As he prepares to unleash his fourteenth full-length release upon the world, folk-pop artist Richard X. Heyman brings us introspective new track “Choices We Make” just ahead of the 2020 election. As someone who hasn’t necessarily ever shied away from political commentary, this is one of the most directly political lyric videos we have seen leading up to Tuesday’s big event.
As always, we’re impressed with Heyman’s showmanship, knowing full well he is responsible for most of the instrumentals and writing for the entire track. This time around, he has enlisted his wife (Nancy Leigh) to play bass, Probyn Gregory (the Brian Wilson band) on trumpet and trombone, and Duke Guillaume on sax.
The track itself meanders along comfortably, asking the listener to dig deep for meaning in the choices they have made up to this point, as well as to consider future choices. Though the song does have an obvious political lean, it is something to keep in your back pocket when you have future decisions to think about. It breathes promise into your convictions, and brings a sense of strength to the process.
Check out the new lyric video below, and let us know what you think over on our Facebook page!
Rainy car rides in the fall could use more songs like Irene Skylakaki’s “Sutherland Avenue”. Complete with emotional lyrics and a gentle sway-like melody, it makes you want to embark on a journey of self-discovery of sorts, searching for all the answers as to how you ended up here. Maybe by the end, you will find what you are looking for, as suggested by how the track accelerates into a completely new world after the two-minute mark. It is a story of perplexity, maybe even frustration, about something you love ending and feeling like you have no understanding of how it happened. In her search for her own moment of clarity, she actually provides us with clarity as we are able to work to fully understand not her emotions that inspired the song, but our own emotions that become comprehensible after listening to it.
Irene says of her hope for the track:
I would prefer it if anyone who listens to ‘Sutherland Avenue’ connects with it through their own experiences. The lyrics to the song are quite self-explanatory and raw and after various tries, I insisted on keeping them as they are unsophisticated and honest.
As winter nears,Miloe wanted to shine a light on his brisk state of Minnesota with his new EP, Greenhouse. He wastes no time working up the sunshine, either. The opening track, “Winona” is a bright and optimistic tune that relies on youthfulness to give the illusion of summertime warmth. The opening riff of the title track is a perfectly ear-catching novelty that immediately draws you into the heaviness of life struggles. The driving rhythm makes for a soothing ride. With “Change Your Mind”, he sings about wanting to be with someone and is willing to sit around and wait in case they change their mind for him. It works as a sort of ditty, one whose melody alone brings a smile to your face.
The most beaming song is “Marna”, a musical love letter to somebody who seems to be the light of his life. The simple guitar strums once again bring out the brightness of Miloe’s craft. The final track is “Everything (That Should Go)”, the perfect outro that reveals his vulnerability to not only the person he is singing to, but also you and I.Greenhouse is a sonically bright album that does indeed shine a warm light on even the coldest of states. Beyond the brightness is a raw, real body of work about finding and understanding love, along with the many other complications that come with life.
As Jenny March gears up to release her EP, she steers right down the lane of 90s pop for her electrifying single, “All In”. This aesthetic comes from her growing up as a 90s kid, bringing to the table all of the music and style from the decade and allowing them to define her with this track, complete with the correlating visuals. Strengthened by the electronic music of the times, “All In” could very well be mistaken for the exact time period she’s aiming for, while also being strikingly analogous to current music trends. You get the feeling that you can conquer everything with the one you love, which is exactly what she wants her lover to know.
The use of a stomping beat and direct lyrics help get her message across that she is willing to go as far as she is expected to go. It is no doubt that March is capable of creating the power anthems we all know and love. From the ear-catching melodies to the fetching musical layers, there’s no reason this shouldn’t be on everybody’s next dance playlist.
New York City-based band, Imaginary People, are pleased to present their new single “1999 – Just Vote” as a public service message to encourage fans to get out and vote. You guessed right – it’s a Prince Cover and you didn’t know you need it until you listen to it. The accompanying music video has one clear message that’s delivered by Leila Rita, who stars as the uninspired yet serious voter of today. Leila is actually a family member’s niece, and as she holds her handmade sign for the entire duration of the video that reads “VOTE”, her serious glare is enough of a reminder of the many reasons to get out there and vote today.
The band originally had begun the promotional campaign of their third LP back in February. With the Covid-19 pandemic halting their original scheduled releases, fans can now expect the release of a few singles in the next coming weeks. The forthcoming album Alibi is expected in 2021. Fans can stream two pre-release singles now, “Hometown” and “Crazy Eight” on all streaming services.
About the song and video Imaginary People’s Dylan Von Wagner says:
Using an old unused cover of 1999 recorded years and years ago, I thought this song might be appropriate for the moment for election day in the current climate of shit show theater that we live in. We ended up with just one take which myself and my wife [The DP] had a tough time keeping a straight face for. We didn’t count on Leila’s spot on commitment to character and her unwavering sober glare. After one take, she said “I got it, I’m done with show business,” and walked off…..
R&B singer-songwriter Emanuel has released the visual for his chilling song, “Black Woman”. This visual proves to be both thought-provoking and chilling. Singing the praises of black women, it was created to celebrate and honor what they contribute to this world. It does so by showcasing the beauty of many different black women living their lives. This makes for an incredibly captivating and beautiful video that tells the stories of these different women simply through visuals. As the lyrics send shivers down your spine, each part of the visual manages to capture the feeling that the song strives to instill in each viewer. He is telling the world that black women should be admired and are worthy of more respect than they receive. In a way, it is almost like an apology that they are not treated with more respect. Emanuel notes:
Black Woman’ is about reconciliation and also a celebration—celebrating how strong our women are and how they hold us up. People might think this song was written as a response to the moment right now but it’s saying the exact same thing it was saying when it was written a year ago—‘I see you, I recognize you, I appreciate you and I love you.
Columbus-bred R&B talent I M a N I is coming at us with a sultry, gorgeous new video for her track “Pretty Boi.” Not only does this song perfectly display the artist’s insane proclivity for vocal range, it’s kind of the perfect track for a meet-cute at a (socially distanced) house party. (Or going through your scrapbook of memories and exes alone in your apartment with your cats. Whatever.) Explains I M a N I of the track:
This song has two phases, the love-struck phase and the heartbroken phase. In the beginning I basically explain how I’m “lost in a daze” with this guy, totally not understanding that he is only with me for his pleasure. The second verse goes into me “confronting” him, telling him my intentions while his intentions are easily seen. The guy is “pretty” but he is also a boy which displays immaturity. I knew this situation was pretty relatable and knew that there would be people who can relate this song to their life. I want the people who listen to “Pretty Boi” to understand their worth. You are definitely worth more than a “booty call”. Don’t settle down for Pretty Boys, settle down with someone who has the time and love for you.
The video was shot outside, gorgeous sunsets and greenery surrounding I M a N I as she captivates us all with the most vibe-worthy song of autumn 2020. (Seriously, read the Youtube comments if you’re not convinced. We are NOT the only ones fawning over her.)
The members of VALLEY have a strong work ethic and are perfectionists by nature. This shines through in the lyric video for the title track of their new EP, sucks to see you doing better. The video was released as part of a pair of visuals put out from the EP, the other being “homebody”.
Set on a high school track field, “sucks to see you doing better” shows VALLEY taking a more lighthearted approach to the visualization of a tune that expresses some rather heavy emotions about watching someone you love happier with someone new. The band are creative in choosing how the lyrics appear. Rather than simply displaying the lyrics using some magical postproduction software, they opt for a more personal touch, handwriting. Throughout the entire video, members of the band take turns writing the lyrics on the screen while the other members partake in various, sometimes silly, activities behind them. This makes for a viewing experience that you can relate to without having to get the tissues out. The song easily could have been a heartbreaking ballad, followed by a sad visual. Instead, the sadness cuts deep while still allowing you to let loose. Watching the song come to life only solidifies the notion that sadness can be expressed in seemingly myriad ways. It accomplishes their goal of bringing positivity into a negative, heavy world.
When Neon Dreams lead singer Frank Kadillac found himself suffering from insomnia, he turned to meditation. After using music to cope with the sadness for so long, he finally was able to use his music to shine a light on positivity. Now, they have an upcoming album titled The Happiness of Tomorrow. Included on the album is their new song, “House Party”, a magical alt-pop track.
Kadillac sings about his struggles with finding himself amidst the chaos of the party he’s attending. It is a highly relatable feeling, the one that enters your mind when you are sitting on a couch surrounded by people but somehow still alone. In capturing the way our minds wander when we are in stressful or lonely situations, “House Party” is not only a song that people can enjoy for all of its sonic glory but also one that people can turn on when they need to feel heard. Kadillac explains:
When I was a teenager, experiencing party culture for the first time, I wouldn’t really say anything and would just sit with my thoughts. But at house parties I’d meet these weird people like me, and we’d have these great conversations.
