by Tiffany Czech | Nov 10, 2020 | singles, wolf tracks
Foo Fighters have given us a first glance into their upcoming album, Medicine at Midnight, with “Shame Shame”, a foggy tune that brilliantly addresses the feelings of emptiness and the racing mind. The thought-provoking lyrics provide you with some level of ambiguity while staying in line with some general theme.
The track features all of the best that modern rock music has to offer. Equipped with a fiery guitar riff and hard percussion, it is no wonder the band are put on a pedestal of current rockers. The slow, gentle progression of the verses work as the perfect introduction to the song and the new era that fans are entering. That being said, the most defining moment comes during the pre-chorus. With just a simple recitation of the title, Foo Fighters prove that simplicity can go a long way.
The best thing about the band is that they don’t actually need to live in a past generation of rock n’ roll to be great. While the melody of the chorus is reminiscent of some timeless rock hits, sonically and lyrically, they are fully taking advantage of what modern music has to offer to perfect their craft.
by Tiffany Czech | Nov 6, 2020 | albums, review
From Kansas City comes pop-punk outfit The Way Way Back, and from them comes their album, Baggage or You’re Never Going to Leave it All Behind. This is a monumental expression of pain and bravery packed into seven tracks. “Baggage” may come without lyrics, but acts as a brilliant introduction to the saga. Opening with a shuffling of people in a crowded place before venturing into just the right punk melody at just the right time, the track welcomes you to the beautiful chaos. This transitions directly into the second track, “I Am Not Afraid to Walk This World Alone”, a heavy rocker dedicated to a former flame, perhaps from a place of discontent or even anger. The more stripped back “Kintsugi” has the acoustic guitar to thank for the perfect runaway song, which happens to be the subject of this ballad. The band keeps it relatively slow for “Bad Star”, the story of someone who is down in their luck and unable to get out of a dark place. The final track is “Waste Away”, which one could consider the optimistic song of the album. This is where we are asked what we’ll do with ourselves as life moves so fast. Perhaps, we don’t have an answer.
The Way Way Back may have included many elements of pain with this release, but what stands out more is the overwhelming elements of wonder and hope that are buried within each song.
by Tiffany Czech | Nov 6, 2020 | albums, review
Nomadic Firs was hard at work on another project when he decided to change course with the onset of the pandemic. That new project became his album, Memory Weeks, a glimpse of hope amongst all the hopelessness. “Captain Hammock” starts out with a simple guitar and lyrics about longing for something better. About halfway through, the guitar fades away as a sort of electronic interlude takes its place, perhaps as a transition to this better place. Moving on to “William”, we hear less melody and more of a narrative about seeking security and safety in turbulent times. It has sentiments of thankfulness for the ability to take a pause from life and just breathe, a departure from the previous track.
The electrifying “Planes in the Dark” sets a new tone for the album, offering listeners a chance to question their own perceptions. The seemingly endless synthesizers effectively suck you right into the world of the song. As the record carries on, the tones shift, including with “Ok Sleep In”, which brings you to a dreamland, perhaps one you would find when getting that needed extra rest. The final track, “DJ Preesh”, is a far contrast from the earlier tracks. Bringing the album and all of its pieces full circle, it takes us to the “something better” that we were longing for in the opener. Now, we are set free.
by Tiffany Czech | Nov 5, 2020 | singles, wolf tracks
Back in 2017, Algiers released “Cleveland”, in which lead singer Franklin James Fisher takes an opportunity to list the names of black people who were either killed by police or who had suspicious circumstances surrounding their death. Now, they have released a new, reimagined version titled “Cleveland 20/20”. Much like the earlier version of the song, it includes the names of black people killed by police violence, adding 232 names of victims that have been murdered since the original release. It begins with intense music, made this way by rattling percussion and a pulsating base. Fisher uses these moments to describe the violence exacted upon black people by police officers, creating a very poignant message. While it calls back to the uprisings of June, it makes the clear message that police violence against black people is no new issue.
The full reimagined version of this song lasts about an hour, making it not just a song, but an experience. It’s an experience that seeks to do more than just remember those who have been murdered, but also call attention to a real problem of injustice that, despite what some may think, has not gone away.
The band will once again take over Adult Swim’s Instagram account on Tuesday, November 10th at 2pm ET.
by Tiffany Czech | Nov 4, 2020 | albums, review
Wesley Schultz isn’t just the co-founder The Lumineers. He is a brilliant performer with the ability to bring songs to life in his own way. He proves this on his debut solo album, Vignettes. It may be shocking to find out that his first full length solo release is actually an album full of covers.
We first get to hear him take on Bruce Springsteen’s “My City of Ruins”. A more stripped-down version than the original, Schultz brings his acoustic style to the song and makes it feel like his own. His rendition of Coldplay’s “Green Eyes” bears some extra resemblance to the original apart from the lyrics, including the acoustic style that, when sung by Schultz, breathes a new life into the song. Perhaps the most breathtaking track is “Mrs. Potters Lullaby”, originally by Counting Crows. Complete with a slowed down piano and background violin, it is a far departure from the original. Another piano-heavy track is “Operator (That’s Not the Way It Feels)”, originally by Jim Croce and featuring a prominent guitar.
A cover album may be a gamble as a debut album, but Wesley Schultz made each track his own every step of the way. By creating a record composed of his greatest musical influences, listeners get an inside look Schultz as not only a musician, but as a person. Schultz says of the purpose of the album:
I was introduced to a lot of music through other artists, listening to their covers and then going backward. So part of this record is the joy of exposing something that you know is beautiful, while trying to make it your own so that they both can stand on their own two feet. It’s almost like you’re showing people your personal playlist, your inspiration.
by Sadie Battle | Nov 3, 2020 | videos, wolf tracks
Nashville’s indie pop scene songsmith Jessica Ott, who performs as Whoa Dakota just released the music video for her single “Baggage”. The song is all about establishing self-respect through vulnerability in a relationship. Her influence and purpose of this song comes from her realization of how many times in relationships, both romantic and otherwise, she had traditionally abandoned herself in order to make the other person more comfortable. Being completely open and honest with your partner can sometimes seem like the more difficult option. All too many of us might relate with the idea of making sure our partner is more taken care of than ourselves in a relationship. She focuses on changing these behaviors as she sings: “Is it cool if I set my baggage down / ’Cause I think you like havin’ me around / You recognize you don’t know where I’ve been / But you’re down to help me change the shape of it.”
Says Whoa Dakota of the track:
Allowing space in the allyship of feminism for the evolved man. Those men that recognize they will never fully understand what we as women have been through, but who make themselves available to listen and champion the women that they date, marry, work with, or are in friendship with – as well as women they may never encounter.
In the music video, Ott and partner Collin Gundry play a married couple who, to all outward appearances, are your perfect 50’s suburban template. Directed by Samantha Zaruba, the metaphor for vulnerability in relationships is played out by a housewife’s murdery secret and accidentally getting caught in the act. You’ll have to watch the video yourself to find out the fate of this relationship, and whether or not her baggage is too heavy. The spoofy macabre details of the video are contrasted by the gorgeous set designs featuring all the chic 50’s props and costumes. You can pre-save the track on your favorite streaming service, and follow Whoa Dakota on Instagram, Twitter and Facebook for updates.
by Tiffany Czech | Nov 3, 2020 | singles, wolf tracks
Pour yourself a glass of wine and get ready to hit play on Eliyya Lane’s hypnotizing new single, “Drippin’”. You will feel a rush of calm energy come over you as you indulge in this soothing ballad. It is almost as if it was created for the specific purpose of listening to it with lights down low on a cozy fall evening. Perhaps this feeling comes from the lyrics themselves, which seem to point towards Lane being in a euphoric state due to the warmness she feels being around the person she loves. That warmness translates from the speakers well, leaving you feeling wrapped up in the very same elatedness that overcomes her. This calm feeling could also come from the sonic world created within the track. This world includes haunting percussion and synthesizers that gradually intensify as they pull you further into Lane’s world throughout the duration of the song.
Lane has worked to craft a song that is perfect for a couple things. It is a great song to turn on when you are filled with happiness, especially if the source of the happiness is love. It is also just simply a much-appreciated relaxation tune. If you are looking to sit back and turn the world off for just a few minutes, Eliyya Lane has you covered.
by Elizabeth Schneider | Nov 3, 2020 | Featured, perspective
I have sent letters. I have donated to organizations. I have studied the issues. I have had discussions. I have listened. I have voted. I have worn a mask and socially distanced since March 15th.
Now, I will listen to music. On room speakers, not my earbuds. Albums, CD’s and downloads. Recorded live music and acoustic. Artists I have just discovered and artists that I have loved forever. R & B, folk, rap, heavy metal, dance, rock and roll. I will sing all the words that I know and hum the ones I don’t. I will dance, regardless of the genre. I will remember all of the incredible live shows I have attended and anticipate the shows to come.
Music is not a panacea for all the problems that we face. But today, it will help me through the day.
by ImperfectFifth | Nov 2, 2020 | singles, soundtrack
November is already off to a kickass start. We’ve got a lot of pressure in the first week of the month alone – and that’s only after enduring the insane energy from a blue moon, daylight savings time, and Halloween this weekend – so it’s ok to return to check out our favorite newbies as much as you can for some music therapy! The soundtrack includes Lowertown, Allegra, MIHI NIHIL, Bengal Lancers, Wa Wa Punx, Ludic, Jesse Ruben, Malvae, Alex Maas, and more.
