Day 2 of Boulevardia was a hot one. Per usual, the annual festival occurs on just about the hottest weekend of the year, Father’s Day in downtown Kansas City. Day 1 featured many favorite local acts, an array of vendors (some of which provided a reprieve from the heat), and a metric ton of photo opportunities. Day 2 brought much of the same, with an earlier start time that easily drained the battery on many of us throughout the day.
But at 5:05 pm, the legendary Big Freedia took the main stage. If ever there were someone to reignite the flame on a fiery – yet sweaty – festival, she is that person. Her catalog of high-energy music brought the whole crowd to their feet, encouraging people of all ages to dance. (In fact, I witnessed many employing her twerking tactics throughout the evening as we got deeper and deeper into our alcohol consumption.) The show was an absolute work of art
Big Freedia brought beauty to the beginning of the evening on stage. She continued to bring good energy in her kindness to those who approached her after her performance as she roamed the festival grounds with her friends.
**Big Freedia was introduced by Kansas City’s current mayor in what many are considering to be a performative move. While he is championing legislation to make our city a safe haven for trans people, he is fighting against affordable housing for tenants and has voted down vital mental health, housing, and arts funding for the city. He has also pumped more money back into policing in Kansas City while defunding public health resources, a controversial and uneven approach.
If you have yet to hear of Jensen McRae, then you are in for a treat. You have been missing out on one of the most brilliant new talents to grace the clubs and venues of her home of Southern California. The 25-year-old pop singer-songwriter had the opportunity of a lifetime to open for an international touring sensation. McRae was hand-picked by Dermot Kennedy and his team to be added to Kennedy’s regular lineup for their stop in Los Angeles. (A show that normally consists of the Irish crooner and musician Kevin Garrett.) The Youtube Theater was in for quite the treat.
As the first line of lyrics came through McRae’s lips, an actual gasp went out across the Theater. The audience was spellbound by her warm vocals and the depth of emotion in her voice. We were particularly big fans of the goth feel of her collared, striped, and moody ensemble. Check out our (unedited) selects below.
On 4/20, Kansas City, Missouri hosted its inaugural cannabis and music festival experience on the grounds at the future home of the Smokey River Entertainment District. The venue, which is located just off 291 Highway in River Bend, Missouri, built a mecca for cannabis, its fans, and supporters to celebrate the yearly event. Berner is the infamous owner of the cannabis brand Cookies, so he was especially excited to help celebrate legalization in Missouri. In fact, he stopped to tell the crowd how incredible it was multiple times.
A particularly wonderful moment for me was when he included “Pass Me the Green” in his setlist. This feels like a no-brainer, based on the subject matter, but it still wasn’t an expectation. In the song, he rhymes:
Hopped out the game for a minute But I’m back now My bitch take trips out of state She from Sac Town
Directly following Berner was the indelible Joey Bada$$, who came out and immediately said he was happy to be in Missouri. The crowd lost their minds completely when he correctly identified the state, because that is a very rare thing. The name “Kansas City” leads many performers to believe that they are in Kansas. Bada$$ earned any respect he was lacking in that moment, and the crowd settled in to an absolutely phenomenal performance as he built the energy for the king himself, Wiz Khalifa.
And this crowd? Beautiful, calm, happy. All set with food trucks surrounding the stage space, and a cannabis village accessible to 21+ attendees. What a beautiful experience for the city, and a great way to kick off legalization in Missouri.
Last night was one for the books. As the sun set on Kansas City, Missouri’s first 4/20 with legalized marijuana, a crowd sprawled out over acres of land at the future site of the Smokey River Entertainment District got to bask in a new glow. Wiz Khalifa headlined the inaugural 420Fest, performing for thousands with the distant glow of car headlights from 291 Highway lighting the backdrop. Smoke filled the air, with the delicious scent from the food truck bay wafting over the attendees. It was a certain type of bliss, and Wiz was the ultimate soundtrack.
Joey Pintozzi, president of the event sponsor Besa Hospitality Group, is particularly excited about what the event means for Missouri at this time. “This is going to be an amazing event, on a special day, marking the beginning of a new era for Missouri during a historic time in our state.”
420Fest hosted a cannabis village area for attendees over the age of 21. Rows and rows of vendors – both local and those who drove in from an array of different states – brought us their own unique cannabis experiences. A stage brought us speeches on equity from lawmakers, nonprofit leads, entrepreneurs, and those who were formerly incarcerated for cannabis-related crimes. We also got to glimpse Mike Tyson and Ric Flair, as well as glass artists, edible extraordinaires, and so much more. The event aimed to normalize and celebrate the cannabis lifestyle, with a portion of the proceeds going toward equity in the space.
New York-based busking royalty Bandits on The Run graced the halls of the Westin at Crown Center during Folk Alliance 2023. Because they had (the smallest amount of) free time between interviews and scheduled sets associated with the festival, they took that opportunity to busk a bit inside. We got to snap some fun photos of them busking near the picturesque entryway, then after they had relocated to the stairwell and accumulated quite the crowd on multiple floors!
Who was a band or artist you played on repeat in your adolescence? Were you band or genre-loyal in your teens? Did you cling to lyrics, composition, or a specific type of energy to help inspire you and get you through the insanity of high school? Chances are, many millennials are getting into their feels thinking about emo and emo-adjacent music right now. A genre known for hosting nasally voices, lyrics that utilize a person’s entire vocabulary, titles that are longer than most novels, and theatrics that harkened a bit of darkness. While Panic! at The Disco absolutely belongs in this genre, lead singer (and now solo artist) Brendon Urie’s voice didn’t quite belong in the “nasally” category, as was the case for a handful of others who dominated the genre in the aughts.
2006 brought us “I Write Sins Not Tragedies,” an edgy track that immediately caught my attention, with a music video that utilized more stage makeup than a three-ring circus. In the words of Blades of Glory’s Chazz Michael Michaels, “it’s provocative.” Emo kids rejoiced as they saw themselves–their hair, at the very least–in the music videos and performances that ensued over the years from Panic. Even with the band’s evolution – from a band to a (mostly) solo act, with phenomenal cohorts, session musicians, and tour players, and as they’ve dipped their toes into different genres and sounds – their fanbase has held strong.
February of 2019 was the last time Urie made an appearance in the Kansas City metropolitan area. Aside from a less crowded atmosphere on the evening of September 13th, the crowd was no less invigorated and was loud enough to cause a visceral reaction from the entertainer multiple times. He looked shocked, he noted that he was impressed, and the pure joy on his face could be felt all the way “in the back back back back.”
Panic! at The Disco has always done its best to incorporate a wide range of tracks from various titles in every single one of their shows. While the Viva Las Vengeance tour was pretty meticulously planned – from pyrotechnics to sound effects, lighting and confetti – there is still wiggle room for a variety of songs to be interspersed depending on the date. Our stop seemed particularly magical, as the crowd sang along to the following tracks.
The tour itself – as high energy and incredible as the performance has been – has experienced some setbacks over the first few weeks. As most may know by now, two dates were postponed because of Covid, and the night after they were in Kansas City, there was a small fire incident on stage in Minnesota. And still, Brendon moves on with the energy and enthusiasm that we have come to know and love him for.
There’s something magical that happens when you get a trio of powerhouse female musicians together. When they all take their enthusiasm for their art and tour together, it can be an invigorating experience. Photographer Christie McMenamin captured shimmering moments from the final night of the Wild Hearts Tour in Central Park, featuring Julien Baker, Angel Olsen, and Sharon Van Etten.
August 13th was a Saturday night unlike any I have seen in a very long time. Approaching the outside of T-Mobile Center Arena in Kansas City, MO, you would have no idea by the soothing, music-filled area outside the gates that you were entering an almost-sold-out show in a multi-thousand-seat arena. an enigmatic atmosphere. Those in attendance had been waiting to see The Lumineers since the show was announced prior to the pandemic setting in.
The 25-song set included crowd favorites like “Ho Hey,” “Dead Sea,” “Ophelia,” and “Stubborn Love.” Their spin on “You Can’t Always Get What You Want” masterfully blended original track “Leader of the Landslide” into an easily digestible and beautiful new work of art. One of the most notable tracks, however, was their Petty cover “Walls (Circus)”, which was performed with their openers, Gregory Alan Isakov and Daniel Rodriguez.
Much as their name suggests, The Lumineers’ set design left the crowd ensconced in the warm glow of the lights. Their multi-runway stage gave the show a dynamic we have not had the privilege of seeing in the past. While each member of the band is a multi-instrumentalist and talented as all get out, we are more familiar with a stage presence that keeps them all solitary, in a straight line with equal lighting for the audience to enjoy. For this show, we witnessed climbing on pianos, jumping from one part of the stage to the next, and dancing under the most magical disco ball the crowd has ever seen. Add the flurry of confetti mid-show to the mix and you’ve got yourself a kaleidoscope snow globe experience.
Before the pandemic, it truly was all about the music. Now, it seems to be about creating a joyful atmosphere. Sure, the music holds as the firm base and is what gets the audience in the doors. But this band has taken their set design to a level that makes everyone — whether you are in the VIP pit or in the nosebleeds — feel as though they are snuggled with a blanket under starry skies as summer fades.
Dashboard Confessional was slated to headline Boulevardia 2019. Then, a massive summer storm blew threw and everyone ended up hanging out under shelter, many in a parking garage in Kansas City’s West Bottoms region.
Kansas City was ready for a Dashboard Confessional show. Way past due, Carraba started the show by addressing that night, and explaining how much he had been looking forward to hanging out with us over the last three years. We bought it, and sang the night away under the stars–our echoes reverberating off the downtown skyline–during one of the most excruciatingly hot weekends of the summer. Ah, Boulevardia.
