by ImperfectFifth | Aug 13, 2018 | perspective
The year before I moved to Israel, I worked at a restaurant in my neighborhood. I would walk to work through Seattle’s leafy Ravenna neighborhood listening to Meir Ariel’s 1997 record Bernard VeLouise, generally arriving at the restaurant somewhere in the middle of the fourth track.
Meir Ariel was an Israeli singer-songwriter often referred to as the Israeli Bob Dylan. On top of that, his ability to create words and turn phrases in Hebrew is heralded as somewhat Shakespearean. A supremely talented lyricist, he never enjoyed the fame in life that he found in death. He fought in the Six Day War (and the Yom Kippur and First Lebanon Wars), and he initially gained a following after he wrote a parody of a nationalistic song circulating in 1967 called Jerusalem of Gold, by Naomi Shemer. Ariel’s version was called Jerusalem of Iron, and speaks of the horrors he saw fighting in the city. In Shemer’s version the chorus is, “Jerusalem of gold, and of bronze and of light.” In Ariel’s: “Jerusalem of iron, and of lead and of darkness.”
Bernard VeLouise isn’t his best known record, but for some reason it was the first of his that I picked up. And when I say picked up, I mean listened to on Spotify. Seattle’s Easy Street Records doesn’t exactly have a well stocked Israeli music section. It was the last record the Israeli folk troubadour would release before his death at 57 in 1999, caused by an infected tick bite.
Before I learned how to speak Hebrew, I had no idea what the record’s opening track, “Etzel Zion”, was about. With an upbeat, meandering, Eastern European melody, and the word “Zion” (biblical Israel) in the title, I thought the subject matter must be some pretty heavy shit.
Later, once my Hebrew had improved, I learned that Ariel had in fact penned an ode to the fast food chicken schnitzel shop across from his apartment in Tel Aviv.
At Zion’s on the corner of Hayarkon and Trumpeldor
Between the post office and the Dan cinema
They put a lot of heart onto your plate
For just a little pocket change
They put a lot of love into your pita
And they don’t make you wait.
In August, 2014, in the midst of Operation Protective Edge, I was outside a hotel in Jerusalem, in a cloud of cigarette smoke surrounded by a circle of Israelis, listening to Meir Ariel on a shitty iPhone speaker. A string of military helicopters buzzed overhead and someone said it was the ceasefire team returning to the Knesset from discussions in Cairo. Then the rocket sirens started wailing and we had to scramble to the bomb shelter, with Meir’s music still coming out of the phone.
Six months later, I had two suitcases, and an apartment with a lease in my name waiting for me in Jerusalem. Everything else was up in the air. As my flight dropped below the clouds and the lights of Tel Aviv came into view, I noticed that the Israeli guy next to me had started sobbing, and I could tell it had something to do with the music he was listening to. I peeked over at his iPod. Annie’s Song by John Denver. Weird. I put on Bernard VeLouise. By that point, Meir’s music was no longer foreign to me. It was a comfort, a constant, when moving halfway across the world was full of so many variables.
A few years ago, an Israeli winery put out a limited edition Meir Ariel series of wines that featured illustrations found in his notebooks on the label. I wrote the song “The One Who Shines, The Lion of God” on a hot July evening in Jerusalem after polishing off a bottle. In English, the name Meir Ariel can be translated to “The One Who Shines, The Lion of God.”
___
Keep up with Ben Fisher – and keep your eyes peeled for the release of Does The Land Remember Me? – here.
by Meredith Schneider | Jul 3, 2018 | 5 to 7
Punk folk outfit Mike Llerena & The Nerve recently released an album titled Old Haunts & New Horizons, and we haven’t been this thrilled in a hot second. First of all, the unique blend of genres is incredibly striking. Second of all, the journey they take you on over the length of ten tracks is indescribable, and absolutely perfect for a summertime release. Take a listen to it below, then read on for our short, fun interview with Mr. Llerena himself!
What was your first musical memory, or the first album or song you heard? Do you think that has any bearing on who you are as an artist now?
I think my first musical memory would be hearing The Beatles in my house as a little kid. My first concert was actually seeing Paul McCartney solo when I was about 10 (setting the bar high!), but before then I had been hearing those songs for as long as I can remember. Like a lot of musicians, The Beatles have remained a fixture in my music library and their influence permeates my approach to songwriting and arrangement, even if I don’t always realize it.
I know you’re from Gainesville… do you think being from Florida has helped shape your sound, or do you think you’d be playing the same type of music had you originated elsewhere?
While I certainly have a lot of influences that aren’t specific to Florida, growing up here certainly played a role in me discovering and embracing certain bands. If I hadn’t moved to Gainesville and played music for years here, I would probably still like Against Me!, Hot Water Music and Tom Petty, but living here definitely makes you feel more of a kinship with those bands and artists.
Your upbeat single “Crossfire” was a great intro to the new album. What inspired it, specifically?
“Crossfire” had actually started off as a slower, acoustic song (with harmonica parts on it nonetheless) before I adapted it to the faster, louder full band version that we play now. The lyrics of the song deal with the anxiety of feeling caught between two opposing sides in an argument, going through various stages of identifying with one side’s argument over another and trying to find your own place in that conversation. Whether you’re dealing with this on a more personal level or observing it in the current state of political discourse in the U.S., the lyrics of the song can apply to different situations.
What was the production process like on Old Haunts & New Horizons? Any fun anecdotes?
We spent about a year recording the album. During that time, we formed the band, played shows in and out of Gainesville, kept recording in the studio, and lived our day to day lives outside of the band. Our engineer Jared Pennock (Z-Chord Studios) co-produced the album with me. He also co-produced and engineered my last two solo EPs as well. Working with him a third time was great because we have a sort of established shorthand with each other after recording together for so long. A lot of cool things can come out of working with someone you’re comfortable with in the studio: the spoken word intro on “Last Words”, the tape machine intro on “The Catharsis”, ideas like that are facilitated in that type of environment and it makes for great moments on the record.
How do you want fans to feel after listening to the album in its entirety?
Above all else, I just hope people like the album. Being on the other side of the process, I feel like each listener can and probably will feel different things after listening to it. The album may mean one thing to me, but it may mean something else entirely to a listener. I wrote the album and sequenced it in a way so that the songs tell somewhat of a story from start to finish. It’s a loose narrative, but at its core, I think it’s about a young adult reflecting on where they’ve been been, where they are now, where they’re going, and how all three of those things are connected. The bittersweet nature of nostalgia is a prevalent theme on the album as well.
On a broader spectrum, what drives your passion to create music?
I’m always writing songs. In some ways, writing songs on a regular basis has helped me document the last few years of my life. A lot of musicians say this, but songs and albums are like snapshots in a way, windows into significant moments in your life that you can reflect on long after they’ve passed. For me, writing songs is like a necessity that needs to be fulfilled, like having enough oxygen. Whether I become successful playing music or not, I’ll always write songs in some capacity. It’s something that I love doing.
If you could be any superhero – “existing” or made up – who would you be and why?
While Batman is my favorite superhero, I would have to pick Spider-Man just so that I could experience swinging from building to building several stories above the ground. Exercise is important and web-swinging sounds a lot more fun than running on a treadmill.
___
Keep up with Mike Llerena & The Nerve here.
by Meredith Schneider | Jun 21, 2018 | 5 to 7
Dallas, Texas-based musician Garrett “Sleepy” Zuhoski released his debut album Better Haze this month, and if you haven’t yet gotten a taste of it, you’re missing out. That’s not just a simple statement in our eyes – as we’re sure you know, of course – but a testament to how truly enamored we are by his genre-bending style. With each line comes an array of influences, leaving the listener constantly questioning what’s to come. What’s more? The album in its entirety is perfect for a lazy summer day, the recent video for “On a Cloud” all-too-entertaining to miss.
Good news? We’ve got the video and Better Haze in its entirety to share with you, so you don’t have to go searching far and wide for this goodness. We also got a hot second with Garrett himself, so read on for more fun!
What was your first musical memory, or the first album or song you heard? Do you think that has any bearing on who you are as an artist now?
I remember listening to Bob Dylan a lot as a kid. The first time I ever thought a song was beautiful was These Are Days by 10,000 maniacs. Those both probably influenced me quite a bit. I still just want to make beautiful music, but love a gruff matter-of-fact delivery.
After all these years sitting on some of your work and working with other bands, what made you so keen to work with Salim Nourallah when the opportunity arose?
He offered to put me in a real studio and press vinyl haha. I mean, his reputation preceeds him in Dallas. I have been aware of his various projects for about 10 years and know several bands who he’s produced. I knew I was in good hands.
Better Haze is jam packed with a variety of sounds and nuances. How do you want fans to feel after listening to it in its entirety?
I love whole albums; albums as journeys. While I wasn’t really ready to do a proper “concept album” or really have a premeditated flow to it, I want people to feel like they were taken on a pleasant musical tour. I really enjoy making mixes and thinking hard about the flow of a collection of songs. I guess it has less to do with having a specific feeling in mind, I just want a satisfying collection of songs.
“On a Cloud” is such a fun and mysterious music video. What was the production process like on that music video?
Well, that was really all Weird Life Films. The label contacted them about making a video, and they pitched us the idea. We kinda just let them do whatever they wanted. They submitted the idea and we basically just said “go for it” without making any changes. I feel like it’s important to have trust in collaborators. I am not a film maker, and haven’t put much thought into that type of creative outlet, so I pretty much tried to leave it up to the experts. We were so pleased with the outcome that we worked with them on a second video (out soon) where we gave them free reign again to great results.
On a broader spectrum, what drives your passion to create music?
Honestly, I usually write songs to soothe anxiety. Thats probably why my songs have a darker depressed feel, even though people generally refer to my actual personality as goofy and cheery. I feel like theres a natural high that comes from performing music you love. I make music to feel good about myself.
If you could be any superhero – “existing” or made up – who would you be and why?
Oh dang, I’m really not a superhero kinda guy. Maybe be a Doctor Who companion, or Finn The Human.
Keep up with Sleepy Zuhoski here!
by Kayla Hutton | May 31, 2018 | premieres, singles, wolf tracks
Michael Kight grew up in Dublin, Georgia, playing guitar since age 12. Influenced by Motown and Elvis as a child, he later came into his own inspired by the sounds of 90’s R&B. Always having a deep-rooted passion for music, he moved to Nashville and played with several musicians as well as took up producing. Wanting to break out and establish himself he auditioned for The Voice. Before auditioning for The Voice, he played guitar for Season 3 artist Amber Carrington. Now it’s his time to shine and front the show with his single, “Clear”, and we have the exclusive premiere. Here is the scoop on the sound of the new single.
“Clear” begins like a true R&B hit. Smooth and soulful vocals with soft jazz keys. As the intro transitions to verse joining the mix is a laid-back hip-hop beat and a slow romantically grooving bass line. Michael has a great mid-range voice that may throw some listeners as he sounds extremely ethnically cultured. He can also hit those high notes without any breaks, shakes, or vocal strain. Pre-chorus he is accompanied by reverse synth notes, finger snaps, and excellently placed vocal overdubs. The bass and drum find perfect harmony as they pump and pulsate like a beating human heart. It’s a deep punch as they strike, but it’s not overpowering to the song. It’s the right amount of slow jam and subwoofer teasing bass.
While the lyrics are semi-romantic asking a girl to be clear in her intentions, it’s pretty clear she caused a little damage. Enough to question if it was real, to begin with. It’s a real question as he states “even if hurts.” The midsection has a creative synth replicating jazz horns. The build is subtle and the song comes back in in a way that is refreshing. Allowing the music to be felt before slowly fading away.
It’s been made very clear that Micheal Kight has the vocal range, instrument and producer skill, a lot of experience in the background and is now ready to take and own center stage.
Find more details on his website and don’t forget to follow him on Facebook for more.
by ImperfectFifth | May 1, 2018 | soundtrack
Brooklyn-based indie funk/rock act Cosmonaut Radio – consisting of Austin Deyo (drums, back up vocals), Russell Castiglione (lead guitar, back up vocals), and Freddy Millan Jr (lead vocals) –
Austin:
Peg-Steely Dan – Could’ve chosen any of their songs honestly. And although we don’t sound like them (I don’t think anyone ever will), the way they wrote music, and found success with strange vocal melodies and crazy jazz chords is inspiring.
The Chicken-Jaco Pastorius – Arguably the best ever, this song paved the way for fusion music and bands like Snarky Puppy. It’s so catchy and the band is so top notch.
Thing of Gold-Snarky Puppy – Some of the best music I’ve ever heard, and the Moog solo will change your life.
Sharon Jones and the Dap Kings-100 Days, 100 Nights – Brooklyn based, funk revival, powerful vocals, groovy horns. It’s the best of like 5 different kind of musical genres combined. They’re one of the biggest reasons that funk and funk based music is popular again.
And I’m Telling You I’m Not Going-Jennifer Holliday – Jennifer hudson’s version is also impressive. This song is so epic. Musically, it’s interesting, and complex, vocally, it’s out of this world.
Love On The Rocks-Sara Bareilles – I love everything Sara Bareilles does.
Miss You-The Rolling Stones – This is one of my favorite songs, and we used to cover it. I put it on this list because it also symbolizes the end of “The Cosmonauts” and the beginning of Cosmonaut Radio. Although rock, and more specifically, blues, will always influence our music, this new record is an evolution and graduation to the next level for us. And I know you can’t graduate from the stones, but this song specifically signifies the next chapter for me and and for the band.
Another Kind of Green-John Mayer Trio – Steve Jordan, Pino Palladino, and John Mayer. Come on. The pocket is as solid as solid gets. And everything else about this song is fantastic.
Freddy:
1. “Daylight” by Failure
“Daylight” is a weird but great song to jam out to while pondering life and the universe, and it serves as the final song (and bookend) to my favorite album of all time.
2. “Dance, Dance” by Fall Out Boy
The song that originally made me want to join a rock band, the appeal of “Dance, Dance” is right there in the title, with an energy and style that always makes me want to get up and move.
3. “Ogre Battle” by Queen
One of the best songs by one of the best bands of all time, “Ogre Battle” is a microcosm of everything that made Queen great: experimental yet catchy songwriting, intensity and energy bred from tight and layered musicianship, and the inimitable vocal stylings of Freddie Mercury.
4. “Emotions” by Mariah Carey
What else can be said about Mariah Carey? Her insane range and riffing abilities were big inspirations to me as a vocalist growing up, and this song is a showcase of those talents at their peak.
5. “Greedy” by Ariana Grande
Ariana Grande is one of very few A-list pop artists right now who I think is bringing anything interesting to the table, and this song combines her pop, R&B, and theater sensibilities, powerhouse voice, and knack for insanely catchy hooks and key changes into something that’s arguably better than any radio single she’s ever released.
6. “Run Away With Me” by Carly Rae Jepsen
Carly Rae Jepsen is what I wish more radio-friendly pop sounded like, and “Run Away With Me” perfectly tinges her overt sentimentality with slightly more melancholic tones to produce a song that’s somehow both romantically fleeting and timelessly grounded.
7. “Dorothy Dandridge Eyes” by Janelle Monae
As far as I’m concerned, Janelle Monae is almost single-handedly carrying on the musical legacies of Prince and David Bowie in the mainstream, and she’s doing justice to both of them. I debated between a lot of songs to put here, but few songs demonstrate Monae’s effortless cool and subtle sensuality as well as this one.
8. “Starship Trooper” by Yes
Yes is one of my favorite bands to put on and just chill out to, and “Starship Trooper” puts their unusually long song runtimes to good use by constantly changing while remaining consistently catchy and engaging from start to finish.
9. “Glory Box” by Portishead
I love Portishead because they are a seemingly very sad band with certain songs that speak to an inner torment that I never knew I had, but I decided to go with the vaguely more upbeat closer to their stellar first album.
10. “Fortress” by Queens of the Stone Age
I’ve always liked Queens of the Stone Age, but I was not expecting to love their newest album as much as I did, and this song about vulnerability and getting back up when life knocks you down is definitely one of its many highlights.
Russell:
1. People Get Up and Drive Your Funky Soul – James Brown
This song has definitely influenced me as a funk guitar player. It was one of the first James Brown songs that I fell in love with instantly.
2. What A Fool Believes – Doobie Brothers
I love this song because Michael McDonald has a hauntingly amazing voice, the harmonies are killer, the key change into the chorus is a lovely change, and the song itself is so happy! I could have the worst day, listen to this song, and instantly feel better.
3. Reckoner – Radiohead
This is my favorite song from Radiohead at the moment (it changes). Thom Yorke is a huge inspiration for me because of his high falsetto range and the melodies he chooses over the band’s interesting chord progressions.
4. Skate U – Snarky Puppy
This song has an incredible build up with great breakdowns and solos, one of the best by this band in my opinion.
5. No Quarter – Led Zeppelin
This is my favorite band of all time so I had to include this. This song in particular captures the expertise of each member so well and is just really a beautiful/powerful song.
___
Keep up with the band here.
by Meredith Schneider | Dec 7, 2017 | 5 to 7
Just last month, Massachusetts-based indie pop/punk rock four piece Kindling released a particularly impressive and instrumentally heavy 10-track album titled Hush. Though the intro to a lot of the tracks starts in a different soundscape, eventually the meat of most of the songs hits with multiple guitars that create an almost cacophonous ambiance around the chorus of vocals. It’s quite the experience, and while we certainly suggest showing off your dance moves while enjoying the album, we also kind of hope you have access to a starry night sky, dope lawn chairs, and string lights to enjoy “Rain”.
We got the chance to catch up with vocalists/guitarists Stephen Pierce and Gretchen Williams shortly after the release of Hush.
What was the first album or song you remember ever listening to, and who introduced it to you?
Stephen Pierce: I don’t know exactly the record, but my parents were always listening to a lot of British Invasion stuff —
Yardbirds,
The Animals,
The Kinks.. My dad liked the
Stones and my mom liked
The Beatles. There’s in particular this one tape my dad had of The Yardbirds’ BBC sessions that is seared into my consciousness, right down to the hammy BBC announcer’s voice.
Gretchen Williams: When I was about seven or so, I had a camp counselor that had my troop perform the
Shangri-Las‘ “Leader of the Pack” in a talent show. Naturally, I was assigned to be part of the motorcycle gang and made a construction paper leather jacket to wear. I really loved the sound and doomed-love-story subject matter as a kid, and played my cassette of the recording a lot at home.
What is the Kindling origin story?
Gretchen: In the winter of 2014, Stephen and I formed Kindling after he asked me to contribute to a few songs he’d written. Initially, we didn’t really have a sense of where we might be headed; we just wanted to write a bunch of catchy songs quickly. Our demo was just the two of us, and we subsequently self-recorded a 7″ before recruiting others to the band.
How would you say you’ve developed your sound and your relationship with each other since your first EP?
Stephen: I think Hush is definitely bigger and more ambitious than the previous stuff, which was probably bigger than the stuff that preceded that… Each recording we’re one step closer to being a fucking prog band or something. But seriously, the more ya work at anything, I guess the more comfortable it’ll feel, and I feel pretty comfortable these days with the band, from our process to our songs to how I communicate with my bandmates – communication hasn’t always been an easy thing for me. But, like: You figure out what works best for everyone, and try to do things that way.
Gretchen: Despite a lot of the lyrical content of Hush focusing on uncertainty, I think we’ve found a little more confidence on this record. We reached for a bigger, more complex sound and integrated some new instruments (mellotron and sitar appear on a few tracks throughout the album).
What is your writing process like? Do you start with a melody, start with concept, brain dump lyrics? Take us inside it all!
Stephen: I usually sit with a guitar on the couch and just, like, watch tv and if something good appears, I’ll hit mute on the tv and record it on my phone, then revisit it at the practice space, or sometimes maybe just, like, loop it and vibe it out. Lyrics come afterwards, usually I’ll demo the instrumental stuff with Andy, our drummer, and spend a lot of time listening to the instrumentals while, like, riding my bike or something. Then Gretchen and I will work on vocal phrasing and words. Or we’ll have ideas and throw them back and forth between each other, usually what we come up with is pretty similar.
How do you imagine people listening to this album?
Gretchen: Late at night when you can’t sleep; or on a long bus trip; or walking through the woods; or just trying to get through the day — basically any time you might feel a little bit wistful and restless.
Stephen: I like the thought of Hush playing annoyingly loud while quitting yer shitty job, or something. Tell off the boss in a giant spectacle with the assistance of Hush.
Who is your favorite superhero? Substantiate your claim.
Gretchen: The only comic I ever read growing up was Archie, so I guess my favorite superhero is Jughead? He always seemed pretty impervious to the stresses of modern life in Riverdale–a trait I admire.
Stephen: Spider-Man, because he was such a loser and I find that highly relatable.
What is your favorite word?
Gretchen: Probably a toss up between “somnambulance” and “goblin.”
Stephen: Mine is “Goblinambulance”
Perfection. Anything else you’d like to add?
Stephen: Thanks so much!
___
Hush is available now. Keep up with Kindling here.
by Meredith Schneider | Oct 14, 2017 | 5 to 7
Maddie North is a New Zealander who has found her gorgeous self in Los Angeles, doing what she does best–making music. She released her first EP last year under the moniker of “So Below,” and we can’t get enough. Her music is ethereal, her voice tranquil, and her sound extremely unique. And then there’s her personality.
Maddie is a doll. We got to know her a little bit, and we’d like for you to know her too. Because she’s about to be a really big deal, and you don’t want to miss out. (Do you?) So check out this fun interview, and tell us what you think of miss Maddie (so) below!
___
If you could introduce yourself to our readers in any way, with money not being a factor, how would you do so?
Hahaha! I’m not one for being the centre of attention, OR parachuting, so I guess just a quick blurb.
Hi! My name is Maddie and I have a musical project called So Below. I just put my debut EP out about 2 weeks ago, it’s a sort of dark style of electronic pop! I like red wine and watching terrible tv. I put way too much sriracha on all my food and if I’m not working, I’m usually walking around the house in my pajamas, I know, I’m crazy.
You’re from Auckland, New Zealand. How do you think that has aided in shaping who you are and how you live your life?
Well NZ is such a great place to grow up I think. I feel like it’s quite a relaxed place, the people are amazing and nature and beaches are such a part of it too. Moving to Los Angeles I definitely had to live in a place that had some sort of backyard garden area. I knew if I was cooped up in an apartment I would go crazy hahaha.
We feel you on that one! How old were you when you started getting into music?
I started taking music more seriously about two years ago. Before that I just made crappy little demos on Garage Band, drowned in reverb and delay. I was always pretty embarrassed to play them to anyone hahaha.
Other than that I played piano since I was 5ish and was in a choir in high school!
We have all of that in common. (Seriously. All of it.) When did you head out to the west coast, and how has that experience been for you?
I moved to LA about 3 years ago! It’s been great, definitely took a while for me to find my footing though. My tracks “Luna” and “Sleep” are both about LA, in fact. Different aspects of it but definitely inspired by my time here.
Where did the stage name “So Below” come from?
I just wrote a ton of potential names down on a list and that was the one I liked the most! The funny thing is I’m also in another band called Space Above, and didn’t even see the correlation until a few weeks later when someone asked, “You did that on purpose right? Space Above, So Below?” Hahaha maybe I did it subconsciously.
That’s awesome! What do you find is absolutely necessary in the writing/recording process for you?
I really enjoy writing by myself, but it can sometimes be challenging. Its definitely easier when you have someone else in the room to bounce ideas off of. My friend Leroy Clampitt and I work really well together, we wrote “Drift” and “Luna” together and a bunch of stuff that I haven’t released yet. He’s just fun to be around and has a really positive energy which is molto importante. Coffee yes, always a must, and a good night’s sleep hahaha.
You describe your sound as “goth pop.” Who would you cite as influences for your music?
I wrote “gothpop” on Soundcloud for a laugh, and it sort of stuck. I’ve been a massive Radiohead and Nine Inch Nails fan for a long time, huge influence.
Great influences! If you could tour with any act in the industry, who would you choose and why?
Well, Radiohead or Nine Inch Nails?? Hahaha actually Grimes seems like a super cool chick, I bet she would be heaps of fun to tour with. Or Lorde, she’s such a lovely person.
And touring with those two would make sense with your sound. OK. We stalked your Instagram, and we see you have a sweet tooth. What is the best donut you’ve ever eaten?
I honestly don’t really have a sweet tooth, I don’t crave it. But hey if it’s in front of me, I’m not NOT gonna eat it I mean that’s just crazy talk. But there’s a pretty cool place called Donut Friend in Highland Park. You build your own dream donut. <3 <3
Bookin’ the next flight out! What are you currently listening to?
The new Moderat album is really great! It just came out, definitely check it out.
What are your favorite things to do/places to go/people to see in New Zealand?
I honestly haven’t really travelled around New Zealand! So I can’t give a good answer to this hahaha my bad. Its definitely on my to do list, but every time I go home I just want to hang with my family and friends in Auckland.
Fair enough! What do you do when a baby just stares at you in public? (Yup. Bizarre question. Owning it.)
Ummmm I’m not super great with kids, and I feel like they can sense my fear sorta like how dogs can hahaha. I guess my immediate reaction would be look away??
We’re cut from the same cloth. What’s the best video/movie/TV show you’ve seen lately? Why?
I saw a film last week called The Lobster it was really great! Its got Collin Farrell in it who is one of my fav celeb hotties. Although in this movie he’s not looking tooooooo great hahah.
We have been wanting to see that! YES. Your voice is absolutely gorgeous. Ethereal, really. This makes us wonder: if your music were to be featured in a movie or television show, which one could you imagine it as a background to?
The one that offered me the most money obviously!! Haha JOKES umm I’m a big sci fi fan, so maybe something like Ex Machina, or Under The Skin. TV shows maybe Girls? Or True Detective? Not sure if it’s a good fit though.
We kind of want to hear your stuff everywhere, though! What’s up next for SO BELOW, darling?
Maddie: Live Show!! I’m super excited but also hella nervous. I’ll probably invite people to like my 3rd show, by then I would have fallen on my face and forgotten all the lyrics a few times, so it will be out of my system by then hahaha.
___
Find out more about So Below on her Facebook page, Instagram, and Twitter. Plus, her SoundCloud is pretty rad!
**Originally published on Moshery, April 2016
by Meredith Schneider | Oct 12, 2017 | 5 to 7
Los Angeles-based indie pop duo (and real life couple) KiSMiT – Carly Barnette and Basti Reunert – has been blowing minds with their latest release, a 70s-inspired track titled “Cosmic Love”. So you know “we struck gold” with the music video for the track, which also plays off the nostalgic nature of the song. Carly and Basti spend the majority of the video making eyes at each other, frolicking in the desert in vintage-inspired outfits, layered in with shots of the two playing the song as if on a variety show. But whether they’re covered in glitter and seemingly glowing, transposed over images of the universe, or dancing around outside, these two are encouraging positive, fun, adventurous love with this video.
We were in such a good mood after watching the video that we decided to ask the duo a couple of questions about it all. So check out the video below, and then learn more about your new favorite power couple!
What is the first song or album you ever remember hearing, and who introduced it to you?
Carly: Definitely Jewel’s ‘Pieces of You’ – I knew all the words at 5 years old. My mom (going through a divorce at the time – shocker there!) had it on repeat in the car growing up. Something about her raw emotions just touched my little baby soul – #everydayangel (her super fan hashtag in case you didn’t know) ’til I croak. The album followed me throughout my life – first concert, first one I played at the piano – I look forward to the day I can look her in the eyes and thank her for her imprint on my life.
Baz: First album or song ever is a tough one to remember. The first song that I remember really catching me is ‘Hotel California’. It is a saga of a song not to mention the EPICALLY MELODIC GUITAR SOLOS!! My great uncle Freddy showed it to me on our drive from Palmdale to Santa Barbara, which, at 8 years old, was an epic journey of its own.
Your new video for “Cosmic Love” is so fun, and it has such a beautiful warmth to it! Where did the concept come from, and what was filming like?
Carly: Thank you! We had so much damn fun making it – I’m thrilled that that comes through. It’s our first music video so it was a labor of love from start to finish. I’ve always dreamed of doing a music video and to have been able to make it happen with some of my favorite people was just beyond magical. I had the idea for the lyric “we wax and we wane – I just want more of the same” and thought of us sleeping – how we might start spooning but then roll over onto our backs or snuggle the other way and it fascinated me from a birds eye view that it mirrors the moon cycle.
As “Cosmic Love” came to life musically that idea always lingered at the back of my mind. All of the music video brainstorming happened with Alex Cantatore (www.quickactcasual.com), our director / dear friend / upstairs neighbor at the time. We would lounge around in our apartments or chill out in the backyard and shoot ideas across at one another. Nothing was too big or crazy or extravagant and that was exhilarating!
Baz: Having alien-planet-looking parts of California (Mono Lake, Red Rock Canyon, Death Valley) as such a blessing for our outer space ambitions on a shoe-string budget.
Carly: Two worlds started to form: Our “SuperStar-Selves” (the best parts of our love: sexy, confident, fabulous); & Pleasant-ville meets desert – Desertville (the day-to-day, mundane and less flattering but very real flip side to a loving relationship). This first music video presented an opportunity to share another side of us. We wanted to be as honest as possible with the partnership we are putting on display – it’s magic and muddy all wrapped up into a a beautiful mess.
What inspired the track itself, if we might ask?
Baz: Sonically, it comes about from a mixture of sounds inspired by Allen Stone’s Freedom (Alternate Version), Andra Day’s Mistakes and Daft Punk’s Get Lucky. (Pharrell, if you’re reading this, you better not come after our money! We didn’t steal your song!) Lyrically, ‘Cosmic Love’ is derived from us wanting to remember that the day-to-day of loving and working together has many twists and turns, warm and cold moments and all of it is part of the ride.
Carly: We wanted to make something that was bursting with love and vitality from the first beat, that, most importantly, made me move. If my booty is shaking, there’s definitely a smile on my face and that was important with this new direction of our music.
How do you imagine people listening to this track? (In an armchair, surrounded by flowers in a meadow? In an airplane with cotton candy clouds? Sitting at a BBQ? You can get creative here if you want!)
Baz: I picture people who are on the move listening to the song: in their car, getting ready to go out, exercising.
Carly: Such a fun question – I hope people are listening to it while they are making dinner – bottle of wine open, dancing in the kitchen -that sort of vibe. Also, before you’re going out – a social, pump-up vibe would make me reaaaaally excited. I know my grammy listens to it on repeat while she drives – so in the car for sure (#sola) okay okay subway too!!!
Any pet peeves or interesting stories you’d like to shed light on about each other? (We want all your secrets!)
Carly: Oh DANG – first time we’ve been asked to spill the dirt! After 5 years of living and loving together, I think I can divulge just one…. homeboy sleeps with earplugs (such sensitive angel earbuds) and when I wake up in the morning, they are always near me, around me, on me, without fail like stickers on my body – really haven’t vented about this, thanks for letting me get it out. Baz, you’ve got to work on that situation. But, if that’s the top of the list of annoyances, I would say,”Hell yeah! I’m a lucky gal.” Interesting story about Baz, that his modest South African self would never share and one that continually blows my mind, is that he picked up the guitar with serious interest and investment at 16. Like whaaaaaaat!?! I am so inspired by his dedication to his passion. He is always down in the studio in soft pants slapping da bass or producing or findling on the guitar and that is something I admire so much!
Baz: Well, I’m beaten for age by Carly’s flawless performance as Annie, with a 101 degree fever, at age 9. Her gran sent us the DVD of the performance and the sparkle has always been there. (Car, while you are sleeping tonight I will be sure to rest the earbuds on your eyelids.)
What’s your opinion on the modern music industry?
Baz: It is constantly evolving, especially how people are digesting music. The ability that everyone has to get their music heard and to find their audience is unprecedented. The niche markets are able support more indie artists than ever before. The major challenge is, of course, in that music streaming has greatly halted the flow of money to the artists, but when there is change in the weather, you best adapt and get on with it, the world isn’t going to stop for you. Again I’ll say, the major pro of the modern day music industry is how easy it is to connect with people of similar taste around the world.
Carly: Yeah, I will second the positive wind in our sails. It’s daunting to be investing in a career where the return isn’t guaranteed. So much of the conversation is the same “no money in music”, which I understand that that’s the truth but my mom started her own business when she was pregnant with me (talk about inspiration) and has always preached that when you are doing what you are meant to be doing, support always comes, I really believe that. I think in a lot of way it’s a super empowering time to be in this industry – no more waiting around for someone to find you or holding your breath for luck. Do the work, get your music & content as proud of it as you possibly can be, get it out there and what is meant to be will be.
However black & white as the social media “highlights reel” may seem sometimes – I think we are also getting to a point where if you are fake, it comes through. As an artist, there’s no hiding behind an image because daily you are sharing what you ate for breakfast, how you feel, who and what you support. It’s overwhelming and I need to unplug on the regular but I don’t think we even know what we are living through yet!
On an emotional level – our country, world, humankind is hurting right now, every day we put on our armor to the outside world that feels like it’s falling apart and to be contributing music as a soundtrack through these scary times, is something I am so grateful for.
Anything else you’d like to add?
We have a new single ‘Panther’ coming out later this month – the second release off of our upcoming EP coming out next February as well as an upcoming show at Harvard & Stone in Los Angeles on November 21st at 10pm. Thanks so much for taking the time & interest to share our story!
___
Keep your eyes peeled for “Panther” and updates on KiSMiT here.
What are you currently listening to?