album Archives - Page 29 of 33

clint michigan makes stunning return with centuries

by Veronica DeFeo | Apr 27, 2018 | albums, review, wolf tracks

After nearly a decade since his last release, Clint Michigan has just released his brand new LP, Centuries. Following several difficult years struggling with sobriety and other issues, Clint Michigan (irl Clint Asay) is back and better than ever. Clint Michigan has displays the strength he possesses and the difficulties he has faced since 2009’s Hawthorne To Hennepin.

“Knickerbocker Street” starts off Centuries with a mellow, and emotional folk-pop track, highlighted some well-composed guitar playing and vocal harmonies.
Next up is “Beg for It”, a hauntingly beautiful track that follows up “Knickerbocker Street” in the perfect manner, alternating soft, nostalgic vocals with an irresistible, off-kilter beat.

“Steven Says” follows “Beg for It”, starting off with the trademark guitar playing that makes Centuries so excellent. Bringing in some violin towards the second half of the song, “Steven Says” explores many of the issues and despair that we face.
“The Way Out” will give you goosebumps from its astonishingly beautiful piano intro to its touching lyrics. Filled with a childlike, yet adult sound, this song is truly a treat.
“Centuries”, the title track of the record, is found in the middle of the album, and invites the reader along a nostalgic sonic journey. You won’t be able to help looking back on your own life as this track plays.

“Tired of Being Kind” is a unique track that lends itself more the folk side of Clint Michigan’s sound. Relevant and honest, “Tired of Being Kind” voices what many of us have on our minds but never say. “Shirt Off” muses on some memories of growing up as well as the present, again including some excellent instrumentation. “Eager to Leave”, the penultimate track on Centuries, takes a look at some of the stupidity of modern experiences (like unnecessarily taking pictures of our food before we eat it) through a timeless sound.

Appropriately, “That Is All, That Is It” closes out Centuries, along a simple beat that gradually brings in more instruments. When the piano and bass come in about 1:00 into the song, this song really gets going, creating the bittersweet goodbye of the record.

Centuries is truly a beautiful record. Check it out today.

Stay connected with Clint Michigan:
Official Website | Facebook | Instagram | Twitter

ciaran lavery, sweet decay

by Madison Blom | Apr 24, 2018 | albums, review

Coming out of a very successful year with a new album Sweet Decay that has already risen on some of the most acclaimed foreign charts is Ireland based singer/songwriter Ciaran Lavery.Not only has he had the opportunity to play on some of the biggest stages and has gathered thousand of dedicated fans, but he has the skill and talent that support his rapidly growing success. Recently, he has been awarded the Northern Ireland Music Prize for is 2016 album Let Bad In. Along with this tremendous achievement, Lavery has acquired over a million followers on Spotify and he doesn’t plan to stop there.

Throughout this wonderful album, Lavery explores self-growth and reflection through his smooth, hypnotic beats and rhythm. Vocally, it can be said that he has a very melodic voice that blends easily with the beautifully composed guitar and percussion portions of each of the tracks on the album. This attribute of Lavery’s sound is especially highlighted in, “Bones 4 Blood,” which is then followed up by a much lighter track, “Wicket Teeth.” Without a doubt, however, one of the greatest skills that this up and coming artist exhibits is the ability to fill each lyric with the appropriate emotion that almost seems tangible in the atmosphere as one sits and enjoys the musical masterpiece that Lavery has put together for his fans. In he future, this international star hopes to move his success across a grander demographic and hopes to continue to perform for adoring fans that appreciate the poetic lyricism of all of his music.

Keep up with Ciaran Lavery here.

youth in a roman field, storm conductor, out on 4/20

by Kayla Hutton | Apr 19, 2018 | albums, premieres, wolf tracks

Storm Conductor is set for release on 4/20. This is the third offering from Youth in a Roman Field. The mastermind behind this project is singer/violinist Claire Wellin with contributions coming from Tiffany Topol, Scott Stangland, Jamie Mohamdein, Cassidy Stirtz, and Katrina Lenk. Some of the tracks have the ability to whisk you away to the hills of rolling green in Ireland like a bar of Irish Spring, making it surprising that Youth in a Roman Field hail from New York.

The album opens up as if an orchestra was warming up before the curtains are drawn. As the melody becomes apparent it’s both adventurous and somewhat melancholic. A gentle operatic influenced woman’s voice calls out beautifully with a few overdubbed layers of alternate pitches that provide great harmony and thicken the sound into full spectrum stereo. “Your hand in mine”, is a short and sweet way to bring a listener in.

Sounding like a veteran jazz singer, Claire’s voice is most definitely the focal point, doing things most instruments just can’t. While there is a lack of a full on drum kit there isn’t a shortage of percussive additives. I’m not talking samples, I’m talking hand claps, unconventional tribal-like drums, and I even swore I heard a finger cymbal. The strings definitely posses a Celtic quality, yet sometimes can be morbidly curious.

The album’s title track “Storm Conductor” pulls away from the direction of the majority of the album. Vocals, strings, unconventional percussion, yes. The overall mood begins with a sick kind of twist. Similar to the way that Stephen King utilizes happy retro songs during a murder scene. There is something in the way she sings “It was an accident” that makes you second guess the innocent.

Finishing out the album is, “When the city goes quiet,” an acapella song with a gentle choir of group backing vocals. Youth in a Roman Field is the kind of music you want to submerge and wrap yourself in. Gentle with the occasional eyebrow lifting quirk.

Following the 4/20 release of Storm Conductor, you may be able to catch a glimpse of their live show as they head out on the road in support. You can find pre-order and purchase details through the bands’ website or by following them on Facebook.

jaunt, cue

by Meredith Schneider | Apr 16, 2018 | albums, review

Fresh off the presses, Jaunt‘s new 5-track EP Cue is ready for your waiting ears. Launched on Friday the 13th, there’s nothing spooky about this release, though it does play with dissonance and ambient sounds to bring you into a whole different soundscape than what you might be used to. While first track “Machined” feels like a slight machine interaction – small noises that lend themselves to its overall 70s-inspired feel -,second track “Best Case” continues at a slow tempo, the occasional guitar riff lending itself to a far more groovy sound.

“Intimate Sunset” exists in a soundscape similar to what the title infers. Beachy vibes almost drop from the speakers, and we’re already feeling like we’re on a much needed vacation. “Faster Interactions” is chill, groovy and psychedelic. With the use of a keyboard organ, soft high pitched vocals, and a variety of electronic sounds “Faster Interactions” stays true to its name. The video for “Faster Interactions” also really displays the band’s creativity with a psychedelic feel of fast paced iridescent lights and unexpected visuals.

Of “Faster Interactions” Jaunt says:

“Faster Interactions” is probably our zaniest track to date! It was one of the first written for Cue, but also took the longest to complete. We quickly knew that it would be a single, and playing it repeatedly live has helped us finesse it’s nuances. Caitlin and Eliza really helped bring a new energy and dynamic, ultimately making the song more joyous. We’re also trying very hard to bring back the sound of cheap keyboard orchestra hits in pop music.

They round out the magic with “Cued”, a slower track with more of a vibey, enchanting sound to it all. It’s the perfect bookend to what we have just experienced, and we’re enthralled enough to hear more.

Keep up with Jaunt here.

sarah shook & the disarmers take you through the years

by Jai'Tyria Hatton | Apr 6, 2018 | albums, review, wolf tracks

Sarah Shook & the Disarmers are back again after their debut album Sidelong. This year Sarah Shook and the Disarmers are back again with their follow Years. This album shows the groups growth from their previous album and shows the fearless and powerful stance that the group has taken on. Years has an even greater impact than the previous album.

In Years, Sarah Shook shows off her strong vocal delivery. Shook’s powerful vocals match the lyrics that are from her songwriting.

In “Heartache in Hell” Shook’s vocals display the sense of hurt that reflect the emotion of the lyrics in the song. The song has a country tone to it along with “The Bottle Never Lets Me Down”. “The Bottle Never Lets Me Down” shows submerging your emotions in alcohol.

Years takes you through several different emotions. The album tells a story of challenges. Years shows the struggle of having to pick yourself back up after going through challenges. The album is well worth the listen and shows a new transformation of Sarah Shook and the Disarmers.

Keep up with Sarah Shook & The Disarmers here.

ängie, suicidal since 1995

by Kayla Hutton | Apr 6, 2018 | albums, wolf tracks

WoW ! !

This is awesome. I’m a contradiction as I describe Ängie’s sound as smooth, subtle and in your face. But I bet I sparked your curiosity. From Sweden is trap pop artist Angie. Her debut album, suicidal since 1995, is set to drop on April 6th 2018 through Universal. This album is full of soothing bass, 808’s, and lounge-style vocals. If you are uptight or sheltered this album will pull your panties right out of their wad.

If you are easily offended, this may or may not be for you. The overall reception since Angie started up has been a 50/50 of love/hate. I absolutely love her straightforward, to the point, and consciously realistic lyrics. Let’s face it life isn’t all bubblegum and rainbows. The album’s opener, “Dope”, is smooth, sexy, and lyrically states, “If I’m also on dope when I make music, maybe my music will sound like dope.” Ängie described the track as, “a love song, but within it, I confuse love with the rush for music and drugs. It’s a love song to music, dope and the person that makes me wanna fight for it.” That statement is well back by the tracks verse line, “You got a place to rest and that’s between my thighs I press against your chest and then I realize.” “Here for my habit” depicts the relationship between the addict and the dealer and when the dealer pushes sexual advances. Thank You but no Thank You, “I’m here for my habit.”

It seems there isn’t a shortage of critics who are appalled by Ängie’s lyrics, image, and at times “fck you” attitude. This has me semi-thrown considering the lyrical content of death metal and gangsta rap. It cannot be because she is a young female since there have been female artists like Cycle Sluts from Hell and Liz Phair who were pushing the envelope in the 90’s. Is it geographical? Sweden has given us a slew of melodic death metal bands and industrial artist Tim Skold. Ängie referred to Sweden as being “too sensitive.” (Get with the times, folks. Women aren’t cooking, cleaning, Holy Homemakers anymore and haven’t been for quite some time.)

Ängie has an astonishing vocal talent. A jazzy lounge style but with an Adele type of projection in the way that it seems to come effortless and more soulful than produced. Laying predominantly in the veins of electronic, trap, and chill, there are at times R&B hints. Suicidal Since 1995 is pioneering the continuous push for expressive freedoms. Musically the production value is above par and if you have some good subwoofers in your trunk, you’ll get the best back massage.

The album closes out with a great interpretation and revamping of The Velvet Underground’s ‘Venus In Furs’, which is hands down one of those songs you cringe at the thought of someone butchering it, but not in this instance. Surprisingly she not only did it justice, but she nailed it dead on.

Ängie has a lot of history that I don’t have enough room to write about here, but here is hoping you dig a little deeper into her past and how she defines herself and music. There is more than meets the eye. Her talent deserves applause not only for her ability as a musician but her willingness to go against the grain and express herself.

Don’t forget to follow Ängie via Facebook. She is definitely an artist that belongs in your playlist.

kadhja bonet stuns with “mother maybe”

by Veronica DeFeo | Apr 5, 2018 | singles, wolf tracks

Kadjha Bonet is to release her completely self-made album, Childqueen, out June 8. Gearing up for this record, Bonet has dropped a stunning lead single, “Mother Maybe”. As her own producer, songwriter, album artist, mixer, and musician, Bonet has complete creative control over her music. The Los Angeles based artist knows herself and how to continually improve her own craft.

Childqueen follows her acclaimed 2016 debut album, The Visitor, and looks to only continue to bring listeners into Bonet’s stunning soundscape. With this first taste of her sophomore record, Bonet solidifies herself as being able to excel in every aspect of her music. Evident in her careful production, well-balanced instrumentation, confident and soulful vocals, Bonet is a one woman show as it should be. With effortlessly gliding vocals and an irresistible beat, “Mother Maybe” makes us incredibly excited to hear the rest of Childqueen. Bonet accomplishes what few solo artists can: excellence in every aspect of her work. It’ll be no surprise that the rest of her upcoming record is equally magnificent and carefully constructed.

Stay tuned for the rest of Bonet’s upcoming record, out June 8.

Be in the know about Kadhja Bonet:
Website | Facebook | Soundcloud

jodee lewis, buzzard’s bluff

by Madison Blom | Apr 2, 2018 | review, wolf tracks

From the deepest parts of the Missouri Ozarks, Jodee Lewis grew up surrounded by the beautiful backdrop of the dense, lush forests that surrounded her home. However, within the seclusion of the looming trees, Jodee found herself surrounded by more than just greenery. As she matured, she would later leave the serene setting of her childhood to escape the paina nd abuse that she had endured for so long. In Chicago, she found a new life and love that was deeply rooted in her music. With the heartbreaking experience of her past, she is able to connect on intimate levels with her listeners as she revisits the past and expresses the dark details of the secret she kept inside for so many years.

Hauntingly beautiful with lyrics that will leave you pondering, Jodee Lewis is releasing her new album Buzzard’s Bluff that contains everything that fans of Americana love and look forward to. In the past, Lewis’ sound has been associated with that of other well known artists such as Lee Ann Womack, EmmyLou Harris and Alison Krauss. Not only does her music come with an introspective message that will both inspire and mesmerize, but she has the vocal skills that will draw new and old fans to her.

Buzzard’s Bluff is out on Friday and is available for preorder now. Keep up with Jodee here.

field report, summertime songs

by Kayla Hutton | Mar 23, 2018 | albums, review, wolf tracks

Let me begin with why the anagram title. Led by Christopher Porterfield is the band Field Report (Porterfield/Field Report) A-ha, get it?.) Released today, Summertime Songs is the band’s third album, and the first being released through Verve Forecast which is part of the Verve Label Group. Lyrical content seems to be a polished focal point as metaphors are commonly used and his style falls in line with classic folk singers who told stories rather than followed the Dr. Seuss rhyming scheme. There is something heartfelt as you make your way through summertime songs, and as I understand all songs were written while Christopher and his wife were expecting their first child.

Based out of Wisconsin, Field Report is rounded out by drummer Shane Leonard, guitarist Thomas Wincek, and bassist Barry Clark who’s contributions complement each other in creating solid transitions and strong build-ups. A perfect example of this can be heard on “Never look back”. Boasting soft toned clean guitar leads and lightly brushed with an epic cinematic climax “Never look back” as I interpreted it, seems to be about that train wreck style of attraction. Addicted to the things we hate, or maybe that we loved at one point, sticking with it until it comes down to yourself and what you need to do for you. summertime songs is the kind of album you can leave on from start to finish.

There is a mood that goes alongside it that is easy to swallow, cruising along with no bumps in the road, meaning there isn’t a ballad followed by a loud obnoxious track, followed by a rap song followed by a country song. “Blind Spot” has some brilliant and beautiful background vocals that lay out the as if weightless and surrounded by light soft clouds flowing in succession to the backbeat.

The highlight on the album is “If I Knew”. Subtle lyrical genius in the line, “If I knew, what I know, so far yet to go”. Along similar lines of Bruce Springsteen, Counting Crows, and John Cougar Mellencamp. Maybe even fans of The Fray will appreciate Field Reports consistency and their “just right” approach that isn’t over nor underdone. Kinda like when Goldie Locks finds her perfect temperature bowl of porridge.

Tour Dates
Tuesday, March 27: Chicago, IL – Schubas
Wednesday, March 28: Indianapolis, IN – HI-FI
Thursday, March 29: Ann Arbor, MI – The Ark
Friday, March 30: Toronto, ON – The Drake
Saturday, March 31: Montreal, QC – L’Escogriffe
Tuesday, April 3: New York, NY – Mercury Lounge
Thursday, April 5: Philadelphia, PA – Milkboy
Friday, April 6: Washington, DC – Songbyrd
Saturday, April 7: Pittsburgh, PA – Club Cafe
Sunday, April 8: Columbus, OH – Rumba Cafe
Friday, May 25 – Sunday, May 27: Boston, MA – Boston Calling

You can get a copy of Summertime Songs here. They are touring in support and you can check the dates on their website or by following them on Facebook.

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