by Aubrey Hanson | Aug 14, 2018 | albums, review
Being that it’s summer time, we’re all very busy, but smart and talented Shonali Bhowmik takes busy to the next level! Not only did she attend law school throughout her career, but Bhowmik also leads a life of acting, and performing with her band Tigers & Monkeys. Tigers & Monkeys create a blend of indie rock music that matches perfectly with the alternative style vocals with a hint of some southern charm in there to take it bake to Bhowmik’s childhood roots. Tigers & Monkeys are expected to release their new album Saturday Destroyer on September 17, which you will want to keep an eye out for, because the best is yet to come! As a teaser, the band recently released their new single “In An Instant” which combines everything that you would want to hear coming from a new album.
In order to get ready for their new album release, stay up to date with Tigers & Monkeys on Facebook and by listening to all of their previous music!
by Karina Marquez | Aug 10, 2018 | albums, review
Canadian artist Taylor Janzen gets as real as she can get with her new EP. Interpersonal is thoughtful and smart, as if written by a seasoned professional; at only 19-years-old, she has an acute sense of empathy and self-awareness that makes this EP incredibly special. Her vocals are heartbreakingly beautiful, drawing strong comparisons to Paramore’s Hayley Williams. But that’s as far as the comparisons go – in every way, Janzen is entirely her own artist.
As you listen, each song bares a bit more of Janzen’s soul. Her honesty makes her relatable, which is the epitome of why we love sad songs. “Stations” delves into the reality of emotional abuse in a relationship. “The Waiting Room” is a standout track due to its raw and honest discussion of her struggles with mental health through the imagery of a waiting room. The lyrics show how, sometimes, the mental health system can be challenging and lonely. Janzen sings with pain in her voice, lamenting about her experience: “Spitting out my demons to someone I just met … the only one who listens is the person I pay.” “Colourblind” and “Better Now” round out the EP, leaving you with that feeling – not sadness, not anger, not happiness. The best way to describe Janzen’s music is hopeful. She delves deep into heartbreak and depression, but her voice assures us that not all is lost. In fact, these are the kind of sad songs that you want to listen over and over again, even if it makes you want to sob into a glass of red wine.
Keep up with Taylor Janzen here.
by Meredith Schneider | Aug 9, 2018 | albums, review
With attention to minute detail given by its creators, enticing track “Run Wild” was the perfect lead-in to the brand new 6 track EP, Run Wild. Thutmose – a Nigerian-born, Brooklyn-based hip hop artist – and NoMBe – the German-born, Los Angeles-based musical project by Noah McBeth – had already proven they could create luscious soundscapes, paired with lyrics that are descriptive and feel-good in nature.
The rest of the EP is no different, as you can witness below. At times, the duo slows it down to a amore mellow pace – as with tracks “Young & Reckless”, “Soft Top”, and “Summer’s Gone” -, highlighting the soulful aspects of their musical talents. And though we tend to glean positive vibes from the majority of the release, songs like “Summer’s Gone” – despite its hopeful, beautiful message of love – leave a melancholic feeling deep in your bones, foreshadowing that end of warmer months in the northern hemisphere in the coming months.
If you’re ready to be enveloped in a sound that is a buttery smooth version of Drake-meets-Kid Cudi-meets Shop Boyz, Run Wild is calling for you to fall in mutual love.
Keep up with Thutmose here and NoMBe here.
by Meredith Schneider | Aug 7, 2018 | show review, snapshot, visual
On July 20th, Hall & Oates graced the stage at Kansas City’s premiere concert venue, Sprint Center. Opening the night with a performance from Train, the duo performed some of their most exhilarating tracks from every era of music they’ve created in, and then some. In fact, Pat Monahan came out on stage after both bands had performed their entire sets to regale the audience with renditions of “Philly, Forget Me Not”, “Wait For Me”, and “Calling All Angels”. It was a show we’re not soon to forget, and we hope to catch them on their next stop through town (every time they come, until they stop performing).
by Christie McMenamin | Jul 27, 2018 | show review, snapshot, visual
On July 11th, TOMI rocked The Mercury Lounge.
Filing in through the front door, the immediate rush of air conditioning was a relief on such a muggy summer evening. Fans made their way first to the bar, then into the stage area, filling the room. As TOMI walked through the crowd, cheers rippled through the audience, making their way from back to front. A magnetic performer, TOMI took possession of the room from the very first note, packing an almost unprecedented power into her wide-ranging vocals. Her music provides the perfect combination of rock and pop: some songs led the audience to dance, others to head-banging. The joy and abandon in the air was just as palpable as the outside heat, and radiated off the talkative TOMI, who spent time in-between songs sharing the stories behind them. Some of these were heartbreaking; she spoke of crying in a locker room at a yoga studio after a breakup, and a former friend suffering from addiction (she doesn’t think he ever heard the song she wrote about him, but she hopes he does at some point and recognizes it). Then, of course, there were some funnier ones, such as working a day job as a secretary in which she had to smile all the time. For her very last song, she delighted the crowd by debuting a new, sparkly guitar named Pam.
It’s clear that for TOMI, the Mercury Lounge and her latest EP, What Kind of Love, is only the beginning.
by Aubrey Hanson | Jul 27, 2018 | albums, review
Chicago-based Lo-fi rock trio Clearance – a talented band with ample amount of music experience – released their highly anticipated new album At Your Leisure on cassette, vinyl, and digital music streaming platforms everywhere today. The incredible musicianship of Mike Bellis, Kevin Fairbairn, and Arthur Velez is on full display over the duration of the eleven tracks, with melodies that feel genuine mixed in with toe-tapping beats. Not only does this album exceed all of your expectations, but it also takes you back to the 60’s and 70’s with the band’s unique style of music with a classic rock twist.
“Rumored Sequel” and “Another Arrow” are the perfect songs to listen to in order to get you exhilarated and pumped up with the exciting upbeat tempo and great vocals. In many of the album’s songs, you can sense the band’s influence with folk-styled, traditional vocals. Clearance has the perfect style of music that sounds good not only on radio, but also sounds amazing on vinyl due to the beautiful instrumental sound and notable lyrics.
TRACKLIST:
Chances Are
Destination Wedding
Frozen Orange / No Wonder
Had A Fantastic
Rumored Sequel
Haven’t You Got the Time?
Another Arrow
Days Underwater
Gallery Glare
On the Doorstep
Bird’s-Eye View (Of the Back of the Room)
Recorded by: Dave Vettraino
Mastered by: Mikey Young (Total Control, etc.)
Album art and layout: Mike Bellis
Songs written by: Mike Bellis
Video by Alexa Viscius
At Your Leisure is available now. Keep up with the band here.
by Meredith Schneider | Jul 20, 2018 | albums, wolf tracks
Cinematic synth rock trio Von Grey – comprised of Atlanta-based sisters Kathryn (Cello, Moog bass pedals, Mandolin), Annika (Lead Vocals, Violin, Synth, Banjo), and Fiona (Lead Vocals, Guitar, Violin, Synth, Percussion) – has graced our ears with the release of their brand new EP In Bloom. We’re incredibly smitten – and how can you not be with this musicianship? – so we had to get these six tracks in your ears before we signed off for the weekend. Drench your environment in the ethereal, laid back vibes induced by first track “Plans”, through the acoustic beauty of “6AM”, all the way through the last chords of “Dawn”.
If you’re traditionally not into family bands, don’t let the fact that they’re (SUCH TALENTED!) sisters throw you off. Their style, grace, and musicianship truly precede them, and we’re going to keep In Bloom on repeat for a while.
Keep up with Von Grey here.
by Meredith Schneider | Jul 13, 2018 | albums, review
Cincinnati-bred indie pop collective The Ophelias – comprised of Spencer Peppet (vox, guitar), Grace Weir (bass), Micaela Adams (drums), and Andrea Gutmann Fuentes (violin) – drops their latest masterpiece today, and we’re so jazzed about it, we almost can’t explain it in words. Delicate vocals, overlaid with (largely) light percussion and mellifluous strings make this album what it is, and largely describe the band’s soundscape. Not only is there a delicacy in the vocals, but there are quirks that make the effect much more striking than the word “delicate” would lead you to believe.
From the elegant beginning of first track “Fog”, through the equally leisurely pace of “General Electric”, into “Lover’s Creep”, you come to find the entire album feels ethereal and intense in a very unique way. “Night Signs” slows the pace down exponentially, the instrumentals slightly lower, and paints a darker-feeling audio feed. “O Command” is different, in that the vocals rise to a higher octave, the instrumentals maintaining a low, luscious feeling. “Lunar Rover” and “Bird” continue into an increasingly experimental place, picking the pace back up again with eighth track “House”.
While you can’t expect the pace to pick back up again over the last two tracks of Almost – “Zero” and “Moon Like Sour Candy” -, you can expect to nab deep, meaningful vocals that make for an introspective night on your back patio, music playing softly over the sound of the trees rustling above you.
Get started below.
Keep up with The Ophelias here.
by Christie McMenamin | Jul 12, 2018 | show review, snapshot, visual
Ciaran Lavery, an Irish singer/songwriter, performed an intimate solo set at New York City’s Rockwood Music Hall on June 22nd.
Playing to a small, darkened room, a reverent silence took hold of the audience the moment Lavery began his first song. Switching back and forth between acoustic guitar and piano, his sparse accompaniments allowed his gentle, hushed voice to soar. With introspective, narrative lyrics, Lavery is a poetic storyteller. His ballads pull at your heartstrings, his words run the gamut of emotional experience. As a performer, he makes meaningful eye contact with each member of his audience, drawing his listeners further into his world.
In-between songs, Lavery continued his stories, revealing his sense of humor. Speaking of nervousness on an airplane, he once tried to relax by watching, as a dog lover, Marley and Me. He wasn’t, however, aware of the ending. Lavery also had a revelation while listening to the radio on a long drive, attempting to figure out the meaning of the genre “soft rock.” With a creeping sense of dread, he put it together: he is soft rock. Lavery easily pulled laughs from his listeners’ throats as he framed simple, universal experiences as ones of casual mirth.
More info about Lavery can be found here.
