by Meredith Schneider | Mar 24, 2021 | perspective, review, videos
If you’re into intricate storytelling that involves a technological future that doubles as a dystopian society, then MADE FOR LOVE is made for you. Lucky enough to view the first few episodes of this upcoming HBO Max gem, this shit kicked off our SXSW 2021 in some type of crazy headspace.
Imagine: A scattered, confusing beginning as a woman hoists herself out of the ground, sopping wet as she splays out on a dry, dusty desertscape. She has escaped a cluster of shiny buildings, which you can see in the background.
Cut to a different time. What looks to be routine morning escapades with the most pretentious man you know, followed by watching him swimming laps with a dolphin in his pool. The man? Byron Gogol (Billy Magnussen), the owner of a tech company that is pronounced astoundingly familiarly. His advancements in technology seem to be changing the dating landscape, on top of many other big accomplishments in his career. But his empathy, his ability to communicate healthily, is obviously insufficient. Early on, you see a crazy in his eyes that makes you feel like this escape from reality might hit a little closer to our technological home than planned.
But the entirety of that first episode is dedicated to understanding this woman. Who is she? How did she get here? Why is she subject to invasive questions by a creepy algorithm? Why is her life being determined by someone that isn’t her? Why does everything feel cold in this strange, structured world?
The first episode of MADE FOR LOVE will throw you back and forth over a short window of time, a fun way to create mystery in the storyline. I was initially drawn to view the show by the listed cast. How I Met Your Mother fans will rejoice in the knowledge that Cristin Milioti is top-billed as the protagonist, Hazel Green (a naming choice that does not entirely evade us).
And when Ray Romano is introduced as Hazel’s father in a flashback? The unexpected (and somehow necessary) marriage of two favorite moments in pop culture united to create what we are sure will be our favorite television father/daughter duo of all time.
If the last scene of that first episode is any indication, things could get even weirder, too.
Our thoughts? Don’t miss the premiere of Made For Love, April 1 on HBO Max.
by Elizabeth Schneider | Mar 23, 2021 | perspective, review, visual
The first day of SXSW was filled with films for me. One in particular that caught my eye from the moment I saw the lineup was a short – 10 minutes – film named The Beauty President.
Director Whitney Skauge has told a true story that most people may not be aware of – the 1992 bid for the White House by a write-in candidate. Not just any write-in candidate, but drag queen Joan Jett Blakk, an openly queer candidate. In referring to Ronald Reagan, she reminded us that “If a bad actor can be elected president, what about a good drag queen?”
At the height of the AIDS crisis in America, Joan Jett Blakk ran on a platform of health care for all and education – in fact, she wanted to switch the budget for the military with the budget spent on education. The healthcare was especially important in a time during our history when people were dying of AIDS at an alarming rate and antiretroviral drugs had yet to be developed to combat the HIV infection.
Although not considered a political threat, Joan Jett Blakk was an officially registered candidate. In video from the convention, we see that she even made it to the convention floor. Skauge used footage from the era and current interviews with Terence Alan Smith (the man behind Joan Jett Blakk) to convey a moment in history. I only wish it was longer than 10 minutes – I wanted to hear more of Smith’s story and I wanted Whitney Skauge to commit it to film.
by Meredith Schneider | Mar 19, 2021 | albums, review
Athens, GA based collective Lo Talker has our wheels spinning as we head into the weekend with their debut album A Comedy of Errors. An album that takes a look at modern times through a humorous, and often biting, sarcastic lens. Through twelve genre-bending tracks, this quintet boasts influence and talent that makes this feel like their fifth album together, not their first. And perhaps that’s where the magic lies here.
As much personality as they’ve injected into the lyrics themselves, there is so much more to this layered work of art. For example, the meandering tone to tracks like “Heaven In Drag”, “Unkown Transmission Arrives”, and “Sift” brags on the delicacy these incredible musicians are capable of, while instrumentals in songs like “Don’t Hide That Light Pt. II” and “Two Ghosts” play with dissonance and give us more of that noisy, grunge influence despite the soft, mellifluous vocals. They even bring some 80s influence to it with “Silvery – Shadow Or Shadow”, which is dusted with glittering synth for effect.
Rhythmically, our favorite is “Nero In The News,” but “Automatic Love” could just be our new favorite (at home) karaoke banger, if not solely for the fact that you can’t help but smile while listening to it. (Nostalgia pop at its finest, my friends.)
Comedy of Errors is out now. Keep up with Lo Talker here.
by Meredith Schneider | Mar 4, 2021 | albums, review
Right now, nostalgia comes in waves. Enjoying a song from our past, Re-discovering a snack we used to love. Engaging in re-releases with new traits, flipping through memory books, and digging through the past. Memories can be healing, especially in today’s health and political climate, and the memory of a live performance can be fleeting.
Singer-songwriter Jen Grinels plays on our nostalgic hearts with the release of her Live Volume 1 full-length, recorded over three nights in early 2019 at The Music Box in Cleveland, OH, Rams Head Onstage in Annapolis, MD, and Avalon Theater in Easton, MD. The live music experience, something we haven’t been able to indulge in for an entire year, encapsulated in one gorgeous collection.
The light echoes from the sound bouncing off the walls of each venue, the magical eccentricities that live music brings with it. From the first mellow track “I Know Your Heart” through the soulful “Don’t Wanna Be Happy” and “Misery,” to the slow ballad-like presentation of “The Feeling,” Grinels powerfully champions multi-genre entertainment. And she doesn’t stop there, as “Can’t Stay Here” has roots in country with a little grunge flare. The sheer feeling (ha!) that rushes over you while playing this album gives you chills, as you imagine being at a live event in the future, singing into the open night air on a gorgeous evening.
That’s what this collection feels like. Live Volume 1 provides a little bit of hope at the end of this crazy pandemic tunnel. And doesn’t that just feel good right now?
by Tiffany Czech | Nov 10, 2020 | albums, review
Alt-pop artist Kat Saul’s newest EP, Made in the 90s, has been released, and is the perfect way to celebrate being human. “Alright”, a track about how hard it is to get somebody off your mind when you’re into them, starts off the celebration with an intro that sounds like it comes from a basement rock concert. “X2” is a catchy hit-worthy bop about moving on, or actually being tired of trying to move on. In all honesty, this should be in regular rotation at all Top 40 stations. Saul slows it down a bit with “Monsters”, where the celebrations are toned down in a search for inner peace and serenity. Not to worry, “I Love To Hate You” speeds everything back up with a sobering story of mutual frustration at the end of a relationship. Appropriately, the last song celebrates that person that is always by your side at the end of the day. This is the feeling of floating on “Cloud 9”.
Made in the 90s may have actually been made in 2020 or shortly before, but the music lives up to the name. A perfect blend of 90s rock and modern pop, Saul proves that you don’t have to escape older sounds to create new ones. She explains of the EP: “It’s me reflecting on who I am and what I’ve been through as I transition into adult life so that I can process how the past has made me who I am…because that’s what art is right?”
by Tiffany Czech | Oct 27, 2020 | review, videos
The members of VALLEY have a strong work ethic and are perfectionists by nature. This shines through in the lyric video for the title track of their new EP, sucks to see you doing better. The video was released as part of a pair of visuals put out from the EP, the other being “homebody”.
Set on a high school track field, “sucks to see you doing better” shows VALLEY taking a more lighthearted approach to the visualization of a tune that expresses some rather heavy emotions about watching someone you love happier with someone new. The band are creative in choosing how the lyrics appear. Rather than simply displaying the lyrics using some magical postproduction software, they opt for a more personal touch, handwriting. Throughout the entire video, members of the band take turns writing the lyrics on the screen while the other members partake in various, sometimes silly, activities behind them. This makes for a viewing experience that you can relate to without having to get the tissues out. The song easily could have been a heartbreaking ballad, followed by a sad visual. Instead, the sadness cuts deep while still allowing you to let loose. Watching the song come to life only solidifies the notion that sadness can be expressed in seemingly myriad ways. It accomplishes their goal of bringing positivity into a negative, heavy world.
by ImperfectFifth | Sep 25, 2020 | albums, review
by katy mombourquette
A darling of charts and critics alike, Bette Smith is back with her wonderfully ferocious new album, The Good, The Bad And The Bette. Intrinsic to the wild rock and soul singer’s music is the connection that she made between the gospel she heard in church and the soul music she heard on the corner growing up in the rough Bed-Stuy, Brooklyn. Throughout her childhood, Smith was steeped in gospel music. She remembers, “My father was a church choir director. I was singing since I was five years old. I take it to church. I just break out, start speaking in tongues.” She also heard gospel around the house every weekend. “My mother listened to nothing but gospel,” she recalls, citing Mahalia Jackson and Reverend James Cleveland. “Every Sunday morning, she would get up and put on these records while dressing and praising the Lord.” In The Good, The Bad And The Bette, Smith and producers Matt Patton and Bronson Tew explore the power of soul and match it with the edge of rock music, going for a Southern rock soul/Aretha Franklin/”I once was lost but now I’m found” vibe. Sure enough, this album feels very much like rock, but with a blues/gospel attitude, with tracks embodying various feelings of comfort, anger, passion, friendship and even vulnerability in the form of rock-centric bangers, powerful gospel anthems, and even a few tracks that have the taste of a ballad.
But before we can delve into the tracks, we must take a moment to praise Smith’s lustrous vocals. She is gospel, through and through, and you can hear it in the way she sings, but more than that you can feel the years of immersion in gospel and soul that she experienced growing up. Her voice is rough, raw, and absolutely delectable.
But it’s amazing to hear the ways she can apply those vocals to so many different emotions. There’s the groovy comfort in lines like “Don’t be afraid, all is well, I’m here” in “Signs and Wonders” that guides you through the classic blues-rock harmonies, which are revitalized by fresh guitar sounds and colours from the brass. But there’s also the touch of anger that emanates from “Fistful of Dollars” that then diffuses into the passion of the sparkling “Whistle Stop.” Smith sprinkles some sweetness in “Song for a Friend”, complemented by the satisfying backing harmonies in the chorus. But even in the vulnerable, stripped back state of “Don’t Skip Out On Me” she maintains the attitude that can be so central to both rock and soul music, which is quite admirable.
Even in the softer songs, The Good, The Bad And The Bette has this incredible energy to it. This is an album of dance songs, and its magnificence desperately calls out to be heard live (please, COVID…) . Smith herself values the redemptive experience that touring has given her. “It’s amazing, like a dream come true,” she says. “It’s very spiritual and I go into a trance when I’m singing. The fans are like family. I feel very loved. They are very present. I went through all of this so I could sing and now that I can sing I’m finding the love that I’ve been looking for all my life.” Some of the anthems like “Pine Belt Blues” and “Everybody Needs Love” also hold some of the greatest lines that one could belt out with Smith as you watch her on stage. The sultry gospel singing in “Everybody Needs Love”, along with its anthemic harmonies and lines like “Everybody needs love, just like they need the sun and moon and stars above” create a beautiful and totally universal sentiment that would be so powerful in a live setting.
To finish things off, Smith offers “Don’t Skip Out On Me.” The track slows things right down, beginning with just Smith and some acoustic guitar. As more instruments are threaded in, touches of effects create this resonance that makes the space she’s singing in feel so much bigger. Midway through the song, there’s an echoing trumpet solo, which takes individual segments, offsets them and then weaves them together to make beautiful patterns of sound that ring out in their own world before joining the rest of the music once again. It’s this gorgeous interlude that comes as a surprise yet fits in perfectly with the album as a whole that makes the final track on this album the standout. At first the choice to end off with a slow song was surprising, but after listening through, the majesty of this track proved to make perfect sense as an ending.
The Good, The Bad And The Bette is a vivid marriage of rock and soul music that displays Smith’s rich background in the genres and envelopes the listener in a variety of emotions by means of colourful bops and sentimental ballads that are united in their unrelenting attitude and firepower. One can’t help but yearn for the day that these tracks can be heard in their full glory, on stage.
by ImperfectFifth | Sep 16, 2020 | performances, review
by: elizabeth schneider
I count live music as one of the great pleasures in life. People from disparate backgrounds getting together in one venue, all brought together with a common love of the music. I went to live shows often and already had plans, in some cases purchased tickets, for shows through 2020. Whoops!
During the first weeks of quarantine and isolation, I kept myself busy with all the unfinished projects around my house, waiting to be called back to work. Six months later, I find myself without a job, returned tickets and cancelled plans. I am grateful for all that I have, including my health and the health of my family, and live music.
While the music industry has suffered greatly during this pandemic, art will never be stopped. We see this with street murals, short form videos, soaring interest in crafts and cooking, and all the performance art that is available on your computer, in most cases free of charge or for an artist tip.
Imperfect Fifth celebrated their 3rd anniversary September 7 – 13th and viewers got the gifts – six nights of performances along with seven days of Instagram takeovers that included performances! Here are a few highlights from Day #1!
Instagram takeovers on September 7 included Austin Archer and Griffin Holtby. Austin Archer is a Los Angeles based artist with plenty of great music under his belt (“Sweet Rejection”, “Dangerous Liaison”), as well as acting, writing, and directing credits. Griffin Holtby calls Texas home and gave us a tour of sites in and around Dallas where he would be creating his newest video. The Blues guitar will reel you into his music.
The headliner on FB Live on Day #1 was Eric Dash. The New Jersey native, now living in Los Angeles, played a spirited 40-minute set that covered older material as well as songs he is getting ready to release (“Jealousy” and “I Just Need to Get Away”). Although he hasn’t played a live show in awhile, he sounded fresh and very excited to play. Dash broke out with an acoustic version of the Foo Fighters’ “The Pretender” that was higher energy than you might imagine with just a guitar. The second song he covered was “Lithium” by Nirvana and he made it his own. My favorite of the night was “Stay Arms Reach,” a ballad with energy.
Make a plan to watch the replay of Eric Dash’s show below!
by ImperfectFifth | Sep 16, 2020 | performances, review
by: katy mombourquette
In the midst of all the excitement surrounding Imperfect Fifth’s third-year anniversary event, Evelyn Cools cooled things down with her cozy and beautiful live performance on September 8th. Live streaming is different from recorded music, but it’s also not quite the same as true live performance either. In many ways, it feels like a kind of hybrid between the two, with the excitement from the live aspect, but still feeling intimate in the same way that listening to a record can feel. Evelyn’s performance emphasized the latter well, performing songs from her EP Misfit Paradise with only a guitar and her spectacular voice. The shining star of this performance, Cools’ vocals, were so incredibly striking live, inducing chills at least once on every track she sang. Not only that, the melody lines themselves were so well suited for live performance; their sweetness and beauty radiant amongst the bare musical background. They adapted to the tone of each song Cools performed, sometimes dulcet, other times haunting, but always gorgeous.
Aside from the enchanting sonic aspect of this performance, the visual was also fun to watch. Cools was open and humble, and it felt like she was simply just trying to share her wonderful music with us all. She often made eye contact with the camera, giving it that personal feel that is so elusive when at a live concert; wishing, hoping, and praying that the headliner will notice your face in the sea of the crowd.
It’s safe to say that Evelyn delivered an exquisite performance that engaged her entire audience– if you need proof, know that even her dog was compelled to sing along (and made a brief and adorable appearance on camera)! If you’re disappointed that you missed it, don’t fret! You can find the performance on Imperfect Fifth’s facebook page.
Post about a certain review of one of Evelyn’s singles 🙂
Imperfect Post about the One in a Million Media night.
