Isaac and Thorald Koren – or The Brothers Koren – recently released their debut collection of tracks, an exquisite full-length titled I Went To The Sea To Be Free. Dedicated to the memory of their grandmother – who flew her plane over the Southern Ocean on Mother’s Day of 1974 and was never seen again – the album itself is laced with a sense of longing in the emotional lyrics. It’s hard to believe that the brothers approached music separate from each other, and later discovered their co-creating abilities. Their harmonizing abilities are almost haunting in a way, as displayed in tracks like “Say Everything”, “Gold”, and “Like Water”. (And virtually every other gorgeous track in this collection.)
Beginning at a leisurely clip with “Easy,” the album is introduced to us in a lighthearted, open-minded way. The song itself encourages its listener to take things as they come, while the brothers sing of how easy life can be with the right person. They transition with ease into the remaining thirteen tracks, presenting a true storytelling ambiance to the piece. Their cover of Prince’s 1984 hit “I Would Die 4 U” would otherwise fall short however the single has been stripped down into a different realm than its existing danceable pop energy, highlighting the love letter nature of it all. Crowd favorites include “Like Water”, “Beyond the Wild”, and “More Than You Know”.
As we celebrate PRIDE throughout June, we revel in the vulnerability that sparks new relationships, new collaborations, and new art. With light-as-a-feather vocals, artist and mental health advocate X. Ari details the experience of discovering her sexuality in her new track “Stranger to Saviour.” Explains the artist of the single:
‘Stranger to Saviour’ is about how I fell in love with a woman after a lifetime of dating men. The lyrics tell a playful, exploratory, honest, and emotional story about my experience with this big life change and how my new romance, with my first ever girlfriend, Anja, has changed me forever. Love is a powerful healer. I am so grateful for my awakening and for my willingness to be fluid so I was able to attract true love. It’s dedicated to Anja whom I love & adore – we ‘started as strangers, now you’re my saviour.’
In true anthem fashion, the instrumentals explode into a gorgeous cacophony of bass-heavy sound multiple times during the introspective song. Equal parts hopeless romantic and openly self-aware, “Stranger to Saviour” will no doubt become an anthem for many. So listen now, open your heart, and feel into your own story by checking out the track below!
June 24th brings us the latest release from Head Bitch Music artist LACES, “Almost Happy” featuring storied musician Butch Walker. The song is both thoughtful in its lyrics and dreamy feeling in its melody.
LACES’ voice quality at the beginning of “Almost Happy” is reminiscent of Belinda Carlisle singing “I Get Weak.” As appealing as her voice is, the lyrics are what drew me in, beginning with the very first line – “I’m just young enough to be a little numb and dumb.” The song tells a story of learning, with the ultimate lesson being “almost happy.” Throughout, you can feel the lessons: “I get more jaded every day”; “Roll with the punches, isn’t that what they say”; and “I’ll make more headway in this game.” Each one delivered with LACES’ strength and range, punctuated with guitars by Butch Walker.
Says LACES of the track:
‘Almost Happy’ feels like my honest truth. To me happiness has never been a destination, I only ever wanted to be content and okay. It’s a conversation that discusses where I’ve been, where I am, and where I’m going. It’s laced with sarcasm and self-deprecating humor, while also standing firm in belief and self-love.
LACES has been a chameleon thus far in her career – previous releases include the haunting “Moved” and “Someday Is Not Tonight.” She has also made a name for herself in commercial circles writing and producing music for cartoons and other artists, under her legal name of Jessica Vaughn. Her goal for mastering several creative avenues was strategic:
I wanted to make sure I had enough eggs in different baskets to change this industry from within––and to be respected as a businesswoman. I realized that my experience as a woman had been shaped by a lot of people making decisions for me. While I think it’s important to be collaborative and to ask for help, you never want to be in a position where you don’t have power or agency over your career or yourself.
You will want to add “Almost Happy” to your playlist – and really, anything else by LACES.
Summertime is a time to enjoy the world around you, take some time to slow down and soak up the beauty in life, and to become inspired in your creative endeavors. So, naturally, what a perfect time to release a single that addresses just those things. Singer/songwriter Anthony Savino has done just that, employing his quintessential light, carefree vocals to drive the point home. As the song progresses at a danceable clip, its lyrics envelope you in a feeling of emotional freedom, like the world is your oyster.
Explains the artist of the track:
When I first started writing “One-Track Mind,” I wasn’t sure what it was about. But I kept working on it and I played it for some people, and eventually, I realized that it was about the creative process, and to a larger extent my experiences making music. The song goes through the progresses, failures, diversions, distractions, and whatever else it takes to create something, whether it’s a song or a songwriting career.
I don’t have one process or method for songwriting, but I do have a stubbornness to just do it anyway, and that’s one of the meanings of the title. But I also think it’s about knowing when to say enough’s enough. Sometimes the creative process can be a black hole; it can take over my whole world and I lose perspective. I can spiral for a long time if I don’t step back and look at the big picture.
Fiona Apple fans, rejoice! Within the first 9 seconds of Lizzie Loveless’ new track “Window,” you can feel a familiarity in the vocals that absolutely trace back to Apple. Plus, the instrumental composition the song transitions into by the 58-second mark is absolutely reminiscent of some of our 90s favorites. And yet, the melancholy you can feel in the track is still somehow all Loveless’ own. Coming from an entirely vulnerable space, the song bursts forth with an energy that is both magnetic and intrinsically sorrowful at the same time. Explains Loveless of the track:
I wrote “Window” a few years ago. The song was first written when I knew my relationship at the time had ended. He had gone for a walk to take some space and I was waiting for him to come back, looking out the window. But I could feel a shift. I knew what was coming. I knew when I looked at him, he had already left. It was as if in a single moment his face had changed and I no longer knew him.
So, I was thinking, then what? What comes next? Essentially all you can do is wait, wait for the heartache to pass. This song definitely captures a chapter in my life, a painful ending… I’m thankful it’s in the past.
For those going through a rough time, you may have found your match in this track. Enjoy a listen (or five) to “Window” below.
Synths: Lizzie Lieberson Bass: Josh Werner Drums, Drum Programming: Daniel Schlett Produced by: Lizzie Lieberson and Daniel Schlett Engineering: Miles Francis and Daniel Schlett Assistant Engineering: Garret De Block Mixed by Daniel Schlett Mastered by Alex Deturk at Strange Weather Studio and The Bunker Studio (Brooklyn, NY) Recorded at Cornelia Street Studio (Greenwich Village NY), Strange Weather Studio (Brooklyn NY), Dalhousie University (Halifax, NS) and Ellen’s house (Halifax, NS)
June has been pretty splash-worthy, what with the heatwave enveloping the country and all that jazz. The first shot of Dawson Fuss’ new music video depicts cool, blue waters. The remainder of the video keeps with a majority of cool tones helping to communicate the melancholy nature of the track itself. Splashes of red play in before combining for a full-color effect in limited frames. After all, “Right Person, Wrong Time” is a single we can all relate to in some capacity.
Get drawn in by this attractive track, and its vivid music video accompaniment, below.
While we wait with bated breath for Jessica Luise’s debut EP, Going in Blind, to release on July 9th, the stunning songstress has given us some ear candy to play with until then. A light, 90’s rock-inspired track, “a.m.” begins at the same clip that will carry it through the entirety of its 3 minutes and 28 seconds of existence.
While reverb plays along through the chorus, you find yourself daydreaming about your next road trip or adventure into the unknown. Her mellifluous vocals pay homage to flings, bringing in a bittersweet string of lyrics to consume from the inside out. A welcome treat for our ears, this track makes it more enticing than ever to venture out into the world (for the first time in what feels like forever).
Says Jessica of the upcoming EP:
To think that I would be the proud creator of a piece of work like this after being in this industry for such a short time baffles me. ‘Going In Blind’ comes from how I was blind to the red flags in relationships I’ve encountered over the years, and a bit of a comment on how when I first started in music I knew nothing. I am still learning, but maybe I’m not as much of a newborn in this industry as I was a year ago.
Canadian duo Mayfly, comprised of Emma Cochrane and Charlie Kunce, have released their first EP ESSENCE. Both women are singer-songwriters, as well as producers, on this gem. The highlight of each song is their extraordinary harmonies.
“The goal of the EP is to bring people in to our musical universe…The essence of Mayfly is simply our voices and how they blend together, how they create this sense of unification and harmony.” Mayfly has accomplished exactly what they set out to do and then some. They have created five songs that move effortlessly from one to another, with no weak songs in the playlist.
Kicking off with ‘to jules’, Mayfly sets the mood with a song that is almost delicate sounding. It is my favorite song on the EP and a great introduction to Mayfly’s sound. ‘When all we knew was us’ starts with an acoustic guitar and one voice, building to both Emma and Charlie harmonizing lyrics with an aching quality that permeates the rest of the song.
The third track, ‘tes larmes’ features Tendresse and Joudi and is sung entirely in French. It has a different vibe from the other four songs on the EP, like you might hear on the soundtrack of a movie, but with the same ethereal harmonies that permeate the other tunes.
‘Sad song’ and ‘show me the way out’ acted as companion pieces in my mind – the breakup song, then the resignation about the breakup song. ‘show me the way out’ has lyrics that we can all relate to on some level, even with a more sanguine melody – “I’m never getting out of here, even if I try.”
Mayfly has produced a very thoughtful and beautiful EP with ESSENCE. I look forward to hearing more from them!
A slow, organic build. Percussion that speaks directly to the heart and soul while light-as-a-feather vocals dance lightly along the soundscape. This is how we find ourselves introduced to the intricate selection of tracks on Brady Grey‘s new full length. The ten-track compilation – titled Three Crows – is somewhat of an adventure, made up of beautiful, easy listening tracks.
Expands Grey on the project: “It’s told from the perspective of being in a relationship that ends up being more complex than I thought it was going to be. Being a husband, a lover, and sometimes a caregiver, which is just different than what you expected.”
Perfect for an outdoor adventure or beautiful night on the patio surrounded by glistening lights, we have your first listen to the independent release in its entirety in advance of its Friday release.
