by Meredith Schneider | Nov 29, 2019 | singles, wolf tracks
It’s been quite the year for powerful female vocalists. We’re totally on board, and it doesn’t look like a trend that is going to let up anytime soon. Take fresh Norwegian songstress HALIE, for example, with her new track “Circling”. Equal parts mysterious and beautiful, this song really takes you to a dark, oftentimes emotional, place. Her immense talent is palpable, as she is just gaining her footing in the industry. This song is simply one of a handful of singles she has released in the past. Let HALIE’s vocals put you in a trance today by putting the track below on repeat.
Keep up with HALIE here.
by Meredith Schneider | Nov 26, 2019 | videos, wolf tracks
You’re into mid century modern decor, correct? I mean, aren’t we all? Especially after Marie Kondo helped us clear out our closets last year, and Bobby Berk started re-designing them! Well, imagine what you love about that style. The simplicity, the boldness, the beauty. This is what experiencing Cayley Thomas‘ music is like. Her vocals are delicate, yet wide-ranging, the emotion put into her work most palpable. “Midnight Hours” is no exception, and the music video is just as luxurious as our decor dreams. An emptiness is felt, encouraged by the vocals but entirely detectable in the video, yet it is alongside a beauty we cannot shake.
Take a moment to appreciate a gorgeous voice and a captivating music video below.
Keep up with Cayley Thomas here.
by Meredith Schneider | Nov 25, 2019 | snapshot, visual
On the chilly evening of Thursday November 21st, Chase the Horseman and Whoa Dakota entertained an enthusiastic crowd at The Brick in The Crossroads district of Kansas City, MO. To experience either is an absolute joy, but we will always sing the praises of Whoa Dakota. The project — championed by singer/songwriter Jesse Ott — is so much fun to watch. In fact, this is an act we urge you to see live. Though the song recordings are incredible, they still give no justice to Ott’s far-ranging, angelic vocals, the true instrumental leader of the project. If you get a chance, check them out next time they’re through town!
Keep up with Whoa Dakota here.
by Meredith Schneider | Nov 22, 2019 | videos, wolf tracks
KP Wolfe introduced herself to the world this week as a vocal powerhouse with the music video for her single “Take Back The Ring”. Grit pours from her lips as she energetically sings about heartbreak. The video itself is pure drama, shot in low light gorgeousness. Equal parts attitude and natural beauty, the song itself is highly relatable. The next breakup anthem, perhaps?
We’ll be belting out “Take Back The Ring” for the rest of the day.
Keep up with KP Wolfe here.
by Meredith Schneider | Nov 15, 2019 | albums, review
Breezy, ethereal vocals. Light as a feather instrumentals, a warm and inviting soundscape. All of these factors are involved in VanWyck‘s newest full-length release, out today. The project, titled Molten Rock, is comprised of twelve impossibly beautiful tracks, inspired — in part, at least — undoubtedly by the folk of yesteryear. A slow, steady pace is established with first track “Supermarket Line”, and continues into “Lead Me On”, while “Rock Carver” brings with it more assertive instrumentals and a raspier take on the vocals.
“Make of Me” slows everything down to a crawl, gorgeous and sprawling in its soundscape. It is here that we take pause, to realize how important it is to note the comparisons to Leonard Cohen and Nathalie Merchant that VanWyck’s debut album drew, and to notice the way the music has evolved in the space and time since that album was released in 2018. As we roll into “Carolina’s Anatomy”, we feel an attraction to a new love the way this song seems to convey.
Have you ever been this close to feeling no remorse
and being where you want to be
“High School Gym Wall” is even more delicate than its predecessors, something we never would have guessed by its title. Haunting in a way that impresses, it perfectly introduces “Be It to the End”, which brings with it a darker, more theatric atmosphere. “Breakfast Room Revelation” is layered, a ballad of sorts that holds as one of our favorites from this collection.
“The Boatman Calls” and “Like an Ambush” are both solidly beautiful tracks, leading into “The Rock Steady Creeper” which is also impossibly relaxing in its disposition, despite the title. VanWyck expertly rounds out the album with twelfth and final track, the title track, which has the sonic feel of witnessing molten rock cascade down a landscape. The lyrics are descriptive, painting an intense picture, comparisons we all have the capacity to feel.
This album, if nothing else, urges you to feel. Whether by its intense and relatable lyrical content, or its lavish soundscapes. Experience it in full below, and let us know how you feel on Facebook!
Keep up with VanWyck here.
by Meredith Schneider | Nov 11, 2019 | premieres, videos
Life has dark corners and crevices that aren’t always easy to navigate. But — with a sense of empathy and open-mindedness to the darkness and the people around you — it can be incredibly rewarding. Up-and-coming pop/R&B extraordinaire Bravo effortlessly displays this in the new music video for single “Skyfall”. The song itself is smooth and assuring, while the visual provides an interesting and relatable peek into Bravo’s own escape into music. The video is inspirational, sobering yet beautiful, and exactly what we need in as we venture into these cold, dark months.
After all, “we’ll be alright.”
Keep up with Bravo here.
by Meredith Schneider | Nov 8, 2019 | singles, soundtrack
November has been gorgeous, transitional, and… rainy. The new music being created, recorded, and released has run the gamut in emotional content, and has kept us in our feels. We’ve begun to gather some of our favorites in our “November Rain” playlist, inspired by — of course — some well-known lyrical content. Check out some new tracks below, and make sure to come back and visit all month for more new gems!
Stay tuned all month, and be sure to subscribe to our Spotify channel for more!
by Erin P.S. Zimmerman | Nov 4, 2019 | show review, snapshot
The end of October brought with it more than just a weather cool-down. As we started to bundle up for the winter ahead, we took time to pause on a breezy Autumn evening to celebrate the last 2 years of accomplishments with Imperfect Fifth. We were lucky enough to partner with Do Good Co., an incredible company on 38th Street in Kansas City, MO, who was also celebrating their 2nd birthday that evening. Together, we brought in vendors (Sugar Buffet KC, Scorpio Rising Botanicals, Crystal Ramirez Jewelry) and unique shopping opportunities with an evening of music and fun. Guitarist James Schneider opened the evening, followed by the talents of Danza Special and Fathers. We captured some photographs, caught up with friends, and were able to celebrate some incredible people locally, to boost our change globally.
Check our merch shop all week for discounts! Sales end at midnight, 11.11!
**photos by Erin P.S. Zimmerman, Elizabeth Schneider, and Meredith Schneider
by Meredith Schneider | Nov 1, 2019 | albums, review
Christine Smith is a songstress capable of bringing both a hint of gothic-inspired sounds and inspired lyrics. Her new 9-track release Meet Me on The Far Side of a Star is no different, catapulting its listener into a slightly whimsical existence. Starting out slow and steady, an absolute ambiance is created with “This Love”. The piano leads the way into “You Can’t Hurt Me Anymore”, and an ear that has never witnessed Smith’s music can sense a very theatrical disposition almost off the bat. And perhaps that’s the magic about Meet Me on The Far Side of a Star, as it feels as though all of these songs could be written into a stage performance. Both “Trying Not to Fall in Love” and “Happily Never After” could both be read as tongue in cheek, though the genuine attempt to avoid love is a real thing that many people grapple with.
“Feels Like Yesterday” brings the nostalgia in like a train at high speed, while the title track brings the tempo up slightly more than its predecessors. “I Know This Moon” feels like a lullaby, and wonderful caress compared to the other tracks that are part of this collection. It might appeal to the increasing number of people who are starting to follow moon cycles a little more closely, and become something almost sacred for some. “Very, Very” feels just as delicate, while “We’re Never Going” is the perfect final track, as there is a sense of finality not only in its title, but also in the structure of the instrumentals.
How wonderful to feel like this audible journey closes out as perfectly as it could. Enjoy the album in its entirety below, and be sure to let us know how you’re feeling about it on Facebook!
