by Meredith Schneider | Jan 11, 2019 | albums, review
Today, Toronto indie pop four piece Tallies – comprised of Sarah Cogan, Dylan Frankland, Cian O’Neill, and Stephen Pitman – released their highly anticipated 11-track, self-titled stunner. We haven’t been this excited about new music Friday in quite a while, and we’re thrilled to have this album in our back pocket. From the very beginning of first track “Trouble”, there is a palpable energy that urges you to keep spinning. Second track “Mother” is a little more surf pop in its sound, while “Midnight” hits us with a more whimsical appeal. The vintage dance track beat to “Have You” makes the fourth song – slightly slower than its predecessors – something you might find in a 1980’s teen movie.
One will note – regardless of soundscape – that Cogan’s vocals are stand out, drenched in reverb and befitting of the “ethereal” label. While “Not So Proud” has the pace befitting of a leisurely stroll, her vocals absolutely soar, creating more of a ballad effect for the fifth track. “Trains and Snow” feels late 80’s, early 90’s-inspired, and is the first song in the offering that seems to enhance the instrumentals over the vocals. “Eden” carries the same pace, setting the stage perfectly for our hearts to thaw and grow from “three sizes too small” during “Beat the Heart”. (Seriously, this is our jam.) And while “Giving Up” has a slightly more melancholic feel to it, they end on a high note with both “Rocks” and “Easy Enough”, paving the way for more miracles to come!
Overall, Tallies in its entirety delivers a grandiose soundscape that could easily be found in a nostalgic and well-shot teenage romcom. It’s a gorgeous soundtrack to reminisce to, and we can’t wait to see this act on tour!
Keep up with Tallies here.
by ImperfectFifth | Jul 10, 2018 | soundtrack
Asbury Park, New Jersey-based rock trio Levy & The Oaks are revving up to release their upcoming album Sound Of The City. Their new video for “Obsessive Love” is making the rounds, and their sound is pure perfection for the summertime. Lucky for us, they created a playlist as an ode to their home, and we’ve got the exclusive streaming privileges right here! Says the band of the soundtrack:
Asbury Park is filled to the brim with amazingly talented artists. This playlist only scratches the surface and is our way of saying “Thank You” to all the friends and family we’ve made along the way. Asbury welcomed us with open arms and we hope to do the same for all upcoming inspiring artists looking to join our music community.
Keep up with Levy & The Oaks here.
by Meredith Schneider | Jul 8, 2018 | perspective, show review
I write this, now, in the early morning, mere hours after Hayley Williams, Taylor York, Zac Farro, and their cohorts in Paramore walked off the stage at Kansas City’s picturesque Starlight Theatre. I have always – since I was blessed enough to go to my first show at age 9 – preached the importance of live music in all of our lives. I took many of my friends to their first concerts growing up, have had some stellar moments myself, and have had the joyous opportunity to experience live performance consistently in my life. I won’t go more in depth into it all, but I think you get the picture. I’ve been around this block once or twice.
I’ve even seen Paramore before. Albeit, it’s been years since I was able to introduce the magic of Hayley Williams to a handful of my friends at Warped Tour 2007. And perhaps that magic wore off a bit, as I became slightly more jaded by my experiences, and didn’t feel the need to pursue Paramore’s musicianship as they climbed in popularity. It was never out of disdain for the band, or even a dislike of the music. In fact, as singles like “The Only Exception”, “Still Into You”, “Ain’t It Fun”, and others surfaced, I found myself enjoying them insanely in rotation on the radio. Because Paramore has that pop appeal, their songs incredibly catchy and produced to perfection.
But the words are what really get me. At the core of it all, I am a big believer in lyricism. If you miss the mark instrumentally, but you have a mellifluous chorus full of double entendre, intelligent verbiage, or raw emotion, then I’m likely to listen. Hayley Williams does that.
Hayley Williams did that last night. Songs the band had written at differing points in life, songs that others have been into since the moment the album dropped in 2017, those songs reached my ears last night. Perhaps I’ve heard them once or twice, perhaps more. But last night, I was prepared. Last night, I listened.
Hayley explained that After Laughter is her favorite work of theirs to date, as long as they’ve been enchanting fans around the world. This struck me as odd, as the synthy, 80s-influenced work followed a current mainstream pattern that hit me wrong to begin with. But she explained that the album was about something deeper, their individual struggles – including her divorce and struggle with mental health – masked with this upbeat, insatiable soundscape. But she said she enjoyed that aspect, because it wasn’t fooling anyone but they could still have fun on stage during tour.
And, really, that was such an inspiring sentiment. Increasingly, people are coming out of the woodwork, detailing their struggles with their health, whatever form that may take. I, myself, have struggled immensely with diagnosed anxiety and other health issues, and find it so incredibly refreshing when an artist who has experienced success becomes vulnerable for the benefit of the world around them. If only everyone could be that courageous.
The band slowed their set down for “26”, Hayley’s ode to her 26th year that she wrote for After Laughter. I focused on the lyrics. And I identified with them. This song was me when I was 26. I was scared, I felt limited creatively and emotionally, and I felt alone. Hayley’s inability to hold it all completely together during this song increased its vulnerability, deepened her connection with the audience. Because, after all, I believe everyone can relate to that song on some level, and it made for a beautiful moment during the show.
You best believe Paramore rallied into the evening, bringing out fan favorites like “Misery Business”, “crushcrushcrush”, “Hard Times”, and “Ignorance”, and – though they chose not to regale us with my personal favorite, “For a Pessimist, I’m Pretty Optimistic” – I realized that I’m on a very similar journey in my life. If we take time to open our eyes, we really all are. We are all “fake happy” sometimes. We go out of our way to please others, allowing ourselves to stay in dark places. We fall and we want to cry and we feel unsupported. We feel like there is no space for success in our lives. We have bad days.
But it’s live music, it’s that connection we all have to one another – enjoying musicianship and life in what can only be described as a sacred space – that keeps us all floating. We’ll all hit “26”. We’ll all have that “Still Into You” love. (I’m lucky. That’s the Paramore song I have been living out lately.) We all want “Ignorance” to be our best friends. We just need to be open to being vulnerable. And – without worshipping the artist themselves – we can find inspiration in what these musicians create.
I know I did. Since last night, I can’t stop writing. I had a dance party this morning to my two new vinyls (After Laughter, Riot!) already. And I feel awake.
***
Local band YOU MONSTER YOU opened the evening around 6pm, with a performance at the Applause Club inside the venue. As Paramore fans streamed in, they welcomed them with their fun and upbeat brand of alt punk rock. “This is a song that sounds like it’s about leaving a small town behind and moving somewhere else, but really it’s about crippling depression,” frontman Trent Munsinger explained to the crowd about their track “Dodge”, which perhaps opened up the mental health theme of the evening.
The band was full of quips, quite the entertainment to get the crowd ready for an evening of Jay Som, Foster The People, and Paramore. A couple of songs into their set, You Monster You performed one of their original songs for the first time in front of a crowd, with a stand-in guitarist. They hit all the right spots with it, and at the end Trent confessed he was happy it wasn’t a train wreck, while the band noted it was “a solid B+.”
Keep up with You Monster You here.
by ImperfectFifth | Jun 7, 2018 | 5 to 7, videos
Portland-based alt/pop My Brothers and I might be busy prepping for the release of their EP material, but the next piece in that EP puzzle belongs to “When You’re Ready”, for which the music video has been taking center stage since its release in late May.
We’re absolutely smitten with this quintet, so we decided to do a quick interview to celebrate all their (amazing!) release news as of late. Check it out below!
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How did you all meet?
Scott, Erik, and I (David) are really brothers, so we met because we had to. Then Jordan and Scott have been besties since 2nd Grade and Jordan held me when I was a baby. So he is basically our brother.
Your song “When You’re Ready” has a very unique sound, what inspired that?
For the entire EP coming soon, we wanted to write pop music and have it feel like it could be on Top 40 radio, while also staying true to what makes us different. In most of our new songs, we have a mixture of real instruments and samples. We wanted to create a hybrid that competes with a lot of the digitally created pop music you hear, without going full-blown digital. We have a lot of real piano, real guitar, real drums, and real bass, while also throwing in some synths and 808 drum beats. This is especially shown off in When You’re Ready. The vibe may feel familiar, but the execution is what we feel sets it apart. It’s organic pop!
The video for “When You’re Ready” has an interesting story that revolves around a dissatisfied model. How did you come up with the concept for the video?
The “When You’re Ready” music video idea was actually brought to us by the producer of the video. He reached out and pitched his idea and we really liked it right away. We knew we didn’t want the video to just be a direct narrative of the lyrical content and his idea felt like a pretty cool metaphor that makes sense with the lyrics without being a direct representation. We had a blast working on it and are super happy with how it turned out.
Who inspires you as artists?
We are all a bunch of music sponges. We love to listen to music and are constantly listening to the New Music Friday playlist on Spotify. So more recently we have been vibing on that new Shawn Mendes album (no shame). In general we have always been inspired by bands and artists like John Mayer, OneRepublic, Justin Timberlake, Michael Jackson, Coldplay, The Roots, and so many others.
Where to you hope to see yourself musically in the next five years?
I think we would love to be settling into a nice career and a nice rhythm of being full time musicians. This journey has been so much fun and taken a ton of work and will continue to take a ton of work, but I think if we could be releasing a 3rd or 4th album by then and have a solid foundation and fan base, that would be a huge blessing. For us, we just want to change lives. It sounds cliché but we aren’t just doing music because it’s fun. We want to make a difference in people’s lives and touch people’s souls with our music. Make them feel something deeper than just surface level. If we get to a place where we can be playing and releasing music and use our platform to be a light in this world, that would be reaching our ultimate goal.
If you could describe your sound, what would it be?
I think organic pop is probably the best way to describe our sound. We love all types of music. We grew up on jazz and rock and hip hop and blues. We try to just be ourselves when we write and not stray away from that jazzy guitar lick, or that fat hip hop drum beat. We find ways to implement the past in a pop way with real instruments.
What is your favorite part about working together as a band?
Collaborating in everything we do is so much fun. Whether its ideas for live shows, writing songs, or what to do for an Instagram story, we all just love being around each other and goofing off. We try not to take things too seriously and just stay true to who we are. If you ever get a chance to see us live, we think this shines through. We just have a blast and I basically view every transition as a chance to make the crowd laugh or smile… and occasionally cry (in a good way).
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Keep up with My Brothers & I here, and preorder their EP here.
by Kayla Hutton | Mar 12, 2018 | albums, wolf tracks
Remember the day Beavis and Butthead immortalized the band “Ween” and the song “Push th’ little Daisies?” Half of the group’s mastermind dean ween, aka the deaner, rounded out by Mike Dillon, Bill Fowler (Sound of Urchin), Adam Weiner (Low Cut Connie), Michael Hampton (Parliament-Funkadelic) make up the dean ween group. Their second album, rock2, will hit the drums of your ears March 16th, 2018.
“Showstopper”, the first track off of rock2, is a garage rock classic, a first-hand account of a small space and loud amps. The second track,”Fingerbangin”, is a semi- surf riff driven track with some superb drumming. I’m sure a crowd favorite at concerts.I was about 3 songs deep when I realized Dean Wean, all suggestive humor aside has become a very seriously seasoned musician. The total 180 spawns a sound you’d find on an old Eagles album. Returning to form with “Theme from skinheads kicking your ass” is saturated with horns in the back, anamorphic bass guitar and it’s easy to sing along to because the only word is “Oi.” Pulling more twists and turns to the albums sound is Rock2’s shining moment, “Yellow Pontiac.”
“You are what you eat, and you are what you drive”
This gritty, grungy, roll around in the swamp mud, tear into a solo cup with your teeth, gulp the beverage inside, and spit out what you chewed off, kinda rock song is seriously humorous.
The album ends with one more turn that isn’t as drastic. A dive bar, blues-rock jam “Sunset over Belmar.” Overall there is plenty of Dean Ween’s style of humor as well as a split personality type of musical diversity.
You can preorder rock2 out on March 16th through Schnitzel Records and keep up with the Dean Ween Group via their Facebook page.
by Jai'Tyria Hatton | Mar 8, 2018 | albums, wolf tracks
Roaming Herds Of Buffalo consists of William Cremin, Jared Fiechtner, Neal Flaherty, Scott Roots and Joe Shultz. Together the band makes dark music that makes you feel something, intensely. The band released a new album titled The Bugbears, an work that is thoughtful but takes you on a dark journey at the same time.
The album consists of 7 songs that can be classified as indie pop with a bit of rock. One of the songs from the album is called “Night Owl”, and it is a song that you can get up and dance to. The song takes a different tone from the rest of the album which is dark. “Winter Sun” sets the tone with its beat. The song has a rock vibe to it with a bit of a surf sound.
We’re floored by the album in its entirety, and know you will be too!
The Bugbears is available now.
by Veronica DeFeo | Mar 8, 2018 | albums, wolf tracks
Nevada-bred director, singer, and songwriter Nick Rattigan, styled as Current Joys, has just dropped his brand new visual album, A Different Age, out via Danger Collective Records. Now NYC-based, his fifth solo album is a special one since it features a self-directed music video for each song on the LP. As part of the punk band Surf Curse with Jacob Rubeck, Rattigan was able to explore the music scene as part of a duo; now, he also puts out solo material as Current Joys.
A Different Age’s multimedia approach allows fans of Current Joys to gain insight both visually and aurally into Rattigan’s creative psyche. With emotion-packed, vulnerable lyrics and vocals, Rattigan packs a punch into his record. A Different Age starts off with “Become the Warm Jets”, a track with a bittersweet vibe, soaring vocals, and a mellow, minimalistic, yet touching video to accompany it. Next up is “Fear”, a soft-rock featuring a red-themed lyric-style video. Featuring lyrics like “I don’t wanna be afraid/I don’t wanna live this way”, the track is an honest and emotional one. Following “Fear” is “Alabama”, nostalgic both as track and video, truly encompassing the title of the record.
The fourth track on A Different Age is “Way Out Here”, The video features a second-person POV at a carnival, following around Rattigan. “No Words” comes around as the middle track on the record, and as the name implies, is instrumental. The video is simply a clean, black-and-white shot of a woman sitting on a bed, just breathing. The song is one of Rattigan’s most experimental, featuring high-pitched psychedelic sounds alongside a mellow folk melody line. “In A Year of 13 Moons” brings lyrics back to the album in a thoughtful manner, accompanied by acoustic guitar. The video for this track is Rattigan playing guitar and singing while an artist draws on his face.
The title track of the album, “A Different Age” comes next. A different spin on the traditional “musician playing instruments and singing the song” cliche, Rattigan uses shadows to create a fresh take on this common theme. “My Nights Are More Beautiful Than Your Days” is the penultimate song on the record. A sweet video that is half-styled as a home-video, half as regular filming, follows two young lovers around their day.
Closing out A Different Age is “Fox”, which comes full circle with a video somewhat reminiscent in its style and content to “Become the Warm Jets”. A Different Age’s songs and videos display Rattigan’s flexibility and creativity at its finest, so don’t miss it!
Keep up with Current Joys:
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by Veronica DeFeo | Mar 5, 2018 | singles, wolf tracks
Following the success of his first EP, Songs in D, Sam Himself has dropped his new single, “Nobody”, which will appear on his forthcoming sophomore EP. Though born in Switzerland, Sam Himself is now based in New York City, and wrote “Nobody” about his experiences in a big city that can easily swallow you up. Utilizing the very on-trend tactic of genre-mixing, Sam scores a great track with “Nobody” on many levels. While on the surface level it’s a bluesy rock song, “Nobody” also contains nods to modern synth use and nostalgic crooning vocals.
Sam says of the single: “The best and worst part about moving to New York City is realizing that nobody has been waiting for you here. The apple is plenty big without you, and unless you come up with a pretty good reason, New York doesn’t care. ‘Nobody’ is about that crushing, eye-opening and ultimately liberating experience.”
If you’re as much in love with “Nobody” as we are, make sure to check out more by Sam Himself and keep an eye out for his upcoming EP!
Keep up with the latest from Sam Himself:
Facebook / Twitter / Soundcloud / Instagram
by Veronica DeFeo | Feb 6, 2018 | 5 to 7
Former opera singer and Northern Irelander Claire McKeown is joined by Claire Boutelle, Aimee Jacobs, Danielle Mandell, Dayna Richards, Jacquelyn Sky, and Cynthia Zitter to create a unique chamber pop choir dubbed Honey Child — and you’ve never heard anything like it. With a backstory that is full-on movie material, L.A.- based Honey Child was birthed from tumult and talent. This ensemble is a one-of-a-kind musical experience, and one you’ll want to keep up with. Their self-titled debut album will be out February 9th, and we can’t wait.
We were excited to speak with Claire McKeown, the founder of Honey Child about her background, current projects, and creativity.
Honey Child is a much different project compared to your opera/classical background — what made you take a different musical path?
I was about ten years deep into my training as a Wagnerian Soprano and performing scenes from Tannhäuser, Lohengrin, and Die Walküre at The Orange County Performing Arts Center. There was a Q and A after the performance and I got to talk to my audience. They clearly loved me and were excited about my voice but it hit me hard that these are not the people that I want to spend my life pleasing. I wanted an audience of freaks like me! I wanted my peers.
I fell into a dark spot after turning my back on my Operatic dreams. I started partying way too much and had a complete nervous breakdown including a brief conversation with the devil. I had never written music before that and I haven’t stopped since.
What was the inspiration for the fun and eclectic “Gotta Wait Another Night” music video?
It’s the classic tale of a night and day in the life of a baroque goddess who takes her nun to the beach.
Sprung from the brilliant mind of the Director Dawn Carol Garcia (Kaputt by Destroyer, Mercy by TV on The Radio) and produced by Cheeky Films. I think the original concept was to mix the worlds of ‘A Clockwork Orange’ and ‘Sarah McLachlan’. We loved the idea of a performer that dressed up even more in real life than their stage life. The main characters are based on alter egos of mine from past music projects. I have played a nun (Suor Angelica, Dialogue of the Carmelites) on the opera stage and the powdered wig look is from my last band, Dirt Bird.
When casting the role of the Nun I had my hottest friend in mind for the cigarette smoking nun role. Dawn thought that was too predictable and suggested to go left field and cast a man. My friend Daniel Leland Crook (Crook) popped instantly into mind. I knew he could play this part with elegance and just enough of the madcap we wanted.
The video ends at El Matador Beach and yes plenty of “You Maniacs, You blew it up” (from The Planet of The Apes) were recited while there. We picked this place because it is usually filled with surfers and were hoping to ask one to swim on the board to break up a struggle between me and my nun in the ocean. It would have been hilarious but there was not one Surfer there that day. Instead we were gifted with this beautiful couple taking wedding pictures on a rock that allowed for the gloriously ridiculous moment in the video that I think would have made Fellini proud.
What’s been the most exciting part of forming Honey Child?
I love making videos, I love writing and arranging songs, I love performing, and I love recording but the true excitement of Honey Child is during our practices. Every Sunday night I make dinner for the 7 of us and we all gather around to eat, talk, and sing. It is the highlight of my current life and such a treasured time.
How do you bring elements of your Irish background to this project
I think that finds its way in through the collective unconscious pumping in my blood of my ancestors. I also have a soft spot of sweeping melodies and songs that tug at your heart like ones in Only Our Rivers Run Free, The Fields of Athenry, and As she moves through the fair. My voice is very Irish, too. We are blessed with clear voices and I am told that you can hear my dormant Irish Accent best when I sing.
Favorite part of being in an all-female group?
I get to make music with 6 of the best musicians I know and create a sound that constantly moves us all to tears.
Everyone is so kind, thoughtful, helpful, and respectful. I hope that Honey Child is creating this positive environment but I am pretty sure I also just lucked out and attracted good humans. I’ll never understand why women are portrayed as caddy in pop culture because I have worked with men and women and it is always the women who are the most integral and free of drama.
Honey Child, as a band name, has Southern/Americana vibes to it. Was this intentional, or is there a story behind the name?
I used to have a choir director back in Middle School that would always call me Honey Child …but not in a good way. I think I may have given her a hard time because she was always pissed off at me. One day she and I were alone in the choir room and she started laughing and said “I can’t wait for you to go to High School because you’re going to be a nobody”.
A normal person would have let this crush them but I took it as such a complement. She thought I was a somebody!! At least at that moment. So a couple of years ago when I was thinking of starting a choir project it made complete sense to call it Honey Child.
Who do you hope to inspire through your music?
Anyone who thinks they are a nobody.
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Keep up with Honey Child below!
Official Site \ Facebook | Bandcamp / YouTube
Spotify | Apple Music | Twitter
