SXSW is finally upon us, and the digital experience is absolutely wild. Montreal-based 7-piece rock collective TEKE::TEKE is set to perform at the M for Montreal/Brooklyn Vegan showcase on Thursday, March 18th between 7 and 8 pm CST. We got a quick chat in with guitarist Serge Nakauchi Pelletier ahead of their SXSW Digital performance, which curiously involved talking about hygiene standards around aliens.
What was the first song or album that you remember hearing, and does that work of art have any influence on how you approach your music today?
The first music I remember hearing was the first album by The Kinks, Ennio Morricone’s ‘The Good, the bad and the ugly’, and Nakajima Miyuki’s ‘Aishite Iru To Ittekure’ from my parents collection. That right there has everything to do with what I’m doing today with TEKE::TEKE and how I do it. It didn’t occur to me until just recently, but it makes a whole lot of sense. I owe everything that I’m doing now to my parents and the early moments of music we’ve had together.
What was the first thing you did this morning? Woke up to the sound of Ryuichi Sakamoto’s theme for the film ‘The Revenant.’
What is your morning ritual like? Some stretching, green tea, and some reading in the bathroom.
If you could perform three of your songs live for our audience right now, what would they be? They would be the exact three songs we performed for the SXSW event we took part in : those are ‘Kala Kala’, ‘Barbara’ and ‘Meikyu’. I feel they really capture the essence and energy of the band.
Clearly nothing compares to a live, in-person show, but these livestreams have fed the energy a lot of audiophiles and fans throughout the pandemic. What have you loved about performing digitally? Three things come to mind : 1- Playing with the band 2- Seeing other people (technicians, camera crew, etc.) 3- The thought of making a difference in the lives of people watching.
Any thoughts on the digital SXSW experience this year? I can only speak for myself and the experience of the event TEKE::TEKE took part in, which was extremely well-organized and fun. The whole set-up and visuals were cool and should look good online!
What is your routine like on performance days? Just making sure that my mind isn’t too clogged with stuff, that I’m hydrated enough, I’ll do some stretching, some exercises, focus on my breathing, maybe a little warm-up on the guitar, and with the band we always do a little rallying cry that goes ‘TEKE TEKE YEAH!!!’.
What is one thing that you think is underrated? Rant about it. Non-automatic stuff, haha… or things that demand manual work. For example, I just recently bought a coffee grinder (for my occasional cup of decaf coffee). I could’ve gotten one of those electric/plastic grinders but I chose to go for an all-metal and manual grinder, the one with a handle that you need to turn over and over. I figured: when in my life do I get to do something like this?… this kind of motion, as the fresh smell of coffee grain being crushed to powder rises to my nose. Just because the technology’s there doesn’t mean you have to do it that way. Give me handles, buttons, things to pull, to push! Haha… manual work, please!
If you could order carryout from any place within 10 minutes of your home right now, where would you go tonight? What would you have there? Within 10 minutes, I would order and pick up from that Indian restaurant right on the corner of the street and have their delicious vegetarian thali. If I dared walk 20 minutes more though, I’d definitely go to this place called ‘Fleurs et Cadeaux’ here in Montreal’s Chinatown, my new favorite Japanese joint.
Aliens. The government admitted their existence and alluded to involvement, but we kind of skated past it during the pandemic. Do you think they’re enemies, or would you gladly accept an abduction to hang out with them? I know this is actually true and I’m waiting to sit with them and chat. As long as they have their masks on.
There are so many amazing places to go when you want to get inspired. Where are you headed to next? Can’t really go anywhere right now can we?… However, I’ll say this: personally my ‘place’ for inspiration has more to do with where I am in my mind than where I am physically. That has been a blessing during this pandemic as the inspiration juices just kept flowing.
What has been your favorite way to stay grounded during the pandemic? I consider myself among the very lucky ones whose lives have not been affected by the pandemic in a major way. Yes, shows were canceled, some contracts were postponed, but all in all, I’ve been able to keep the same lifestyle as before, if not even a little better so, with more time on my hands and less stress. To stay grounded (whether during a pandemic or not), I need to stay creative and keep a certain diversity in what I do. Exercise is a must, for both mind and body as they are indubitably linked. Feed my curiosity, stay aware and open, learn things, get good sleep and think of others.
Anything else you’d like to add? Check out our music videos for the songs ‘Meikyu’ and ‘Yoru Ni’ on YouTube and watch for our upcoming album ‘Shirushi’ out on May 7th with Kill Rock Stars.
Hang in there, we’ll see you live somewhere real soon! Peace!
From the first, bluesy lines, you can tell this song is about to hit you in your feels. 18-year-old Zola captures the modern teenage social landscape perfectly, as it is rife with backstabbing “frenemies” and the like. (But we aren’t speaking from experience or anything like that.) Explains Zola:
“[‘Not Like Other Girls’ is about] finding the courage to stand up for one’s self in the face of a bullying or gaslighting ‘friend.’ The phrase is inherently misogynistic, labeling other girls as inferior. The irony is that this girl who thinks herself superior is actually the opposite.”
What a deeply layered and gorgeous song. But it is the rhythm and standout vocals that really tell the story here, and we are stoked to see what direction Zola takes us in 2021. Allow yourself to melt into the music below.
March Madness basketball, daylight savings time, the first day of spring, Pisces season shifting to Aries, St. Patrick’s Day, International Women’s Day and Month, SXSW… this month is absolute insanity every year. How do we even do it?
Well, we wait to share our favorite video list until mid-month, but all the amazing additional coverage (Women’s Month IG lives every week night on @wearecatcall and @imperfectfifth, and SXSW coverage all over the place for the rest of the month!) made us feel like you’d be happy and distracted regardless. (Right?)
Anyway, these videos are magic. Watch them, see if you agree with us. Then come fight with us on Facebook. K thanks.
Have you ever let out a deep sigh, close to tears that you have to hold back? Do you maybe feel that way right now? Pop songstress Amsi gets it, and her new track gives you permission to let go and let it all out.
There were many instances where I was told I was too sensitive or too emotional, but now especially in this past year, I realized that crying doesn’t mean I am weak, it means that I am processing & growing. I hope people find comfort in knowing that it’s okay to cry too.
Amsi’s vocal depth is put on full display, as she impresses with high, boisterous notes as this song slowly spins into ballad territory. Check it out below.
As someone with an acute appreciation for ABBA (thanks, Mom), my heart absolutely melts anytime I get a cover of one of their quintessential tracks in my inbox. And, honestly, if you’re looking for an injection of absolute MAGIC – I’m talking goosebump-inducing, light-as-a-feather instrumentals with an angelic voice taking the forefront witchcraft – then this is the song you want to melt into. Yes, it’s a cover. But it’s so much more than that. It’s a feeling we have all been craving, something comforting and pure.
Check it out below, and don’t forget to share your thoughts over on Facebook!
Jazz folk artist Queen Bonobo is releasing her new single “Throw Me In” this Friday. A song that teeters a line between theatrical and folk music, the lead single from her forthcoming EP draws obvious inspiration from the Irish countryside she resided in while studying the music of her ancestors. This song was born from her time abroad while feeling disconnected and lonely on her new journey. The lyrics hold a powerful message, something to enjoy as we head into the tail end of the week.
Leading up to the release, we actually have your very first listen below. Check it out, and let us know what you think over on Facebook!
Right now, nostalgia comes in waves. Enjoying a song from our past, Re-discovering a snack we used to love. Engaging in re-releases with new traits, flipping through memory books, and digging through the past. Memories can be healing, especially in today’s health and political climate, and the memory of a live performance can be fleeting.
Singer-songwriter Jen Grinels plays on our nostalgic hearts with the release of her Live Volume 1 full-length, recorded over three nights in early 2019 at The Music Box in Cleveland, OH, Rams Head Onstage in Annapolis, MD, and Avalon Theater in Easton, MD. The live music experience, something we haven’t been able to indulge in for an entire year, encapsulated in one gorgeous collection.
The light echoes from the sound bouncing off the walls of each venue, the magical eccentricities that live music brings with it. From the first mellow track “I Know Your Heart” through the soulful “Don’t Wanna Be Happy” and “Misery,” to the slow ballad-like presentation of “The Feeling,” Grinels powerfully champions multi-genre entertainment. And she doesn’t stop there, as “Can’t Stay Here” has roots in country with a little grunge flare. The sheer feeling (ha!) that rushes over you while playing this album gives you chills, as you imagine being at a live event in the future, singing into the open night air on a gorgeous evening.
That’s what this collection feels like. Live Volume 1 provides a little bit of hope at the end of this crazy pandemic tunnel. And doesn’t that just feel good right now?
Oregon-based folk-pop outfit Fox and Bones have curated the cutest collection of clips to create the music video for their single “A Changing of The Guard.” A song that is upbeat in nature and encouraging, the video directly reflects that.
“We wanted to find a way to bring together all of our friends, fans, and family in a way that would be fun and socially distanced. We put out the call to submit videos holding up lyrics or acting out what the lyrics meant to them. We were overwhelmed by the inflowing of videos and the level of creativity we saw from the submissions. We’ve always felt indebted to our fans for their love and support and this video felt like a great way to give back and showcase them, all without them having to leave their homes.”
Get your daily dose of happiness below. (We all need it.)
Gorgeous, free-flowing, poetry. Beautiful, layered, scattered instrumentals. An audible form of art that feels both nostalgic and somehow modern and brand-new. The enigma that is soul artist Adrain Younge’s incredibly artful brain is on display in his latest track “Revolutionize.” This track will carry you into the coming months with a sense of purpose and pride.
