hanna barakat | wiggle beats

hanna barakat | wiggle beats

We all have plenty of days where we feel strange, exhausted, disoriented, or just not like ourselves. When I find myself deep within my own thoughts, lost in the weirdness, I like to put on my “Wiggle Beats”. The songs in this collection have different effects on my being. Carry the Weight by Morgxn, for instance,  overwhelms my heart with emotions, simultaneously giving me the urge to move – dance, be proactive… I seek solace in these tunes, for many reasons, but in one way or another, they each get my blood flowing, emotions heightened, and pull me out of my own thoughts. I hope they bring others a similar sensation!

Keep up with Hanna Barakat here.

dead girls corp., bloody noses and hand grenades

dead girls corp., bloody noses and hand grenades

Dead Girls Corp. recently released an album. So what’s it like?  Read on and you shall discover.

The album starts with Dead Girl, the feel of the track is very much 90s metal.  It has nice droning chugging guitars and potent vocals.  I also like the industrial feeling you get on this one.

From The Bottom is next, this has a gorgeous old school industrial start and feel, I must admit the feel of the music is nothing new but it’s amazing just by being what it is.  This track has a lot of power behind it both vocally and musically, some very nice potent and energetic drumming here.

 

X’s No O’s again has that classic industrial start, the music is very packed full of sound which can sometimes detract from each angle of the music but this is not a bad thing.  Again this track is nothing different from the previous two tracks in any way, but the music is one you find yourself moving to.

Alleys Of Death is by far the most melodic of all the tracks so far with great placement of each part of the music, it doesn’t feel as slightly too full as the previous three tracks do.  This has a cock rock feeling to the track vocally and also the way that the guitars screech.

Ask For It is really a track that has very prominent vocals and guitars, they just seem to dual with each other yet compliment each other at the time.  Though at points when both are full on they tend to drown each other out somewhat which is a shame as it detracts from the feel of the song.

Flesh For Fantasy again has a cock rock feel but this time it’s melodic and very sexy, almost orgasmic industrial metal.  On this track the vocals sound like a sensual but aggressive David Coverdale. I like the music on this one, the backbeat is good but the guitars seem to tell part of the story which is quite clever.

Can’t Change does what some of the other tracks on this album don’t, it harmonizes the clutter of the music.  It’s full on sound but with etiquette and emotion, I do love the slight echo on the vocals here as it adds a slight excitability to the feel of the music.

Promise Me is a track that is something different to other tracks on this album, this has more a late 90’s nu metal feel yet with a more slightly classic guitar sound.  It’s almost a homage to the greats of that era like Stabbing Westward as it has that slight feel to it.

VDay comes next and to me as the album is winding down then so is the music, VDay is a lot more mellow than the other tracks but yet it does slightly peak at points.  It has them chugging guitars again but yet there is something about this track, so far from what I have heard VDay is my favourite so far.  It’s heavy, melodic, light and a true belter of a track.

Just The Same does similar to VDay, it winds down from the other tracks.  Again this track is lighter, it’s less cluttered than some of the other tracks and I must admit this one is very harmonic.  It just seems to fit well together, for the first time here you can hear the bass perfectly. Liking this track a lot.

Dynamite is again quite light compared to the beginning tracks, David Coverdale esq vocals make a return here.  The music ebbs and gets a bit more heavier than VDay and Just The Same but then it calms down again, I think it’s perfect for the setting lyrically here.

And last but not least we have Worth, oh the bass here is very sexy.  Only issue here is at points the music becomes cluttered again which kind of spoils what is a very catchy track, it’s just a little bit too much I feel.

Overall I feel this is not a bad album but there are quite a few tracks where the music is just too full and it becomes very cluttered which detracts from the actual talent of Dead Girls Corp.  As the album comes to a close the music mellows and shows the true expertise of each of the musicians, vocals are amazing but they do get overpowered by the music sometimes.

If you like decent industrial then this album is for you, it’s nothing new but it does keep alive a genre that we don’t tend to see much of these days.

https://www.youtube.com/watch?v=Qqnfz5NzvOw

http://deadgirlscorp.com/

https://www.facebook.com/deadgirlscorp/

 

emily chambers, “real talk”

emily chambers, “real talk”

Last Friday, soulful songstress Emily Chambers debuted her new track “Real Talk”, and we’re absolutely smitten. The lyrics are highly-relatable – I mean, we have all been in relationships we didn’t anticipate – and so stunningly delivered that this is hands-down one of our favorite spring releases. While she croons about that no-good feeling of confusion, we get a look into her ferocity with edgy instrumentals and attitude to match.

Keep up with Emily Chambers here.

gooch | feelin it

gooch | feelin it

Salt Lake City-based duo Gooch has curated a pretty wonderful playlist exclusively for us. We’re sure this list of rockin’ tracks will surely get you “Feelin It” for the weekend. Enjoy!

Keep up with Gooch here.

rising appalachia, leylines

rising appalachia, leylines

Atlanta-based foul/soul collective Rising Appalachians – comprised of Leah Song, Chloe Smith, Biko Casini, and David Brown – releases their new twelve track album Leylines today, and we’re overjoyed with the sonic adventure it leads its listeners on. From the first, caressing lines of “I Believe in Being Ready”, the album feels alive. The vocal layers are absolutely exquisite, and we’re blown away to see the ferocity with which said vocals lead the album as a whole. Working with talents such as Ani Difranco (“Speak Out”), Trevor Hall (“Shed Your Grace”), and Maurice Turner (“Indigo Dance”), Rising Appalachians has found a way to bring in distinctive traits from each act and meld it into a sound all its own.

“Make Magic” and “Sassafras” are two of our personal favorites on the release, and their contrasting sounds are the perfect display of how robust the talent found in this four piece truly is. Take the album for a spin below, and let us know what tickles your fancy!

Keep up with Rising Appalachia here.

cayucas @ recordbar

cayucas @ recordbar

On Monday, April 29th – just days after the release of their new album Real Life – brother duo Cayucas made a phenomenal appearance at recordBar in Kansas City, MO. They were joined by Cape Francis, which was also an incredible delight. In all sincerity, it’s a little more difficult to get a midwestern out of the house on a Monday night. Especially when the weather has been gloomy. But Cayucas is the band you show up for, as you’ll never quite understand how impressive they are without witnessing them live.

Keep up with Cayucas here.

a conversation with blake la grange

a conversation with blake la grange

On today’s episode, we sit down with someone I have known for almost a decade. (If you didn’t know, I may mention it too many times.) Blake La Grange is the Owner and Founder at Mastering.com. He is also the CEO & Founder at Mercury Mastering LLC and has worked with talents of all kinds. He and his family recently made the move to New York for the next chapter of their journey, and it was a pleasure to catch up.

0:00    Intro

0:11     EZVisibility.com

0:22    Dbl-take.com

0:33    imperfectfifth.com/merch

0:46 Blake La Grange Intro

1:39 Led Zeppelin “One”

4:06 P.O.D. “Murdered Love”

7:48 Mercury Mastering

11:43 Mastering.com

16:15 Hanson

19:52 Work/Life after baby

24:09 Sasquatch

28:14 Alien Contact

31:06 Drake’s Equation

34:56 Envy

39:08 Atlas Shrugged

royal teeth, “rivalry”

royal teeth, “rivalry”

New Orleans-based indie pop band Royal Teeth manages to meld vulnerability and a catchy beat together in their latest single “Rivalry.” The track highlights the ever-present rivalry between change and constancy — the inner turmoil of deciding whether to move on or not to move on. The lead vocals of Gary Larsen and Nora Patterson, paired with guitarist Thomas Onebane and drummer Josh Hefner, creates a  sound that allows the music to take hold of their listeners in an emotional way. The chorus stands out as the perfect example of how Royal Teeth can show off their own musical style— deeply honest lyrics to a toe-tapping beat so that it gets  stuck in your head:
Baby I’m not wasting no more time,
Drag my heart down one too many times,
Hold me steady give me one more try,
I made up my mind, I’m wasting no more time.

Be sure to check out Royal Teeth’s upcoming album Hard Luck, and keep up with them here.

kyosi | before spring

kyosi | before spring

New York-based electro-pop artist KYOSi recently curated a lavish, kaleidoscope of a soundtrack feature exclusively for Imperfect Fifth, and we’ve got it for you today! Featuring gems by Kid Cudi, Vince Staples, Four Tet, Empress Of, Blood Orange, and more, this playlist boasts some party-essential tracks for the perfect night, no matter what season it is.

Keep up with KYOSi here.