the impact they’ve made on their genre. Of course we also carved in some space to talk about Sasquatch and other creatures of myth.
Today, we sit down with Los Angeles-based musician Michael Goldman, who spearheads his own musical project NONA while being the bassist for AWOLNATION and hosting his own podcast called In The Band.
0:00 Intro 0:11 EZVisibility.com 0:22 Dbl-take.com 0:33imperfectfifth.com/merch 1:03Michael Goldman intro
1:46Royal’s in Louisville
2:52Chasing Kings
4:02Crosby, Stills, & Nash and The Beatles
6:25Volleyball
8:02 NONA
10:52 In The Band podcast
15:20 “I’m Not Trying” {{intro to podcast}}
16:42 Upcoming album
19:20 AWOLNATION
22:46Conspiracy Theories
28:04Aliens
31:05Sasquatch
32:35Rugrats
34:50Family
If you have not witnessed the glory that is Thunderpussy – live or otherwise – it’s time to wake up. We had a chance to glimpse their live performance tactics at this year’s Sasquatch Music Festival, and we were absolutely blown away as they upstaged the other performances going on around them. Seattle-based, this all-female band – expertly comprised of Molly Sides (Vocals), Whitney Petty (Guitar), Leah Julius (Bass), and Ruby Dunphy (Drums) – is taking their chops to the road, giving North America a taste of their high energy, brilliantly colored stage presence and gorgeous rock music. We’re about to join the party at Riot Room on Tuesday night, and we got the unique experience of asking guitar extraordinaire Whitney Petty some questions leading up to the tour. Check out the brief moment we got, as she explained finding her musical soulmate and creating tantalizing melodies.
Let’s get back to the basics. What was the first song or album you ever remember listening to, and do you think it has any impact on who you are as a performer today?
When I was 12 I bought my first Aerosmith CD, Nine Lives, it had just come out. I still know every word and nuance of each song on that record. I am still totally in love with Steven Tyler. Aerosmith are a huge influence on me.
While you’re busy “piercing the walls of Valhalla”, does anything about your conception story strike you as amazing? Was it a meet cute? Tell us about your beginnings!
Well, meeting Molly was an incredible event in my life. It’s a singular feeling when you meet your soulmate. And like I said, I love Aerosmith. I had always hoped that one day I meet my musical accomplice, like the Steven to my Joe. That’s Molly.
What is the recording process like?
It depends on the song, but there is usually always a melody first. Sometimes that melody is on the guitar, and sometimes it is with a lyric. Each song kind of has its own DNA.
You put out your s/t EP in May, and it’s absolutely captivating. Any personal or behind the scenes anecdotes from the recording process you’d like to share?
Working with Sylvia was a dream. Everyone learned so much about the process from her everyday. We should have had a film crew with us in the ‘Real World Ashland house’, as we called it. One of the highlights was recording Young and Pure very live and very stoned (as per Sylvia’s request) in the dark at the very end of the session. There is some magic on that track!
Anyone have a favorite song off of that EP, or something you prefer to perform?
There isn’t any song on there that we don’t like to perform, but some are more lively than others! Velvet Noose is always thrilling, and we all love to play Torpedo. With three distinct parts it’s always a journey…
We got the unique pleasure of witnessing you perform at Sasquatch earlier this year. How does festival life compare to your regular touring life? Is there something you prefer or dislike more?
CATERING. Is what’s up. Festivals are rad!! We love getting to meet artists and see big shows up close and personal.
And. Your OUTFITS. Are you always that bedazzled? What inspired that choice for Sasquatch? (We are in love.)
Yes!!! We love the glam;) Shout out to Pakio Galore out of Seattle, who makes a lot of our costumes. Molly is very instrumental in the vision of how we present ourselves onstage. And who doesn’t love a good color theme?!
When you need time to regroup – to conquer writer’s block or find your new sound or take a minute – where do you go? What’s your safe haven?
Molly and I love nature. We go to the mountains fairly often, in Idaho. And I love Kauai, when I can get there. But there is no place like our native Seattle!!!
Any fun pre-performance rituals?
Drink the blood of virgins, sacrifice a goat, that kind of thing…
Your rider list is probably pretty modest compared to, say, J.Lo. But if you could have anything on your rider list, what would you do?
Kittens and puppies in the green room, obv.
Something a little off-kilter… Do you believe in intuition and. the power of psychics? Why or why not?
Of course. I believe in the collective unconscious and synchronicity. I believe in Karma. I think there is a subtlety to life and events that many people perceive and many miss.
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Don’t forget to head out to Riot Room on the 16th to enjoy the magic of Thunderpussy’s live performance, and keep up with them here.
When you’re new to a specific music festival, the landscape can be a little bit difficult to navigate. And though music festivals have gotten a reputation for being places that young people go exclusively to party their faces off, it can be a daunting task to party that much when you’re trying to navigate that landscape and those stages and that schedule.
In the midwest, Sasquatch! is something you hear mumblings of every so often. I don’t hang out with a lot of people who enjoy live music or go to festivals, so it’s not uncommon to have never heard of this one. But Sasquatch! is an entire experience that I will (now, though I did before) urge anyone to attend at some point.
Started in 2002, the festival has been held at The Gorge Amphitheatre in Quincy, WA, overlooking the stunning views of Washington’s great outdoors. Hosting (at present) four stages – Yeti, Bigfoot, Sasquatch, and El Chupacabra, hilariously – The Gorge itself is something of a wonder, housing many mysteries and a history of land battles with Native Americans, stories told to me by a Washington resident while on a party deck at the festival, of course. The venue is located a bit off the beaten path, among grape vines and farmland, so it feels like its own private piece of the planet, which isn’t a horrible thing for concert-goers to experience as they watch the sun set behind their favorite performers.
And that’s just what we did. As we got there on Thursday, checking in took a hot second – camping is offered close by, with scenic views of The Gorge and venue – but we got a prime spot in the camping area, surrounded by happy northerners and a really intense party crowd. People quickly became friends in this camping space, trading stories of their festival experiences, making food vendor suggestions, and explaining the lay of the land to us newbies. But that first sunset over The Gorge trumped everything, and the colors only got more vivid as the backdrop to acts like David Byrne, Ray Lamontagne, Spoon, Modest Mouse, and more. In fact, it was almost thrilling to run over and see whoever was playing during the hours when the sky changed, if not only to catch that breathtaking view one. More. Time.
But the lineup was phenomenal as well – as I’m sure you’ve seen as snippets of photos have been published over the last few days – and we’re willing to bet that this particular blend of voices in the industry could have existed on any site, at any festival, but would never have been as fantastical as this.
So – while it’s still fresh in our minds – we want to share with you some of our favorite crowd shots and scenery photos from the three day weekend. Sunsets, every food option you could think of, the rare child in the crowd (with proper ear protection)… Washington, you made us damn proud Memorial Day Weekend. Can’t wait to see what’s in store for your future, but for now we might just be singing your praises to everyone we meet.
**Photos by Parker Pennybaker, words by Meredith Schneider
Day 3 of Sasquatch! 2018 brought many surprises, including a widely celebrated mid-day set from Charly Bliss at the Yeti stage. We are smitten, and have some fun live shots to prove it.
Day 3 of Sasquatch! Music Festival 2018 brought many surprises with it, including an unforgettable set from Big Thief of the Yeti stage. Check out our photos below
Day 3 of Sasquatch! Music Festival 2018 gave us two of the best “Alex”-centric acts we could have ever dreamed of. Alex Lahey and Sandy Alex G played their hearts out, and we nabbed some quick photos of the fun.
