by Meredith Schneider | Jun 26, 2018 | premieres, singles, wolf tracks
Baton Rouge-born and Austin, TX-based musician Ben Millburn has been gracing the psych genre with his own brand of beautiful, kaleidoscope-like tracks. His most recent – a single titled “Call Me King” – touts the talent that we are to expect from his upcoming debut LP, Sunglass Moustache. And though we have to wait until the autumn months to get our ears on that release, we’ve got the exclusive premiere of “Call Me King” for you right now.
Layering in from simple guitar chords, Ben’s relaxed, 60’s vocals – though sometimes abrupt – lead you on . a journey through a soundscape that is absolute perfection for those lazy summer nights. (Or, perhaps more specifically, those nights in the warm months that you allow yourself to slow down for a beat.) We’re big fans, so much so that we might insist that you refer to us as “King.”
Sunglass Moustache is out this September. Keep your eyes peeled for it here.
by Kayla Hutton | Jun 26, 2018 | albums, premieres
Immigration Unit – formed in April 2017 – is comprised of four musicians that are sporadically located between Basel, Torino, Geneva, and Caracas. In such a short amount of time, they are already independently releasing their debut EP Sofa Heroes on June 29th, 2018.
This premiere – which we are hosting exclusively – will absolutely shake your soul to its very core.
Let’s get this straight. I’m not telling you to go out an do drugs. You don’t need to. Save your money. “Immigration Unit” is not only the drug itself, they are the trip, the atmosphere, the sights, and the sounds. Their brand of experimental psychedelic alternative unpredictably teases and borderlines loungey, intense, melodic stoner rock. In a way they’re comparable to Beck, but less spastic. Way less spastic. You could actually chill to Immigration Unit even though there are at times just so many sounds and things going on.
The title track, “Sofa Heroes” is subtly electronic and dreary. Its start may seem abrasive and noisy but just wait. The bass line has an off-key groove while the vocals just slowly weave in and out. From a spoken word to an overdriven noisy pre-chorus. Capturing every emotion the way a year holds 4 changes of season.
“Wasting Mornings” travels an unknown winding road. Anticipatingly frightening as without warning turning the corner and sustaining a bumpless cruising speed. Unblemished vocals radiate so delicately. being accompanied by a droning silky smooth guitar line. The only predictable aspect of “Immigration Unit” is their unpredictability. as another abrupt change from subtle becomes overtaken by a drab tone that sees the vocals evolve like the wind commanding the storm to commence.
The remixed version of “Sofa Heroes” hesitantly departs from the trippy original and has a much darker texture. A trap beat is later consumed by an almost industrial feel with the utilization of thicker electronics and dirty percussive sounds.
Overall the EP is a manic mix of an unmedicated rollercoaster, This has got to be one of the better releases I’ve heard this year. Why? Well, it’s original. It’s obscure. It’s not thrown together. It literally has a directional purpose and allows you to travel with it.
Get all the details about the official release of Immigration Unit, “Sofa Heroes” by visiting their website and don’t forget to follow them on Facebook.
by Meredith Schneider | Jun 22, 2018 | 5 to 7, premieres, videos
Arthur King is a unique music and art collective, creating landscape art that enriches the senses. Last summer, they took a trip to the Grand Staircase-Escalante National Monument in Utah to create a visual experience unlike any other. During that trip, they created a short film that is as breathtaking in its detail as it is simple and endearing in its concept. With music by Arthur King, projection art by John Schlue, filming by Nash Howe, audio recording by Tim Conrad Horner, and editing by Alex Lee Moyer, the project came together quite nicely and is something we wouldn’t mind having on repeat for the rest of the day.
Not only do we have the exclusive premiere of the project, but we got the chance to take a few moments with Peter Walker, the driving force and visionary behind Arthur King.
What is your first musical memory, or the first album or song you remember listening to? Does that memory or that music have any bearing on your art now?
Drawing with chalk on my older brother’s Sergeant Pepper vinyl album. Eventually I evolved into recording said Beatles records onto cassette tapes. Today, I love manipulating instruments and sounds to make something perhaps unintended from the original design.
We understand the concept of the project, but what inspired it?
This project was born out of my pursuing a Ph.D. in mythology and depth psychology. The premise is exploring the role of the unconscious in creative expression, and more specifically how we experience a given environment both consciously and unconsciously, and how art might bridge that gap.
What made you choose the locations for the video?
We were focusing on BLM land (bureau of land management) where you can camp and do other things without any heavy regulation or government jurisdiction. There’s a lot of BLM land in Utah, as well as magnificent rock formations and somewhat pristine environments.
The visuals aspect of it all is very endearing. How long did the visuals process take?
The visual component has been a part of this project from the very beginning, with the idea that the sound informs the visuals and the visuals inform the sound, creating a feedback loop and an overall experience involving both realms.
Could you take us through the process of all of this in general? It’s such a unique way to display an array of creativity, and we’re enamored by it!
The idea is fairly simple: 1) Locate an environment. 2) Engage it, consciously—meaning explore it and listen and look and record these things with microphones and video cameras. 3) Take these samples and use them in a total improvisational “performance” within the same environment. the result is akin to what happens when we dream, where sounds and images from our waking consciousness are thrown into the stew of our psyche and come out in an unexpected way, often bringing to light connections you didn’t know were there all along. In the end, the performance allows for a different way of experiencing the environment.
Any fun anecdotes from the production process?
During the performance there was a little scorpion that was crawling next to Tim, who was sitting on the ground and operating a recording device. Tim put an empty plastic box on top of it, thinking that would temporarily solve the problem and allow him to focus on his task at hand. He would of course release it afterwards… and avoid getting stung. But when we were finished, the scorpion was gone and he realized it had probably dug its way out in a matter of seconds. all part of the fun of being in the desert!
What do you think is the most important topic to address with art, at least at this point in our progression as a society? Is there a topic that you think is misrepresented or under-represented by its art?
I think art is a tool for connecting with ourselves and with others. Most importantly, in my opinion, effective art connects us with the unknown in ourselves and the “shared unknown” in others (or as Jungians might put it the collective unconscious). Art is a connector. Fear of the unknown drives the worst in us as a species, and its omnipresent in our society today. I’d imagine there is no topic under-represented right now, it’s more likely a matter of accessing the art that might be an issue. Or maybe better put: I’m certain there are artists making vital art that are not getting the kind of exposure that is just. and that’s where you come in!
How do you hope people feel after viewing this?
Moved. Curious. There’s really no hope for a specific feeling, I suppose I hope it invokes some feelings at all, whatever they may be.
Something off the cuff a bit… What superhero do you identify the most with?
Might seem like an easy answer…but I don’t think there’s anyone more badass right now than wonder woman!?
Smart, smart man. Anything else you’d like to add about the project or anything else coming up?
In between these Changing Landscapes adventures we’ve been busy with other fun things like live improv movie scoring and large-scale interactive art installations… So i encourage those who might be interested to please come find us!
___
Changing Landscapes is available now.
by Aubrey Hanson | Jun 21, 2018 | premieres, singles
Based in Los Angeles, singer Hayley Johnson also known as The Little Miss has recently released her new single “American Dream”. In “American Dream”, Johnson ties in folk music along with a traditional beat to give you that sweet summer feeling. The song can make you feel a number of emotions depending on how you yourself interpret what the “American Dream” is actually perceived as. It can be either you striving to be happy with your own dream, or just feeling free in a world of captivity. The song talks about the stereotypes of what the American culture is, or what it could be. The strong vocals in the song make you wonder what really is the “American Dream” while also giving you the urge to listen to this song over and over again due to the strong sense of emotions portrayed throughout the song. Admits Johnson:
I wrote “American Dream” at a time when the tension in our country felt palpable. This was five years ago. Now, seemingly more divided than ever, I questioned whether or not I should release a song that sounds so blindly idealistic. To be clear, “American Dream” is not an endorsement of this country as it stands now. I don’t think that it is unpatriotic to think that we can do better than this. The American Dream, as it has been fed to us – Life, Liberty, and the Pursuit of Happiness – has not delivered on its promises for many (if not most of us). So, while the song yearns for this made-up, sepia-toned time that never existed, it notes exactly that: that it never existed. We’re enchanted by our own, but very limited folklore – the pioneers, the Wild West, the civil war, the nuclear family, the moon landing, etc. We have romantic notions about who we are and who we’ve been, and it is tempting, for all of us, to want to wear those rose-colored glasses. But in order to become better, and in order to progress, we need to take off the glasses and take a good look in the mirror. We all want the same thing: to feel proud of the country we call home – we just need to accept the fact that it might be healthier to learn from our history rather than glamorize it. The lives of so many depend on it.
If you are in the need of finding some good, emotional summer music, be sure to check out The Little Miss for substantially strong vocals and meaningful songs.
by Meredith Schneider | Jun 8, 2018 | premieres, videos, wolf tracks
Self-proclaimed “electroexotica” duo Stronger Sex – comprised of Johnny Fantastic and Leah Gage – is bringing their vivid personalities to the world in an exciting new visual for single “Dead Women”, Directed and Edited by Mark Williams Hoelscher. At the center of the experience is a stuffed monkey, and other versions of what look to be childhood toys. But it’s what happens with those toys that will really put you into a tailspin. (Could they come alive, a la Toy Story? Is it OK to think they’re still cute and not creepy?) The main focus, however, is the protagonist, who is depicted experiencing the emotional turmoil that aligns with the lyrics in the song. Confirms Leah Gage of the track:
“Dead Women” is a song about feeling the weight of a legacy of important matriarchs, and the pressure to live up to their expectations. My mom and my grandmother were both extremely smart (and troubled) women who placed a lot of emphasis on prestige and renown, and expected me to achieve both, almost on their behalf. Since they’ve both died, I struggle a lot with knowing whether I’ll ever live up to their expectations. I used to keep their photos all over my room, as a kind of inspiration, but after a while I realized it was just making me anxious and sad, and I needed to figure things out for myself. So, this video is inspired by that idea. There’s a girl, who lives in a fantasy world with her “friends” who are clearly all toys, and she lives with an overbearing woman who wants her to get rid of her friends and join reality. Eventually, the woman goes behind the girl’s back, throws the friends in the trash, and goes back to her life. The girl is utterly distraught, but eventually uses her anger and frustration to channel herself out of the house, and she runs away, with her friends. Both the woman and the girl are flawed – these aren’t of course her friends, they’re toys. And the woman, well, she probably has her reasons for wanting the girl to join reality, even if she’s going about it in a mean way.
This video brings light to a struggle many women face, and we are pleased to host the exclusive premiere.
Keep up with Stronger Sex via Bandcamp and Facebook.
by Karina Marquez | Jun 6, 2018 | premieres, videos
Nashville-based songwriter Ellen Starski delivers a beautiful folk-rock ode to the ups and downs of a relationship with her new video for “Missing You” from her debut solo album The Days When Peonies Prayed for the Ants. The combination of the black-and-white tone of the video with the title of the song sets up the expectation of heartbreak, but the video does more than that. It shows its viewers the stages of this couple’s relationship, allowing for a somber narrative that emphasizes the importance of emotion rather than what you see happening in front of you. Starski explains the ambiguity of the video, saying “there’s truly no message attached to the song, it’s there for an audience to take from it what they will.”
Starski’s thoughtful lyrics shine through the gloominess of the video, showing her ability to create something personal that truly expresses how she feels, and the viewer can feel that as well. It’s more than your typical sad music video, and Starski wanted to show “the rise and fall of [this] relationship that was more than just the traditional flashback scenes and performances that seem to be the trend.” As a result, “Missing You” is a sad yet powerful song with a video that depicts the reality of many people’s lives and relationships.
Check out the video here and keep up with Ellen Starski on her website.
by Meredith Schneider | Jun 6, 2018 | albums, premieres
Portland-based art-folk musician Michael Charles Smith is hitting a high note with the soundscape provided by his often ambient melodies and soft – yet assertive – vocals in his new 12-track release, In The Shadow. Bathed in a raspiness that is both emphatic and ethereal, Smith’s lyrics are apt to tug at the heartstrings of many, as they paint him as a vulnerable, masterful lyricist.
Beginning with the upbeat track “Hello Hello”, the album establishes a true journey for the listener, pace changing with each no track, and mindsets shifting from one end of the spectrum to the other, as he repeats, “I’ll die alone” in third track “Angel, and then softly croons, “I must have fallen in love” immediately following, in fourth track “One Word”.
The variety in the soundscape of In The Shadow makes sense, when the album is put into context. Inspired by his past struggles with addiction, Smith has come to terms with his circumstances, transforming that energy into a beautifully well-rounded body of work that you might never turn off. We’ve got the exclusive streaming premiere below.
Keep up with Michael Charles Smith here.
by Meredith Schneider | May 30, 2018 | premieres, videos, wolf tracks
Nashville-based folk rock artist Jerry Castle has been making waves with his brand of Americana for quite some time now, and we’re absolutely thrilled to announce that we’ve got the exclusive premiere of his brand new lyric video for “Room to Dance”. The sweet, slowly meandering track about a special connection between two people is absolutely beautiful, allowing for his rough vocals to add a depth to it all that might not otherwise be present. And while the lyric video is pretty straight forward – providing the lyrics scrolling across a red – at times glittering – backdrop, the song itself provides some introspective moments that will help you welcome June in a positive mood.
Says Jerry of the track:
“Room to Dance” was the very last songs written for the album. I had already mastered the album, so obviously I had no intention of putting any additional songs on it. But one day in Nov 2017, my buddy Carey Ott came over for a hang and we got into this conversation about the magical impact that strangers sometimes have on your life. The next thing you know, we had our guitars in hand, trying to write a song about it. It wasn’t until we wrote the first line of the chorus “you’ve got to get out of line while there’s time, time to take, time to take a chance” that I realized this song fit right into the theme of the album and I started getting really excited about it. A day later I was recording the song in my studio. Collectively, it’s one of my favorite songs on the album and it has the least amount of instrumentation of any song on the album.
“Room to Dance” is available now. Keep up with Jerry Castle here.
by Abby Trapp | May 25, 2018 | premieres, singles, wolf tracks
“Mirror Mirror” is the latest single by German based band, Sky Blue Skin. “Mirror Mirror” is creepily powerful and has a femme fatale power vibe to it with sultry vocals. “Love is mean and cruel, plays it for a fool,” purrs the vocals. Sky Blue Skin shows no mercy on “Mirror Mirror.” It is no “falling in love” track. In fact, the band is just here to remind you that your heart will be broken. “And once again you end up all alone,” and “I never want to see your joy,” are lyrics without a happy ending. I loved the western rock feel that Sky Blue Skin brings to “Mirror Mirror.” Even more, I love how the band makes love seem dangerous, unattainable, and in the end downright foolish and stupid. This is definitely a power song, and listening to it made me feel like a heart breaker myself. Check out Sky Blue Skin’s latest “Mirror Mirror” below.
Keep up with Sky Blue Skin here.
