by Meredith Schneider | Jul 8, 2018 | perspective, show review
I write this, now, in the early morning, mere hours after Hayley Williams, Taylor York, Zac Farro, and their cohorts in Paramore walked off the stage at Kansas City’s picturesque Starlight Theatre. I have always – since I was blessed enough to go to my first show at age 9 – preached the importance of live music in all of our lives. I took many of my friends to their first concerts growing up, have had some stellar moments myself, and have had the joyous opportunity to experience live performance consistently in my life. I won’t go more in depth into it all, but I think you get the picture. I’ve been around this block once or twice.
I’ve even seen Paramore before. Albeit, it’s been years since I was able to introduce the magic of Hayley Williams to a handful of my friends at Warped Tour 2007. And perhaps that magic wore off a bit, as I became slightly more jaded by my experiences, and didn’t feel the need to pursue Paramore’s musicianship as they climbed in popularity. It was never out of disdain for the band, or even a dislike of the music. In fact, as singles like “The Only Exception”, “Still Into You”, “Ain’t It Fun”, and others surfaced, I found myself enjoying them insanely in rotation on the radio. Because Paramore has that pop appeal, their songs incredibly catchy and produced to perfection.
But the words are what really get me. At the core of it all, I am a big believer in lyricism. If you miss the mark instrumentally, but you have a mellifluous chorus full of double entendre, intelligent verbiage, or raw emotion, then I’m likely to listen. Hayley Williams does that.
Hayley Williams did that last night. Songs the band had written at differing points in life, songs that others have been into since the moment the album dropped in 2017, those songs reached my ears last night. Perhaps I’ve heard them once or twice, perhaps more. But last night, I was prepared. Last night, I listened.
Hayley explained that After Laughter is her favorite work of theirs to date, as long as they’ve been enchanting fans around the world. This struck me as odd, as the synthy, 80s-influenced work followed a current mainstream pattern that hit me wrong to begin with. But she explained that the album was about something deeper, their individual struggles – including her divorce and struggle with mental health – masked with this upbeat, insatiable soundscape. But she said she enjoyed that aspect, because it wasn’t fooling anyone but they could still have fun on stage during tour.
And, really, that was such an inspiring sentiment. Increasingly, people are coming out of the woodwork, detailing their struggles with their health, whatever form that may take. I, myself, have struggled immensely with diagnosed anxiety and other health issues, and find it so incredibly refreshing when an artist who has experienced success becomes vulnerable for the benefit of the world around them. If only everyone could be that courageous.
The band slowed their set down for “26”, Hayley’s ode to her 26th year that she wrote for After Laughter. I focused on the lyrics. And I identified with them. This song was me when I was 26. I was scared, I felt limited creatively and emotionally, and I felt alone. Hayley’s inability to hold it all completely together during this song increased its vulnerability, deepened her connection with the audience. Because, after all, I believe everyone can relate to that song on some level, and it made for a beautiful moment during the show.
You best believe Paramore rallied into the evening, bringing out fan favorites like “Misery Business”, “crushcrushcrush”, “Hard Times”, and “Ignorance”, and – though they chose not to regale us with my personal favorite, “For a Pessimist, I’m Pretty Optimistic” – I realized that I’m on a very similar journey in my life. If we take time to open our eyes, we really all are. We are all “fake happy” sometimes. We go out of our way to please others, allowing ourselves to stay in dark places. We fall and we want to cry and we feel unsupported. We feel like there is no space for success in our lives. We have bad days.
But it’s live music, it’s that connection we all have to one another – enjoying musicianship and life in what can only be described as a sacred space – that keeps us all floating. We’ll all hit “26”. We’ll all have that “Still Into You” love. (I’m lucky. That’s the Paramore song I have been living out lately.) We all want “Ignorance” to be our best friends. We just need to be open to being vulnerable. And – without worshipping the artist themselves – we can find inspiration in what these musicians create.
I know I did. Since last night, I can’t stop writing. I had a dance party this morning to my two new vinyls (After Laughter, Riot!) already. And I feel awake.
***
Local band YOU MONSTER YOU opened the evening around 6pm, with a performance at the Applause Club inside the venue. As Paramore fans streamed in, they welcomed them with their fun and upbeat brand of alt punk rock. “This is a song that sounds like it’s about leaving a small town behind and moving somewhere else, but really it’s about crippling depression,” frontman Trent Munsinger explained to the crowd about their track “Dodge”, which perhaps opened up the mental health theme of the evening.
The band was full of quips, quite the entertainment to get the crowd ready for an evening of Jay Som, Foster The People, and Paramore. A couple of songs into their set, You Monster You performed one of their original songs for the first time in front of a crowd, with a stand-in guitarist. They hit all the right spots with it, and at the end Trent confessed he was happy it wasn’t a train wreck, while the band noted it was “a solid B+.”
Keep up with You Monster You here.
by Aubrey Hanson | Jul 5, 2018 | premieres, wolf tracks
Today, talented musical act Leland and The Silver Wells – fronted by the phenomenal Leland Ettinger – releases their latest track “We Dissolve”, and we’ve got your exclusive streaming premiere. You may have already heard of this extraordinary artist from her past works, which you can find on her website. While these two albums may have gotten her large recognition, her new upcoming album will surely be a work of art like no other.
In “We Dissolve”, the soundscape itself is almost decadent, very relaxing due to the gorgeous choir-like vocals and the mid-tempo pace. From listening to “We Dissolve” multiple times, it is clear that throughout her album, you will be taken on an emotional ride that will leave you wanting to listen to the album over and over again!
From music school, to multiple popular albums you will want to be sure to keep an eye on Leland Ettinger for her upcoming self-titled album on September 14th!
by Meredith Schneider | Jun 29, 2018 | albums, review
Today, Louisville, KY-based musician Jim James releases his new 11-track stunner of an album titled Uniform Distortion. From the very first guitar riff of “Just A Fool”, you get a sense that this man has put every ounce of emotion he has into this work of art. Excuse us if we’re wrong, but to start with a riff so energy-infusing and raw is something that doesn’t happen often enough. And while he sings about being “just a fool getting by,” we’re certain that’s a bit of an understatement.
If you don’t see what we mean with the initial track, try the nasty guitar lick that introduces “You Get To Rome”, or the riff that underlies “Out Of Time”. It is only with fourth track “Throwback” that the pace slows for a more intimate and introspective five minutes and nineteen seconds of nostalgia. (Though we have found that James’ lyricism doesn’t lack an introspective quality, something we yearn for when seeking out new music to enjoy.) And while “No Secrets” keeps to a slower pace – and properly displays a little more of James’ vocal range – “Yes To Everything” might be one of our favorites on the album. His laughter, his sense of self, the upbeat way with which he addresses change. We’re here for it.
If you don’t realize by seventh track “No Use Waiting” that this man is – at his core – probably a rock god, “All In Your Head” will serve to prove you wrong. It is with the last three tracks – “Better Late Than Never”, “Over and Over”, and “Too Good to Be True” – that slight bouts of that truly upbeat Partridge Family feel hit you unexpectedly. It blends perfectly with the era his music seems to come from, an era more lush and filled with warmth.
And that’s how you’ll feel after encountering Uniform Distortion. It brings you to that warm, comfortable happy place while introducing more and more insightful lyricism with each track. So hit play, and see what this new release evokes for you!
Keep up with Jim James here.
by Meredith Schneider | Jun 28, 2018 | albums, premieres
Alternative electro-synth pop artist HiRSH – the ethereal, enchanting brainchild of musician Beau Hirshfield – is releasing his new EP Going on Friday. If first track “Ready to Go” didn’t offer the expression of his readiness to take on this industry with strong instrumentals and luscious vocals in its soundscape, the lyrics tackle that question head on. “Beating Heart” brings the tempo down, though somehow maintains a “party anthem” feel to it despite its dark lyrical tones. And while “Feels Like” boasts enviable percussion, Last track “The Well” perfectly rounds out the EP, riling up every emotion a human soul is capable within its 3 minutes and forty-seven seconds of smooth vocalization.
Says Hirshfield: “Trial and error. Guess and check. Ebb and flow. Peaks and valleys. Go ahead and pick any cliché you like to describe this journey. We are all in a mad dash to get somewhere while nobody has any real clue where were actually going. Life.”
Going is out June 29th. The EP release show is at The Peppermint Club in LA on June 29th. Tickets are available here. Keep up with HiRSH here.
by Janilisse Wahlstrom | Jun 22, 2018 | albums, review
On June 22nd, punk rocker Lenny Zenith released his highly anticipated album What if the sun. His influences are from New Orleans an New York City. The twelve track journey is one for the ages; my personal favorites are “Sunday Dress”, “What If The Sun”, “Whatever Stella”, and “Suddenly Someone”. This selection was made since they all have amazing guitar arrangements. “Sunday Dress”, with its indie rock feel, has a special twist with Spanish vocals. “What If The Sun” has a spectacular intro and hypnotic lyrics to jam to, as you ponder thoughts like, “What if the sun fell out of the sky?” Some cool guitar skills and a percussion-heavy track can be found in “Whatever Stella”. “Suddenly Someone” cools it all down for us, with lyrics talking about a lover that we can all get behind. Each single described has the possibility to relate to all audiences.
Lenny’s genre-bending style is well exposed in each song, a style he’s been harnessing since he got his start in music fronting the band RZA in the 80s. His musical prowess has further developed over the decades, as he’s lent his expertise to several incredible musical projects. What If The Sun holds clear influence from some of his own personal experiences, as well as from some of the acts he has worked with over the years.
by Aubrey Hanson | Jun 21, 2018 | premieres, singles
Based in Los Angeles, singer Hayley Johnson also known as The Little Miss has recently released her new single “American Dream”. In “American Dream”, Johnson ties in folk music along with a traditional beat to give you that sweet summer feeling. The song can make you feel a number of emotions depending on how you yourself interpret what the “American Dream” is actually perceived as. It can be either you striving to be happy with your own dream, or just feeling free in a world of captivity. The song talks about the stereotypes of what the American culture is, or what it could be. The strong vocals in the song make you wonder what really is the “American Dream” while also giving you the urge to listen to this song over and over again due to the strong sense of emotions portrayed throughout the song. Admits Johnson:
I wrote “American Dream” at a time when the tension in our country felt palpable. This was five years ago. Now, seemingly more divided than ever, I questioned whether or not I should release a song that sounds so blindly idealistic. To be clear, “American Dream” is not an endorsement of this country as it stands now. I don’t think that it is unpatriotic to think that we can do better than this. The American Dream, as it has been fed to us – Life, Liberty, and the Pursuit of Happiness – has not delivered on its promises for many (if not most of us). So, while the song yearns for this made-up, sepia-toned time that never existed, it notes exactly that: that it never existed. We’re enchanted by our own, but very limited folklore – the pioneers, the Wild West, the civil war, the nuclear family, the moon landing, etc. We have romantic notions about who we are and who we’ve been, and it is tempting, for all of us, to want to wear those rose-colored glasses. But in order to become better, and in order to progress, we need to take off the glasses and take a good look in the mirror. We all want the same thing: to feel proud of the country we call home – we just need to accept the fact that it might be healthier to learn from our history rather than glamorize it. The lives of so many depend on it.
If you are in the need of finding some good, emotional summer music, be sure to check out The Little Miss for substantially strong vocals and meaningful songs.
by Janilisse Wahlstrom | Jun 19, 2018 | singles, wolf tracks
Shaman Elect just released their 13-track debut album,
Mind The Ether. The Brooklyn-based alt-electro-psych-rock collective has some smooth feel on “Woman in Black”, very expressive about specific feelings. The band has the electric guitar in gear, striking a cord with listeners quite literally as the lyrics take hold. My personal favorite, “Ships Ahoy”, has a quick beat to it, and expresses the thoughts of a woman waiting for her love. The cool vibes with a rock feel make it worth listening to again and again.
Check out Shaman Elect on soundcloud where you can find 4 released singles, all of which have caught the attention of music seekers all around the world. Their rich rhythms and inspired performances lead the listeners to enjoy and experience a release through music.
**co-written by Meredith Schneider
by Erin P.S. Zimmerman | Jun 18, 2018 | show review, snapshot, visual
For those of you who are not yet privy to the rising music scene in Kansas City, now is the time to do your research. Boulevardia – the midwest beer and music fest that started to call Kemper Arena and the West Bottoms home five years ago – has exploded into a much bigger event, drawing crowds from all over the United States to tap brand new and limited run beers, check out bands in both rustic venues and in front of a very spacey-looking building (Kemper Arena, about to become HyVee Arena), and to ride a ferris wheel in an undoubtedly urban and growing area. This year featured forty bands – including, but certainly not limited to Madisen Ward and the Mama Bear, Radkey, Manchester Orchestra, Sir Sly, Guster, Bleachers, and Kansas City’s own Tech N9ne -, craftspeople and artists from around the metropolitan area, and a silent disco experience. (The best part about that? It was outside, instead of in a tent, so looky-lous could stop and watch for a bit if life called for it.)
2018 featured an array of additional rides – you know, besides that vibrant, beautiful ferris wheel – and a Royals outfield experience. And even though this event seems to happen on the hottest and muggiest weekend of the year every single year, we were too busy watching numerous parades of contortionists and acrobats and clowns and people full of PRIDE and enjoying the midwest’s best in beers that we almost didn’t even notice it.
But that’s the magic of Boulevardia. Enjoy these Day 1 photos, and check back in to see some highlights from Day 2 as well!
by Karina Marquez | Jun 14, 2018 | albums, review
Mallrat’s new EP, In the Sky, is electrifying and emotional in every way. She seems to take a piece of you and a piece of herself, giving the songs a personal yet nostalgic tone with sweet pop melodies. She also incorporates the beauty of nature in many ways, whether it be in the cover art, the accompanying videos on Spotify, or in the album title itself. It’s clear that she is inspired by everything around her, which is clearly shown in each song.
The EP opens with the cool simplicity of “Groceries.” It has a steady, bouncing beat and acoustic guitar that gives it an upbeat vibe. But the lyrics are surprisingly deep: “I just want to get groceries” shows emotional depth about what you want in a relationship. “Texas” starts off as a ballad with pretty harmonies, but as the song goes on, it becomes a track that makes you want to dance around your room. “Better” is an upbeat song with painfully honest lyrics. Her voice croons about young optimism: “Everyone’s alive so everything’s alright.” At the same time, she reminds us of how fleeting everything is when you’re young and growing up: “Maybe when the summer ends / I’ll drift away from all my friends.” This song was a personal favorite, and it really shows how personal her lyrics can be. UFO sounds like a summer Top 40 hit with its electro-pop vibe and a rap verse from fellow Australian artist Allday. The EP ends with “Make Time,” which is more subdued than the rest. it allows you to daydream and think about someone you miss.
Mallrat’s cool, unique sound is taking over the world. Not only does she sing and write her own songs, but she co-produced every song on this EP. At only 19 years old, she is a powerhouse of talent and passion.
Keep up with the latest on Mallrat here.
