by Meredith Schneider | Oct 28, 2019 | singles, wolf tracks
Memphis-based psych rock outfit Spaceface — comprised of Peter Armstrong, Jake Ingalls, Eric Martin, Matt Strong, Daniel Quinlan, and Miles Young — has produced an intricate and whirring track that we could easily see being played both in a slow motion montage of a romance film, as well as for nostalgic ambiance in shows such as This Is Us. (But we aren’t here for music supervision YET, now, are we?)
We’re big fans of the relaxed vibe that accompanies this track, the high pitched melodies and reverb that makes you feel like you’re melting into the night sky. It’s time to pull those high waisted pants out of hiding and give yourself a chance to let the past inspire you, too.
Keep your eyes peeled for the video premiere this week! Keep up with Spaceface here.
by Meredith Schneider | Oct 23, 2019 | albums, premieres, wolf tracks
If you’re looking for something to add some spice to your autumn flavor (is there really ever enough spice though, really?), look no further than indie musician Matthew Heller‘s new full-length release Temple Moon Desire. This album opens its listeners up to thirteen tracks full of emotion and raw talent. The lyrics are poignant — songs about staying vulnerable and open in a world so full of hate and mystery bring about a necessary reality check –, the songs create a sonic ambiance all their own, and with the last chords come a deep longing for more.
That’s what good music does to you. It reaches into your soul and guts you. Matthew Heller has done this, with an array of tracks that really show off his brilliance as well as his resilience. If only all of us could create such beauty.
Keep up with Matthew Heller here.
by Meredith Schneider | Oct 22, 2019 | singles, wolf tracks
Toronto-based indie synth rock outfit Zinnia may be comprised of Rachael Cardiello, James Burrows, Chris Pruden, Connor Walsh and Mackenzie Longpre, but it feels as though their new track “Requiem” is made up of stardust. With that classic ethereal, synth-infused soundscape that we have come to expect from this act, Cardiello’s vocals serve as an anthemic reminder to the song’s listener. Add this one for a fun, psychedelic boost at your next autumn party, or sink deep into it surrounded by candles as Halloween approaches!
Keep up with Zinnia here.
by Kira Cappello | Oct 21, 2019 | singles, wolf tracks
California indie-pop duo Ruby Red have dropped a sultry smooth single that can be described as deeeply vibey. New track “Superbloom” is boiling over with chunky beats and thick bass, suavely melded with nostalgic synth that invites a contemporary indie spin.
Like waking up to an electro-pop disco dream, the first few seconds of “Superbloom” are washed out, before bursting forth into stunning clarity. Wavy, texturizing synths envelop echoing vocals into a hazy vacuum, their syncopation weaving as glittery guitar riffs pepper the remaining space. For all its pleasantries, the song is also lyrically hyperconscious, featuring lines like “I can’t help but feel the heat of the moment controls me / I can’t help but feel like my shoulders are weighed down by truth.”
Not to submit to cliché, but “Superbloom” truly does deftly blend many current musical styles; including chillwave, electro-pop, indie rock, hip hop, and disco. This track is what happens when Toro Y Moi meets Tame Impala – with just a dash of Post Malone-reminiscent vocals – yet it still feels innovative and brand new.
Multi-instrumentalists Daniel Laner and Fernando Fine of Ruby Red have been longtime friends since elementary school, officially forming the band in early 2018. The group released a 5-track EP in 2018 titled “LOVELOCK”, with “Superbloom” as their second single of 2019 following previous release “How It Should Feel”.
Keep up with Ruby Red here.
by Meredith Schneider | Oct 21, 2019 | albums, review
Alright, we are way overdue for stepping back in time with a killer soundscape to aid us. Packed to the brim with disco-era synth flare, Delores Galore‘s new album New Growth sounds a little more old school than one might assume when dissecting the album title, though it has a fresh spin with relatable lyrics and a fun, carefree feeling. (Truly, this is exactly what we needed to help us along through these slightly-more-serious months as we all meet year-end goals and continue to kick ass to end this decade right.)
“One Touch” gets us in the mood with husky vocals, glittering reverb and a vocal spoken breakdown that is equal parts honest and soulful. “Corpse Inside” has more of a psychedelic tone to it, a track that brings the tempo down, and the feelings out. “Still We Stay” follows it, much more 80s in nature, and just as magical as its predecessors. This one has an instrumental tempo that is slightly off-kilter when lined up with the vocals. This slight difference creates an otherworldly atmosphere for the duration of this dance track.
“Don’t Stop Me Now” has a very techy opening, with a soundscape that makes us feel as though we have been dropped inside an original Nintendo console to fend for our lives. The frantic feeling the instrumentals create is only slightly offset by the smoothness of the vocals, creating a balance similar to the song before it. Delores Galore rounds out the release well, with the slower tempo’d “Circles”. It feels epic, and should we find it placed in a Stranger Things-esque period piece, we wouldn’t think it out of place.
Get a sneak peek of New Growth below with “One Touch”, and keep your eyes peeled for more!
Keep up with Delores Galore here.
by Meredith Schneider | Oct 18, 2019 | albums, review
Rock collective Teleportal – comprised of Johnny Rossa (Vocals), Beth Liebling (Vocals and Bass), James Bourland (Guitar), and Ric Peterson (Drums) – just released a theatrical, 11-track album titled Devour that does – if not specifically that – really provide an attitude all its own. While the instrumentals of “Space Bone” introduce the collection with a dark soundscape, it lightens with the layering of new instrumentals and lighter vocals. Eventually a wailing note makes this song into what it is, and we’re transported back in time while also being pushed significantly into the future. “The Plague” has an undeniably frantic feel to its sound, energizing in its disposition, while “Disaster” evens out the tempo a bit for a more traditional rock sound. “Mansions” slows it down to that psych rock soundscape, giving us whirring guitar parts we didn’t even realize we were craving until now.
“The Organizer” dips back into classic rock, a little more of a ballad. We’re pleased with the way it pulls Rossa’s vocals to the forefront, providing this heartbreaking feeling we wouldn’t otherwise get from a different set of pipes. “Slither on the Ceiling” brings with it a funky feeling, the vocals rough and enticing. “Velvet Math” definitely feels more technical, with computerized sounds throughout and an otherworldly vocal presentation. While “Pull the Trigger” has a title that might feel a little more morbid than its predecessors, the crashing cymbals and punk rock feel make it fit right on in with several genres, including garage, punk, and classic rock.
“Ruins” slows everything down as an instrumental track driven by a classic drumbeat, while “Eel” does seem to exist in a watery, psychedelic soundscape. (The intentionality behind the undertones of the songs and their title pairings is almost poetic in itself, don’t get us started here.) “Gamma Dust” is quite possibly the perfect ending to this collection, as from beginning to end you feel an eery connectedness to the scattered percussion, haunting vocals, and layers of sound. Soothing, chaotic, intense.
Keep up with Teleportal here.
by Carly Butler | Oct 14, 2019 | snapshot, visual
MUNA brought their
Saves The World tour to Mercy Lounge in Nashville on October 4th–just a month after their album of the same name was released. They opened the show with lead single “Number One Fan,” an anthem about coming to terms with being your own biggest fan. A MUNA show is a celebration of self-love, self-care, and self-preservation. In their words, saving yourself is the key to saving the world. They performed all but two songs on their new album, along with crowd favorites “I Know A Place” and “Loudspeaker” from their 2017 debut
About U, and in between songs, the crowd rarely stopped cheering long enough for the band to get a few words in–until bassist Naomi McPherson declared triumphantly, mid-show, that they are “the greatest band in the world.” I wholeheartedly agree.
Keep up with MUNA here.
by Meredith Schneider | Oct 14, 2019 | singles, soundtrack, wolf tracks
We took the name of one of the October releases we heard recently as our title. You’ll understand if you take a gander at this playlist. Per usual, we have compiled a number of incredible new releases from this month so that you have a bevy of new work to select from and curate your own autumn playlists. Kim Petras, Ralph, King Nun, isle&fever, and more. Plus, check back all month for additional tracks being added as we sort through submissions and listen to new music throughout October!
by Meredith Schneider | Oct 11, 2019 | albums, review
Indie pop songstress OSTON recently released a new 6 track titled Sitting at the Kids Table, a highly relatable and intrinsically beautiful collection of songs that will leave you craving more. From the first lines of first track “bad” to the very last moments of “last time”, there is an energy to this work that is all her own. With raspy, well-balanced vocals, OSTON has created an entirely distinct sound to the entire album with just the presence of her vocals.
Songs like “give up” and “bad” employ earthy percussion and While “leading me on” is a smooth pop track with a subject matter that is absolutely exhausting, “way we say goodbye” brings us back to a good mood, in both lyrical content and a bass line that never quits. OSTON wraps the release up with “last time”, which is a future hit pop track if ever we’ve heard one. As we praised before, her vocals are more than enough to carry this song, with Mariah Carey-esque range, and the tempo makes this the perfect song to dance with your sweetie to. The bittersweet topic is something to sit with if you’re in a weird, introspective mood, but it’s presented in such a sultry way that you can enjoy this in an array of atmospheres.
Push this song to radio, guys. And as a whole, this release shows OSTON’s promise. We can’t wait to see what’s to come.
Keep up with OSTON here.
